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[German version] The German term P riamel, neuter, but feminine since Lessing, derives from the Latin adjective praeambulus (first in Mart. Cap.; ThLL s. v. praeambulus), 'preceding'; it has been used in modern literary scholarship for small German poems of the 12th-16th cents. that place exempla in series [2; 7. 8-12]. F. Dornseiff introduced it into the interpretation of Greek and Roman literature [8. 2]. Priamels may have come into existence in many literatures because of the simplicity of their serial structure [8. 1]; in ancient texts they occur as ear…

[German version] (σύγκρισις/ sýnkrisis; Latin comparatio). In ancient literature, synkrisis refers to the comparative juxtaposition of people and things. Through its agonal element, it is related to the genre of debate, both in prose and verse [9]. From the time of Homerus [1], comparisons were used to highlight a person or thing, from which synkrisis developed as a weighted ordering of similarities and differences in all literary genres. In rhetorical theory [6. 330-332, 336-339], the aim of synkrisis included praise (αὔξησις/ aúxēsis, Aristot.  Rh. 1368a 19-29; Encomium)…

[German version] (Θρασυάλκης; Thrasyálkēs). 'One of the old nature philosophers' (τῶν ἀρχαίων δὲ φυσικῶν εἷς οὗτος, Str. 17,1,5; 35 fr. 1 DK; [1. 2343; 2]) from Thasos probably in the 5th cent. BC. T. assigned the winds to either Boreas or Notus, the two main winds (Str. 1,2,21; Posidon. FGrH 87 F 74 with comm., critically explained by [1. 2343 f.]). Th. saw the cause for the Nile floods (Nile) in the summer rains of Nubia which in turn were caused by masses of clouds blown in from the north [2] (or the south(?) [4. 1377 f.]) (Str. 17,1,5; Lydus, Mens. 4,107; Posidon. FGrH 87 F 79 with comm.). …

(ζήτημα; zḗtēma), plur. zētḗmata (ζητήματα), 'search', 'investigation', 'research questions'. [German version] I. Definition A widespread Greek term for a philosophical-exegetical method of questioning and the subject of an investigation, as well as for the kinds of texts that deal with such questions. The verb ζητεῖν ( zēteîn, generally 'to search') and its derivatives ζήτησις ( zḗtēsis, 'search') and zḗtēma were directed either to a state of affairs (Eur. Bacch. 1218-1221: Cadmus brings the body of Pentheus, which Agave has torn apart, "after he had …

[German version] (Ἀναγνωστικοί; anagnōstikoí). Aristotle mentions (Rhet. 3,1413b 12-14) the poets  Chaeremon and  Licymnius as ἀναγνωστικοί, ‘suitable for reciting’. At Rh. 3,1413b 2-1414a 28, he allocates to the style of expression which is influenced by contention, and whose unrefined style has the most need for a histrionic presentation (ἀγωνιστικὴ δὲ ἡ ὑποκριτικωτάτη, 3,1413b 9), the judicial oration and the public speech, especially the latter with its large audience (3,1414a8-17). By contrast…

[German version] (σπουδογέλοιον/ spoudogéloion, epigraphically also σπουδαιογέλοιον/ spoudaiogéloion). Compound of 'serious' ( spoudaîon) and 'laughable' ( geloîon). These two contradictory modes of interpretation and presentation are often combined in ancient literature, as in Aristoph. Ran. 391 f., Phaedr. 4,2,1-4; in Pl. Symp. 222 Socrates requires that the same person should be able to compose both tragedies and comedies. There is critical reflection on the relationship between s poudaîon and geloîon: Pl. Leg. 816d-e, Aristot. Eth. Nic. 1176b 27-1177a 6 and …

[German version] (Στρατόνικος/ Stratónikos) from Athens, 4th cent. BC [1], kithara teacher. Tradition claims that he was the first to play on multiple strings, to teach music theory to his students and to compose a table of modes (διάγραμμα/ diágramma) [3; 4. 367 f.]; “he was also a brilliant master of witticisms ( geloîon)” (Ath. 8,352d). In fact, S. was famous for his clever speech ( eutrápeloi lógoi; Ath. 8,348c) and the ready wit of his answers ( eustochía; ibid. 8,352d). A collection of his jokes can be found in Ath. 8,40-46, pp. 347f-352d (for other jokes, see [3]). …

