Search

(Ἰδαία; Idaía). [German version] [1] Epithet of Cybele One of many epithets of the mother of gods ( Cybele), named after her cult on the Phrygian  Ida [2] (e.g. Eur. Or. 1453; Str. 10,469). Walde, Christine (Basle) [German version] [2] Nymph of the Ida mountains Nymph of Ida [2] in Phrygia, wife of the river god Scamander, mother of  Teucer, the first king in the Troad, after whom the people of the Teucri are named (Apollod. 3,139; Diod. Sic. 4,75). Zingg, Reto (Basle) [German version] [3] Daughter of Dardanus Daughter of Dardanus, great-granddaughter of [2], second wife of  Phineu…

(Νύξ/ Nýx; Lat. Nox, night). In antiquity, the night as a sphere of the eerie and the hidden was regarded not simply as a natural, daily phenomenon that shaped people's lives but as a goddess and personification. It is difficult to draw clear boundaries between these realms. [German version] A. Genealogies In variously accentuated genealogies of gods [1], N. is a cosmogonic power. In Hesiod, N. belongs to the first generation of gods along with other appearances of light (Hes. Theog. 123ff.; 211; 744ff.; cf. her authority in Hom. Il. 14,259). Sh…

[German version] (Μνημοσύνη/ Mnēmosýnē, Latin Moneta; Liv. Andronicus, Odusia fr. 21 Morel-Büchner-Blänsdorf). Goddess of memory (cf. Mneme). As a daughter of Uranus and Gaia M. belongs to the oldest generation of Titans (Hes. Theog. 135), who represent cosmic and social concepts. After spending nine nights with Zeus, she became the mother of the nine Muses who bring human beings joy and temporary light-heartedness (Hes. Theog. 54 ff.; Pind. Nem. 7,15; Pind. Isthm. 6,75). Parallels to Zeus’s other lo…

(Greek Μοῦσαι/ Moûsai, Latin Musae; Camenae: see below; etymology contentious [3. 7f.]; ancient attempts at a solution, e.g. Pl. Crat. 406a; Diod. Sic. 4,7,3-4; Etym. M. 589,40; further details [3. 5f.]). [German version] A. General The M. are a specific of the religion and of the cultural self-conception of the Greeks. Far from being mere personifications of the arts, they are rather the expression of the capacity, granted to man alone, for self-reflection and taking a place in history. As goddesses of memoria (memory and the means of remembering, the…

In the 1st cent. BC, vernacular form of the gentilicium  Claudius (C. [I 4] and  Clodia), since late Republican period also an independent family name. I. Republican period [German version] [I 1] C., C. Praefect of M. Brutus in 43/42 BC In 43/42 BC follower and prefect of M. Brutus; he murdered C. Antonius [I 3]. Elvers, Karl-Ludwig (Bochum) [German version] [I 2] C., Sex. Henchman of P. Clodius [I 4] Pulcher, Sex. Cloelius [2] Henchman of P. Clodius [I 4] Pulcher, Sex.  Cloelius [2]. Elvers, Karl-Ludwig (Bochum) [German version] [I 3] C. Aesopus Tragic actor, 2nd half of the 1st cent. BC Tragic …

[German version] [1] Bishop of Gabala/Syria, c. 400 The bishop of Gabala (present-day Ǧabla) in Syria who appeared from AD 401 as a preacher in  Constantinopolis. His name is primarily tied to the acrimonious conflict with Iohannes [4] Chrysostomus after the latter was nominated as ecumenical patriarch. Both were regarded as gifted preachers, and their rivalry, characterised by reciprocal slights and their open competition for the favour of Empress Aelia [4] Eudoxia, finally led to the deposition and ex…

Roman cognomen; see also Ateius, Fonteius. [German version] [1] Orator of the Augustan period Orator of the Augustan period, praised by  Seneca the Elder because of his ability -- in contrast with  Cassius [III 2] Severus -- to distinguish clearly between the demands of declamations as opposed to those of legal speeches, with regards to their tone and presentation. According to Seneca's assessment, C.'s best orations were in no way inferior to those of the tetrad of the great declamators  Latro,  Fuscus,  Alb…

(Greek εἰρωνεία, eirōneía, orig. ‘dissimulation’, Lat. simulatio, dissimulatio, illusio). [German version] I. Rhetoric Like e.g. metaphor ( Comparison), irony is classed in the rhetorical system among the tropes ( Figures) (Rhet. Her. 4,46 assigns it to allegory). While metaphor works through the similarity between what is said and what is meant, irony is characterized by a relationship of contrast ( contrarium) (Anaximen. Ars Rhetorica = [Arist.] Rh. Al. 21,1,1434a, 17f.; Quint. Inst. 8,6,54-56; Aquila Rhetor 7 p. 24,21f. H). Irony is context dependen…

[German version] (from Greek παράλληλοι/ parállēloi, 'standing or lying side-by-side'). As a transpositional figure of speech (Figures) parallelism, like hyperbaton, antithesis and chiasmus, is part of embellished speech ( ornatus). It designates (at least two) coordinated sentence units of equal rank that relate to one another and also deviate from normal word order (Quint. Inst. 9,3,80f.). If the number of syllables in the words and the length of the two sentence units are identical, this is called isokolon; if they are approximately equal, the term used is parison. In order to…

