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Writing, inclination of

(298 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] In the history of Greek and Latin palaeography attention has only lately focused on the inclination of writing. The first serious work on the subject and its definition was by J. Mallon [1]. His studies on the change in Latin writing in the 2nd cent. AD brought him to the assumption that the transition from majuscule to minuscule was due to an altered writing inclination (WI); he understood this to be the position of the writing implement relative to the intended line. According t…


(2,079 words)

Author(s): Eleuteri, Paolo (Venice) | Frioli, Donatella (Rimini) | John, James J. (Ithaca, N. Y.)
I. Overview [German version] A. Definition Minuscule, in contrast to majuscule, is the name given to the form of writing where letters, often ligatured (Ligature), are organised in a(n idealised) four-line system: the two middle lines delimit the space for the bodies of the letters and the outer lines that for ascenders and descenders. Eleuteri, Paolo (Venice) [German version] B. Greek writing In the history of Greek writing minuscule developed out of late antique cursive (Writing, styles of), which was used exclusively for non-literary texts. The earliest…


(218 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] In papyrology the definition of recto ( r.) and verso ( v.) has not always been straightforward and uncontroversial. R. normally refers to the side of the papyrus on which the fibres run horizontally, in other words the inner side of the papyrus scroll which is thought to have been inscribed first; it is also the side on which the glued overlap ( kóllēsis) is visible. V. describes the outer side on which the fibres run vertically and which was not intended for writing. More recent papyrus editions indicate the fibre direction with {{rarr}} for …


(836 words)

Author(s): Eleuteri, Paolo (Venice) | Menci, Giovanna (Florence)
In contrast to minuscules, majuscules are the scripts in which the letters of the alphabet are written between two often only imaginary horizontal lines. [German version] A. Greek script In Greek palaeography, majuscules are also called capitals and uncials, although the latter term is very controversial. Theoretically all Greek scripts before the emergence of the minuscules ought to be called majuscules (not only the actual and the stylized book hands, but also the half cursives, cursives and document hand [1. 132-133, 137…

Grease-drop script

(222 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] Greek script type of the 2nd half of the 13th cent. to the beginning of the 14th cent. (contemporary with the first Paleologi Period) that is characterized by a striking contrast between the small, rounded and often crooked core of most letters and the oversized curves of omikron, sigma, beta, ypsilon, alpha and omega as well as by the inscribing of small letters into omikron, ypsilon and omega and in this way best represents the complete crumbling of the ancient minuscule canon (…

Bouletée script

(162 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] Manneristic style of writing Greek minuscules (also termed ‘Church Fathers' style’ because of the main texts in which it was used [1]) in the 10th cent. (913/4-983/4 on the dated examples), characterized in particular by buttonhole-shaped and knotty thickening of ascenders and in many of the small letters. The normally vertical and broadly executed script shows a strong tendency to bilinearism, with shortened ascenders and descenders; the round letters are given a squarish shape. …

Macedonian Renaissance

(695 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] A. Characteristics In Byzantine art history, Macedonian Renaissance (MR) usually refers to the classicist revival that took place mostly during the Macedonian dynasty (867-1056). It takes its name from its founder emperor Basilius [5] I (867-886), who was born in the thema of Macedonia. During that time Byzantium experienced its greatest expansion since Justinian. However, indications for a cultural Renaissance (including art) can be found as early as under Theophilus (829-842) (cf. the philosopher Leon [10]) and especially under Michael III (842-867; Kaîsar

Display scripts

(735 words)

Author(s): Eleuteri, Paolo (Venice) | Frioli, Donatella (Rimini)
[German version] A. Definition Lettering designed to highlight certain parts of a manuscript such as the title, subtitle, opening, scholia, lemmata, subscription, contents and initials; single sentences such as Biblical quotations from the surrounding text; and book and chapter numberings ( Scripts). Eleuteri, Paolo (Venice) [German version] B. Greek For Greek scripts it is usual, apart from rare examples in majuscule codices, to talk of display scripts only after the  minuscule became established, and to distinguish three styles (there are…

Cypriot scripts (medieval)

(209 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] Collective term for Greek scripts from the 2nd half of the 11th cent. AD, esp. on the island of Cyprus, as well as from Palestine.  These scripts did not fully develop their characteristic traits until the period between 1250 and 1300. One of these traits is the so-called 'epsilon style', a vertical, calligraphic style with pseudo-ligatures executed with an upward stroke in two forms: a rectangular one and a small round one. The latter is common in the so-called 'Family 2400' of t…


(783 words)

Author(s): Eleuteri, Paolo (Venice) | G.KA.
(Τζέτζης; Tzétzēs). [German version] [1] Isaac T. Byzantine scholar, c. AD 1110-1138 (Ἰσαὰκ Τ.; Isaàk T.). Byzantine scholar ( grammatikós, c. 1110-1138), older brother of Iohannes T. [2] and author of a treatise on Pindaric metre (Pind. Ol. 1-14, Pind. Pyth. 1; the title Περὶ τῶν πινδαρικῶν μέτρων/ Perì tôn pindarikôn métrōn is not authentic and only appears in a more recent MS). With the exception of ten introductory dodecasyllables, the work is written in what is known as 'political' verse (i.e. decapentasyllabic verse). After a general intro…


