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Nimbus

(1,534 words)

Author(s): Willers, Dietrich (Berne) | Hurschmann, Rolf (Hamburg) | Renger, Johannes (Berlin) | Quack, Joachim (Berlin)
[German version] [1] Nimbus vitreus Nimbus vitreus (‘glass clouds’), a pun by Martial (14,112), which has been misunderstood mostly since Friedländer's annotations [1. 322] and into the most recent commentary [2. 174] has been misunderstood and is translated as a ‘glass vessel for sprinkling liquids with numerous openings’. What is meant is the effect of such an instrument when wine is sprayed. Willers, Dietrich (Berne) Bibliography 1 L. Friedländer (ed.), M. Valerii Martialis epigrammaton libri (with explanatory notes), vol. 2, 1886 2 T.J. Leary (ed.), Martial Book XIV. T…

Writing materials

(1,589 words)

Author(s): Hurschmann, Rolf (Hamburg) | Hurschmann
[German version] I. Writing media In Antiquity, a large variety of media were used as writing support. Modern scholarship divides them into inorganic and organic materials. Hurschmann, Rolf (Hamburg) [German version] A. Inorganic An inorganic medium for writing is natural rock on which inscriptions were chiselled; they are found in Egypt and in the mountains of to the east Mesopotamia from the 2nd half of the 3rd millennium BC. An early example from Greece are the inscriptions of Thera (IG XII 3,536-601; 1410-1493) from the end…

Chlamys

(271 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (χλαμύς; chlamýs). Shoulder-coat made of wool for travellers, warriors and hunters. The many-coloured and embroidered chlamys appeared in the 6th cent. BC and originally came from Thessaly (Poll. 7,46; 10,124; Philostr. Heroïkos 674) where it was also awarded as a winner's prize after athletic contests (Eust. in Hom. Il. 2,732), or Macedonia (Aristot. fr. 500 Rose). Typically it was worn as follows: the cloth of the ovally or rectangularly tailored coat was folded vertically, laid around the lef…

Mantellum

(165 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] ( mantellum, mantelium, χειρόμακτρον; cheirómaktron). A rectangular linen cloth with braiding and fringes; in cult activity it served as a hand towel carried by the servants of the sacrifice,at meals is served for cleaning hands (e.g. Xen. Cyr. 1,3,5) and as a tablecloth (Mart. 12,28). In Sappho (99 Diehl) the cheirómaktron is mentioned as a head adornment. In its main functions as a tablecloth and towel the mantellum corresponds with the mappa that was also a popular gift at Saturnalia (Mart. 5,18,1). There is evidence that from the time of Nero (Suet. Nero 22) a mappa (fl…

Clothing

(2,265 words)

Author(s): Hurschmann, Rolf (Hamburg)
A. General [German version] 1. Raw materials Attested in early monuments from the Minoan and Mycenaean period, hides and leather, as well as wool, sheepskins and goatskins, are amongst the oldest materials used for clothing. The use of  linen or flax to make garments developed thanks to the agency of the Phoenicians; Alexander [4] the Great's wars of conquest introduced  silk into Greece. The Romans used the same materials for clothing as the Greeks;  cotton came into use as well in the 2nd cent. BC; s…

Nudity

(1,906 words)

Author(s): Hurschmann, Rolf (Hamburg) | Weiler, Ingomar (Graz) | Willers, Dietrich (Berne)
[German version] A. Myth Nudity and disrobement are hardly ever themes in Greek myth. The most striking portrayal is the undressing of Aphrodite by Anchises in the Homeric hymn to Aphrodite (H. Hom. Aphr. 155-167), even if the nudity of the goddess is not explicitly mentioned (cf. Hom. Od. 8,265-305). More frequent is the accidental observation of a goddess bathing, followed by punishment (transformation, blinding etc). Instances are Erymanthus, Actaeon and Teiresias. The case of Arethusa [7] is dif…

Beard

(709 words)

Author(s): Colbow, Gudrun (Liege) | Hurschmann, Rolf (Hamburg)
[German version] I. Ancient Orient Adult men in the ancient Orient are mostly represented wearing beards, but they can also be depicted like gods and demons as beardless without having any different meaning. Beards consisted of a long or short full beard with or without a shaved lip part. The short beard finishes half-rounded or pointed below, the long beard is straight or half-rounded; the wavy strands of hair falling onto the chest mostly end in curls that form decorative rows in the layered types.…

Top

(119 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (στρόβιλος/ stróbilos, also βέμβηξ/ bémbēx, κῶνος/ kônos, στρόμβος/ strómbos, στρόφαλος/ stróphalos, Latin rhombus, turbo). The top was a popular toy in Antiquity (Children's games); made of box wood (hence also called buxum in Latin) with cross grooves, it was set rotating with the fingers and then propelled with a whip (Verg. Aen. 7,373-383 in an epic simile;  Callim. Epigr. 1,9; Tib. 1,5,3; Anth. Pal. 7,89). Original tops of clay, bronze, lead and other materials have been preserved as grave goods and votive gifts in sanctuaries (cf. Anth. Pal. 6,309) [1]. Hurschman…

Children's Games

(662 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The educational value of children's games was already known in antiquity; thus Plato (Pl. Leg. 643b-c; cf. Aristot. Pol. 7,17,1336a) saw in games imitating the activities of adults a preparation for later life. Quintilian (Quint. Inst. 1,1,20; 1,1,26; 1,3,11) fostered guessing games, games with ivory letters and learning in games in order to promote the child's mental capacities; for this purpose, the ostomáchion game ( loculus Archimedius) -- in which 14 variously shaped geometric figures had to be placed into a square or objects, people or ani…

Curtain

(135 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (παραπέτασμα/ parapétasma, προκάλυμμα/ prokálymma, αὐλαία/ aulaía; Lat. velum, aulaea). In Greek and Roman tents (Ath. 12,538d), houses, palaces, occasionally also in temples (Lk 23,45; cf. Paus. 5,12,4), curtains were attached to doors, windows (Juv. 9,105), as wall decoration (Juv. 6,227) and to the intercolumnia of the atria and peristyles; they served to keep out the rain or sun (Ov. Met. 10,595). Depictions of such curtains are known from Greek and Roman art (e.g. the parapétasma representations on Roman relief sarcophagi) and are extant in origina…

Asteas

(212 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Leading representative of Paestan red-figured vase painting ( Paestan ware), and along with  Python the only southern Italian vase painter who signed his name; he was working c. 360-330 BC. Most importantly, on the eleven signed vases depicting various myths (Telephus, Heracles, Europa i.a.) and mythic travesty (Ajax and Cassandra,  Phlyakes vases) A. named the persons depicted, and in one case (Hesperids lekythos: Naples, MN 2873) gave the scene a title. On one phlyakes vase (Berlin, SM F 3044) he is evidently referring to a contemporary stage-play. …

