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Zenas

(74 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Ζηνᾶς/ Zēnâs). Sculptor's name on two Roman portrait busts from the early 2nd cent. AD. The addition to the signature of the father's name Alexander (IG XIV 1241) in the one case and of β in the other (IG XIV 1242) suggests two different sculptors. The name points to a connection with sculptors from Aphrodisias (Aphrodisias [1], sculptors' school). Neudecker, Richard (Rome) Bibliography Loewy, Nr. 383 a-b P. Moreno, s. v. Z., EAA 7, 1247 f.

Boedas

(79 words)

Author(s): Neudecker, Richard (Rome)
[German version] (also Boidas). Sculptor, son and pupil of  Lysippus. He worked in Byzantium around 300 BC. Pliny was aware of his fame but mentioned only the statue in Rome of a worshipper. For a long time the statue of the so-called ‘Praying boy’ from Rhodes in Berlin (PM) was erroneously identified with it. Neudecker, Richard (Rome) Bibliography R. Kabus-Preisshofen, Der ‘Betende Knabe’ in Berlin, in: AA 1988, 679-699 Overbeck, no.1516. 1521 (sources) B. S. Ridgway, Hellenistic Sculpture, 1, 1990, 227-228.

Statue

(1,377 words)

Author(s): Neudecker, Richard (Rome)
[German version] I. Term and general Derived from the Latin statuere ('to set up'), in sculpture, 'statue' denotes a completely three-dimensionally designed figure. This form of stand-alone depiction of people, animals and the more than human is at the centre of Greek artistry. In archaeological usage, statues which are integrated into architecture are also included in the term (pediment, akroterion ), but reliefs are not. Individual statues can be combined in a group in content and execution. The format of the statue ranges from sm…

Dameas

(135 words)

Author(s): Neudecker, Richard (Rome)
[German version] [1] (also: Demeas) Sculptor from Croton (also: Demeas). Sculptor from Croton. In 532 BC he created the victor's statue of Milon in Olympia that is described by Pausanias; there is a base with fragmentary inscriptions that is seen as going together with it. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 428 Loewy, no. 414 Overbeck, no. 484 (sources). [German version] [2] Bronze sculptor from Cleitor, c. 405 BC Bronze sculptor from Cleitor, student of Polycletus. In Delphi he created, for the victory statue of the Spartans who went to Aigosp…

Herms

(610 words)

Author(s): Neudecker, Richard (Rome)
[German version] Hermai (ἕρμαι/ hérmai, ‘Hermes heads’), also hermádion (‘small Hermes’), schêma tetrágōnon, tetráglōchis, describes in Graeco-Roman art a special form of anthropoid freestanding sculpture. The herm consists of a pillar with a head, mostly with wooden lateral beam stumps instead of arms ( cheîres, cunei) and a male sexual organ attached at the front that is always ithyphallic in early herms. Double herms bear two heads turned away from each other. Three- and four-fold herms on one pillar are also to be found. In Arcadian he…

Calon

(250 words)

Author(s): Neudecker, Richard (Rome)
(also Callon; Kά(λ)λων, Kál(l)ōn). [German version] [1] Sculptor from Aegina Sculptor from Aegina. C. was considered a contemporary of  Hegesias and a pupil of Tectaeus and  Angelion; his style was seen as archaic compared to that of  Canachus. An extant base from the Acropolis is dated to c. 500 BC. Pausanias describes a bronze tripod made by C. at Amycae -- a Spartan dedication after a victory against Messene -- featuring Kore as its support. It appears that other tripods, by  Gitiades, were also part of the offering, so that this tripod c…

Theke

(104 words)

