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Satyr play

(1,196 words)

Author(s): Zimmermann, Bernhard (Freiburg)
(σατυρικὸν δρᾶμα, satyrikòn drâma). [German version] A. Origins As in the case of Greek tragedy, the debate on the origins of the SP also starts with an observation in Aristotle's Poetics. According to Aristot. Poet. 1449a 19 ff., tragedy had initially dealt with minor topics in a humorous language and only later acquired its appropriate solemnity, because it had developed from the satyresque (ἐκ σατυρικοῦ, ek satyrikoû) and its original nature had been more that of a dance (ὀρχηστικωτέρα, orchēstikōtéra). Aristotle thus did not claim in any way that tragedy had developed…

Theudotus

(32 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (Θεύδοτος; Theúdotos). Greek tragedian (TrGF I 157), victorious with the satyr play Palamedes presumably in Magnesia [2] in the 1st cent. BC (DID A 13,5). Zimmermann, Bernhard (Freiburg)

Pharadas

(29 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (Φαράδας; Pharádas) from Athens; was successful with a satyr play after 85 BC at the Museia in Thespiae (Boeotia) (TrGF I 173). Zimmermann, Bernhard (Freiburg)

Spintharus

(65 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (Σπίνθαρος; Spíntharos). Tragic poet (TrGF I 40), according to Suda σ 945 author of a Heracles burned and a ‘ Semele struck by lightning. Since Heraclides [16] Ponticus (fr. 13 Wehrli) describes him as an old man, he cannot be identical to the Phrygian S. mentioned in Aristoph. Av. 762, but must have lived in the 4th cent. BC. Zimmermann, Bernhard (Freiburg)

Mnesilochus

(103 words)

Author(s): Zimmermann, Bernhard (Freiburg)
(Μνησίλοχος/ Mnēsílochos). [German version] [1] see Mnasilochus See Mnasilochus Zimmermann, Bernhard (Freiburg) [German version] [2] Father-in-law of Euripides Father-in-law of Euripides [1], of the deme of Phlya. In our sources, the daughter's name varies between Choerile and Melito. In the hypothesis to Aristophanes' ‘Thesmophoriazousai the kēdēstḗs (close relative) of Eupolis is incorrectly identified with M. (also in manuscript R). Zimmermann, Bernhard (Freiburg) Bibliography U. v. Wilamowitz-Moellendorff, Euripides, Herakles I 1895, 7. [German version] [3] Secon…

Hypothesis

(474 words)

Author(s): Zimmermann, Bernhard (Freiburg)
(ὑπόθεσις; hypóthesis). Introduction, summary. [German version] A. History of literature Three types can be distinguished in tragedy: 1. The hypothéseis of  Aristophanes [4] of Byzantium found in the Peripatetic tradition ( Dicaearchus fr. 78 Wehrli); they contain a brief summary, point to the treatment of the same material by another tragedian, name the setting, the identity of the chorus and the speaker of the prologue and give further information on the play's performance (dating, title of the author's other p…

Perdix

(132 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (Πέρδιξ/ Pérdix , also called Talus or Calus), great-grandson of Erechtheus, nephew of  Daedalus [1], whose skill he surpassed - he is considered the inventor of, among other things, the saw and the compass (Ov. Met. 8,246ff.; Hyg. Fab. 39; Verg. G. 1,143) - and who therefore threw him to his death from the Acropolis  (Soph. fr. 323 TrGF; Hyg. Hab. 39). In Ov. Met. 8,251-253 P. is rescued by Athena, who turns him into a partridge ( perdix), which watches the burial of Daedalus's son Icarus [1], who also fell to his death, maliciously applauding with its wings ( ibid. 236ff.). Ac…

Didaskaliai

(700 words)

Author(s): Zimmermann, Bernhard (Freiburg)
(αἱ διδασκαλίαι; hai didaskalíai). [German version] I. Greek Derived from the verb διδάσκειν, the singular didaskalía has the general meaning of ‘teaching’, ‘instruction’ (Pind. Pyth. 4,102; Xen. Cyr. 8,7,24) and in a special sense of ‘choral training’ (Pl. Grg. 501e); in the plural it is a technical term for lists of dramatic and choral productions with associated details: year of performance (archon), poet, title, festival, choregos, actors. The entries were made in the archive of the authority responsible for the production, such at least was the case in A…

Thespis

(238 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (Θέσπις; Théspis) from Icarium [1] in the Attic deme of Icaria [1. 49], according to one tradition attested on the  Marmor Parium (43) the ‘inventor’ ( prôtos heuretḗs ) of tragedy (TrGF I 1 T 2), according to another (Suda θ 282 = T 1) the sixteenth or second tragedian after Epigenes [0] of Sicyon. Between 535/4 and 532/1, he is supposed to have presented the first tragedy at the great Dionysia in Athens (but cf. [3]) and is considered to be the inventor of theatrical masks (made of linen, T 1). By adding a prologue ( prólogos) and a  rhêsis , he transf…

