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[English version] Verf. einer Weihinschr. (sechs Distichen unter dem Lemma Ἰουνίωρος), in der eine Aphroditestatue proklamiert, daß sie in Sinuessa (Campanien) neben einem Tempel mit Blick aufs Meer aufgestellt worden sei: die Weihende, Eon (ᾘῶν, V. 3), stellt sich als Freigelassene des Drusus (d.Ä. oder d.J.?) und seiner Gattin vor (V. 4). Unbeweisbar ist die Gleichsetzung des Dichters sowohl mit Lucilius Iunior, dem Freund des Seneca, als auch mit dem Epigrammatiker Pompeius Macer Iunior. Albiani, Maria Grazia (Bologna) Bibliography EpGr 810 = Anth. Pal. appendix I 199 Cougny.

[English version] (Λάκων). Sonst unbekannter Epigrammdichter (man hat an sizil. Herkunft gedacht, vgl. Theokr. Eidyllion 5), dem alternativ zu Philippos von Thessalonike, dem Verf. des “Kranzes”, ein einzelnes Weihgedicht (Anth. Pal. 6,203) zugewiesen wird: elf iambische Trimeter, welche die auf wunderbare Weise durch die heiße Quelle des Flusses Symaithos am Ätna bewirkte Heilung einer hinkenden Alten beschreiben, die ihren Stab den Nymphen weiht. Albiani, Maria Grazia (Bologna) Bibliography GA II 2, 369.

[English version] (Μνασάλκης) von Sikyon. Epigrammatiker des “Kranzes” des Meleagros [8] (Anth. Pal. 4,1,16), wohl um 250 v.Chr. Ihm werden 18 Gedichte zugeschrieben: Weihe- (ebd. 6,110: eher von Leonidas [3] von Tarent), Grab- (ebd. 7,488 = PKöln 204: Dieser Pap. enthielt vielleicht eine ausschließlich M. gewidmete Slg.) und epideiktische Epigramme, die alle hauptsächlich denen der Anyte nachgebildet sind. In 17 G.-P. (vgl. Athen. 4,163a) bearbeitet M. ein asklepiadeisches Thema neu (Anth. Pal. 7…

[German version] (Μνασάλκης; Mnasálkēs) of Sicyon. One of the epigrammatists in Meleager's ‘Garland’ [8] (Anth. Pal. 4,1,16), probably around 250 BC. He is attributed with 18 poems: dedicatory (ibid. 6,110: more likely by Leonidas [3] of Tarentum), funerary (ibid. 7,488 = PKöln 204: this papyrus possibly contained a collection dedicated exclusively to M.) and epideictic epigrams, all of which are mainly modelled on those of Anyte. In 17 G.-P. (cf. Ath. 4,163a) M. reworks the subject of one of Ascle…

[German version] Epigrammarian from the ‘Garland’ of Philippus, under whose rare name Ὅνεστος (probably an assimilation of the Roman cognomen H.) - he is sometimes called Korínthios (cf. Anth. Pal. 9,216) and sometimes Byzántios (cf. ibid. 7,274) - ten mostly epideictic poems are extant, which often relate to Boeotia and are distinguished by antitheses and both lexically and phraseologically original coinings of words. It is almost certain he was the H. who wrote the epigrams which came to light in Thespiae, of which nine are dedicated to the Muses, one to Thamyris and one to a Σεβαστή ( Seb…

[German version] Otherwise unknown author of an aphoristic epigram (the Anthologia Planudea attributes it to Palladas): an unfaithful friend is more to be feared than an open enemy (Anth. Pal. 10,121). The motif is quite common (see, e.g., Anth. Pal. 10,36; 95; 11,390; as early even as Thgn. 91 f.). Albiani, Maria Grazia (Bologna)

[German version] (Θεοδωρίδας; Theodōrídas). Greek poet from Syracuse (second half of the 3rd cent. BC; on his origin  cf. Ath. 15,599e), whose varied works are all lost (cf. [1]) with the exception of 19 elegant epigrams (dedications, funerary poetry and two epideictic poems; the attribution by Anth. Pal. 7,282 is uncertain) in Meleager's [8] 'Garland' (4,1,53 f.). In a fictional funerary inscription (Anth. Pal. 13,21) T. criticises Mnasalces; he also seems to attack Euphorion [3] in an epitaph (7,406) which he presumably wrote when Euphorion was still alive. Albiani, Maria Grazia…