(Σκύμνος; Skýmnos). [German version] [1] Author of a periegesis of Asia and Europe, 2nd cent. BC Probably a son of Apelles from Chios, who in 185/4 BC became a Delphic próxenos ( Proxenía ; Syll.4 585, 86) [1. 661]. In conjunction with Hecataeus [3] [1. 671 f.] he wrote a periegesis ( Periēgḗtēs ) of Asia and of Europe with the Outer Sea in many books. The nine surviving fragments [1. 664-671] also show an interest in history, i.e. in the foundings of cities (fr. 3 and 8) and sanctuaries (fr. 1), in mythology (fr. 5) and vegetation (fr. 9 on Britain after Pytheas [4] [1. 670]). Gärtner, Hans Ar…

[German version] (Τιμάγητος/ Timágētos). Author of a work Περὶ λιμένων/ Perí liménōn ('On Harbours') of at least two books surviving in seven frr., probably from the first half of the 4th cent. BC (FHG 4, 519 f.): six frr. in scholia ad Apoll. Rhod. 1,224-226a W. (otherwise FGrH 42, F 3); Apoll. Rhod. 2,1031b; 4,257-262b; 4,282-291b; 4,303-306b; 4,323-326a, one fr. in Steph. Byz. s. v. Ἀκτή/ Aktḗ (here with the name: Δημάγητος/ Dēmágētos). In these frr., no harbour is mentioned; five of them provide mythical narrative on the voyage of the Argonauts. Frr. 1-3 (FHG…

(Ἀφορισμός; aphorismós). [German version] A. Definition Today the aphorism is an independent literary genre (on the difference from the  apophthegma [3. 29-33]); its formal distinguishing features are: the restriction with regard to the connection, the arbitrariness of the sequence of numerous aphorisms, the tight, also pointed formulation, the astute, critical, even unconventional and provocative interpretation of human conditions [4. 773 and (examples) 774-781; 6]. Gärtner, Hans Armin (Heidelberg) [German version] B. Significance in antiquity Greek ἀφορισμός means…

(Ξεναγόρας/ Xenagóras). [German version] [1] Greek historian and geographer, probably in the 3rd cent. BC Greek historian and geographer probably in the 3rd cent. BC (X. FGrH 240), mentioned by Dion. Hal. Ant. Rom. 1,72,5 after Callias [10] [1. 912 f.]. It is unclear whether he was identical to X. from Heraclea [7], the father of Nymphis [1. 913; 2. 1410 f.]. He wrote a chronicle that included Egypt (F 1) and the west, esp. Sicily (F 12; 14; 15; 17; 18), probably Italy i.e. Rome as well (if F 29 is a part of the chronicle) in at least 4 bks. (title: Χρόνοι/ Chrónoi , FGrH 240 F 1). It cove…

[German version] (Μανδρόβουλος; Mandróboulos). The theophoric name is derived from ‘Mandrus, a - deduced - god of Asia Minor. A drama by Cleophon and a dialogue by Speusippus are named after M. The proverb ἐπὶ τὰ Μανδροβούλου χωρεῖ τὸ πρᾶγμα was already no longer understood in antiquity; the ancient Paroimiographoi offered conjectures with regard to its explanation - as in Suda ε 2659, 2716 - presuming that it related to turns for the worse. Gärtner, Hans Armin (Heidelberg) Bibliography W. Kroll, s.v. Mandroboulos, RE 14, 1039f.

[German version] A. Definition Greek ἀκροστιχίς ( akrostichís; Dion. Hal. Ant. Rom. 4,62,6), ἀκροστίχιον ( akrostíchion; Or. Sib. 11, 17 and 23) and plur. τὰ ἀκρόστιχα ( tà akrósticha; as a heading: Anth. Pal. 9,385). Letters, syllables or words that start consecutive verses or especially lines of verse (ὁ στίχος, ho stíchos; verse, lines of prose), or strophes and form a meaningful connection. As a result of this feature the whole poem also came to be known as acrostich. If a vertical row of letters, highlighted i. a. by spacing, formed the acrostich, this was termed παραστιχίς ( parastichí…