Deus ex machina

(407 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (Θεὸς ἀπὸ μηχανῆς; theòs apò mēchanês). Crane-like stage machinery (μηχανή, γέρανος, κράδη; mēchanḗ, géranos, krádē) that became proverbial as early as the 4th cent. BC, by which a deity could suddenly appear hovering and traversing the air, and imbue the plot with fresh momentum or bring it to an end (cf. Pl. Cleit. 407a; Crat. 425d; Antiphanes 189,13-16 PCG; Alexis 131,9 PCG; Men. Theophorumene fr. 5 Sandbach = 227 Körte; Cic. Nat. D. 1,53). Its use in the parodies of Aristophanes (Pax 174ff.…

Choregia

(217 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (ἡ χορηγία; hē chorēgía). Office of the choregos; from c. 500 BC a special form of   leitourgia in Athens. The choregia was imposed on prosperous citizens by the appropriate archon, and young notables were glad to use this kind of leiturgia in order to win political esteem (in 472 Pericles was choregos for Aeschylus' ‘Persians; cf. also Thuc. 6,16,3 on Alcibiades). The political significance of the choregia becomes especially clear in the dithyrambic agon, where it is not the poet but the choregos who is named in the inscription ( Didaskaliai). Towards the end of the Peloponnesian War it was difficult to fi…

Timesitheus

(44 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] [1] Tragedian (Τιμησίθεος; Timēsítheos). Greek tragedian, mentioned in the Suda (τ 613), not datable. According to Suda τ 613, author of 11 tragedies (TrGF I 214). Zimmermann, Bernhard (Freiburg) [German version] [2] see Furius [II 5] see Furius [II 5]

Cleaenetus

(50 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (Κλεαίνετος; Kleaínetos). Tragedian (TrGF I 84), won the 3rd place at the Lenaeans in 363 BC; mocked by  Alexis as not exacting (Fr. 268 PCG), by  Philodemus (84 T 3 TrGF I) as a worse poet than Euripides. ‘Hypsipyle’ is attested as a title. Zimmermann, Bernhard (Freiburg)…

Theodorides

(35 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (Θεοδωρίδης; TheodōrÍdēs). Greek tragedian (TrGF I 78 A), took second place at the Athenian Lenaea in 363 BC with a Medea and a Phaethon (DID A 2b, 94). Zimmermann, Bernhard (Freiburg)

Morsimus

(50 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (Μόρσιμος; Mόrsimos). Son of Philocles, great-nephew of Aeschylus [1] (TrGF I 12 T 3), middle of the 5th cent. BC, oculist (TrGF I 29 T 2) and tragedian, the latter according to Aristophanes (Equ. 401, Pax 802, Ran. 151) of particularly poor quality. …

Theatre

(2,540 words)

Author(s): Zimmermann, Bernhard (Freiburg)
Zimmermann, Bernhard (Freiburg) [German version] A.Late Antiquity/ Middle Ages (CT) There is, to be sure, evidence for the existence of sporadic performances of Greek tragedies up into 4th cent. AD and plays by Plautus and Terence continued to be performed as late as the 3rd/4th. cents., but on the whole, tragedies and comedies had largely disappeared from the theatre programme of the Roman Imperial Age. The stage of that age, however, was not devoid of dramatic, sub-literary genres [5]. They included mimes, pantomimes and the fabulae cantatae, i.e. tragic isolated scenes perfor…

Polyphrasmon

(60 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (Πολυφράσμων/ Polyphrásmōn). Son of Phrynichus [1], tragedian, first victory between 482 and 471 (DID A 3a, 13), successful at the Dionysia in 471  (DID A 1, 22). In 467 he is recorded as third to Aeschylus [1], who won with his Theban trilogy, and Pratinas' son Aristias [2] with his trilogy Lykourgeia (TrGF I 7)…

Stichomythia

(484 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (στιχομυθία/ stichomythía). A form of dialogue in ancient drama in which two persons - or, more rarely, three -  speak in regular turns. It was first documented as a technical term in Poll. 4,113, but a description of the dramatic technique of 'dialogue intensification' [6] appears as early as in Aeschylos [1] (Eum. 585 f.). The origins of stichomythia are unknown (initiation rites: [8. 201], folk customs: [2. 95-106]). Under the general heading of the technique …

Rhesis

(452 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (ἡ ῥῆσις/ hē rhêsis), generally 'speech' (Hom. Od. 21,291). As early as the 5th cent. BC, rhesis was a technical term for a speech in a play, especially in a tragedy (for the concept cf. Aristoph. Ach. 416, Nub. 1371, Vesp. 580, Ran. 151; Aristot. Poet. 1454a 31, 1456a 31). The length of a

Phanostratus

(27 words)

Author(s): Zimmermann, Bernhard (Freiburg)
[German version] (Φανόστρατος; Phanóstratos) of Halicarnassus. Tragedian, probably successful at the Attic Lenaea in 306 BC. TrGF I 94 = DID B7. Zimmermann, Bernhard (Freiburg)
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