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[German version] Generally antiphonal singing (Theoc. 8,31), also dialogue in tragedy (Pl. Resp. 394b), today terminologically established as antiphonal singing in the drama. In the listing of the components of the tragedy in ‘Poetics’ (12,1452b 22) Aristotle differentiates songs for the stage (τὰ ἀπὸ τῆς σκηνῆς) and kommoi as special cases. Whereas in the first instance only the actors are involved (monodies, duets), with the kommoi the collaboration of actors and chorus is decisive. As, however, not all antiphonal singing between choir and actor(s) can be d…

[German version] [1] Legal action An action, especially a legal action (Dig. 49,1,12) i. a. defining characteristic of   alienatio : omnis a., per quem dominium transfertur, Cod. Iust. 5,23,1. Formal legal actions in accordance with the old   ius civile , e.g. the   mancipatio , are described as acti legitimi. Any added condition renders them ineffective. Additionally, actus can mean a utility (  servitus ), for example the right to drive draught animals and beasts of burden over a plot of land, including the right of way ( iter, Dig. 8,3,1pr.). This actus is a res mancipi, and is obtained i…

[German version] The return of the chorus after it had left the orchestra during the performance of a play (μετάστασις χοροῦ; metástasis choroû, cf. Poll. 4,108), as in: Aesch. Eum. 231, 244; Soph. Aj. 814, 866 ; Eur. Alc. 746, 861, Hel. 385, 515, Rhes. 564, 674 ; Aristoph. Eccl. 310, 478.  Parodos Zimmermann, Bernhard (Freiburg) Bibliography O. Taplin, The Stagecraft of Aeschylus, 1977, 377-381.

[German version] (τὸ ἐπεισόδιον; tó epeisódion, from the adjective ἐπεισόδιος; epeisódios, ‘inserted’). According to Aristot. Poet. 12,1452b 20f. part of a tragedy between two entire chorus parts (that is between the  parodos and the first   stasimon or between two stasima). The term epeisodion is found as a technical term only in the Poetica, other authors speak of a méros or mórion. Aristotle also uses the terminus epeisodion in the Poetica in a more general sense for ‘section’, ‘episode’ (e.g. 17,1455b 13 Aristot. Poet. 17,1455b 2.15.18.27.). In the Old Comedy,…

[German version] (Πρατίνας/ Pratínas) of Phlius (in the Peloponnese), according to the Suda π 2230 (TrGF I 4 T 1) the inventor of the satyr play; son of a Pyrrhonides or Encomius (descriptive names: son of a 'red-head' or of 'a member of a - Dionysian - komos'; on the red hair and beards of satyrs cf. Dioscorides, Anth. Pal. 7,707,3 and  Soph. Ichn. 358). Two dates are attested for his life: between 499 and 496 he entered a tragedic agon against Aeschylus [1] and Choerilus [2] (T 1); and 467 is a  terminus ante quem for his death: that year his son Aristias [2] entered with plays by P. ('…

(Ξενοκλῆς; Xenoklês). [German version] [1] See Little-Master cups See Little-Master cups. Zimmermann, Bernhard (Freiburg) [German version] [2] Attic tragic poet, end of 5th cent. BC Attic tragic poet, end of the 5th cent. BC, son of Carcinus [3] (family tree: TrGF I 21, p. 129), frequently mocked in comedy (TrGF I 33 T 1-7); successful at the Dionysia in 415 (DID C 14) with Oedipus, Lycaon, Bacchae and the satyr play Athamas. There is evidence of the further titles Licymnius (one surviving verse, F 2) and possibly Myes (Μύες, Mice) (but cf. TrGF I 21 T 3 d-e). Zimmermann, Bernhard (Freiburg) …

