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[English version] Attischer rf. und wgr. Vasenmaler, tätig ca. 450-425 v.Chr.; seinen Namen erhielt er von einer rf. Phiale (Boston, MFA 97.371). Er bemalte Gefäße sehr unterschiedlicher Form, bevorzugte aber die mittleren Formate, bes. Nolanische Amphoren und Lekythen (Gefäßformen, Abb. A 5 und E 3), wie auch sein Lehrer, der Achilleus-Maler. Sie arbeiteten gemeinsam in der gleichen Werkstatt im Verein mit vier bedeutenden Töpfern und mehreren geringeren Vasenmalern. Über 200 Vasen werden dem Ph.-M. zugeschrieben. Die rasch hingeworfenen, skizzierend frei fließenden…

[English version] [1] Epigrammatiker Epigrammdichter aus Elea (in der Aiolis), Verf. eines bemerkenswerten Gedichtes über die Überschwemmung, die um 300 v.Chr. Ephesos zerstörte (Anth. Pal. 9,424, vgl. Steph. Byz. 289,3-16), das aller Wahrscheinlichkeit nach aus dem “Kranz” des Meleagros stammt. Die Stadt wurde wenig später von Lysimachos wieder aufgebaut, der sie nach dem Namen seiner Frau in Arsinoeia umbenannte: dies geschah vor 289/8 (vgl. Syll.3 368, 24), nach der Abfassung des Epigramms. Degani, Enzo (Bologna) Bibliography GA I,1, 97; 2, 280f. [English version] [2] att.-…

[German version] Very productive painter of Attic red-figured vases who got his name from a magnificent type A amphora in Berlin (SM, Inv. no. F 2160). Primarily a pot painter, he decorated a wide range of shapes, including several rare ones. Slim, elegant figures whose harmonious contours blend in with the shape of the vase, characterize his drawing style, as does also the balance of details, effected by relief, black, and golden dilute glaze lines. The Berlin Painter (BP) preferred the represent…

[German version] [1] Att. red-figure vase painter, approx. 475-450 BC Attic red-figure vase painter whose signature is to be found on 10 of the c. 200 vases attributed to him by scholarship. He worked between 475 and 450 BC and was a pupil of the  Berlin Painter. Of the vessel shapes, he preferred stamnoi, pelikai, neck amphorae, lutrophoroi and cups, with the latter particularly showing the influence of  Macron. The inside of a cup in Brauron (Archaeolog. Mus. A. 39) is decorated in white-ground technique. H. preferre…

[German version] The M. are a large group of 15 or more attic red-figure vase-painters whose affected style retains aspects of the Archaic. Active from c. 480 BC until near the end of the century, they favoured decorating column-kraters, hydriai, and pelikai (see Pottery, shapes and types of)in an old-fashioned manner: elongated figures with small heads whose drapery has groups of stacked folds, picture frames with black ornament, and antiquated subject matter, such as Ajax and Achilles playing a board game.Their figures often gesture …

[German version] Attic red-figured and white-ground vase-painter, so named by J. D. Beazley after the location where a large, red-figured twisted-handled amphora with a depiction of Apollo is preserved: the Rhode Island School of Design (15.005). A pupil of the Berlin Painter, he worked primarily on red-figured Nolan amphorae and lekythoi (Pottery, shapes and types of, figs. A 5 and E 3); he also furnished some smaller lekythoi with white-ground decorations. His favoured themes were scenes of purs…