[German version] (Σατύριος; Satýrios). Epigrammatist of uncertain identity, perhaps identifiable with Satyrus [9]: the only surviving poem, Anth. Pal. 6,11, is attributed by the Anthologia Planudea to one S. (name rarely attested), but by the Anthologia Palatina to a Satrius, not recorded elsewhere (possibly the Italic gens name Satrius? cf. [2]). Content: dedication to Pan by a hunter, a bird catcher and a fisherman (theme of 14 further epigrams from the 3rd cent. BC until the 6th cent. AD, parodied by Lucianus, perhaps Lucillius…

[German version] (Ἰομήδης; Iomḗdes). Otherwise unknown author of a grave inscription from the 2nd or 3rd cent. AD found at Nemra (Namarae Batanaeorum) in Syria (five partly damaged distichs). The poet, who calls himself ‘master ( prýtanis) of the Ausonian muse’ (v. 10), celebrates in those lines his own forefathers, who once dedicated a memorial to Tyche in the same place. At the end (v. 9), he signs with his name (τήνδ' Ἰομήδης; tḗnd' Iomḗdēs), which has been taken to be - because of its singularity - an intentional and witty alteration of ‘Diomedes’ [1]. Albiani, Maria Grazia (Bologna) Bibl…

[German version] (Κυλλήνιος; Kyllḗnios). Author of two epideictic epigrams that show thematic and stylistic affinities with the ‘Garland’ of Philippus, but which cannot with certainty be traced back to it. In Anth. Pal. 9,4 a wild pear tree praises in elaborate language and little-known words the one who made it fertile through a graft; in Anth. Pal. 9,33 there is a brilliant distich about a ship that was shipwrecked even before it was completed (a variant is 9,35 that Planudes attributes to the same C. whilst the P manuscript however attributes it to  Antiphilus [3]). Albiani, Maria Graz…

[German version] (Νοσσίς; Nossís). Female epigrammatist from Locri Epizephyrii; most of her writing took place at the beginning of the 3rd century BC (cf. Anth. Pal. 7,414: epitaphios on Rhinthon; 6,132: praise for the victory of the Locrians over the Bruttians), of noble descent (cf. 6,265). Her poems were found in the ‘garland’ of Meleager [8], who emphasises her inspiration by Eros (4,1,9f.), which N. herself revealed in the programmatic poem 5,170. The 12 poems, each with four lines (6,273 is u…

[German version] (Λαυρέας; Lauréas). Epigrammatist, probably identifiable with Cicero's freedman M. Tullius L., author of five elegant distichs in Latin about a Cymaean mineral spring (FPL 80). The Anthologia Palatina ascribes three poems to him: the funerary epigrams 7,17 (fictitiously to Sappho) and 7,294 (to a fisherman, in the style of Leonidas) which are preceded by the gentilicium Týllios, and the paederastic epigram 12,24, whose authenticity, however, is doubtful (cf. Anth. Pal. 12,25-27 of Statilius Flaccus [1] whose gentilicium Statýllios may have caused attributi…

[German version] (Γαυράδας). Author of an ingenious epigram in iambic trimeters in the form of a dialogue between Echo and her lover (Anth. Pal. 16,152). The popular theme (cf. also Archias, Anth. Pal. 9,27; Evodus, ibid. 16,155; Satyrus, ibid. 16,153; Anon., ibid. 16,156) is developed in an original fashion; dating the poet, whose obviously barbarous name is unique, is impossible. Albiani, Maria Grazia (Bologna) Bibliography FGE 111f.