[German version] (Κάλχος; Kálchos). King of the Daunians ( Daunia), lover of  Circe prior to the arrival of Odysseus. Because he continues to importune her against her will, she drives him to madness with enchanted food and drink. As a Daunian army begins looking for him, Circe releases him from her spell, but only after C. promises never to set foot on her island again (Parthenius 12). Walde, Christine (Basle)

[German version] The term was coined by the Neapolitan humanist G. Pontano (14th cent.) for the frequent repetition of the same consonant (also, vowel in initial position) or of the same syllable in a word group. However, the phenomenon of alliteration was already known in the practical use of ancient rhetoric (it corresponds to a positively understood homoeoprophoron, related to paronomasia). Alliteration results in a closer linking of sentence parts and creates a mnemotechnical effect (e.g. in Germanic alliteration). It is used most often in aphorisms (Suet. Iul. 37,2: veni, vidi…

[German version] (Greek σιγή/ sigḗ, σιωπή/ siōpḗ and associated verbs; Latin silentium, taciturnitas, quies and associated verbs). Even though Graeco-Roman Antiquity bears the stamp of a culture of speech (Rhetoric), many testimonies from ancient literature, religion, philosophy, medicine and general understanding betray a high awareness of the importance of silence, which had its own forms of expression and performance [2; 4; 12]. Programmatic statements on silence are found throughout Antiquity, e.g. in Pi…

[German version] [1] C., Ti. Teacher of Latin rhetoric and orator, 2nd cent. AD Teacher of Latin rhetoric and orator of high-flown speeches at the time of Antonines who was even listened to by  Gellius (13,22); befriended by  Fronto (ep. ad am. 2,2), highly regarded by  Hadrianus because of his fine education and moral attitudes. C. favoured the reading of Republican authors (Sallust, Metellus Numidicus, C. Gracchus: Gell. NA 2,27; 1,6; 11,13) is linked with the revival of old Roman virtues: Stylistic and moral judgment go hand in hand in the spirit of Cato's vir bonus, peritus dicendi; C. …

[German version] [1] A Muse (Greek Καλλιόπη, Καλλιόπεια; Kalliópē, Kalliópeia; Lat. Calliopa; on the etymology Diod. Sic. 4.3). Of the nine  Muses (Hes. Theog. 79), C. is mentioned most often and is particularly depicted on an individual level. She was originally the Muse of epic poetry honouring warfare, but later, in a paradoxical turnaround, of the ‘peaceful’ Roman love elegy (Prop. 3.3) or of lofty poetry in general (Ov. Tr. 2, 568). C. is considered the patroness of poetry and, among others, is appe…

[German version] (Φωσφόρος/ Phōsphóros, 'bringer of light'; also Ἑωσφόρος/ Heōsphóros, 'bringer of dawn'; Latin Lucifer [1], cf. Cic. Nat. D. 2,53). Term for the planet Venus as a light-bringing human-friendly morning star, which is identical - as was recognised at an early stage - to the evening star Hesperos (Parmenides, 28 A 1 DK; Pl. Epin. 987b). In mythology, however, the idea of two stars always remained: here P., like Hesperos, is a son of the dawn Eos and the Titan Astraeus (He…

[German version] (Κητεύς; Kēteús). Mythical king in Arcadia, son of  Lycaon; according to Pherecydes in Apollod. 3,7,2 also the father of  Callisto. Walde, Christine (Basle)

[English version] The multi-voiced discourse conducted within Graeco-Roman Antiquity regarding dreams and dream interpretation in religion, literature, everyday life, philosophy, divination/mantic art and medicine shows clear signs of cultural determination [19]. Despite striking breaks with tradition - above all through Christianity - a relatively high degree of continuity in dream discourses can be observed since Antiquity [18]. Among other things, this is probably owing to the fact that the anc…

[German version] Factual poem in 185 Latin hexameters, dealing in alphabetical order with rhetorical  figures; it was designed as an aide-mémoire in the teaching of rhetorics. It was evidently based on  Rutilius Lupus and  Alexander [25], son of Numenius. As a rule, three lines are offered per figure (the Greek designation, one line for the Latin definition, two lines of examples from Greek and Latin classics). The writer is anonymous (the addressee Messius is perhaps identical with Arusianus Messius); the late Lat…

[German version] (τρόποι/ trópoi; singular τρόπος/ trópos, rhetorical term, literally 'turn', from τρέπεσθαι/ trépesthai, 'to turn'; the original technical term was metaphorá, which later acquired its more preicse meaning: Aristot. Poet. 21,7,1457b; Latin verbum translatum: Quint. Inst. 8,3,24, translatio or tropus [1. 205-208]). In rhetoric, tropes have their place in the category of elocutio / ornatus in verbis singulis: in contrast to figures, which have  their effect on the surface of the text, e.g. in the word order, tropes are phrases used in a …

[German version] [1] Military term Soldier of the Roman manipular army in the third line of the legion in battle formation (Pol. 6,21,7-10). The triarii were armed with gladius (Sword), scutum (Shield) and hasta [1] (Pol. 6,23,16). The integration of the triarii from the phalanx into manipular tactics had the purpose of stabilizing combat effectiveness. After that, the qualification was no longer based on the census but on age and battle experience instead (Liv. 8,8,3-13). The battalions were referred to as 'pillars' ( pili), the triarii as a whole as pilani (Varro Ling. 5,89). Their…