Brill’s New Pauly

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Pigments
(682 words)

[German version]

The notion of a 'marble-white Antiquity' which became fashionable during the Renaissance, reached its zenith with J.J. Winckelmann's aesthetics during the period of Classicism, and slowly began to change only in the first half of the 19th cent., e.g. through works such as the architect J. Hittorf's 1830 De l'Architecture polychrome chez les grecs (discovery of architectural polychromy). This notion, along with the poor survival of pigmentary remains on sculptures and architecture and the almost complete absence of original Greek painting, was one reason for t…

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Hoesch, Nicola (Munich), “Pigments”, in: Brill’s New Pauly, Antiquity volumes edited by: Hubert Cancik and , Helmuth Schneider, English Edition by: Christine F. Salazar, Classical Tradition volumes edited by: Manfred Landfester, English Edition by: Francis G. Gentry. Consulted online on 20 November 2019 <http://dx.doi.org/10.1163/1574-9347_bnp_e410050>
First published online: 2006
First print edition: 9789004122598, 20110510



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