Dalmatica

(143 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Long-sleeved  tunica reaching down to the knees, named after its country of origin Dalmatia; mentioned in literature for the first time at the turn of the 2nd cent. AD. According to evidence from written sources and statues, the dalmatica was white with a purple   clavus that went vertically from the shoulders to the hem; the materials from which it was made were wool, silk, a half-silk and linen. The dalmatica was worn by men (with a cingulum militiae when on duty) and women. As early as the 3rd cent. AD it was adopted as liturgical church dress and became…

Apulian vases

(511 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Leading genre of red-figured,  southern Italian vase painting, c. 430 - c. 300 BC, with its production centre in Taranto. Apulian vases (AV) are subdivided into plain and ornate style. The first hardly employs any additional colours and concentrates on bell-shaped and colonette craters as well as smaller vessel types, and applies simple decor and compositions of one to four figures to them (Sisyphus Painter, Tarporley Painter). Mythological themes are one of the focal points, furthermore the…

Fish-plate

(313 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Archaeological research regards the fish-plate (FP) as a plate that is decorated with paintings almost exclusively of fish and other marine animals (mussel, cuttlefish, prawn, shrimp, electric ray, seahorse and many more); other motifs are rare (e.g. grasshopper, head of a woman or purely floral ornament). FP have a wide standing ring and a handle of varying height. Their dish, with an edge bent round to the outside, inclines in a trough shape towards the deepened centre. As a cer…

Kosmetes

(335 words)

Author(s): Hurschmann, Rolf (Hamburg) | Rhodes, Peter J. (Durham)
(κοσμητής; kosmētḗs, ‘steward’). [German version] [1] Athenian official responsible for the training of the ephebes In Athens, the official responsible for the training of the ephebes after the reorganization of the ephēbeía around 335/334 BC. The kosmētes was chosen by the people, presumably from those citizens over 40 years of age ([Aristot.] Ath. Pol. 42,2). During the two-year training period, a kosmētes was probably responsible for a contingent of ephebes for both years. He is named in many lists of ephebes from the 4th cent. BC to the 3rd cent. AD; …

Anaxyrides

(128 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ἀναξυρίδες; anaxyrídes). Iranian trousers worn by Scythians, Persians and neighbouring peoples (Hdt. 7,61 ff.) as well as mythical figures of the Orient (Amazons, Trojans, Orpheus, i.a.) who were characterized by these trousers. Anaxyrides were already known to the Greeks in the 6th cent. BC (various vase paintings; ‘Persian’ rider, Athens AM Inv. 606). In ancient art, anaxyrides are depicted as close-fitting along the legs, often in conjunction with a bodice resembling a leotard which covers the arms. This oriental attire is completed by the kandys (Iranian sl…

Abolla

(209 words)

Author(s): Hurschmann, Rolf (Hamburg) | Manganaro, Giacomo (Sant' Agata li Battiata)
[German version] [1] Roman cloak Roman cloak of unknown form; known from literary sources but not identifiable with certainty from monuments. In contradistinction to the  toga, the abolla is the costume of the farmer and the soldier (Non. 538,16), and to satirists it is the cloak favoured by philosophers of the Cynic and Stoic schools (Mart. 4,53; Juv. 3,115). The abolla was evidently similar to the   chlamys , both in form and in the way it was worn (Serv. Verg. Aen. 5,421). Abolla is possibly a general term for the shoulder-cloak (cf. Juv. 4,76, mentioned as the cloak of the praefectus urbi). …

Headgear

(427 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] plays only a minor role in myth and history. One case in point is Hades' helmet of invisibility which Athena uses (κυνέη Ἄϊδος/ kynéē Áïdos, Hom. Il. 5,844 f.) and then hands to  Perseus [1].  Midas hides his donkey ears under a turban ( Tiara), Ov. Met. 11,180 f. A hat (  pilleus ) was taken from  Lucumo ( Tarquinius [11] Priscus) by an eagle and then brought back, which was seen as a positive omen for the future, Liv. 1,34; a wind blows  Alexander [4] the Great's   kausia off his head (Arr. Anab. 7,22,2 f.). Greek and Roman men went bareheaded in everyday life, unless …

Sagum

(150 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Male garment of a rectangular cloth (felt or loden) with a triangular or circular section cut out, sometimes also with hood. Worn as a shawl or cape and fixed at the right shoulder with a buckle or fibula (Pins), thus leaving the right side of the body uncovered. The sagum originally came from Gaul (Diod. Sic. 5,30,1: σάγος/ ságos; Varro, Ling. 5,167; Caes. B Gall. 5,42,3: sagulum) but was also worn by Germans and Iberians and in Italy and North Africa. It belonged to the garb of slaves and workers and to the battle dress of Roman navy and infan…

Sports equipment

(774 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Equipment needed for training and for practising a sport in antiquity. 1) Hoplitodromia (verb ὁπλιτοδρομεῖν/ hoplitodromeȋn) was the last running competition to be included in the programme of the Olympic Games (Olympia IV.) in 520 BC (65th Olympiad). In the beginning it was run in full kit (helmet, greaves, round shield), but the armour was successively reduced until only the shield (ἀσπίς/ aspís) remained ( cf. Paus. 6,10,4). this discipline, which only adult males entered, is represented particularly in vase paintings. 2) The torch race (λαμπαδηδρομία/ lampadēd…

Toga

(520 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The toga, adopted from the Etruscans, was the official garment of Roman citizens which was worn in public and which non-Romans were not allowed to wear (Suet. Claud. 15,3; gens togata: Verg. Aen. 1,282). Originally, the woolen toga was worn over the bare upper body and over the subligaculum that covered the lower body, later over the tunica . The common toga of the simple Roman citizen was white ( toga pura, toga virilis). Furthermore, there was the toga praetexta with a crimson stripe along the edges ( clavi; status symbols) which was worn by curule officials, by the Flamines …

Cera

(217 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (κηρός; kērós). According to Plin. HN 11,11, (bees)wax was one of the most widely used materials. Among the properties of cera are conservation of shape, the capacity to seal and adhere (Hom. Od. 12,47-49 and passim), inflammability ( Lighting), lustre; cera also aids the healing process (Dioscorides 2,83,3; Plin. HN 22,116). When warmed, cera is easy to work, but also becomes soft or fluid ( Icarus). Cera was used in  sculpture;  painting; in bronze casting; in magic (for amulets and articulated dolls etc.); in funerary art (  imagines maiorum );…

Duodecim scripta

(172 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Board game in which a player attempted to remove his own 15 counters by reaching the end of the other side of the board. Moves were determined by throwing two or three dice; if two or three of the opponent's counters occupied a line, the first player's own counter could not be placed on that line; if only one counter was there, it could be removed. According to Isid. Orig. 18,60, duodecim scripta was played with a dice shaker or ‘tower’, dice and counters. The board consisted of 36 squares decorated with geometrical figures such as circles or squares,…