(Ἡρακλείδης; Hērakleídēs). Famous persons: the politician and writer H. [19] Lembus, the philosopher H. [16] Ponticus the Younger, the doctor H. [27] of Tarentum. I. Political figures [German version] [1] Spokesman on behalf of Athens at the Persian court, end of 5th cent. BC H. of Clazomenae (cf. Pl. Ion 541d) was in the service of the Persians and probably called basileús for that reason. Thus, he was able to perform valuable services for Athens at the Persian court in 423 BC for which he received Attic citizenship soon after moving there (after 400, Syll.3 118). To move the Athenians …

(Πύρρα/ Pýrrha). [German version] [1] Daughter of Epimetheus In Greek mythology daughter of Epimetheus (brother of Prometheus) and Pandora and wife of  Deucalion. She and her husband were the only people to survive the flood sent over the earth by Zeus to punish the people of the Bronze Age; on the advice of Prometheus they built a boat on which they sailed around for nine days and nine nights. Deucalion and P. created a new race of people (Pind. Ol. 9,43-56; Ov. Met. 1,318-415), by - on the instruction…

(Νικόμαχος/ Nikómachos). [German version] [1] Healing hero See Gorgasus and Nicomachus Schmitz, Winfried (Bielefeld) [German version] [2] Athenian official, 410-404 BC Allegedly the son of a slave and only later accepted as an Athenian citizen. In 410-404 BC, N. led the commission for recording the laws ( anagrapheîs tôn nómōn). Exiled under the Thirty ( triákonta ), he returned in 403 and again became anagrapheús. In 399/8 BC, N. was accused of manipulating the laws, thus e.g. contributing to the sentencing of the demagogue Cleophon [1] in 404, evading his …

(Μέλητος; Mélētos). [German version] [1] Athenian, c. 415 B.C. Athenian. In the year 415 BC he was denounced for having participated in the profanation of the mysteries and the mutilation of the Herms ( Herms, mutilation of the). He fled from Attica and was condemned to death in absentia (And. 1,12f.; 35; 63). Possibly the same as M., the great-grandson of the Alcmaeonid Megacles [4] (IG II2 1579,19). Schmitz, Winfried (Bielefeld) Bibliography PA 9825 Traill, PAA 639290. [German version] [2] Prosecutor of Andocides, 400 B.C. Athenian; along with Socrates and others he was ordere…

[German version] (Νόθιππος; Nóthippos). Athenian tragedian (TrGF I 26), mentioned by the comic poet Hermippus in his Moîrai (prob. performed 430 BC) (Fr. 46 PCG). Zimmermann, Bernhard (Freiburg)

[German version] (Περεύς; Pereús). Son of the Arcadian king Elatus [3] and Laodice; father of Neaera [3] who was the wife of Aleus [1], the founder of Tegea (Paus. 8,4,4; Apollod. 3,102). Zimmermann, Bernhard (Freiburg)

(Θρασυκλῆς/ Thrasyklês). [German version] [1] Representative of Athens in the Peace of Nicias, 2nd half of the 5th cent. BC Athenian, who in 421/0 BC requested the proxenía for a resident of the Peloponnese (IG I3 80,7) and belonged to those who swore an oath on the truce and the alliance between Sparta and Athens in the so-called Peace of Nicias [1] in 421 (Thuc. 5,19,2; 24,1). In 412/1, T. was strategos along with Strombichides in the campaign to Asia Minor (Thuc. 8,15,1; 17,3; 19,2). Peloponnesian War Kinzl, Konrad (Peterborough) Bibliography Traill, PAA 517180 Develin 157; 141. …

(Πύθων/ Pýthōn). [German version] [1] Dragon killed by Apollo near Delphi An enormous dragon killed by Apollo near Delphi with his arrows. The oldest version of the story is offered by H. Hom. 3,300-374: Apollo overcomes a female dragon who perpetrates her mischief in the vicinity of Delphi and into whose care Hera had given her son Typhon (Typhoeus, Typhon). The town and the god receive the nickname Pythṓ (cf. also the name of the female seer at Delphi, Pythía [1]) from its decaying (πύθεσθαι/ pýthesthai) corpse. According to Eur. IT 1245-1252, the dragon is male and guards the…

