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[German version] were used in antiquity from the Geometric Period on for the serial production of art. It exists when a model created specifically for the purpose is used to manufacture a not always specified number of repetitions. The intention may be economic, aesthetic (if identical products are desired) or, in the particular case of coins, dictated by the very purpose of the objects. It is crucial to distinguish this from the subsequent repetition of an original which is itself of value, as se…

(Ὀνάτας; Onátas). [German version] [1] Bronze sculptor from Aegina, 5th cent. BC Bronze sculptor from Aegina, son of Micon. O. was a contemporary of Hegias [1] and Ageladas and one of the most important masters of the Severe Style. None of his numerous works is extant or secured in the form of copies. His signature is found on a pedestal of a bronze horse on the Athenian Acropolis and a pedestal in Olympia, both from the early 5th cent. BC. In Olympia, O. sculpted a votive offering ( anáthēma ) for the Achaeans in around 470-460 BC with Nestor and nine Trojan h…

[German version] (Τεισικράτης; Teisikrátēs). Bronze sculptor from Sicyon in the early 3rd cent. BC. There is literary evidence of portrait statues of Demetrius [2] Poliorcetes, Peucestas [2] and an otherwise unknown Senex Thebanus ('elderly Theban man') and inscriptional evidence of others in Thebes, Eretria [1] and Oropus as well as a mythological group. T. and Piston created a chariot and pair (Plin. HN 34,89). None of his works survives; attempts to identify his Demetrius in copies are questionable. T.'s teacher was Euthycr…

[German version] Etruscan terracotta sculptor from Veii. According to Plin. HN 35,157, V. made the clay cult image of Iuppiter Capitolinus in Rome commissioned by Tarquinius [11] Priscus (first half of the 6th cent. BC) for a temple which was not, however, dedicated until 509 BC. Ascribing to V. the rest of the building sculpture of this temple and that of the temple of Veii is hypothetical. A Hercules fictilis by V. in Rome (Plin. HN loc.cit.) is not more closely defined and is not identical with a statuette mentioned in Mart. 14,178. Neudecker, Richard (Rome) Bibliography M. Pallottino …

[German version] (Σμῖλις/ Smîlis). Son of Euclides, a sculptor from Aegina, probably 6th cent. BC. Pausanias (5,17,1) saw S.' enthroned Horae in the temple of Hera at Olympia and gives an account of his cult image of Hera in Samos (7,4,4). A late source (Athenagoras, Legatio pro Christianis 17,4 Schoedel) ascribes to S. a cult image of Hera in Argos. Ancient tradition places him among the mythical artists of the period of Daedalus [1]; Plin. HN 36,90 ascribes architectural marvels to him. His name can be derived from  σμίλη ( smílē, ‘chisel’). Speculation on S.' technical inventions …

(Πολύευκτος/ Polýeuktos). [German version] [1] Son of the Athenian Themistocles Third son of Themistocles and his first wife Archippe, daughter of Lysander of Alopece (who adopted the second son, Diocles); nothing is known of his life. Kinzl, Konrad (Peterborough) Bibliography Davies, 6669  R. Frost, Plutarch's Themistocles. A Historical Commentary, 1980, ad 32,1  Traill, PAA, 778325. [German version] [2] Athenian rhetor, 2nd half of 4th cent. BC Son of Sostratus of the Sphettus deme, Athenian rhetor of the 2nd half of the 4th cent. BC, in the circle of Demost…

[German version] (Εὐμάρης; Eumárēs). Painter in Athens. He was considered to be the inventor of the distinction between male and female figures, probably by means of the skin colour, and of a new flexibility of the bodies. If he can be correctly associated with this stage of development achieved around 600 BC, he cannot be equated with the bearer of this common artist's name who appears as the father in a signature of  Antenor and his brother and who himself placed his signature on a work on a base of the Acropolis around 520 BC. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 295 Overbeck…

