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Feeling

(1,869 words)

Author(s): Recki, Birgit | Sarot, Marcel | Stock, Konrad | Schreiner, Martin
[German Version] I. Philosophy – II. Philosophy of Religion – III. Fundamental Theology – IV. Dogmatics – V. Ethics – VI. Practical Theology and Psychology of Religion I. Philosophy Feeling or sense (Lat. sensus, Fr. sentiment, Ger. Gefühl) is the direc…

Philosophy of Art

(1,685 words)

Author(s): Recki, Birgit
[German Version] Philosophy of Art, a subdivision of philosophical aesthetics (I), inquires into the properties and effects of art as the outstanding domain of aesthetic experience. The question (both practical and metaphysical) of the status and value of things fashioned by human beings in the totality of the world is exemplified in the case of art as the hermeneutical question of the conditions associated with the production and understanding of meaning (Hermeneutics). The philosophy of art begins with Plato, whose De re publica criticized art as a kind of mimetic represe…

Aesthetics

(1,902 words)

Author(s): Recki, Birgit | Schoberth, Wolfgang
[German Version] I. Philosophy – II. Theology I. Philosophy Aesthetics is the discipline concerned with reflective perception, feelings, and the beautiful in nature and art. The discussion of “aesthetics” has used this term, however, only in the modern era. In the context of metaphysics and ontology, epistemology and practical philosophy, poetics and rhetoric, however, the questions of aesthetics have accompanied thought since Antiquity. In fact, the history of aesthet…

Philosophy of Culture

(986 words)

Author(s): Recki, Birgit
[German Version] Despite discussion of the problem of culture since antiquity, cultural philosophy is an acquisition of the modern era; it began as a ra…

Culture

(7,222 words)

Author(s): Laubscher, Matthias Samuel | Moxter, Michael | Recki, Birgit | Haigis, Peter | Herms, Eilert | Et al.
[German Version] I. Religious Studies – II. Church History – III. Philosophy – IV. Fundamental …

Transcendental Pragmatics

(402 words)

Author(s): Recki, Birgit
[German Version] is a term and concept developed by Karl-Otto Apel in the context of …

Kant, Immanuel

(3,007 words)

Author(s): Recki, Birgit
[German Version] I. Theoretical Philosophy – II. Practical Philosophy – III. Esthetics and Nature Teleology (Apr 22, 1724, Königsberg – Feb 12, 1804, Königsberg), German philosopher whose thought on the critique of reason marks the high point of the Enlightenment and the origin of German Idealism. Kant saw ¶ his epoch as the “real age of criticism, to which everything must submit” ( Kritik der reinen Vernunft, AA 4, XI, note; ET: Critique of Pure Reason, 1881), even religion and legislation. The only authority that is recognized in its claim of “free and public examination” is rea…

Value Judgment

(1,418 words)

Author(s): Recki, Birgit | Mühling, Markus
[German Version] I. Philosophy A value judgment is a judgment by which something is assessed as valuable or valueless. In contrast to the judgment of fact, which constitutes a descriptive statement of facts with a claim to scientifically verifiable objectivity, the value judgment in the sense of a normative (prescriptive) assessment constitutes the act of recognizing or revocating a validity, mostly in practical respects (also indirectly). Where it is not directly meant to guide actions, it contains…

Judgment

(2,264 words)

Author(s): Recki, Birgit
[German Version] I. Philosophy – II. Ethics – III. Psychology – IV. Law I. Philosophy Judgment (Lat. iudicium, Fr. jugement, Ger. Urteil) is the intellectual decision (I) that concludes the process of opinion formation or cognition. It may (but need not) include an utterance of the matching proposition. Philosophically, judgment is one of the most important problems of logic, epistemolo…

Sublime

(1,076 words)

Author(s): Recki, Birgit | Mädler, Inken
[German Version] I. Philosophy The expression the sublime (Ger. das Erhabene) refers to our experience of objects that by virtue of their greatness (physical or metaphysical), power, or perfection make us conscious of our own exaltation, often with an accompanying awareness of the limits of our own capacity. In the debate with poetic enthusiasm (I) in antiquity, the sublime was discussed using the term ὕψος ( hýpsos, “height”) as a category of poetics and rhetoric (I): in ¶ the works of writers like Plato, Aristotle, Aristophanes, and Pseudo-Longinus, the issue was the functional adequa…

Taste

(263 words)

Author(s): Recki, Birgit
[German Version] (Lat. gustus/ sapor; Fr. goût; Ger. Geschmack) is the ability to discern pleasure and displeasure. Originally limited to the physical sense of tasting, since antiquity the term has been applied figuratively to perception, judgment, speech, and conduct (e.g. M.T. Cicero). In the mid-17th century, it was discussed in ethics (Gracián, French moralist literature); in the 18th century, it became a central concept of aesthetics (I) throughout Europe. Advanced theories of epistemology grounded…