Author(s): Neudecker, Richard (Rome)
[German version] (θήκη; thḗkē) is a term for any kind of container. In particular, from the 5th/4th cent. BC onwards it is used in texts and inscriptions for niche-shaped burial places, whether for burials in funerary buildings (Melos, 4th cent. BC) and vaults (Hdt. 1,67,3; 2,148,5), or for storing cinerary urns (Alexandria), but not sarkophagoi (Sarcophagus). Latin theca , in contrast, refers exclusively to holders for objects, primarily writing implements. Loculi Neudecker, Richard (Rome) Bibliography E. Saglio, s. v. loculus, DS 3.2, 1904, 1292-1295  A. Hug, s. v. T., RE …

Aphrodisius

(93 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Ἀφροδίσιος; Aphrodísios) Son of Lybius, sculptor from Athens; in Augustan times, he worked in the copyist workshop of Baiae. A copy, bearing his initials, of the type ‘Hera Borghese’ used for portrait statues has been found. A sculptor of the same name, however, whose statues filled the emperor's palace on the Palatine, came from Tralles. Neudecker, Richard (Rome) Bibliography C. Landwehr, Die ant. Gipsabgüsse aus Baiae, 1985, 88-94 Overbeck, no. 2300 (sources) P. Zancani Montuoro, Repliche romane di una statua fidiaca, in: Bullettino della Commissio…

Copies

(1,211 words)

Author(s): Neudecker, Richard (Rome)
[German version] A. Original and copy In archaeological literature, any reproduction of classical and Hellenistic sculptures that is faithful in form to the original is regarded as a copy, even if the copy does not completely correspond in size, material, or degree of completion. Copies in the broadest sense are a main characteristic of ancient art production which was based on slow change of style, on the familiarity with the iconography of passed epochs and a deep respect towards them: innovations w…

Daitondas

(51 words)

Author(s): Neudecker, Richard (Rome)
[German version] Bronze sculptor from Sicyon. He created victors' and portrait statues in Olympia and Thebes in the later 4th cent. BC, as well as one of Aphrodite in Delphi. Neudecker, Richard (Rome) Bibliography Lippold, 299 J. Marcadé, Recueil des signatures de sculpteurs grecs, 1, 1953, no.25 Overbeck, no. 1582 (sources).

Gold-ivory technique

(548 words)

Author(s): Neudecker, Richard (Rome)
[German version] (also called Chryselephantine technique). The naked parts of a statue were primarily worked from  ivory; and the garments and hair from sheet-gold, and materials like glass, precious stones and coloured metals were also used. Chryselephantine works were rare because of the value of their materials and are only extant in fragmentary form. The manufacturing technique is therefore not known in detail and appears to be mainly dependent on the size of the work. If the work was life-siz…

Antignotus

(67 words)

Author(s): Neudecker, Richard (Rome)
[German version] Bronze sculptor in Athens. Preserved are his initials of the memorial statues for the Thracian kings Raskouporis (around 13 BC) and Kotys. Making statues of philosophers and athletes, an A. mentioned in Pliny is more likely to be a sculptor of the 4th cent. BC when taking a dated base into account. Neudecker, Richard (Rome) Bibliography Loewy, no.314-316 s. v. A., EAA Suppl. 61.

Sthennis

(136 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Σθέννις/ Sthénnis). Bronze sculptor from Olynthus, active in Athens from 348 BC. According to surviving inscribed bases, he and Leochares created a family group on the Acropolis in Athens in the late 4th cent. BC, and a statue for Lysimachus [2] in Oropus in the early 3rd cent. There is literary evidence for several statues by S. of gods and one of a philosopher, which were later moved to Rome, one of flentes matronae et adorantes sacrificantesque (‘weeping, adoring and sacrificing women’, Plin. HN 34,19,90) and victor statues in Olympia. Although none…

Lycius

(152 words)

Author(s): Neudecker, Richard (Rome)
[German version] Bronze sculptor from Eleutherae, son and pupil of Myron. According to written tradition, he created a votive offering in Olympia with single combats from the Trojan War (Achilles and Memnon, among others) and an Argonaut group. Notes about a boy with a votive water vessel, a puer sufflans and a statue of the pancratiast Autolycus ( Pankration) have been too damaged to allow for identification. From the Athenian Acropolis an autographed plinth for equestrian statues is extant, which is dated historically to around 430-420 BC. Neudecker, Richard (Rome) Bibliography Over…