(Μύρων; Mýrōn). [German version] [1] Name of several persons from Sicyon Several persons from Sicyon named M. are mentioned in literature: a) Hdt. 6,126,1: Sicyonian nobleman (7th century BC), son of Andreas, father of Aristonymus, grandfather of the ‘tyrant’ Cleisthenes [1]. b) Paus. 6,19,1f.: the ‘tyrant’ M., victor in the chariot race at Olympia (648 BC), founder of the Sicyonian treasure house (thesauros) at Olympia. c) Nicolas of Damascus, FGrH 90 F 61: one of the three tyrant brothers descended from Orthagoras (evil M., good Isodemus, cunning Cleisthenes) from the ‘ Orthagorides…

(Γλύκων; Glýkōn). [German version] [1] Poet Named by Heph. 10,2 Consbruch as the inventor of Glyconic verse ( Metre). His existence is disputed and the three verses ascribed to him (= 1029 PMG) are generally viewed as alexandrine in terms of metre: G. could hardly have lived before Sappho (late 7th cent. BC), who used this meter. Choeroboscus names G. (in his Comm. on St. In Heph. Consbruch) as a comedic poet, but probably mistook him for Leucon (PCG V 612). Anth. Pal. 10,124, a two-liner on the futil…

[German version] (Θεοκλῆς; Theoklês). Son of Hegylus, sculptor from Sparta. T. was a pupil of Dipoenus and Scyllis and thus was active in the mid-6th cent. BC. A representation in cedar wood of 'Heracles with the Hesperids' in the treasury of Epidamnus in Olympia were by him and his son; at the time of Pausanias the Hesperids were in the Temple of Hera (Paus. 6,19,8). Neudecker, Richard (Rome) Bibliography Overbeck, No. 328 f.  P. Moreno, s. v. T., EAA 7, 1966, 816  H. Marwitz, Hegylos?, in: AA 1969, 106 f.  Fuchs/Floren, 215.

[German version] Sculptor from Chios like his sons  Boupalus and Athenis. His active period falls into the middle of the 6th cent. BC. Pliny (HN 36,11-14) refers to works in Lesbos and Delos where a base with his initials was found. A winged Nike in the archaic kneeling-running ( Knielauf) pose, found nearby, was dated to 560-550 BC and justifiably connected to a note attributed to  Antigonus of Carystus (Sch. Aristoph. Av. 574), stating that A. had been the first to produce a Nike figure with wings. A later signature of A. was found on the Ac…

[German version] (Πασιτέλης; Pasitélēs). Sculptor, from Magna Graecia, Roman citizen probably from 89 BC and according to the sources active there at the time of Cn. Pompeius Magnus in the middle of the 1st cent. BC. Of P.'s work nothing has survived apart from one signature on the base of a statue, but his significance in the artistic expression of late Republican Rome seems to have been great, not in the least because of his treatise on opera nobilia (mirabilia) totius orbis ('noble (wonderful) works of the whole world'), which is not preserved. Since P. is mentioned as t…

Name of a Roman lineage (Sabine Clausus, with the vernacular variant of   Clodius , esp. in the 1st cent. BC). The Claudii supposedly immigrated to Rome from the Sabine city of Regillum at the beginning of the republic in 504 BC under their ancestor Att(i)us Clausus ( Appius) and were immediately accepted into the circle of patrician families (Liv. 2,16,4-6), which explains why the early members received the invented epithets of Inregillensis C. [I 5-6] and Sabinus C. [I 31-32], [1. 155f.]. The praenomen Appius came to signify the family. Named after them was the Tribus Claudi…

(Διογένης; Diogénēs). Known personalities: the Cynic D. [14] of Sinope, the philosophical historian D. [17] Laertius. I. Politically active personalities [German version] [1] Macedonian troop commander in Attica since 233 BC Athenian (?) [1. 341,1], Macedonian troop commander in Attica since 233 BC, who is supposed to have demanded Corinth from the Achaeans (Plut. Arat. 34,1-4) [2. 168,63] at the rumour of the death of  Aratus [2]; after the death of  Demetrius [3] II in 229, he facilitated the liberation of Athens from Maced…

