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[German version] [1] Roman teacher of rhetoric from Cordoba, 1st cent. BC 1st-century BC Roman teacher of rhetoric from Cordoba, teacher of Seneca the Elder (Sen. Controv. 1, praef. 22-24) and his friend M. Porcius Latro (ibid., praef. 24; 2,2,7; 7,2,11). His method of instruction consisted of isolated practice in individual areas of inventio and elocutio (see ibid. praef. 23; partes orationis ). While Latro esteemed M.'s sententiae (ibid. 1,2,17), Seneca, citing a range of sententiae and colores, characterises him as a ‘dry fellow, who offers little that is attractive b…

[German version] Bucolic poem of the early Imperial period, in which the poet puts a curse on his expropriated land. The link with Verg. Ecl. 1 and 9 resulted even before the Vergil biographies of Donatus (based on Suetonius) (§ 17) to its attribution to  Vergilius (but cf.[3]). Maintaining the topic, v. 104 begins a new poem without a topical break (cf. v. 41. 89. 95 with 107), known as Lydia, but without ancient evidence regarding that title, probably written by the same author (cf. [5]). It is an elegiac lament of a lover separated from his Lydia. Both piece…

[German version] Panegyricus ( Panegyrics) by an unknown author probably around AD 39/40 [3], to C. Calpurnius [II 13] Piso (Caesoninus) who then in 65 became a figurehead in the conspiracy against the emperor Nero. Therefore an attribution to Calpurnius [III 3] Siculus (last [2. 71-76]) or Lucanus (most recently [1. 139ff.]) cannot be taken into consideration. In 261 carefully constructed hexameters the author engagingly expresses his intention to be received into the circle of the addressee. …

[German version] ( Chronica Italica in [1], better Chronicon Constantinopolitanum (cf. [7; 8. 41-43]). Originally simply an informative chronicle in Latin, based on the calendar structure of the Consularia Constantinopolitana [1. 197-245], written or expanded in Constantinople in the 4th century AD for a ruling class, eager for knowledge, on the periphery of the court  (for the images contained cf. [2; 3; 4]). An early phase extending as far as AD 387 is transmitted in the Fasti Vindobonenses posteriores (Cod. Vindobonensis no. 3416, 15th century) and Fasti Vindobonenses priores …

[German version] Latin textbook of rhetoric from the late Republican Period (dating to c. 50 BC compellingly argued in [5. 65 ff.]). It deals in 4 books with the canon of the officia oratoris ( officium [7]). Its source was a Latin textbook also used by Cicero for his De inventione ([4; 6];  [7. 271 ff.] newly adopted the old idea that Cicero used the Rhetorica ad Herennium). Attributed to Cicero from Late Antiquity on, the work is today - although with insufficient proof - often attributed to an author by the name of Cornificius named by Quint. Inst. 3,1,21 …

[German version] Modern term for an alphabetical Latin encyclopaedia from the late 8th cent. covering Linguistic notes to explanations of terms, the most comprehensive and most important educational aid of the Carolingian epoch; prototypes are the MSS Parisinus Lat. 11529/30 and Cambrai 693 (both late 8th cent.; cf. [4]). Concerning the origin of the glossary ( Glossography) in the surroundings of Corby, in Tours, and in the Carolingian court library, and concerning Alcuin as terminus post quem, …

[German version] Epic poet of the Augustan period, mentioned by Ov. Pont. 4,16,17f. who praises him: as a counterpart of the Aeneis, his epic dealt with the settlement of the Trojan Antenor [1] in northern Italy. The identification with Valerius Largus, the prosecutor of the elegist Gallus, cannot be attested. Schmidt, Peter L. (Constance) Bibliography Bardon, 2,66f.

[German version] Probably somewhat older than  Terentius Scaurus and  Sulpicius Apollinaris; with his alphabetical lexicalization of linguistic-antiquarian material under linguistic aspects, he produced a work, which in his archaizing tendency was characteristic of the Hadrianic era ( Stromateis sive Commentaria lectionum antiquarum, probably 20 bks.). The material was taken from republican authors up to Virgil and was likely substantially based on  Probus. As famous as it was disputed, it also exposed -- according to Gell. NA 2,16,5ff…

[German version] A. Life Roman naturalist and grammarian of the Late Republic. Remarks by his friend and contemporary Cicero and references in a biography of Suetonius ([9]; testimonials in [1. 158-161; 5. 9-36]) illuminate the last 20 years of his life in particular. Born around 100 BC from a plebeian family, he is first encountered in 63 as a senator and supporter of Cicero's against the Catilinarians (Catilina; Cic. Sull. 41f.; Fam. 4,13,2); praetor in 58 (Cic. Ad Q. Fr. 1,2,16). In July 51 he me…

[German version] Roman rhetor of the Augustan-Tiberian period. His contemporary, Seneca the Elder, characterizes him whenever the opportunity arises with negative epithets: obscenitas, ‘vulgarity’ (Sen. Contr. 1,2,21); stultitia, ‘stupidity’ (1,4,12); ‘fatuity’ (7,5,10); ‘buffoonery’ (7,2,14); ‘empty magniloquence’ (9,2,27); insania, ‘madness’ (Sen. Suas. 2,16). Schmidt, Peter L. (Constance) Bibliography J. Fairweather, Seneca the Elder, 1981, passim (Index 399).