Centuripe vases

(160 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Brightly painted ceramics of the 3rd/2nd cents. BC, named after the place of their discovery in Sicily. Vessel forms ( Pottery, shapes and types of ) are pyxis, lekanis and lebes, and infrequently other types such as lekythos. The painting, in tempera colours (white, pink, black, yellow, red, gold, with isolated instances of green and blue) on a ground of orange-coloured clay (friezes of acanthus, tendrils and architectonic forms, heads, busts) is executed only on one side of the vessel. The vessels are of considera…

Ball games

(585 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (σφαιρίσεις; sphairíseis, pilae lusus). Homeric society already enjoyed ball games (BG) (Hom. Od. 6,110-118; 8,372-380), which have also been practised by people of all social levels (Ath. 1,14e, 15c; 12,548b; Plut. Alexander 39,5; Cic. Tusc. 5,60) and age groups since then. The Romans took many BG over from the Greek. Some were team games, like   harpaston or ἐπίσκυρος, epískyros (Poll. 9,103f.; schol. Pl. Tht. 146 i.a.), during which the opposite party was gradually pushed off the field by long-range shots, perhaps depicted on the relie…

Rug

(602 words)

Author(s): A.NU. | Hurschmann, Rolf (Hamburg)
(τάπης, τάπις, ταπήτιον/ tápēs, tápis, tapḗtion; Lati. tapes, tapete). [German version] I. Ancient Near East and Egypt The only surviving rug (from kurgan V at Pazyrik, southern Siberia, 5th-4th cent. BC) is knotted in wool [1]. Otherwise, the existence of rugs in the ancient Near East can only be deduced from various pictorial representations. Owing to their similarity to modern rugs [2], the geometric motifs on wall paintings (7th cent.) at Çatal Hüyük (Turkey) are called 'kelim motifs'. However, definite evid…

Mourning dress

(253 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] In the first place mourning dress belonged in the personal area of family and friends, but it could also accompany public mourning. In Homer only mourning goddesses wore dark veils (Hom. Il. 24,93 f.; Hom. H. 2,42). The society described by Homer contented itself with dirtying their clothes with dust and ashes or tearing them (Hom. Il. 18,22 f.; 23,40 f.; 24,640; 28,25). Such behaviour was retained in the historical period by the Greeks and the Romans (e.g. Plut. Solon 21; Eur. El…

Daunian vases

(251 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Pottery type found among the Italic peoples who inhabited the area of modern provinces around Bari and Foggia, with local production sites particularly in Ordona and Canosa. From their early phase (around 700 BC), the vessels display a geometric ornamentation independent of the Greek range of subjects, which is applied in red and brown to black earthen colours onto the manually formed vessels. Among these are diamond and triangular patterns as well as band ornaments, wavy lines, circle, cross, square, arc, …

Rudis

(99 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] [1] Thin stick Thin stick or spoon for stirring foods, medications, etc. (Greek κύκηθρον/ kýkēthron, Aristoph. Pax 654), called rudicula in its small form (Plin. HN 34,176), usually made of wood, more rarely of iron (Plin. HN 34,170). Hurschmann, Rolf (Hamburg) [German version] [2] Wooden epee Wooden stick or rapier for the fencing exercises of soldiers and gladiators. The rudis also served the lanista as a badge for separating fighting gladiators or for bestowing order on the fight. Retired gladiators received the rudis upon becoming supervisors in the fencing…

Acetabulum

(122 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] From Latin acetum (vinegar); this goblet-shaped vessel with an indented wall profile served as a container for vinegar and honey, as a table and cooking vessel as well as a wax melting utensil; also used as a beaker amongst conjurers. Usually, the acetabulum was made of clay or glass, sometimes of precious metal. Its volume was very small (0,068 l [1]); in Apicius (6,8,3) and Apici excerpta a Vindario VI, the acetabulum is also equivalent to a cooking vessel.  Catinus Hurschmann, Rolf (Hamburg) Bibliography 1 F. Hultsch, s. v. A., RE I, 155 f. G. Hilgers, Lat. Gefäßnamen, …

Epostrakismos

(62 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ἐποστρακισμός; epostrakismós). Boys' game, in which a shard or flat stone is skimmed on the water to make it hit the surface and skip. The winner was the one whose stone or shard made the most skips and went the furthest (Poll. 9, 119; Hes. s.v. E.; Min. Fel. 3; Eust. in Hom. Il. 18,543). Hurschmann, Rolf (Hamburg)

Purse

(356 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] In Greek as in Latin, there were many terms denoting purse, e.g., βαλ(λ)άντιον ( bal(l)ántion), μαρσίππιον ( marsíppion), θύλακος ( thýlakos), φασκώλιον ( phaskṓlion), crumina, marsuppium, pasceolus, saccus, sacculus, sacciperium, versica; but the exact distinctions between them cannot be established today. The words may have referred only to differences in colour, shape and size, as may be inferred from Plaut. Rud. 1313-1318 (and 548). Purses were small bags kept on a cord around the neck or on the belt or ar…

Polos

(258 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (πόλος/ pólos). Cylindrical head-dress without brim, worn by female deities, e.g. Aphrodite (Paus. 2,10,4), Tyche (Paus. 4,30,6), Athena (Paus. 7,5,9), Hera, Demeter, Persephone, Cybele, and by mortals on festive occasions. As a goddess' crown, the pólos came from the Near East (e.g. ivory statuettes from Nimrud, see Kalḫu) to Greece, and was depicted on monuments as early as the Minoan-Mycenaean Period. The height of the pólos could be just a few centimetres, or it could assume considerable proportions, as in the head-dress of Hera of Samos [1. 19 fig. 6]. Such a tall p…

Sicilian vases

(267 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Just before the end of the 5th cent. BC, production of red-figured vases began in Himera and Syracuse in Sicily. In style, ornamentation, vase shape and themes they reveal considerable influence from Attic vase painting (Meidias Painter). In the second quarter of the 4th century BC a number of Sicilian vase painters emigrated, in order to lay the foundation on the Italian mainland of Campanian and Paestan vase painting  (Campanian vases; Paestan ware). To a limited extent vase pro…

Strigilis

(292 words)

Author(s): Hurschmann, Rolf (Hamburg) | Groß, Walter Hatto (Hamburg) | Künzl, Ernst (Mainz)
(Greek στλεγγίς/ stlengís, ξύστρα/ xýstra). [German version] [1] Implement for sports and cosmetics Ancient implement for sports and cosmetics, primarily of bronze or iron, for scraping off oil, sweat and dirt after practising sport and after visiting a steam bath ( laconica or sudatoria) in the balnea or thermae. It was part of a grooming set, which for the Greeks also included a sponge and a small bottle of oil (Alabastron, Lekythos [1]), and for the Romans an ampulla (small bottle of oil) and a patera (hand-dish for pouring water on the body or for holding oil). A strigilis consisted of …

Manicae

(308 words)

