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[German version] (from Latin talus, 'ankle', 'dice'). The four secure written records about the TL allow no final conclusion as to whether it was a Roman game of dice (thus [7. 1842]) or a type of staged presentation in which the performers wore a toga that reached down to their ankles. For Cicero (Cic. Att. 1,16,3; Cic. Off. 1,150), the TL was immoral and the lowest profession next to 'salve vendors' and 'dancers' (Entertainers); Quintilianus (Inst. 11,3,58) emphas…

[German version] (Τέρπνος; Terpnós). Famous citharode. When Nero became emperor in 54 AD, he summoned T., listened to him daily and used him as inspiration for his own music (Suet. Nero 20,1); towards the end of his reign (67) Nero was allowed to 'defeat' T. at the Períodos (Cass. Dio 8-10; Philostr. VA 5,7-8). Vespasian in contrast honoured T. with 200,000 HS on the occasion of the restoration of the Roman Theatrum Marcelli (Suet. Vesp. 19). Harmon, Roger (Basle)

[German version] (πυρρίχη/ pyrrhíchē, Latin pyrrhica). A widespread and well-documented ancient weapon dance. Its early date is suggested by the tales of its origin (Dion. Hal. Ant. Rom. 7,72,7), linking the pyrrhiche with the Curetes (Str. 10,4,16) and with Athena's dances at her own birth (Lucian, Dialogi deorum 13 Macleod) and at the victory over the Titans (Dion. Hal. Ant. Rom. ibid.); other explanations derive the pyrrhiche from Achilles' dance before the funeral pyre ( pyrá) of Patroclus (Aristot. fr. 519 Rose), from Pyrrhus' dance of victory (Archil. fr. 190 Bergk) and his leap out of the Trojan Horse (Neoptolemus [1]; Lucian, De saltatione 9; [1]) or from the Greek words for 'fiery' (Schol. Heph. 213 Consbruch; Hsch. s. v. πυρριχίζειν; [15. 52]) ( pyr = 'fire'). In Sparta, where b…

[German version] (Σακάδας; Sakádas). Poet and famous aulos player from Argos. He participated in the second organisation ( katástasis) of music in Sparta (Plut. Mor. 1134bc) and won the Pythian agṓn (Pythia [2]) three times in a row from 586 BC in Delphi, when solo performances of the aulos were introduced there (Paus. 10,7,3-5; 6,14,10; cf. Musical instruments V.B.1.). His winning piece, which described Apollo's fight with the dragon in five parts, became known as the ‘Pythian nomos’ (Nomos [3]; ibid. 2,22,8; [1]). S. also wrote elegiac verses (Plut. Mor. 1134a), a nomos for choir in three parts each in a different key ( ibid. 1134b) and an Ilíou Pérsis (‘Fall of Troy’; Ath. 610c; [3]). His statue stood on the Helicon, the statue which Pausanias connects to a now lost prooemium b…

(Σωκράτης; Sōkrátēs). [German version] [1] Sculptor from Thebes, c. 470 BC Sculptor from Thebes. He created a cult statue of Meter Dindymene for Pindar [2] in Thebes (Paus. 9,25,3) and therefore must have worked in the 'Severe Style' around 470 BC. Paus. 1,22,8 attributed a relief of the Charites and a Hermes Propylaios on the Acropolis in Athens to the philosopher S. [2] as the alleged sculptor. The relief of the Charites is identified as the model of a much-copied type. Because it is dated to around 470,…

(Θράσυλλος; Thrásyllos). [German version] [1] Athenian commander in the Peloponnesian War (also Θράσυλος; Thrásylos). From Athens, served as a hoplite in the armed forces on Samos in 411 BC and was significantly involved there in the overthrow of an oligarchic revolution (Thuc. 8,73). Together with Thrasybulus [3], he organized the resistance against the oligarchs in Athens ( tetrakósioi [2]) and, through an oath, obliged the Athenian forces and the Samians to defend their democracy and continue the war (Thuc. 8,75,2). After being elected stratēgoí (Thuc…

[German version] I. Origins It is difficult to differentiate the concepts of basic acoustic and musical terms in the ancient European languages, just as it is in modern languages ( cf. German Klang (‘sound’) and Ton (‘tone’, ‘sound’), [3. 130]). We can, however, trace the development of individual words from everyday usage down to a specific technical meaning in the wake of the emergence of ancient science. In Greek, this semantic field includes such terms as ψόφος/ psóphos, φθόγγος/ phthóngos, φωνή/ phōnḗ and τόνος/ tónos. P…

(Πτολεμαίς; Ptolemaís). [German version] [1] Daughter of Ptolemaeus [1] I and Eurydice [4] Daughter of Ptolemaeus [1] I and Eurydice [4]; presumably married to a descendant of the pharaoh Nectanebus [2]; from 298 BC betrothed, and from 287 married to Demetrius [2] Poliorcetes. PP VI 14565. Ameling, Walter (Jena) Bibliography W. Huß, Das Haus des Nektanebis und das Haus des Ptolemaios, in: AncSoc 25, 1994, 111-117  J. Seibert, Historische Beiträge zu den dynastischen Verbindungen in hellenistischer Zeit, 1967, 30 ff. 74 f. [German version] [2] P. from Cyrene Ancient scholar of m…

(Ξενόφιλος/ Xenóphilos). [German version] [1] Comedy writer of the 5th cent. BC Comedy writer of the 5th cent. BC, victorious once at the Lenaia [1. test. 2] and possibly also once at the Dionysia [1. test. 1]; neither play titles nor fragments survive. B…

