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[German version] (Λαυρέας; Lauréas). Epigrammatist, probably identifiable with Cicero's freedman M. Tullius L., author of five elegant distichs in Latin about a Cymaean mineral spring (FPL 80). The Anthologia Palatina ascribes three poems to him: the funerary epigrams 7,17 (fictitiously to Sappho) and 7,294 (to a fisherman, in the style of Leonidas) which are preceded by the gentilicium Týllios, and the paederastic epigram 12,24, whose authenticity, however, is doubtful (cf. Anth. Pal. 12,25-27 of Statilius Flaccus [1] whose gentilicium Statýllios may have caused attributi…

[German version] (Γαυράδας). Author of an ingenious epigram in iambic trimeters in the form of a dialogue between Echo and her lover (Anth. Pal. 16,152). The popular theme (cf. also Archias, Anth. Pal. 9,27; Evodus, ibid. 16,155; Satyrus, ibid. 16,153; Anon., ibid. 16,156) is developed in an original fashion; dating the poet, whose obviously barbarous name is unique, is impossible. Albiani, Maria Grazia (Bologna) Bibliography FGE 111f.

[German version] (Τύμνης; Týmnēs). Epigrammatist with a Carian name from the 'Garland' of Meleager [8] (Anth. Pal. 4,1,19), perhaps 3rd or 2nd cent. BC. Seven poems survive, each consisting of two couplets, with the exception of an epideictic six-line poem Anth. Pal. 7,433 on the 'Spartan mother' (imitated by Erycius, Anth. Pal. 7,230 and Antipater [9], Anth. Pal. 7,531). Two of the four epitaphs are considered to be on animals, cf. Anyte (Anth. Pal. 7,199,211). The Priapic poem Anth. Pal. 16,237 i…

[German version] (Ἥδυλος; Hḗdylos). Epigrammatist of the Garland of Meleager (Anth. Pal. 4,1,45), son of the female elegiac poet  Hedyle, lived on Samos and under Ptolemy II in Alexandria (283/282-243 BC). Of his poems (dedicatory, funerary, epideictic, sympotic and derisive epigrams) eight are passed down in Athenaeus and five in the Anthologia Palatina (Anth. Pal. 11,123 and 414 are probably not authentic; 5,161 is perhaps from  Asclepiades [1]; cf. Ath. 7,297a; Str. 14,683; EM 72,16 for other possible works in verse and prose). These few epigr…

[German version] (Πίνυτος/ Pínytos). Author of a conventional, one-distich funerary epigram on Sappho (Anth. Pal. 7,16; inclusion in the Garland of Philippus [32] highly doubtful). The rarity of the name suggests identification with the grammarian P. of Bithynium, freedman of Epaphroditus and secretary to Nero (Steph. Byz. s.v. Βιθύνιον). Albiani, Maria Grazia (Bologna) Bibliography GA II 1, 438f.; II 2, 464f.  M. Lausberg, Das Einzeldistichon. Studien zum antiken Epigramm, 1982, 261, 265.

[German version] 6th-cent. AD poet of epigrams, author of three erotic epigrams that originate in the Cycle of Agathias: Anth. Pal. 5,249 (love with the haughty Rhodope is represented as the merging of soul and body); 5,251 (about an unnamed woman whose pride is not even broken by the evanescence of her beauty) and 253 (appeal to the coy Chrysilla to submit to Cypris' wishes). This last poem was imitated by Niketas Eugenianos. Albiani, Maria Grazia (Bologna) Bibliography Al. and Av. Cameron, The ‘Cycle of Agathias, in: JHS 86, 1966, 8.