Author(s): Hurschmann, Rolf (Hamburg)
(χειρίς; cheirís). [German version] A. Sleeve Clothing from as early as the Minoan-Mycenaean period had sleeves down to the wrist, shorter ones to the elbow or just to the upper arm. In the archaic and classical periods the chiton with sleeves was the usual dress for ‘barbarians (Persians, Scythians et al.), but it was also worn by Greeks. In Roman dress manicae were initially a sign of effeminacy ( Tunic) - Comm…

Askoliasmos

(153 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ἀσκωλιασμός; askōliasmós). ‘Hopping on one leg’ (Pl. Symp. 190d with Schol.; Aristoph. Plut. 1129 etc.), also ‘hopping on a wineskin’. Mentioned by Eratosthenes (fr.22) and Didymus (Schol. in Aristoph. ibid.) at Attic grape harvest festivals as dances on a wineskin made of the skin of a pig or pelt of a goat that was filled with …

Kampyle

(84 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (καμπύλη; kampýlē). Staff with a cambered handle, mostly used by farmers and shephe…

Cesnola Painter

(187 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Named after his geometric krater, formerly in the Cesnola collection (h. 114.9 cm with lid, from Kourion/Cyprus, now in New York, MMA, Inv. 74. 51. 965;  Geometric pottery). The work of the anonymous vase painter combines motifs from the Middle East with those from mainland Greece and the Greek islands. In the past, both the unusual form of the eponymous krater and the combination of decorative motifs led to discussion as to its date and origin, but these are now confirmed by ana…

Pen

(298 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (κάλαμος/ kálamos, lat. calamus). Besides the stylus , the pen was the second indispensable writing implement in antiquity. It was used to write with red or black ink on papyrus and parchment, as well as on whitened or uncoated wooden tablets. Pens made from reed stalks (κάλαμος/ kálamos, lat. calamus) were sharpened with a penknife (σμίλη, scalprum librarium) and given a slit in the middle, so that they resembled the moder…

Krepis

(395 words)

Author(s): Höcker, Christoph (Kissing) | Hurschmann, Rolf (Hamburg)
[German version] [1] Architectural term (κρηπίς/ krēpís, κρηπίδωμα/ krēpídōma). Ancient term, documented frequently in building inscriptions, for the stepped base which served as the foundation for various edifices, but particularly for Greek colonnade construction (sources: Ebert 7-9). The krepis rests on the euthynteria (the top layer of the foundation, the first to be precisely planed) and ends in the stylobate, the surface on which the columns stand. The shaping of the initially one- or two-stepped krepis in the early 6th cent. BC is an important result of the coming into being of the Doric order in stone construction ( Temple). In the early wooden constructions the columns predominantly rested on simple stone slabs. From the late 6th cent. BC, a

Games of dexterity

(530 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] were primarily performed by children. With some of these games  astragaloi (knucklebones), nuts, pebbles, coins, small balls or potsherds were used as toys ( Children's games), with others, sticks, discs, wheels, etc. A favourite was the so-called πεντάλιθα (

Ostrakon

(261 words)

Barbaron Hyphasmata

(142 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (βαρβάρων ὑφάσματα; barbárōn hyphásmata). The Greeks called the valuable Median-Persian robes, materials, blankets i.a., with colourful  ornaments, detailed figurative decorations, hybrid and fable creatures barbaron hyphasmata (BH ). The BH arrived in Greece through commerce (Aristoph. Vesp. 1132ff.), as loot (Hdt. 9,80) or gifts (Ath. 2,48d). BH were donated as  votive offerings to sanctuaries (Paus. 5,12,4) or they were worn as luxury robes as a demonstration of wealth and power. The BH led to changes in the Greek official dress ( Zeira) and textiles ( blankets,  cushions; couch cove…

Running and catching games

(453 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Running and catching games tended to be played in open areas and streets (e.g., Callim. Epigr. 1,9; Verg. Aen. 7,379) where children could chase one another (Hor. Ars P 455f.; cf. Hor. Ars P 412-415 perhaps races) or engage in the popular pastime of hoop rolling (τροχός/ trochós, trochus), often depicted on Greek vases in particular (also in Ganymedes [1]) (Poll. 10,64). From indications in Roman sources this game was frequently played in the street (Mart. 14,168; 14,169; cf. ibi…

Comb

(385 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ὁ κτείς; ho kteís, Lat. pecten). Combs for wool and for the hair were known already in prehistorical Europe, Egypt and the Near East. They were made from a range of different materials (olive wood, boxwood, ivory, bone, later also from bronze and iron) and could also vary in shape (trapezoid or oblong). In the post-Mycenaean period they had two rows of teeth, with those on one side being more narrowly set teeth. Semi-circular combs appeared in the archaic period. The Classical period …

Pins

(3,978 words)

Author(s): Hurschmann, Rolf (Hamburg) | Giesen, Katharina (Tübingen) | Niemeyer, Hans Georg (Hamburg) | Prayon, Friedhelm (Tübingen) | Steimle, Christopher (Erfurt) | Et al.
[German version] I. General Pins and needles (βελόνη/ belónē, περόνη/ perónē, ῥαφίς/ rhaphís, Latin acus) were put to a variety of uses in the ancient household: they were used for hair, garments and sewing. They were also a utensil, for example, in the work of doctors (Surgical instruments), sailmakers etc. Tattoos were also done using special needles. The shape of the pin, long and thin with one sharp end, has not changed since prehistoric times. In sewing needles, the head is generally unadorned and flat; …

Bustum

(106 words)

Ring

(802 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (δακτύλιος/ daktýlios, ἀκαρές/ akarés; Latin anulus). In the following, ring refers exclusively to finger rings (for earrings, see Ear ornaments). The rings in the Aegina and Thyreatis treasures from the beginning of the 2nd millennium BC already display outstanding technical command and high artistic quality. From the early Mycenaean period, gold wire and silver rings deserve note, along with the so-called shield rings, which developed into a leading form of Mycenaean jewe…

Kausia

(195 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (καυσία; kausía). Primarily Macedonian head cover with a wide brim to protect the wearer from the rays of the sun ( kaûsis), but it could also serve as a helmet (Anth. Pal. 6,335). The kausia was made from leather or felt and sometimes had a chin strap. Depictions on coins of the 5th cent. BC already document the kausia as part of the attire of Macedonian kings. From Alexander [4] the Great (Ath. 12,537e), the kausia, by then scarlet, has become one of the main features of the Macedonian royal costume (Plut. Antonius 54; cf. Arr. Anab. 7,22,2) and is worn with a tiara ( diádēma

Calceus

(275 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Roman shoe or half-boot made of leather that was probably adopted from the Etruscans and was part of the clothing ( vestis forensis) of the noble Roman citizen. If a member of the nobility dressed in other shoes in public, he would be criticized (Suet.Tib. 13; an exception was the dress for the banquet at which people wore the solla; Hor. Sat. 2,8,77; Mart. 3,50,3; Suet. Vit. 2). In Roman literature and art the calceus was represented in many ways; three variants can be distinguished that at the same time served to differentiate between social ranks. Th…