[German version] (Τύμνης; Týmnēs). Epigrammatist with a Carian name from the 'Garland' of Meleager [8] (Anth. Pal. 4,1,19), perhaps 3rd or 2nd cent. BC. Seven poems survive, each consisting of two couplets, with the exception of an epideictic six-line poem Anth. Pal. 7,433 on the 'Spartan mother' (imitated by Erycius, Anth. Pal. 7,230 and Antipater [9], Anth. Pal. 7,531). Two of the four epitaphs are considered to be on animals, cf. Anyte (Anth. Pal. 7,199,211). The Priapic poem Anth. Pal. 16,237 i…

[German version] (Ἥδυλος; Hḗdylos). Epigrammatist of the Garland of Meleager (Anth. Pal. 4,1,45), son of the female elegiac poet  Hedyle, lived on Samos and under Ptolemy II in Alexandria (283/282-243 BC). Of his poems (dedicatory, funerary, epideictic, sympotic and derisive epigrams) eight are passed down in Athenaeus and five in the Anthologia Palatina (Anth. Pal. 11,123 and 414 are probably not authentic; 5,161 is perhaps from  Asclepiades [1]; cf. Ath. 7,297a; Str. 14,683; EM 72,16 for other possible works in verse and prose). These few epigr…

[German version] (Πίνυτος/ Pínytos). Author of a conventional, one-distich funerary epigram on Sappho (Anth. Pal. 7,16; inclusion in the Garland of Philippus [32] highly doubtful). The rarity of the name suggests identification with the grammarian P. of Bithynium, freedman of Epaphroditus and secretary to Nero (Steph. Byz. s.v. Βιθύνιον). Albiani, Maria Grazia (Bologna) Bibliography GA II 1, 438f.; II 2, 464f.  M. Lausberg, Das Einzeldistichon. Studien zum antiken Epigramm, 1982, 261, 265.

[German version] 6th-cent. AD poet of epigrams, author of three erotic epigrams that originate in the Cycle of Agathias: Anth. Pal. 5,249 (love with the haughty Rhodope is represented as the merging of soul and body); 5,251 (about an unnamed woman whose pride is not even broken by the evanescence of her beauty) and 253 (appeal to the coy Chrysilla to submit to Cypris' wishes). This last poem was imitated by Niketas Eugenianos. Albiani, Maria Grazia (Bologna) Bibliography Al. and Av. Cameron, The ‘Cycle of Agathias, in: JHS 86, 1966, 8.

[German version] (Φάεννος; Pháennos). Epigrammatic poet of the 'Garland' of Meleager [8] (Anth. Pal. 4,1,29f.), probably 3rd cent. BC. Preserved are one funerary epigram for the Spartan Leonidas [1] who fell at Thermopylae (Anth. Pal. 7,437; belongs to the Laconophile school of Hellenistic epigrammatic poetry, cf. Epigram I E ), and another for a cricket buried by its owner (7,197); although the subject is a topos (cf. 7,189; 190; 192; 198; 364), this poem seems to depend on Mnasalces (Anth. Pal. 7,194). Albiani, Maria Grazia (Bologna) Bibliography GA I 1, 159; 2, 457f.  G. Herrlinger, T…

[German version] (Καπίτων; Kapítōn). Otherwise unknown epigrammatist, of whom a witty distichon has survived: beauty without grace is compared with a ‘bait without rod’ (Anth. Pal. 5,67,2). C. (Capito) is quite a widespread Roman cognomen: the assumption that he might be identical with the epic poet from Alexandria, mentioned in Ath. 10,425, is thus without foundation; equally, it hardly is likely that he is identical with Pompeius C., who demonstrates his mastery in every metre and rhythm (TrGF 186). Albiani, Maria Grazia (Bologna) Bibliography FGE 34.

[German version] (Καλλέας; Kalléas) of Argos. Otherwise unknown composer of a sympotic epigram (Anth. Pal. 11,232) based on the saying: ‘wine reveals one's character’, a version of the old saying in vino veritas (cf. Alcaeus fr. 333 Voigt; Thgn. 500; Aesch. fr. 393 Radt etc.). The very rare compound λυσσομανής (‘raging’, v. 2) was probably adopted from  Antipater [8] of Sidon (Anth. Pal. 6,219,2). Albiani, Maria Grazia (Bologna) Bibliography V. Longo, L'epigramma scoptico greco, 1967, 106 H. Beckby, Anthologia Graeca, III-IV, 21967.