[German version] II. Archaeology The definition and application of this term, which has been transferred by modern scholars from Hellenistic literary criticism (ἀρχαισμός/ archaismós, ἀρχαίζειν/ archaízein = 'to archaize') to the fine arts, are disputed. Archaism exists where works of art from the Classical period and later (from c. 480 BC) intentionally adopt aspects of the Late Archaic period (2nd half of the 6th cent. BC). Such aspects are especially hair and beard styles, garments (zigzag folds) and motifs of gesture (splayed fingers, mo…

[German version] I. Ancient Near East Stone figures and reliefs, in part large-sized, are authenticated in Palestine, Anatolia and Upper Mesopotamia as early as the Aceramic Neolithic Age (7th millennium BC), although in Mesopotamia not until the 6th millennium in the form of small idols. As the context of the finds suggests, they were part of cult buildings, and in the Levant also of a grave cult. The early Sumerian anthropomorphic stone sculpture from Uruk (late 4th millennium) and the early Elamian…

[German version] I. Introduction Terra cotta (an Italian term meaning 'burnt clay') was the commonest material used for many kinds of ancient utensils, vessels and art objects. In archaeological terminology, it refers to artistically formed objects. As well as free moulding by hand, mass production was also usual, in the Near East (from the 3rd millennium BC) and the Mediterranean (from the 6th cent. BC). A matrix was derived from the patrix (original) to serve as a mould. If the object was made hol…

(Ἀριστίων; Aristíōn). [German version] [1] Epicurean philosopher, ' Tyrant' of Athens (88-86 BC) Epicurean philosopher, who, in 88 BC, became very influential in Athens with the help of  Mithridates VI (‘Tyrant’). In order to win the Greeks over to Mithridates, A. supported  Archelaus, e.g. in the battle against the proquaestor Q. Braetius Sura at  Chaeronea. In the spring of 87 BC, he retreated from  Sulla back to Athens. The city fell on 1 March 86 BC; A. managed to hold out on the Acropolis for a short w…

[German version] (Μυρμηκίδης; Myrmēkídēs). Sculptor in marble and toreutics . His creative period is not known, it probably lay in the 6th cent. BC. Mostly named in conjunction with Callicrates [2], he had a legendary reputation for producing microscopically small works in marble, iron and ivory. There are descriptions of a quadriga small enough to fit under the wings of a fly, a ship the size of a bee and a sesame seed enscripted with Homeric verses. Neudecker, Richard (Rome) Bibliography Overbeck, No. 293, 2168, 2192-2201  P. Mingazzini, s.v. M., EAA 5, 1963, 313-314.

(Κωλώτης; Kōlṓtēs). [German version] [1] Sculptor from Heraclea in Elis Sculptor from Heraclea in Elis. C. was a pupil of  Phidias, and worked together with him, e.g. on the Zeus at Olympia. He worked principally in gold and ivory. In gold-ivory C. created an Asclepius in Kyllene and, according to Pliny (Plin. HN 35,54), an Athena in Elis, which according to Pausanias (Paus. 6,26,3), however, was attributed to Phidias; as this Athena's shield is said to have been painted by  Panaenus, a collective effort …

[German version] (Δαμοφῶν; Damophôn) Sculptor from Messene. Based on prosopographic and historic evidence, it would seem that he was active from the end of the 3rd cent. BC until 168 BC; most of his divine statues known from written records must have been produced in Arcadia prior to the earthquake in 183 BC. He worked on colossal acroliths and was entrusted with the repair of Phidias' Zeus in  Olympia. Of a group of gods in the Asclepius shrine in Messene, the head and foot of the statues of Apollo…

[German version] (Λεωχάρης; Leōchárēs). Greek sculptor; his surviving works date from the mid 4th cent. BC to 320 BC; the period of main activity given by Pliny, 372-369 BC, is therefore too early. L.'s reputation rested on idols and portraiture, and led to a corruption of the evidence. Among the literary inventions are a statue of Apollo attributed to the still young L., which Plato is said to have sent to Dionysius II (around 365 BC). In 354 BC at the latest (death of work's commissioner Timotheu…