Geneleus

(237 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Sculptor of the archaic period, famous for the family group with his signature in the Heraion on  Samos (560-550 BC). The group consists of the reclining figure of the founder ...ιλάρχος, three standing girls (unknown name, Philippe, Ornithe), the fragments of a young man, and the enthroned mother Phileia; apart from Ornithe (Berlin, SM, Inv. 1739), all the figures are on Samos (Vathy, Mus. Inv. 768). G. proves himself a master of Ionian sculpture because of the minute detail to w…

Canosa Vases

(129 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Type of  Apulian vases, between c. 350 and 300 BC, probably made exclusively for use in graves. Their distinguishing feature is their decoration in a variety of water-soluble pigments (blue, red/pink, yellow, pale purple, brown) on a white background. Preferred  vessel forms are the volute-krater, cantharus, oinochoe, and askos, whose main bodies were frequently decorated with figure…

Paestan ware

(394 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] PW first developed in around 360 BC when immigrant artists from Sicily founded a new workshop in the southern Italian city of Paestum (Poseidonia), the leading masters of which were the vase painters Asteas and Python. Both are the only vase painters in southern Italy whose signatures are known on vases. The Paestan vase painters favoured bell craters, neck amphorae, hydrias, lebetes gamikoi (nuptial cauldrons depicting mostly wedding but also f…

Sakkos

(144 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (σάκκος/ sákkos). Closed bonnet, esp. popular as a headdress of Greek women in the 5th and 4th cents. BC. The evidence from Attic vase paintings and tomb reliefs shows the sákkos worn mainly by female servants, whereas in southern Italian art it appears as the headdress of any woman. Sákkoi frequently had a loop on the calotte for hanging them up and often tassels hanging down. Some sákkoi were unadorned or deco…

Tiara

(266 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τιάρα/ tiára). Head covering of Near Eastern peoples (Armenians, Assyrians, Sagae, especially Persians; Hdt. 3,12; 7,61; 7,64 et passim), similar to a turban; also a tall tiara, decorated with stars and rising to a point, which among the Persians was fit only for the king, his relatives and holders of high office (Xen. An. 2,5,23; Xen. Cyr. 8,3,13). In Greek sources, the tiara is also called a kyrbasía or a kíd(t)aris (e.g. Aristoph. Av. 487). The tiara as a head covering for Middle Eastern aristocrats was also common in the Roman period (Suet. Ner…

Tribon

(99 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τρίβων/ tríbōn, τριβώνιον/ tribṓnion). A coat ( himátion, cf. pallium ) of 'bristly' wollen material, worn by Cretans (Str. 10,4,20) and Spartans (Plut. Lycurgus 30; Plut. Agesilaus 30; Ael. VH 7,13); later also common in Athens (Thuc. 1,6,3). It was part of the clothing of simple people (Aristoph. Eccl. 850; Aristoph. Vesp. 1131), farmers (Aristoph. Ach. 184; 343) and lakōnizóntes ('imitators of Spartan customs', Dem. Or. 54,34). From the time of Socrates (Pl. Symp. 219b; Pl. Prt. 335d; Xen. Mem. 1,6,2) the tribon was also the typical coat of Cy…

Torques

(475 words)

Author(s): Hurschmann, Rolf (Hamburg) | Pingel, Volker (Bochum)
('torque'; Lat. also torquis; Gr. στρεπτόν/ streptón, 'twisted'). [German version] I. Classical Antiquity Helically twisted collar of bronze, gold or silver with open but almost touching ends, which were thickened or figure-shaped and could sometimes be turned outwards. Torques are known from the Bronze Age onwards and numerous examples survive. The Greeks learned of torques from the Medes and Persians, where they were worn by people of high status (Hdt. 8,113,1; 9,80,4; Xen. Cyr. 1,3,2-3; cf. Curt. 3,3,13), e.g. the Great King in …

Tabula

(196 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] General Latin term for board (Plin. HN 31,128; 33,76; 36,114; Ov. Met. 11,428), then for 'game board' ( tabula lusoria, Games, Board games, Dice (game)), 'painted panel' ( tabula picta, Plin. HN 35,20-28), 'votive tablet' ( tabula votiva, Hor. Carm. 1,5,13; Pers. 6,33). In a special sense, tabula is the term for writing tablets, used for writing and calculating, of wood, whitewashed or with a layer of wax, or metal tablets (Writing materials, Codex ), as were already common among the Greeks. Tabulae were used in the public domain, e.g. as tablets of law ( Tabulae duodecim

Diphros

(118 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Four-legged stool, generally with turned legs. A seat for gods and heroes (west frieze of the Siphnian treasury in Delphi; east frieze of the  Parthenon), as well as for common people in scenes from everyday life (geometric amphora Athens, NM Inv. no. 804: workshop scenes). They were made of simple wood or valuable ebony, the inventory lists of the Parthenon even record silver-footed diphroi. A special form is the folding stool (διφρος ὀκλαδίας; díphros okladías), whose legs end in claw-shaped feet.  Furniture;  Sella curulis Hurschmann, Rolf (Hamburg) Bibliography G…

Darius Painter

(180 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Apulian vase painter working c. 340/320 BC, named after the main figure on the  Darius Crater. On the vessels he painted (including voluted craters, lutrophoroi, amphorae), some of which are monumental, he generally depicted scenes from classical tragedies (Euripides) and themes from Greek myth; some of these are only documented through his work. Other vases show scenes depicting weddings, women and Eros, as well as Dionysian motifs and rare sepulchral representations ( Naiskos vases). His tendency to name people and representations in inscriptions ( Persai, Pat…

Peniculus

(69 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (also penicillum). Duster, a stick with the hairy end of an animal's tail (Paul Fest. 208; 231 M.); used to wipe down tables (Plaut. Men. 77f.), polish shoes (Plaut. ibid. 391) or clean agricultural implements and vessels (Columella 12,18,5). The peniculus was also used as a brush to whitewash walls (Plin. HN 28,235) and as a paintbrush (Plin. HN 35,60f.; 103; 149). Hurschmann, Rolf (Hamburg)

Subligaculum

(95 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Men's item of clothing to cover the abdomen (Varro, Ling. 6,21; Non. 29,17). Originally, it was probably worn under the Roman toga (Non. 29,17; Isid. Orig. 19,22,5) and was later replaced by the tunica . The subligar, on the other hand, is a cloth worn for special occasions, such as by actors (Juv. 6,70) and by women in the bath (Mart. 3,87,3), or generally by labourers (Plin. HN 12,59). Perizoma Hurschmann, Rolf (Hamburg) Bibliography M. Pausch, Neues zur Bekleidung im Mosaik der 'Bikini-Mädchen' von Piazza Armerina in Sizilien, in: Nikephoros 9, 1996, 171-173.