[German version] Latin comedy by an author of the early 5th cent. AD who came from Gaul, if the addressee Rutilius is identical with Rutilius Namatianus, which is also in keeping with the latent anti-Christian tendency of the play. Intended for recitation at a banquet, the Querolus , which is written in rhythmic prose, implies an understanding of Plautus and Terentius as prose authors. The Plautine comedy Aulularia, to which the prologue alludes, is the basis of the Querolus down to the same characters and names. The episode of the hidden treasure, however, is modelled qu…

[German version] ( Apthonius the communis opinio, but see Prisc. gramm. 3,420,1-7 and GL 6,80,30-81,3; [3. 62-68]). Aelius Festus Asmonius, Latin grammarian of the 4th cent. AD; author of a lost grammar dedicated to Constantius II (Prisc. gramm. 2,516,15-16) and of a comprehensive metrics in 4 books, which was already mutilated at the start as early as late antiquity and was combined with the beginning of the grammar of  Marius Victorinus (but cf. GL 6,173,32); furthermore A. may be the author of supp…

[German version] The last important Latin grammarian, b. in Mauretanian Caesarea [1], pupil of Theoctistus, worked as professor of grammar at Constantinople into the first decades of the 6th cent. AD. On his circle, cf. [5]-[8]. His main work, the (1) Institutio de arte grammatica ('Textbook of Grammar'), consists (after an introductory epistle) of 18 books (1-7: De nomine; 8-10: De verbo; 11: De participio; 12-13 De pronomine; 14: De praepositione; 15: De adverbio et interiectione; 16: De coniunctione; 17-18: De constructione = 'syntax') and seems to have been written in se…

[German version] Versified handbook of popular ethics from the 3rd cent. (cf. Carm. epigr. 1988, 51; [1. LXXIII]); widely known by the end of the 4th cent. at the latest. The text, of which the Dutch philologist M. Boas made a lifelong study [1. LXXXff.], exists in version Y (or V) with 306 vv. and in a more extensive version F, with 331 vv. but altered by interpolations and recasting, aside from the Barberini recension [1. XXXVIff.]. The title of Y runs Marci Catonis ad filium libri, where F (Codex Verona cap. 163) has Dicta M. Catonis ad filium suum [1. LXVff.; 2. 30ff.], since Erasmus …

[German version] Roman grammarian, especially commentator. His partial commentary on Terence ( Adelphoe and Eunuchus) is taken into account in grammatical tradition; traces of his more famous commentary on Horace ([3. 1,3] puts him above Porphyry and Modestus) are to be found in the various reviews of the scholia, in particular in  Porphyry. As Gellius appears not to know H., yet H. is used by Porphyry (on Hor. Sat. 1,8,25) and Iulius Romanus (Charisius, Gramm. p. 250,11ff. Barwick) dating to the later 2nd ce…

[German version] Latin epic in 541 hexameters about  Scylla betraying her native city Megara to the Cretan king Minos and being transformed into a bird. The plot assumes knowledge of the mythical tradition and neglects narrative continuity and logic for the sake of individual scenes and profiling the heroine's emotions. This is characteristic of the epyllium in the elegiac tradition. Contrary to an ascription from late antiquity, Virgil (cf. Donat. Vita Verg. 17) has been ruled out as the author. …

Roman writer of tragedies in the Republican period, of Oscan-Messapian origin, nephew of Ennius (Plin. HN 35,19). [German version] A. Biography Born in 220 BC (cf. Cic. Brut. 229) in Brundisium (Jer. Chron. p. 142 H.), died shortly before 130 BC in Tarentum. Apart from this chronology, which comes from Accius' Didascalica and Varro’s De poetis [18. 48f., 53, 62] and has been preserved in works from Sueton’s De poetis [17. 36] to Jerome, there are traces of another tradition, which was perhaps shaped by Cornelius Nepos’ [2] Chronica. [2. 8, 5], which P.took up a generation later (…

[German version] Author of a liber prodigiorum, which for the years 190-11 BC, i.e. at the end of Livy's [III 2] Roman history, arranges accounts of portents ( Prodigium ) of salient historical events by and alongside their dates. The title of the edition princeps of the work [4] shows that it was begun in 249 BC (for the significance of the starting date cf. [5. 76f.; 10. 158ff.], and that therefore the portents for 249-191 have been lost. O. evidently relates Rome's success to its observance of divine signs, whose expiation averts thre…

[German version] The grammarian A., most likely from the late 2nd cent. AD, sums up the tension between archaistic and classical tendencies of the school canon in the 2nd cent. with his explanations of  Terentius,  Vergilius and  Sallustius. In his exegesis, the interest in historical-linguistic detailed phenomena takes second place to textual criticism, stylistics and the comparison with Greek classics. In late antiquity, he together with  Probus and  Terentius Scaurus constitutes a triad of gram…

[German version] Anonymous Latin poem in 93 trochaic tetrameters, purporting to be a processional song sung on the eve of a Venus festival in Hybla, Sicily. A refrain appearing at the beginning and end of the poem and at irregular intervals within it isolates a series of short sections, which add up to three major parts: 1. praise of spring and announcement of the festival (vv. 2-26); 2. vizualisation of the festival, place of the action (28-56); 3. praise of the power of Venus (59-79); the final part (81-92) culminates in a melancholy reflection by the poet. The poem, which raises a numbe…