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(Θεόφραστος/ Theóphrastos). Peripatetic philosopher, c. 371/0-287/6 BC, pupil and successor of Aristotle (Aristoteles [6]). [German version] I. Life Peripatetic philosopher, c. 371/0-287/6 BC T., born in Eresus on Lesbos, is said to have been a pupil of Alcippus. If he also studied in Athens with Plato [1], he must have had contact not only with Aristotle (Aristoteles [6]), but also with Speusippus and Xenocrates. After Plato's death (347), T. followed Aristotle to Asia Minor, then to Macedonia when Aristotle was summoned to teach Alexander [4] (343/2). Both later returned to Ath…

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[German version] (Φρῦνις/ Phrŷnis). Citharist from Mytilene, active 446-416 in Athens; a key figure of the 'New Music' of the late 5th century BC [5. 12]. Of his works nothing survives. Brought to the cithara (in about 480) by Aristocleides, a descendant of Terpander (schol. Aristoph. Nub. 971), P. was victorious at the Panathenaea in 446 [2. 40ff.] and was defeated in about 416 by Timotheus [4. 1332]. By applying freer rhythms (Phot. 320b), altered tuning (Plut. De musica 1141f) and kampaí (here: 'modulations') [3. 184f., 190] he renewed Terpander's citharody (Plut. De musica 1133b) and made Timotheus' innovations possible (Aristot. Metaph. 993b 16; the figure of thought of this 'inventive discovering' is still being utilised at the height of scholasticism [6. 1035f.]). The ra…

[German version] I. Egypt and Ancient Orient As in all ancient culture, dance played an important role in the Ancient Orient as well as in Egypt; the documentary evidence for the latter, however, is incomparably better, both in pictures and in texts ─ there was hardly a part of life not involving dance: dances accompanied ‘rites of passage’ were magic-apotropaic, ecstatic, worshipful, amusing-entertaining, and even eroticizing. Children, women, and men danced together in separate groups; alongside, the…

(Πορφύριος; Porphýrios), Neoplatonist philosopher and scholar. [German version] A. Life P. ( c…

(Ὄλυμπος/Ólympos). Geography: [1-13]. People: [14-15]. [German version] [1] Home of the ›Olympian‹ gods, highest mountain in Greece (Latin Olympus) (Latin Olympus). Kramolisch, Herwig (Eppelheim) Meyer, Ernst (Zürich) [German version] I. Geography The highest mountain in Greece, regarded as the home of the 'Olympian' gods (twelve (Olympian) gods). Its altitude, overlooking all of its surroundings, creates a powerful impression, as do its massive size and density and its dramatic ascent, especially at the east and west, which …

(Δάμων; Dámōn) [German version] [1] Prince of the Telchines Prince of the  Telchines. Father-in-law of Minos and ancestor of Miletus. When the Telchines were struck dead by lightning by Jupiter because they poisoned crops, D. and his family were spared in gratitud…

(Παγκράτης/ Pankrátēs). [German version] [1] Musician, archaic style Musician; according to Aristoxenus [1] an enthusiast of the archaic style ( trópos) of Pindar and Simonides (Plut. De Musica 1137f). Harmon, …

(Πλούταρχος/ Ploútarchos). [German version] [1] Tyrant of Eretria, 4th cent. BC Tyrant of Eretria [1]. As the guest-friend of Meidias [2], the rich opponent of Demosthenes (Dem. Or. 21,110; 21,200), he turned to Athens for hel…

(Πτολεμαῖος/ Ptolemaîos). Personal name meaning 'warlike' (not 'hostile'), first recorded in Hom. Il. 4,228; the name occurred in Macedonia in the 5th and 4th cents. BC, from where it spread to Thessaly, still in the 4th cent. (IG IX 2, 598). It became prominent with the Lagid dyna

[German version] (Ὠλήν/ Ōlḗn). Founder of a cult, from the time before Orpheus (Paus. 9,27,2), from Lycia (Callim.…

[German version] I. Introduction Historical studies of music in the ancient world, as in other eras, tacitly assumed that the contributions of men are the unspoken universal, with women's contributions being regarded only as a special case. A gender-conscious examination (cf. Gender studies) of ancient musical culture reveals paradigms such as ‘public/private’, ‘productive/reproductive’ or ‘canonical/non-canonical,’ which were identified by feminist musicologists for later eras [17; 12; 3; 10; 19; 1…

(Ζῆθος/ Zêthos). [German version] [1] Son of Zeus and Antiope (Pind. fr. 52k,44: Ζέαθος/ Zéathos). Son of Zeus and Antiope [1]. A parallel is sometimes drawn between Z. and his twin brother Amphion [1], and Castor and Polydeuces (Dioscuri) (Pherecydes FGrH 3 F 124; Eur. HF 29). Together with Zeus, Epo…

[German version] (Πρόνομος/ Prónomos). The most outstanding of the Theban auletes (Anth. Plan. 16,28), aulos teacher of Alcibiades [3] (Ath. 4,184d). Was the first to play several keys on one and the same aulos (Paus. 9,12,5; cf. Ath. 14,631e). His facial expression and body movement heightened the effectiveness of his playing (Paus. 9,12,6). A vase painting from c. 400 BC depicts P. playing (interpretation of the painting is debated [1. 186-187; 2]). As late as 369 BC, his melodies were played to…

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