Petasos

(207 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (πέτασος; pétasos). Greek hat made of felt with a wide brim, also referred to as a 'Thessalian hat' because of its origin (Soph. OC 313); it was worn by women and men who spent a lot of time outdoors (fishermen, herdsmen/women, hunters) or who were travelling; amongst the most best-known mythological petasos wearers were Hermes, Peleus, Perseus, Oedipus and Theseus. Additional wearers are - more rarely - chariot riders (Athen. 5,200f.), horsemen (e.g. on the Parthenon freeze) and the Attic ephebes ( ephēbeía ). The petasos was firmly retained by a strap that was p…

Helicon

(372 words)

Author(s): Freitag, Klaus (Münster) | Folkerts, Menso (Munich) | Hurschmann, Rolf (Hamburg)
(Ἑλικών; Helikṓn). [German version] [1] Mountain range in central Greece Mountain range in central Greece, dividing the Copais Basin and the upper Cephissos Valley from the Gulf of Corinth (cf. Str. 9,2,25; Paus. 9,28,1-31,7). The western part of the H. belonged to Phocis and the eastern part to Boeotia. The highest elevation is the peak of the Palaiovouno (1,748 m). Few passes lead over the H., which is rich in springs and forests and was famed for its herbs. The H. has large areas that were used in anti…

Mastruca

(66 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (also mastruga). Sardian word (Quint. Inst. 1,5) for a close-fitting garment made of (sheep)skin, sleeveless and reaching down to the upper thighs. The Romans considered those who wore it to be uncivilised (Cic. Scaur. 45d; Cic. Prov. cons. 15), thus Alaricus in: Prud. in Symm. 1,659f. In Plaut. Poen. 1310-1313 it is also used as a term of abuse. Hurschmann, Rolf (Hamburg)

Kiss

(4,070 words)

Author(s): Binder, Gerhard (Bochum) | Hurschmann, Rolf (Hamburg)
[German version] I. Typology To create a typology of the kiss in antiquity seems rather difficult, given its many specifications, of which the erotic kiss represents no more than a single facet. Existing approaches barely go beyond collections of material [1; 2; 3]. As far as tradition permits, two main categories can be distinguished: formal kisses (in politics; client relations; cult, religion) and private kisses (in family, kinship, friendship; love relations). Within these main categories and th…

Brattea

(258 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (πέταλον; pétalon). Ancient term uncommon in archaeological terminology; in Greek originally the ‘leaf or foliage of a tree’ (Hom. Il. 2,312; Od. 19,520), in Bacchyl. 5,186 the Olympian wreath of the wild olive, in the 2nd cent. BC at the latest considered to be the artificial metal leaves of a golden  wreath. In Roman sources brattea is used to describe a thin metal foil, mostly silver or gold for gilding objects, also veneers of precious wood (Plin. HN 16,232) or tortoiseshell (Mart. 9,59,9), but mostly gold leaf or gold foil is mea…

Household equipment

(1,622 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Greek τὰ ἔπιπλα/ tà épipla, ἡ σκευή/ hē skeuḗ; Latin supellex, instrumentum). Household equipment (HE) comprises the objects that are needed in daily life and that constitute the majority of moveable belongings; this includes primarily  furniture, cooking utensils and kitchen crockery, lighting devices,  carpets,  blankets, and in a wider sense also  jewellery and  clothing, furthermore, according to current understanding, objects belonging to the sphere of immovables, e.g. the doors and ro…

Repositorium

(144 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Originally a Roman tray, then a stand or centrepiece used to arrange and serve food for a course (Petron. Sat. 33; 40; 49), introduced probably at the beginning of the 1st cent. BC as luxury tableware. The repositorium could have simple, round or rectangular form, but it could also have several levels and be of considerable height; it was also decorated with figures (Petron. Sat. 36), veneered with valuable woods and fitted with silver on the corners and edges (Plin. HN 33,146). Carrying away the repositorium while a guest was still drinking was considered a bad o…

Hirschfeld Painter

(229 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Attic vase painter of the geometric period (late geometric I b, after 750 BC;  Geometric vase painting), named after Gustav Hirschfeld (1847-1897), who first described the main work excavated in 1870, the so-called Hirschfeld Krater (Athens, NM Inv. no. 990) [1; 2]. The Hirschfeld Painter (HP) and his workshop worked in the tradition of the  Dipylon Painter and had a preference for monumental kraters of which the eponymous krater and a further one in New York (MMA Inv. no. 14.130.…

Diadema

(359 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (διάδημα; diádēma). The term was originally used to describe all bands worn round the head; different from  wreath. The diadema decorates, consecrates and raises its wearer above others; in this way diademata are symbols of dignity, particularly in cult; to this belong the ‘bust crowns’ or the ‘griffin diadema’ of the priests and deities; of a religious nature are also the ribbon-, gable- and rhomboid-shaped ‘ diademata of the dead’ that from the Mycenaean period onwards (shaft tomb IV, Mycenae) in many cases adorn the forehead of the deceased a…

Litter, Sedan chair

(529 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (φορεῖον/ phoreîon; Latin lectica, sella sc. gestatoria, portatoria). The litter as a means of conveyance has been known in the Orient since earliest times; in Greece it is first mentioned in the 4th cent. BC (Din. 1,36); in Hellenism it is a luxury item (Ath. 5,195c; 212c; Diod. Sic. 31,8,12). We cannot determine when the litter was introduced to the Roman empire but it was in general use from the 2nd cent. BC (cf. Liv. 43,7,5; Gell. NA 10,3,51); its excessive utilization in Rome already compelled Caesar to limit its use in the …

Peplos

(543 words)

Author(s): Hurschmann, Rolf (Hamburg) | Baumbach, Manuel (Zürich)
(πέπλος; péplos). [German version] [1] Blanket, cloth, or shroud Blanket, cloth, or shroud (Hom. Il. 24,796; Eur. Tro. 627, cf. Eur. Hec. 432); later, women's outer garment or coat (Hom. Il. 5,734; Hom. Od. 18,292, cf. Xen. Cyr. 5,1,6). In the myth, the Trojan women place a peplos on the knees of the cult image of seated Athena (Hom. Il. 6,303). Peplos is also the term used for esp. magnificent robes, above all for the dress of Hera of Olympia which was newly woven every four years by 16 women (Paus. 5,16) and for that of Athena Polias in Athens, which wa…

Festival dress

(444 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] It is safe to assume that the dress worn at private and public festivals differed in colour or adornment from everyday wear; women in  Sybaris, for example, who were to partake in one of the municipal festivities, received a year's notice in order to prepare their attire accordingly (Ath. 12,521c; Plut. Mor. 147e). A public appearance called for a clean attire (cf. Pl. Symp. 174a). On some festive occasions, a cloak was worn, referred to as ξυστίς ( xystís) (Aristoph. Lys. 1190, Nub. 70; Theoc. 2,74; Plut. Alcibiades 32,2). The ‘Phoenician’ red chitons, wor…

Tainia

(303 words)

