At the beginning of the early modern period, the Greek term charaktḗr (‘stamp’ or ‘engraving’), which Patristic writers includingAugustine had been the first to introduce into literary Latin, had an abstract and technical meaning. As in the writings of Aristotle’s pupil Theophrastus, it denoted both a permanent mark, distinguishing feature, or symbol, and a prevailing moral quality [5]. The combination of the two senses proved so inspiring and fruit…