[German version] From the Renaissance, the word bust (from Italian busto) refers to a three-dimensional free-standing human image, which is restricted to head and chest ( Portrait). There is no ancient technical term, because busts were predominantly classified as portraits ( imagines). The term  bustum, on the other hand, meant gravesite, which in Italic cultures was marked by a  cippus or a stele, contouring a human head; in some instances as early as the 6th cent., but more commonly by the 4th and 3rd cents. BC, these developed int…

(Ἑρμοκλῆς; Hermoklês). [German version] [1] From Cyzicus, poet of paeans (amongst other things), c. 300 BC From Cyzicus. Around 300 BC author of  paeans on  Antigonus I and  Demetrius [2] Poliorcetes [4] (lost) and an ithyphallos on the latter [1; 2] (fully extant). Addressing traditional religious poetry no longer only to gods but also to rulers was in keeping with the general common practice of the Hellenistic ruler cult [3]. Käppel, Lutz (Kiel) Bibliography Editions: 1 CollAlex 173-175 2 D. Ebener, Griech. Lyrik, 21980, 426 (Ger. trans.). Bibliography: 3 C. Habicht, Gottmensc…

[German version] (Στρογγυλίων/ Strongylíōn). Bronze sculptor (last third of the 5th cent. to the first third of the 4th cent. BC). None of his works attested in literature survives. Parts of the base of a detailed depiction of the Trojan horse, named δούριος ( doúrios, ‘The wooden one’, Paus. 1,23,8), have been identified on the Acropolis in Athens; it can be dated to before 414 BC. As well as some devotional images, S. and Cephisodotus [4] created some statues of the Muses on Mt Helicon. Small bronzes by S. were famous among Roman collectors, such as the so-called Puer Bruti and an Amazon, o…

(Μέντωρ; Méntōr). [German version] [1] Father of Imbrios of Pedaion Father of Imbrius of Pedaeum (Hom. Il. 13,171). Frey, Alexandra (Basle) [German version] [2] Son of Alkimos, companion of Odysseus M. of Ithaca, son of Alcimus (Hom. Od. 22,235), companion of Odysseus, who on his departure to Troy hands over to M. the supervision of his household (ibid. 2,225ff.). In the People's Assembly M. firmly opposes the behaviour of the suitors (ibid. 2,224ff.). The goddess Athena often takes on his form in order to help Telemachus wi…

[German version] The term introduced by J. Lange in 1892 as in the ‘law of frontality’ originally referred to a pre-Greek mode of portrayal, which, developed from the plane, displays all the essential individual forms paratactically in front view. Frontality was a label for an allegedly primitive form, which in evolutionary statements on style also seemed applicable to the early, pre-classical portrayal of people in Greek sculpture. In archaic statues frontality was supposedly expressed by mirror-…

(Εὐθυκράτης; Euthykrátēs). [German version] [1] Olynthian, betrayed his home polis at the instigation of Philippus II E., an Olynthian, allegedly accepted bribes from  Philipus II in 348 BC to betray his home polis, thus bearing part of the guilt for its destruction. Because of this, E. was ostracized by Athens (Diod. Sic. 16,53,2; Dem. Or. 8,40; 9,56; 18,295; 19,265-267; Hyp. fr. 76 Jensen). In c. 345-343, he acted as syndikos for the Delians in their dispute with the Athenians regarding the prostasía of the Delphi sanctuary.  Demades' application to lift E.'s ostracism and…

[German version] I. Definition Originally a round water container, the Latin urna denotes the sepulchral vessel in a cremation (ashes and bones). Morphologically speaking, urns are not always distinguishable from vessels of everyday life or cult. They sometimes imitated furniture and building designs. The gathered bones and ashen remains were gathered ( ossilegium) for storing in cloth or vessels inside urns of terracotta, metal or stone. Because of the prevalence of cremation in the ancient Mediterranean, the urn was the usual vessel for contain…