Author(s): Hurschmann, Rolf (Hamburg) | Höcker, Christoph (Kissing)
(Greek ταινία/ tainía). Term for bindings of all kinds. [German version] [1] Headband for festivals (Head)band, worn at Greek festivals (Pl. Symp. 212d.e, 213d; Xen. Symp. 5,9). Even gods wore, or bound their heads with, tainiai. (Paus. 1,8,4). Furthermore, cult images (Paus. 8,31,8; 10,35,10), trees (Theocr. 18,44), monuments [3], urns, sacrificial animals and deceased (Lucian, Dial. mort. 13,4) had tainiai wound round them. The Romans adopted tainiai from the Greeks (e.g. Ov. Met. 8,724 f.). As a sign of a victor and of success (Paus. 4,16,6; 6,20,10; 9,22,3…

Cushion

(255 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ἡ τύλη, τὸ κνέφαλλον, Lat. cervical, pulvinus). Cushions were used to assure comfort when sitting or lying on chairs, klines (Petron. Sat. 32), in litters (Juv. 6,353) or when lying directly on the ground. Floor cushions were also offered for comfort at the circus (Mart. 14,160). The materials used for cushions included linen, wool or leather, which were often beautifully decorated. Straw, hay, reeds, eelgrass or bulrushes (Ov. Met. 8,655) as well as flocks of wool were used as filling…

Follis

(686 words)

Author(s): Hurschmann, Rolf (Hamburg) | Klose, Dietrich (Munich)
[German version] [1] Bellows (φῦσα / phŷsa, bellows). The blacksmith's tool already mentioned in Homer (Il. 18, 372; 412; 468-70) is associated in Greek art in particular with  Hephaestus (Siphnian Treasury, Delphi), but rarely appears in depictions of workshops. There were two (Hdt. I 68) or more (Hom. Il. 18,468-470) folles in a workshop. In Roman art the follis is also depicted relatively rarely; on a blacksmith's gravestone in Aquileia (Mus. inv. no. 166) the worker at the follis holds a protective shield in front of himself; a fresco in the house of the Vettii in Po…

Tropa

(136 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τρόπα; trópa). Greek children's games with astragaloi (Astragalos [2]), nuts, etc. (Poll. 9,103; schol.  Pl. Ly. 206e); in consisted in throwing one's own astragalos (or nut, etc.) in such a way that it moved one's opponent's astragalos from its position. In a variant of the game one had to try to drop an astragalos into a small pit in the ground. Tropa was probably also played by young Romans (Mart. 4,14,9). Connected with the game of tropa is Polyclitus' [1] group, known only from literature, known as the 'Boys Playing at Knucklebones' (Plin. HN 34,55)…

Campanian vases

(696 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The Campanian vases (CV) of the 5th-4th cents. BC were made of a light brown clay and the surface often painted with a red-coloured coating. Artists generally preferred smaller vessels, besides these as the main shape, strap-handled amphora, also hydriae and bell craters; only seldom do pelike types appear ( Pottery, shapes and types of, vessel shapes with fig.). Characteristics attributed to  Apulian vase painting such as volute and column craters, loutrophoroi, rhyta or nestorid…

Python

(1,161 words)

Author(s): Junk, Tim (Kiel) | Zimmermann, Bernhard (Freiburg) | Engels, Johannes (Cologne) | Schmitt, Tassilo (Bielefeld) | Hurschmann, Rolf (Hamburg) | Et al.
(Πύθων/ Pýthōn). [German version] [1] Dragon killed by Apollo near Delphi An enormous dragon killed by Apollo near Delphi with his arrows. The oldest version of the story is offered by H. Hom. 3,300-374: Apollo overcomes a female dragon who perpetrates her mischief in the vicinity of Delphi and into whose care Hera had given her son Typhon (Typhoeus, Typhon). The town and the god receive the nickname Pythṓ (cf. also the name of the female seer at Delphi, Pythía [1]) from its decaying (πύθεσθαι/ pýthesthai) corpse. According to Eur. IT 1245-1252, the dragon is male and guards the…

Seat

(409 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Essential item of furniture for sitting on in the sparsely furnished ancient household, mainly made of wood (maple, beech, oak), but sometimes also of bronze and partially or entirely of gold (Hdt. 1,14; Ath. 12,514) or marble. Occasionally individual parts of the chair also consisted of other materials such as ivory or onyx (Plin. HN 36,59), metal or precious metal. There were also woven seats made of willow branches (Plin. HN 16,174). Depictions and stone copies show what they looked like. In Antiquity the principal forms (cf.. Ath. 5,192e-f) were the díphros

Triga

(337 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Latin from triiuga; Greek τρίπωλος/ trípōlos; 'team of three'). Its significance as a racing, hunting or war vehicle was far less than that of bigae and of the quadriga. In Homer only extra horses for a team of two are mentioned (cf. Hom. Il. 8,80-86; 16,152-154 and 467-476) and on one occasion a gift of three horses (Hom. Od. 4,590); otherwise the literary sources on trigae are rather rare (e.g. Dion. Hal. Ant. Rom. 7,73). The same is true for representations in art; first and foremost are 9th-cent. BC Assyrian reliefs with battle and  huntin…

South Italian vases

(1,233 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] I. Beginnings The first workshops in southern Italy for red-figured pottery appeared around the mid 5th cent. BC, founded by Athenian vase-painters. Native artists were trained there. Thus, the initial dependence on Attic models, which expressed itself e.g. in the choice of motif or Atticizing forms (Lucanian vases), was replaced by a characteristic painting style and repertoire of decorations and motifs. Towards the end of the 5th cent. BC, the so-called 'ornate and plain styles' emerged in Apulian vase-painting (Apulian vases). Through th…

Mourning

(981 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] I. Literary sources In Greece and Rome, deaths and accidents, financial and business losses and military defeats were occasions for mourning (πένθος/ pénthos; Lat. luctus). Aside from the characteristic mourning dress, women displayed their mourning by renouncing gold jewellery (Dion. Hal. Ant. 5,48,4; Liv. 34,7,10), by beating, and sometimes baring, their chests (Prop. 2,13,27; Petron. 111,2), by loosening and tearing their hair (Catull. 64,348-351; Tib. 1,1,67 f.; Liv. 1,26,2), by crying and wailing (P…

Klismos

(111 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (κλισμός; klismós, Latin cathedra). The klismos is a high chair without armrests and with a broad, curved backrest, attested as early as in Homer (e.g. Il. 8,436; Od. 4,136) as a seat for nobility, gods, and heroes. Greek and Roman art confirms this, but the klismos is often seen in representations of domestic rooms, schools, and other everyday scenes as well. At times, the seated persons laid an arm on the backrest for comfort and relaxation, and often the relaxed way of sitting is supported by footrests and cushions. Diphros; Furniture Hurschmann, Rolf (Hamburg) Bibliogr…

Mitra

(396 words)