Beauty

(3,008 words)

Author(s): Recki, Birgit | Oeming, Manfred | Pfleiderer, Georg
[German Version] I. History of the Concept – II. Bible and Theology – III. Systematic and Practical Theology…

Irony

(667 words)

Author(s): Recki, Birgit | Köhler, Wiebke
[German Version] I. Philosophy – II. Practical Theology I. Philosophy Irony (from Gk εἰρωνεία/ eironeía, “dissimilation,” attested since the 4th cent. bce; Lat. dissimulatio) is disingenuous speech for the purpose of demonstrative exposure or derisive goading: through the expressive characterization of ambiguity, the opposite of what is meant is said. Rectification through reversal is the method of irony, which is employed as an aesthetic means, in the broader sense, of gaining reflexive distance in philosophy, politics, literature and in the service of cognition and moral critique. In the context of philosophy, Plato makes fruitful use of irony, already described in ancient rhetoric, in Socrates's critical maieutics (“the art of midwifery”): through naive questions asked in feigned ignorance, the philosopher requires his discussion partner to examine his (apparent) certitudes. Cicero uses irony as a means of expression in political rhetoric, and in modern literature it becomes a narrative perspective (Cervantes, W. Shakespeare, Romanticism, H. Heine, T. Mann, and many others). In difference from F. Schlegel and others who reflected on romantic irony as a philosophical principle of poetry for the purpose of raising something above all contingency, G.W.F. Hegel rejected it as infinitely absolute negativity and mere empty subjectivism. S. Kierkegaard strengthened this critique for religious and ethical motives, but recognized the truth of Soc…

Imagination

(2,195 words)

Author(s): Recki, Birgit | Linde, Gesche
[German Version] I. Philosophy – II. Philosophy of Religion – III. Ethics – IV. Power of Imagination I. Philosophy Imagination or fantasy (Gk φαντασία/ phantasía, Lat. phantasia; Lat./Eng./Fr. imaginatio[n], “appearance, mental image, idea”; cf. also Gk φάντασμα/ phántasma, “appearance, dream image, vision”) is the primarily pictographic conception of things that dominates in memory and recreation (as in dreams). Its elementary activity also contributes to academic insights, technical inventions, and artistic production. Ever since Classical Antiquity, philosophy has concerned itself with imagination in the context of epistemic and aesthetic issues: how reliable and how important is the…

Categorical Imperative

(704 words)

Author(s): Recki, Birgit
[German Version] According to I. Kant, the categorical imperative stands for the unco…

Play

(3,179 words)

Author(s): Matuschek, Stefan | Hübner, Ulrich | Recki, Birgit | Huxel, Kirsten | Klie, Thomas
[German Version] I. Cultural History The Dutch cultural historian Johan Huizinga identified play as a fundamental cultural phenomenon and thus a defining feature of human life. His thesis of homo ludens supplements the anthropological theories of homo sapiens and homo faber and other explanations of culture grounded in reason and fabrication (Labor). Huizinga posits the following definition: “Play is a voluntary activity or occupation executed within certain fixed limits of time and place, according to rules that are freely accepted but absolutely binding, having …

Genius

(299 words)

Author(s): Recki, Birgit
[German Version] (Lat. ingenium/genius; Fr. génie) is the capacity for creative discovery and production. In analogy to G.W. Leibniz's notion of the divine choice of possible worlds, genius was characterized in the 18th century as the releaser of unrealized possibilities. Through the concept of genius with its productive power of imagination (Imagination, Power of), the aesthetics (I) of the 18th century valued the naturally given, spontaneous and emotionally accented facility for creativity above the regularity of reas…

Criticism,

(467 words)

Author(s): Recki, Birgit
[German Version] from Greek κρίνειν/ krínein, “distinguish, decide, judge,” is methodical evaluation based on well-founded criteria. In everyday usage, the word is identified with negative assessment; in philosophical usage, however, it denotes the weighing of both positive and negative values and the discussion of validity claims. The ancient Greeks already distinguished epistemological, practical (political), and philological concepts of criticism (Pre-Socr…

Transcendental Philosophy

(508 words)

Author(s): Recki, Birgit
[German Version] is an artificial technical term coined by I. Kant to characterize his methodological approach to a critique of reason. While the earlier expression transcendental derived from the transcendentals, the fundamental properties of reality in medieval ontology,

Cassirer, Ernst

(373 words)

Author(s): Recki, Birgit
[German Version] (Jul 28, 1874, Breslau – Apr 13, 1945, New York), German philosopher and a student of the Marburg Neo-Kantians H. Cohen and P. Natorp (Neo-Kantianism). In 1919, he accepted an appointment as professor at the newly founded University of Hamburg, but emigrated in March 1993 (England, Sweden). As a Swedish citizen, he was visiting professor at Yale and New York from 1941 onward. Cassirer's oeuvre is dedicated to the ideals of huma…
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