(σατυρικὸν δρᾶμα, satyrikòn drâma). [German version] A. Origins As in the case of Greek tragedy, the debate on the origins of the SP also starts with an observation in Aristotle's Poetics. According to Aristot. Poet. 1449a 19 ff., tragedy had initially dealt with minor topics in a humorous language and only later acquired its appropriate solemnity, because it had developed from the satyresque (ἐκ σατυρικοῦ, ek satyrikoû) and its original nature had been more that of a dance (ὀρχηστικωτέρα, orchēstikōtéra). Aristotle thus did not claim in any way that tragedy had developed…

(Πολεμαῖος/ Polemaîos). [German version] [1] Macedonian commander, c. 300 BC (also called Ptolemaeus and Polemon in MSS, but correctly P ., IG II2 469 and IK 28,2). Son of one P., Macedonian, nephew of Antigonus [1]. P. was probably already an officer in the Macedonian army under Alexander [4] the Great, possibly sōmatophýlax (Court titles B) of Philippus Arridaeus [4] (Arr. Succ. 1,38). In 319, he went to Eumenes [1] as a hostage of Antigonus (Plut. Eumenes 10); in 314 he was sent as general to Cappadocia and to secure the Hellespont (Diod. Sic.…

(Τιμόστρατος/ Timóstratos). [German version] [1] Tragic poet, 4th cent. BC Greek tragedian, successful at the Lenaea in c. 350 BC (TrGF I 83). Zimmermann, Bernhard (Freiburg) [German version] [2] Athenian comedy writer, beginning of the 2nd cent. BC Athenian comedian, who came sixth at the Dionysia in 188 BC with his Λυτρούμενος ( Lytroúmenos, 'The ransomed [prisoner]') [1. test. 1] and fourth in 183 with his Φιλοικεῖος ( Philoikeîos, 'He who loves his relatives') [1. test. 2]; a third place in c. 177 with an Ἀντευεργετῶν ( Anteuergetṓn, 'He who repays good deeds') is uncertain [1…

(ὁ πρόλογος/ ho prólogos, Lat. prologus, prologium). [German version] A. Concept In his list of the individual elements (μέρη/ mérē) of tragedy in the 'Poetics', Aristotle defines the prologue as a complete section of a tragedy preceding the chorus' párodos (Aristot. Poet. 13,1452b 22 f.) [9. 471 f.]. However, the term prólogos was already in use in the technical sense before Aristotle: in 'The Frogs', Aristophanes subtitles the prologue the 'first part of a tragedy' (Aristoph. Ran. 1120: τὸ πρῶτον τῆς τραγῳδίας μέρος/ tò prôton tês tragōidías méros), which, however, can have ref…

I. Greek [German version] A. Definition, origin, early forms The explanations for the term τραγῳδία ( tragōidía) are controversial; equally controversial is the reconstruction of the genesis of tragedy from cult rituals over pre-literary choral performances to the literary genre of the 5th cent. BC. The greatest problem is to reconcile Aristotle's [6] brief history of the genre in the Poetics (Aristot. Poet. 4,1449a 9-31) with anthropological and ethnological considerations. Aristotle thought the literary form evolved gradually from short myths (plots) a…

[German version] Derived from the verb δρᾶν ( drân), predominantly attested in Attic, the noun δρᾶμα ( drâma; ‘action’, ‘deed’ in a general sense) is the antonym of ‘what is experienced’ (πάθος/ páthos) (Aesch. Ag. 533); it can also mean ‘duty’, ‘task’ (Pl. Tht. 150a, Resp. 451c ). For the most part, though, drama is a technical term meaning ‘theatrical play’ (tragedy, comedy, satyr play) in the context of its performance (Aristoph. Ran. 920); it appears in the plural form in the title of Aristophanes' play Δράματα ἢ Νίοβος ( Drā́mata ē Níobos; fr. 289-298 PCG III2; fr. 299-304 PCG III2), in T…