Author(s): Hurschmann, Rolf (Hamburg) | Renger, Johannes (Berlin)
[German version] [1] Piece of armour (μίτρα/ mítra; μίτρη/ mítrē). (1) According to Homer (Hom. Il. 4,137; 187; 216; 5,857) a piece of armour worn to protect the lower body, identified by archaeological research with semicircular plates of bronze, dating from the early Archaic period and found particularly on Crete. Similarly, mitra is the name of a piece of armour worn by the Salii (Dion. Hal. Ant. Rom. 2,70; Plut. Numa 13,4). (2) Belt for young women (Theocr. 27,55, cf. μιτροχίτων/ mitrochítōn, Athen. 12,523d) and goddesses (Callim. H. 1,120; 4,222, Epigr. 39) and also for…

Stola

(181 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The stola was the garment worn in public by Roman matrons ( Matrona [1]), i.e. free-born women (Plin. HN 33,40), over a fairly close-fitting tunica or a looser calasis and under a palla, so that their bodies were entirely  enveloped (cf. Hor. Sat. 1,2,99). It reached to the ankles and was capacious, pleated and cinctured at bust or waist level (Mart. 3,93,4). The stola consisted of a tube of material which the wearer slipped into; it was held on the shoulders by means of twisted ribbons or strings. It had trimming ( instita) on the lower selvage, presumably a purple rib…

Thymiaterion

(457 words)

Author(s): Hurschmann, Rolf (Hamburg) | A.FR., Hans Georg
(θυμιατήριον/ thymiatḗrion). [German version] I. Classical Antiquity Fumigating apparatus for burning aromatic substances (incense etc.) - adopted by ancient Greek culture from the Orient - of bronze, clay, precious metals, less often stone, used in cults of gods, rulers and the dead. The thymiaterion was part of the domestic inventory (Dem. Or. 24,183) and was used on celebratory occasions in the private sphere (wedding, symposion). They were carried in festal processions (Ath. 5,196 f). The thymiaterion consisted of a fumigating capsule with a perforated lid, in which the aromatic substance smouldered, and a short, candelabrum-shaped or conic shaft. Thymiateria appear in the inventories of sanctuaries, where costly ones were also dedicated (Hdt. 4,162; Thuc. 6,46,3; Ath. 5,202b). Greek art did represent the thymiaterion frequently from the begi…

Culter

(133 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Greek μάχαιρα, máchaira). Originally the  knife, specifically the knife of butchers and therefore the butchering tool in  sacrifices (Hom. Hym. Apoll. 535f. for máchaira). On Greek and Roman representations, the hiereús or the victimarius has the sacrificial knife brought to him on a tray or holds it in his hand. The culter was used to open the carotid artery of the sacrificial animal and to cut out its intestines. The sacrificing victimarius was also called cultrarius after the sacrificial knife. Furthermore, the culter was the attribute of oriental peoples w…

Latrunculorum ludus

(249 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The game in which it was a matter of defeating all the stones of the opponent by clever placement of one's own, takes its name from Latin latro (‘mercenary’, later also ‘bandit’); the winner was given the title Imperator (cf. SHA Proculus 13,2). The course of the game has not been fully clarified, but from the literary sources (Varro, Ling. 10,22; Ov. Ars am. 3,357f., cf. 2,207; Sen. De tranquillitate animi 14,7; Laus Pisonis 190-208) we have an approximate picture: the

Kredemnon

(191 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (κρήδεμνον; krḗdemnon, Latin calautica, also κάλυμνα/ kálymna, καλύπτρη/ kalýptrē). In general the top covering, also of a wine or storage vessel (Hom. Od. 3,392) or of a circular wall (Hom. Il. 16,100), but subsequently mostly a woman's headscarf which covered the shoulders and could be used to conceal the face (Hom. Il. 14,184; 16,470; Hom. Od. 1,334). In the 5th cent. BC the word continued to be used only in poetry (e.g. Eur. Phoen. 1490); the usual expressions for veils and especially for bridal veils were kálymna and kalýptrē (cf. Aesch. Ag. 1178). The krḗdemnon was a…

Lamp

(725 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] As containers for flammable oil and wick holders, lamps made of clay are a ubiquitous find from antiquity; less numerous are lamps made of bronze, marble and plaster. The basic shape of the lamp was the stone bowl, which was already used as a lamp early in the Stone Age. Early lamps of clay follow this basic form; they are shaped on a potter's wheel and creased one or several times to accommodate the wick in the spout that is thereby created. These Phoenician lamps (also called ‘P…

Bathing costume

(98 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ᾤα λουτρίς; ṓia loutrís, subligar). Men and women wore loin cloths or bath towels made from sheepskins or cloth during the communal bath in bath houses (Poll. 7,66; 10,181,   perizoma ,   subligaculum ), women also wore a breast band (vase paintings, ‘bikini girl’ of  Piazza Armerina). Men's bathing costumes could also be made from leather ( aluta, Mart.…

Karchesion

(89 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] [1] see Schiffahrt see Navigation Hurschmann, Rolf (Hamburg) …

Teano ware

(196 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Genre of vases from the last quarter of the 4th cent. and the first half of the 3rd cent. BC, named after their main find spot in northern Campania, the ancient Teanum Sidicinum, which was probably also the centre of production. Shallow bowls on small circular stands, known as footed dishes, with tall stems, skyphoi, gutti, oinochoai, kernoi and vessels in the shape of birds (see ill.) are common; other vessel types, such as kalyx kraters, are distinctly rare. The decoration of th…

Footstool

(241 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (θρῆνυς/ thrḗnys, ὑποπόδιον/ hypopódion, σφέλας/ sphélas, rarely χελώνη/ chelṓnē; Latin scabellum, scamnum). The footstool was used as a foot bench for a person sitting on the  klismos,  throne or a similar high seating (cf. Hom. Od. 17,409 f.), or as a step for climbing up on the  Kline or down from it. There were three footstool variants: rectangular footstools with simple vertical legs, rectangular footstools with curved legs that ended in animal feet (lion feet), sphinxes etc., as well a…

Mastic

(264 words)

Gestures

(3,867 words)

Author(s): Bonatz, Dominik (Berlin) | Dominicus, Brigitte (Diersdorf) | Hurschmann, Rolf (Hamburg)
[German version] I. Ancient Orient The forms of expression in ancient Oriental art were reinforced by a marked language of gestures that was especially useful in the communication between mortals and gods as well as between subordinate and higher-ranking persons. In the sacred sphere gestures expressed individual feelings and wishes; in the profane sphere their official information content was foregrounded more strongly. Prayer gestures were frequently represented by hands placed together in front of…

Messapian pottery

(239 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Messapian pottery originated on the Italian peninsula of Salento (in Antiquity Messapia or Iapygia) around the mid-7th cent. BC as an independent genre. For the most part, geometric patterns (circles, squares, diamonds, horizontal lines, swastikas, etc.) were sparsely distributed over vessels; later, under Greek influence maeanders were added. Preferred vessel forms were the olla , pitcher and trozzella ( nestoris). Early in the 5th cent. BC, figurative representations, which also included new ornaments (ivy and other leaf motifs), appe…
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