[German version] (Φάεννος; Pháennos). Epigrammatic poet of the 'Garland' of Meleager [8] (Anth. Pal. 4,1,29f.), probably 3rd cent. BC. Preserved are one funerary epigram for the Spartan Leonidas [1] who fell at Thermopylae (Anth. Pal. 7,437; belongs to the Laconophile school of Hellenistic epigrammatic poetry, cf. Epigram I E ), and another for a cricket buried by its owner (7,197); although the subject is a topos (cf. 7,189; 190; 192; 198; 364), this poem seems to depend on Mnasalces (Anth. Pal. 7,194). Albiani, Maria Grazia (Bologna) Bibliography GA I 1, 159; 2, 457f.  G. Herrlinger, T…

[German version] (Καπίτων; Kapítōn). Otherwise unknown epigrammatist, of whom a witty distichon has survived: beauty without grace is compared with a ‘bait without rod’ (Anth. Pal. 5,67,2). C. (Capito) is quite a widespread Roman cognomen: the assumption that he might be identical with the epic poet from Alexandria, mentioned in Ath. 10,425, is thus without foundation; equally, it hardly is likely that he is identical with Pompeius C., who demonstrates his mastery in every metre and rhythm (TrGF 186). Albiani, Maria Grazia (Bologna) Bibliography FGE 34.

[German version] (Καλλέας; Kalléas) of Argos. Otherwise unknown composer of a sympotic epigram (Anth. Pal. 11,232) based on the saying: ‘wine reveals one's character’, a version of the old saying in vino veritas (cf. Alcaeus fr. 333 Voigt; Thgn. 500; Aesch. fr. 393 Radt etc.). The very rare compound λυσσομανής (‘raging’, v. 2) was probably adopted from  Antipater [8] of Sidon (Anth. Pal. 6,219,2). Albiani, Maria Grazia (Bologna) Bibliography V. Longo, L'epigramma scoptico greco, 1967, 106 H. Beckby, Anthologia Graeca, III-IV, 21967.

[German version] Greek epigrammatist whose inclusion in the 'Garland' of Philippus of Thessalonica has not been proved conclusively (for one thing, the combination of the nomen Munatius, [widespread in the Late Republican period], with the cognomen Mundus, [rare in Philip’s time, i.e. first half of 1st cent. AD]), is not verified). Only one formal poem about the ruins of Mycenae is preserved (Anth. Pal. 9,103; cf. e.g. Alpheus[3] of Mytilene, ibid. 9,101 and 104). Albiani, Maria Grazia (Bologna) Bibliography GA II.1, 436-439; 2, 463f.

[German version] (Καλλικτήρ; Kalliktḗr) of Manesium. Writer of epigrams, possibly from the 1st or 2nd cent. AD, to whom are ascribed the satirical two-line epigrams from the Anth. Pal. 11,2; 5; 6 and, according to Planudes, 333. The epigrams against doctors, 11,118-122, are probably his also; Planudes however assigns them to Nicarchus. The erotic poems Anth. Pal. 5,29 and 45 are attributed to the name Cillactor; the rarity of both names, not attested elsewhere and still of uncertain form, argues in favour of identification with C. Albiani, Maria Grazia (Bologna) Bibliography FGE 114f. V…

[German version] (Μυρῖνος; Myrȋnos). Elegant epigrammatic poet in the ‘Garland’ of Philippus. Four poems are extant, showing him as a skillful imitator of Leonidas [3] of Tarentum; however, he also displayed an independent creativity, in a satirical setting (Anth. Pal. 6,254: a dedication to Priapus by a hermaphrodite frail with age; 11,67: against an old woman behaving like a child) as well as in an idyllic-pastoral one (ibd. 6,108 and 7,703; the latter poem is erroneously placed amongst the epitaphs). Albiani, Maria Grazia (Bologna) Bibliography GA II.1, 286-289; 2, 319-322.

[German version] (Θύιλλος; Thýillos). Epigrammatist in Cicero's circle (Cic. Att. 1,9,2; 1,16,15: 67 and 61 BC, cf. [1; 3]). Three poems survive: a description of a spring (Anth. Pal. 6,170), an epitaph (perhaps for an inscription) for a Cybele priestess (Anth. Pal. 7,223 = GVI 707,  cf. Philod. ibid. 7,222), a variation on the return of spring (ibid. 10,5, cf. Leonidas [3], ibid. 10,1 etc.). Albiani, Maria Grazia (Bologna) Bibliography 1 J. Geffcken, s. v. T., RE 6 A, 692 2 FGE, 95-99 3 O. Masson, À propos du dernier livre de D. L. Page, FGE, in: RPh 58, 1984, 98 f.