[German version] I. Definition Silver (ἀργύριον/ argýrion, ἄργυρος/ árgyros; Latin argentum) is a precious metal, which in Antiquity was extracted primarily by smelting silver-bearing ores of lead. Four different kinds occur naturally: 1. as pure silver; 2. as silver ore; 3. as a component of galena, the only economically interesting ore of lead; 4. in alloy with gold, i.e. as electrum (Elektron), in which the gold content can amount to less than 30 %. Pure silver is rare and its surface corrodes, so that…

[German version] (ξόανον; xóanon). Greek term, attested from the 6th cent. BC, for gods' images (derived from ξεῖν/ xeín, 'to polish') made of wood, ivory and stone, regardless of size or artistic period. The modern archaeological usage, however, often limits the term xoanon to an ancient cult figure made of wood, which goes back to the restricted use of the term by Pausanias, who has handed down most of the information on xoana. The most famous wooden xoana were created in the 8th-7th cents. BC. In ancient literature, their sculptors (Theocles, Angelion) were considered…

(Βούτης; Boútēs). [German version] [1] Attic hero Attic hero about whom several traditions exist. There was an altar of B. in the  Erechtheion, in the vicinity of the altars of Poseidon, Erechtheus and Hephaestus (Paus. 1,26,5), and this establishes a clear link to the traditions of the  Eteoboutadai who were the priests for Athena Polias and Poseidon Erechtheus. B. could indeed have been the title of Poseidon Erechtheus' priest [1]. In this context, the genealogies which claim the hero to be Poseidon'…

(Κάναχος; Kánachos). [German version] [1] Sculptor from Sicyon Sculptor from Sicyon, lived and worked in the late archaic period. Sources describe his style as hard and strict. His most famous work, the bronze statue of Apollo Philesios in Didyma holding a movable deer in one hand, was looted in 494 BC by the Persians. C. created a copy out of cedar wood for the temple of Apollo Ismenios in Thebes. Reliefs and coins depict the statue which was also recognized in Roman reproductions. In Sicyon, C. create…

(Μηνόδοτος; Mēnódōtos). [German version] [1] M. of Perinthus Historian, c. 200 BC In about 200 BC, he wrote a ‘Greek History ( Hellenikaì Pragmateîai) in 15 books, probably a continuation of the work of Psaon of Plataeae (FGrH 78) and dealing with events after 218/17 (Diod. Sic. 26,4). He may be identical (see [1]) with M. of Samos (which was considered a colony of Perinthus). The latter was the author of a periegesis ( periēgētḗs ) on ‘Notabilia of Samos ( Tôn katà tḕn Sámon endóxōn anagraphḗ), from which Athenaeus (15, 671-699) relates an extensive passage on the pre-Hellenic h…

[German version] (Ναυκύδης; Naukýdes). Bronze sculptor from Argos, son of Patrocles, teacher of Polyclitus and Alypus. The position of  N. in Polyclitus's family tree is a matter of dispute; two sculptors of the same name are also postulated. Daedalus [2] and Periclytus are recorded as the brothers of N., the latter also as ‘Polyclitus’. Pliny gives N.'s prime as  400-397 BC. N. created several  victor statues (after  448 BC). The most famous was a discobolus (discus thrower), which is commonly identified with the ‘discobolus at rest’ (Rom, VM), dating from c. 400 BC, which survives …

(Ζωίλος/ Zōílos). [German version] [1] Greek Sophist from Amphipolis, 4th cent. BC Greek Sophist from Amphipolis, 4th cent. BC; active in the area of historiography [1], rhetoric [3] and philology; pupil of Polycrates [3], teacher of Anaximenes [2] from Lampsacus and Demosthenes [2]. However, Z. owes his fame to his criticism of Homerus [1] in his work Κατὰ τῆς Ὁμήρου ποιήσεως/ Katà tês Homērou poiḗseōs ('Against Homer's verse'; 9 books; fragments in [2]) which earned him the epithet Ὁμηρομάστιξ ( Homēromástix, 'Scourge of Homer'). Motivated by the Cynic approach, Z. endeav…