Caecosthenes

(101 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Καικοσθένης; Kaikosthénēs). Son of Apollonides, bronze sculptor from Athens. Eight bases from the early 2nd cent. BC are inscribed with his and his brother Dies' signature. Some originate from portrait statues, which is why C. is usually identified as Chalcosthenes, who, according to Pliny, is supposed to have mostly sculpted statues of actors and athletes. In the Athenian Kerameikos, one could find ‘rough’ statues of gods and goddesses made of terracotta, perhaps the clay models for bronze statues. Neudecker, Richard (Rome) Bibliography Overbeck no. 1380-1381 Lo…

Dipoenus

(123 words)

Author(s): Neudecker, Richard (Rome)
[German version] Sculptor from Crete. Like his brother Scyllis, assumed to be a pupil or son of the legendary  Daedalus and one of the original exponents of the art of marble sculpture. Tales of his flight from Cyrus and his first commissions in Sicyon reflect the fact that the ‘Daedalic’ marble-sculpture of the Greek islands preceded that of the mainland and date its arrival on the mainland to the earlier half of the 6th cent. BC. Even in ancient literature, some archaic works were attributed to …

Onatas

(391 words)

Author(s): Neudecker, Richard (Rome) | Michel, Simone (Hamburg)
(Ὀνάτας; Onátas). [German version] [1] Bronze sculptor from Aegina, 5th cent. BC Bronze sculptor from Aegina, son of Micon. O. was a contemporary of Hegias [1] and Ageladas and one of the most important masters of the Severe Style. None of his numerous works is extant or secured in the form of copies. His signature is found on a pedestal of a bronze horse on the Athenian Acropolis and a pedestal in Olympia, both from the early 5th cent. BC. In Olympia, O. sculpted a votive offering ( anáthēma ) for the Achaeans in around 470-460 BC with Nestor and nine Trojan h…

Terracottas

(1,788 words)

Author(s): Neudecker, Richard (Rome) | E.K.-B.
[German version] I. Introduction Terra cotta (an Italian term meaning 'burnt clay') was the commonest material used for many kinds of ancient utensils, vessels and art objects. In archaeological terminology, it refers to artistically formed objects. As well as free moulding by hand, mass production was also usual, in the Near East (from the 3rd millennium BC) and the Mediterranean (from the 6th cent. BC). A matrix was derived from the patrix (original) to serve as a mould. If the object was made hol…

Aristion

(181 words)

Author(s): Olshausen, Eckart (Stuttgart) | Neudecker, Richard (Rome)
(Ἀριστίων; Aristíōn). [German version] [1] Epicurean philosopher, ' Tyrant' of Athens (88-86 BC) Epicurean philosopher, who, in 88 BC, became very influential in Athens with the help of  Mithridates VI (‘Tyrant’). In order to win the Greeks over to Mithridates, A. supported  Archelaus, e.g. in the battle against the proquaestor Q. Braetius Sura at  Chaeronea. In the spring of 87 BC, he retreated from  Sulla back to Athens. The city fell on 1 March 86 BC; A. managed to hold out on the Acropolis for a short w…

Mys

(177 words)

Author(s): Beck, Hans (Cologne) | Neudecker, Richard (Rome)
(Μῦς; Mỹs). [German version] [1] Karian from Euromos, around 480 BC Carian from Euromus, who visited several oracle shrines in Boeotia and Phocis in 480/479 BC on behalf of Mardonius [1]. In the Ptoion mountains the oracle replied to him in the Carian language (Hdt. 8,133-135; Paus. 9,23,6; cf. Plut. Mor. 412b). Beck, Hans (Cologne) [German version] [2] Toreutic sculptor and and fellow artist of Phidias Toreutic sculptor in metal and fellow artist of Phidias. M. executed the shield reliefs on Phidias’s ‘Athena Promachos with a representation of the fight betwe…
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