(Γέμινος; Géminos) [I]. [German version] [1] Astronomer and mathematician Astronomer and mathematician from the school of Posidonius. Almost nothing is known about his life. The height of his creativity was around 70 BC. It is generally accepted that he lived in Rhodes. The only fully extant treatise by G. is the ‘Introduction to Astronomy’ (Εἰσαγωγὴ εἰς τὰ φαινόμενα). It is in the tradition of  Eudoxus and  Aratus [4]. Similarly to the later writing by  Cleomedes, it is an elementary textbook on astrono…

[German version] [1] (Archangel) Archangel In the Jewish tradition, the angel G. (‘man of God’) is one of the six archangels, together with Uriel, Rafael, Raguel, Michael, and Sariel (1 Enoch, 20:1-7; for seven archangels cf. Tob 12:12-15; for four archangels: 1 Enoch 9-10; 40:9f.). In the biblical tradition, G. appears already together with Michael in the role of angelus interpres, who interprets the seer's visions (Dan 8:16; 9:21), and who announces the births of John the Baptist and Jesus (Lc 1:19.26). According to 1 Enoch 20:7, G. is placed above the…

(Φάλαικος; Phálaikos). [German version] [1] Phocian army officer Son of Onomarchus. P., while a minor, was deployed in 352 BC by his uncle Phayllus [1] as fourth stratēgòs autokrátōr ('general or executive with special powers of authority') of the Phocians in the 3rd Sacred War. Mnaseas [1] was appointed as his guardian but died as early as 351 (Diod. Sic. 16,38,6f.). After an inconclusive series of battles against Thebes, P. was deposed in 347, apparently because of his opposition to the Phocians' attempts to make peace (embezzlement of the Delphic temple fun…

[I] (Γάλλος; Gállos). [German version] [1] River in Bithynia River in Bithynia, modern Mudurnu Çayı, rises near Modrene (modern Mudurnu) in Phrygia Epictetus (Str. 12,3,7; [2], differently [1]) and flows into the lower course of the  Sangarius. Strobel, Karl (Klagenfurt) [German version] [2] Small river through Pessinus Small river that originally flowed through  Pessinus to the  Sangarius [3]. Strobel, Karl (Klagenfurt) Bibliography 1 W. Ruge, s.v. G., RE 7, 674 2 S. Şahin, Stud. über die Probleme der histor. Geogr. Kleinasiens, in: EA 7, 1986, 125-151 3 Belke, 165f. …

(Συνέσιος; Synésios) [German version] [1] S. of Cyrene Neoplatonist philosopher and bishop, c. AD 400 Neoplatonist philosopher and bishop ( c. AD 370 - c. 413). S., of a leading family at Cyrene (Libya superior), first studied at Alexandria [1] with the Neoplatonist philosopher Hypatia. From 399 to 402 (or 397-400; S.' chronology is disputed) he went to the court at Constantinople at the bidding of his home city to obtain tax relief. He then travelled to Alexandria (where he married a Christian) and subsequently retire…

(Ἑλλάδιος; Helládios). [German version] [1] From Antinupolis/Egypt, grammarian, 4th cent. AD H. of Antinupolis in Egypt. Grammarian of the 4th cent. AD, author of a Chrēstomatheía (‘Things worth knowing’) in iambic trimeters. Photius, the only biographical source, took extracts from it (Cod. 279, 529b 25-536a 22), but also knew of a prose epitome (cf. [4. 99; 6. 16]). The encyclopaedic work includes grammatical, etymological, historical and mythological information; on the literary genre cf. [6. 24-26]. Neither a criterion for the arrangement nor a model of the commentary are recognizable - though Phrynichus is not considered to be the main source (for [6], against [2]).…

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