(Ἀγασίας; Agasías) [German version] [1] Lochagos in the mercenary army of the younger Cyrus From Stymphalus. Lochagos in the mercenary army of the younger Cyrus, friend of Xenophon, who praises A. for his courageous demeanour, bravery in battle and resolute advocacy for his own soldiers (cf. especially Xen. An. 6,6,7 ff.). Meier, Mischa (Bielefeld) [German version] [2] Sculptor from Ephesus, 1st cent. BC Son of Menophilus, sculptor from Ephesus. In the early 1st cent. BC, created portrait statues for Romans in Delos and in Tenos, according to base inscript…

[German version] Sculptor in archaic times who, together with  Tectaeus, is regarded as a pupil of  Dipoenus and Scyllis. Plutarch describes the wooden cult statue of Apollo on Delos with a discus in his hand on which the three Charites stood; it was produced together with Tectaeus. Later, gold wreaths were added to the Charites by queen Stratonice. The statue is shown on later Athenian coins. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 179-180 Overbeck, no. 334-337 (sources).

(Χαιρέας; Chairéas). [German version] [1] Strategos at Cyzicus, 410 BC Son of Archestratus (Lycomide?) of Athens. In 411/10 BC co- strategos in Samos, sent to Athens on the  Paralus, but was able to return (Thuc. 8,74,1-3; 86,3). In 410 strategos at Cyzicus (Diod. Sic. 13,49,6; 50,7; 51,3). PA 15093. Kinzl, Konrad (Peterborough) Bibliography Davies, 9238 Fraser/Matthews, GPN 2, 1994, 469, no. 3 A. W. Gomme et al., Historical Commentary on Thucydides, 5, 1981, 266-268. [German version] [2] Nauarch of Ptolemy IX, 1st cent. BC Nauarch of Ptolemy IX; perhaps strategos of Cyprus; 88 BC…

[German version] Sculptor and architect from Chios, son of  Archermus. The anecdote about a pejorative portrait by the poet  Hipponax dates him around 550-525 BC. With his brother Athenis he created statues of  Artemis in Iasos, Delos and Athens and an Artemis mask with ‘changing facial expression’ in Chios. From the Charites, which were erected later in Pergamum under King Attalus, the base signature has possibly been preserved. The Tyche in Smyrna was apparently first represented by B. with a cr…

(Εὐκλείδης; Eukleídēs). [German version] [1] Athenian archon in 403/2 BC Athenian archon in 403/2 BC. During his year in office Athens made a new start following the Oligarchy of the Thirty (e.g., see And. 1,87-94) and, among others, officially adopted the Ionian alphabet (Theopomp. FGrH 115 F 155). Rhodes, Peter J. (Durham) Bibliography Develin 199 LGPN 2, Εὐκλείδης (9). [German version] [2] of Megara Student of Socrates Student of Socrates, founder of the  Megarian School; born between 450 and 435, probably died early in the 360s. In Plato's Phaedon (59c) E. is named among those …

Roman family name, attested since the 2nd cent. BC [1. 189-203]. Several artists belonged to this gens. [German version] [1] Architect mentioned by Vitruvius The  architect C., whom Vitruvius (7, praef. 15ff.) called a civis romanus, probably under  Antiochus [6] IV Epiphanes (ruled 176/5-164 BC) in  Athens ‘took over the construction of the Olympieion using a large measure according to Corinthian symmetries and proportions ’(Vitr. De arch. 7, praef. 17). The late archaic new construction of the Zeus temple, which was begun unde…

[German version] Bronze sculptor from Sicyon, pupil of  Naucydes. By collaboration on the Delphic monument of the Spartans after Aegospotami (‘Lysander-anathema’, 405 BC,  Delphi), he is categorized under the so-called Polyclitus succession. Signature and base with traces of its support are preserved. Identifications of the four victors' statues by A., as seen by Pausanias in Olympia, are hypothetical. Neudecker, Richard (Rome) Bibliography D. Arnold, Die Polykletnachfolge, JDAI supplement 25, 1969, 84-85, 187-188 J. Marcadé, Recueil des signatures de sculpteurs gr…