(322 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] In the palaeographic terminology of medieval MSS and papyri ductus is usually associated with the speed of execution of individual letterforms or ligatures. Sometimes (especially in French scholarship) the term refers to the number, sequence and direction of individual pen-strokes [1. 22]; that, however, is more a matter of the structure of the letters. Accordingly, the ductus can be described as ‘slow’ (calligraphic) or cursive, without excluding either calligraphic or cursive elements from some writing styles. In the first case, the…

South Italian minuscule

(401 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] Alongside the Latin Beneventana, there also existed independent Italo-Greek scripts in the Middle Ages (often called south Italian minuscule in scholarly literature). Due to a lack of subscribed (Subscriptio) and localised MSS, the Italo-Greek origin is not easy to prove for Greek majuscule codices (Codex). One can assume an Italo-Greek origin only for certain Greek MSS executed in the Bible-majuscule (e.g. Cod. Claromontanus with St. Paul's Epistles, 5th cent. AD) and in pointed-…

Palaeography, Greek

(870 words)

Author(s): Eleuteri, Paolo (Venice) | Pradel, Marina Molin
[English version] The term palaeography was first used by the Benedictine Bernard de Montfaucon in his work Palaeographia graeca, which appeared in 1708 and opened the way for modern research into the history of Greek writing with its description of modes of operation as well as of methods. Yet Montfaucon initially received little recognition and it was not until approximately a century later that a work by Friedrich Jacob Bast [1] appeared with the actual analysis of Greek writing as its subject. For almost the …

Sinai script

(157 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] Two 9th/10th-century Latin liturgical codices, not rediscovered until the beginning of the 1960s in the library of the Monastery of Saint Catherine in Sinai, exhibit a remarkably strong similarity to the Visigothic script and influences from Arabic and Byzantine bibliology. They presumably originate from one and the same scriptorium , which was exposed to oriental influences but also maintained Latin traditions. It was probably situated in the Syro-Palestinian area; a location in the Sinai peninsula, under Isl…


(301 words)

Author(s): Eleuteri, Paolo (Venice) | Hallof, Klaus (Berlin)
[German version] is the name given to the merging of the individual letters of a word to ‘one’ ( móno(n)) ‘character’ ( grámma), involving a change of their original order. Sometimes the individual elements of the monogram need to be read more than once, sometimes only in part. Hence many monograms are ambiguous or indecipherable (g). Monograms are found more frequently in Greek than in Latin texts. The basic forms used are squares (a; b; e) and (from the 6th cent. AD onwards) crosses (c; d; f), less often triangles …


(1,247 words)

Author(s): Menci, Giovanna (Florence) | Eleuteri, Paolo (Venice)
[German version] I. Definition Since the 18th cent., the term 'uncials' has been used to describe a Latin script which was current from the 4th to 9th cents. AD. It is derived from a misunderstanding of a passage in Jerome (Praef. ad Iob, PL 28, 1142), which mentions uncialibus ... litteris (lit. 'letters of one uncia', i.e. inch-high letters; cf. Uncia), probably a reference to the majuscule scripts of the illuminated MSS [1]. In Greek palaeography, the term uncial has been replaced by the term “majuscule” to describe a majuscule script. Menci, Giovanna (Florence) Bibliography 1 P. May…

Hodegon style

(155 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] Greek script of the 14th and first half of the 15th cent., named for the Hodegon monastery in Constantinople, a cursive, calligraphic, archaizing minuscule ( Archaic script) with pronounced letter structure, relatively large body, a balanced contrast between large and small letters and some angular forms; the curved strokes occasionally are split at the ends. Usually, manuscripts produced in the Hodegon monastery are written on  parchment with a splendid layout. They were often wr…

Humanist script

(443 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] The Greek Script of the Humanist period of the 15th and 16th cents. reveals a continuation of older trends and styles. Aside from Otrantine script ( South Italic script) which became rather insignificant even though it survived the Renaissance, other traditional types of script live on. Among the archaizing scripts was the so-called Hodegon style (14th cent.), used not only in eastern monasteries esp. for liturgical MSS, but also in the West by the leading copyists of the Renaissa…


(362 words)

Author(s): Eleuteri, Paolo (Venice)
[German version] A quire of papyrus or (usually) of parchment is part of a codex or book. It consists of a specific number of sheets folded together and sewn along the crease; as a rule each hair side of a parchment sheet faces a flesh side. Quires are closely linked to the format of a codex: as early as Martial there is talk of notebooks of parchment quires ( membranae or pugillares membranei, e.g. Mart. 1,2,3; 14,184 and 186). Further mention of membrana can be found in Horace (Ars P. 386-390; Sat. 2,3,1-2), Persius (3,10 f.) and Quintilian (Inst. 10,3,31). The earliest codices probably cons…


(2,775 words)

Author(s): Giovè Marchioli, Nicoletta (Triest) | Eleuteri, Paolo (Venice) | Menci, Giovanna (Florence)
[German version] A. General An abbreviation (Latin notae, sigla, siglae) consists of a semantic element -- the alphabetic lettering of the abbreviated word -- and a symbolic element, signs referring to the summarizing character of what is written. The use of abbreviations is justified for a number of practical reasons: first, because they make reading quikker and more accurate, and secondly, because they save time and space. In classical antiquity and, in a wider sense, right up to the late Middle Ages,…
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