(Νυμφόδωρος; Nymphódōros). [German version] [1] Greek author of travel literature from Syracusai, 3rd cent. BC Greek author of travel literature from Syracusae. Towards the end of the 3rd cent. BC, he wrote - presumably as entertainment - Períploi Asías (and Eurṓpēs?) which includes the story of the slave leader Drimacus (FGrH 572 F 4), and, probably separately, Perì tôn en Sikilíai thaumazoménōn (‘Wonders of Sicily). Paradoxographoi; Periplus Gärtner, Hans Armin (Heidelberg) Bibliography A. Giannini (ed.), Paradoxographorum Graecorum reliquiae, 1966, 112-115  Id., Studi su…

[German version] A. Definition Greek ἀπόφθεγμα ( apóphthegma), Latin facete dictum, also sententia: with reference to a certain situation, often a difficult one, these have a claim to authenticity; they are usually short, often enigmatically formulated expressions -- as already in the earliest apophthegms that have survived from Theramenes (Xen. Hell. 2,3,56), Anaxagoras (Aristot. Metaph. 1009b 26), Pittacus (Aristot. Rh. 1389a 14-16), Stesichorus (Aristot. Rh. 1395a 1-2). In this way the apophthegma differs from the related   chreia , the  aphorism …

[German version] (Μεγακλώ; Megaklṓ). Daughter of the Lesbian king Macar. In a rationalistic interpretation, the Lesbian local historian Myrsilus of Methymna represents her (FGrH 477 F 7, cf. Arnob. 3,37) as the founder of the seven Lesbian Muses: she taught seven slave women to celebrate the deeds of ancient times with lyres, thus softening the grudge the king held against his wife. In gratitude, M. erected bronze statues in their honour in a sanctuary and instituted cult worship. Gärtner, Hans Armin (Heidelberg)

[German version] I. Concept Greek προοίμιον/ prooímion, (tragedy:) φροίμιον/ phroímion, Latin prooemium, prohoemium: 1) hymn to the gods (as an opening), 2) introductory section of a poem, 3) beginning of a speech, 4) introduction. As was already realized in Antiquity [8. 19], prooímion is etymologically related to οἴμη ( oímē, ‘song’, ‘story’, Hom. Od. 8,74; 8,481; 22,347) and οἶμος ( oȋmos, ‘stripe’, Hom. Il. 11,24; ‘path’ = ‘song’, H. Hom. 4,451 [4. s. v. οἴμη]). Gärtner, Hans Armin (Heidelberg) [German version] II. Greek literature 1) In Greek poetry, the so-called Homeric Hymns …

(ἐπιτομή, lat. epitoma und epitome) [English version] A. Definition Epitomḗ (zu ἐπιτέμνειν, “kürzen”, “zurechtstutzen”, Aristot. soph. el. 174b 29; Theophr. h. plant. 6,6,6): idealtypisch zw. Exzerpt und Paraphrase stehende Reduktionsform [10] schriftlicher Texte, meistens von Prosawerken (Ausnahmen u.a. nicht erh. Vergil-E. [2]), die ihrerseits in Prosa abgefaßt werden (Ausnahme: Ausonius' Caesares). Erklärtes Ziel der E. ist äußerste Kürze: Schmückende Merkmale in der Vorlage wie Reden oder Exkurse und große Textpassagen werden weggelassen o…

[English version] I. Definition a) R. nennt man eine verschlüsselte, der uneigentlichen Rede der Metapher verwandte Formulierung, die eine Frage darstellt; sie setzt zu ihrer Beantwortung (= Lösung) Erinnerung und Phantasie der Angesprochenen voraus, ja provoziert diese Fähigkeiten; meist hilft dabei ein Analogieschluß [1. 261]. Wer das Rätsel stellt, ist im Wissen überlegen; so kann der Person bzw. Instanz, die das R. stellt (z. B. dem Seher oder dem Orakel), von den Angesprochenen Autorität zugest…

[1] Literaturgeschichtlich I. Griechisch [English version] A. Wortbedeutung Das Substantiv γνώμη (nicht bei Homer und Hesiod) mit seinem urspr. außerordentlich umfassenden Bedeutungsbereich ist als Nomen actionis zum Verbum γιγνώσκω ( gignṓskō) zu stellen [11; 37. 491; 27. 32 (auch zur Etym.)]; das Verbum liegt mit seinen Bedeutungen: “erkennen”, “sich eine Meinung bilden”, “beschließen” und “urteilen” zwischen den Polen: “Fähigkeit zum Erkennen eines Sachverhaltes” und “Resultat dieser Erkenntnis” [40. 20-39, bes. 32f.] und…