(Ζηνόδωρος/ Zēnódōros). [German version] [1] Greek mathematician, probably at the beginning of the 2nd cent. BC Greek mathematician, probably at the beginning of the 2nd cent. BC [5; 6. 604 f.]. He wrote a work 'Isoperimetric figures' (Περὶ ἰσοπεριμέτρων σχημάτων, Perì isoperimétrōn schēmátōn) in which he proved that of all figures of the same circumference the circle has the greatest area, and formulated the proposition that of all bodies of the same surface area the sphere has the greatest volume [3; 4; 7]. Substantial parts of the …

(Ἀριστοκλῆς; Aristoklês). [German version] [1] of Messene Peripatetic philosopher of the early imperial era Peripatetic philosopher of the early imperial era. His main work, Περὶ φιλοσοφίας in 10 books, contained a critical summary of the teachings of all philosophical schools; extracts in Euseb. Praep. evang. 14-15. Other teachings attributed to him until recently belong to  Aristotle of Mytilene. Because of the confusion with the latter, A. was also thought to have been a teacher of Alexander of Aphrodisias…

[German version] Sculptor from Sparta, active as an alleged student of  Dipoenus and Scyllis about the middle of the 6th cent. BC. The treasury of the Megarians at Olympia contained a wooden relief set in gold by him depicting Hercules and figures of the gods. According to Pausanias it was clearly older than the late 6th cent. building. The treasury's sculpture therefore cannot be attributed to D. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 215 Overbeck, no. 330-331 (sources).

[German version] (Τεκταῖος; Tektaîos). Greek sculptor of the mid-6th century BC. Like his brother Angelion, T. is supposed to have been a pupil of Dipoenus and Scyllis and teacher of Calon [1] (Paus. 2,32,5). He and Angelion created a cult statue of Apollo on Delos; on the basis of  literary (Plut. Mor. 1136a; Paus. 9,35,3) and pictorial evidence of seals and reliefs Apollo was represented as a kouros with Charites on one hand and a Sphinx. A later account (Athenagoras, Legatio pro Christianis 17,4 Schoedel) of an Artemis by T. in Delos is of doubtful veracity. Neudecker, Richard (Rome) Bibl…

[German version] Container ( kypsélē, kibōtós, lárnax) made from cedar wood decorated with ivory and gold plaques and carvings, described by Pausanias (5,17,5-19,10) as a votive gift from  Cypselus [2] or the  Cypselides in the temple of Hera in Olympia. Legend declared the chest to be the vessel in which Cypselus [2] was saved from the Bacchiadae as a child, or rather as its replica. It was probably manufactured in the mid 6th cent. BC. Because of the description provided by Pausanias, the Cypselus chest is an important source for the exploration of archaic imagery. A…

(Ἐπίγονος; Epígonos). [German version] [1] Sculptor in Pergamum Sculptor in Pergamum, who participated in building the victory monuments for the Attalids according to Pliny. Signatures are preserved on the following bases for Attalus I (241-197 BC): the so-called ‘Small Battle Bathron’ of the strategos Epigenes [2]; round base of the so-called ‘Great Anathema’ ( c. 228 BC; the attribution of the ‘Ludovisi Gaul’ remains in dispute); the so-called ‘Great Bathron’ ( c. 223 BC) with the ‘Dying Trumpeter’, which is documented in writing and was recognized in a copy on t…

[German version] (called E. II). A sculptor in Athens, the son of  Eubulides [4], called Eubulides II. Together with his son  Eubulides [5], also called Eubulides III, he signed honorary statues and votives in Attica, Euboea and Megara during the 1st half of the 2nd cent. BC. His Hermes in Phenea, which Pausanias described, is perhaps depicted on coins. Neudecker, Richard (Rome) Bibliography G. Becatti, Attika, in: RIA 7, 1940, 14-17 H. Brunn, Gesch. der griech. Künstler, 1, 1857, 551-552 Loewy, 134, 135, 222-227 P. Moreno, Scultura ellenistica, 1994521, 554