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[German version] (Greek μάχαιρα, máchaira). Originally the  knife, specifically the knife of butchers and therefore the butchering tool in  sacrifices (Hom. Hym. Apoll. 535f. for máchaira). On Greek and Roman representations, the hiereús or the victimarius has the sacrificial knife brought to him on a tray or holds it in his hand. The culter was used to open the carotid artery of the sacrificial animal and to cut out its intestines. The sacrificing victimarius was also called cultrarius after the sacrificial knife. Furthermore, the culter was the attribute of oriental peoples w…

[German version] The game in which it was a matter of defeating all the stones of the opponent by clever placement of one's own, takes its name from Latin latro (‘mercenary’, later also ‘bandit’); the winner was given the title Imperator (cf. SHA Proculus 13,2). The course of the game has not been fully clarified, but from the literary sources (Varro, Ling. 10,22; Ov. Ars am. 3,357f., cf. 2,207; Sen. De tranquillitate animi 14,7; Laus Pisonis 190-208) we have an approximate picture: the latrunculorum ludus was played by two partners on a chess-board-like playing board that norm…

[German version] (κρήδεμνον; krḗdemnon, Latin calautica, also κάλυμνα/ kálymna, καλύπτρη/ kalýptrē). In general the top covering, also of a wine or storage vessel (Hom. Od. 3,392) or of a circular wall (Hom. Il. 16,100), but subsequently mostly a woman's headscarf which covered the shoulders and could be used to conceal the face (Hom. Il. 14,184; 16,470; Hom. Od. 1,334). In the 5th cent. BC the word continued to be used only in poetry (e.g. Eur. Phoen. 1490); the usual expressions for veils and especially for bridal veils were kálymna and kalýptrē (cf. Aesch. Ag. 1178). The krḗdemnon was a…

[German version] As containers for flammable oil and wick holders, lamps made of clay are a ubiquitous find from antiquity; less numerous are lamps made of bronze, marble and plaster. The basic shape of the lamp was the stone bowl, which was already used as a lamp early in the Stone Age. Early lamps of clay follow this basic form; they are shaped on a potter's wheel and creased one or several times to accommodate the wick in the spout that is thereby created. These Phoenician lamps (also called ‘P…

[German version] (ᾤα λουτρίς; ṓia loutrís, subligar). Men and women wore loin cloths or bath towels made from sheepskins or cloth during the communal bath in bath houses (Poll. 7,66; 10,181,   perizoma ,   subligaculum ), women also wore a breast band (vase paintings, ‘bikini girl’ of  Piazza Armerina). Men's bathing costumes could also be made from leather ( aluta, Mart. 7,35,1). In Pap. Cair. Zen. 60,8, there is mention of an ἐκλουστρίς ( ekloustrís). It is uncertain if bonnets ( vesica) were worn. Hurschmann, Rolf (Hamburg) Bibliography R. Ginouvès, Balaneutikè, 1962, 223-225 W. Hein…

[German version] [1] see Schiffahrt see Navigation Hurschmann, Rolf (Hamburg) [German version] [2] Drinking vessel A quite large drinking vessel, similar in shape to the kantharos (Ath. 11,474e-475b; Macrob. Sat. 5,21,1-6) for wine (Mart. 8,56,14; Ov. Met. 12,317), which according to Ath. 11,500f. was one of the vessels of a Greek symposium. In Rome, it was also a sacrificial vessel (e.g. Ov. Met. 7,246). Hurschmann, Rolf (Hamburg) Bibliography W. Hilgers, Lat. Gefäßnamen, BJ, 31. Beih., 1969, 48; 140f. S. Rottroff, Hellenistic Pottery, The Athenian Agora 29, 1997, 88f.

[German version] (στρόβιλος/ stróbilos, also βέμβηξ/ bémbēx, κῶνος/ kônos, στρόμβος/ strómbos, στρόφαλος/ stróphalos, Latin rhombus, turbo). The top was a popular toy in Antiquity (Children's games); made of box wood (hence also called buxum in Latin) with cross grooves, it was set rotating with the fingers and then propelled with a whip (Verg. Aen. 7,373-383 in an epic simile;  Callim. Epigr. 1,9; Tib. 1,5,3; Anth. Pal. 7,89). Original tops of clay, bronze, lead and other materials have been preserved as grave goods and votive gifts in sanctuaries (cf. Anth. Pal. 6,309) [1]. Hurschman…

[German version] The educational value of children's games was already known in antiquity; thus Plato (Pl. Leg. 643b-c; cf. Aristot. Pol. 7,17,1336a) saw in games imitating the activities of adults a preparation for later life. Quintilian (Quint. Inst. 1,1,20; 1,1,26; 1,3,11) fostered guessing games, games with ivory letters and learning in games in order to promote the child's mental capacities; for this purpose, the ostomáchion game ( loculus Archimedius) -- in which 14 variously shaped geometric figures had to be placed into a square or objects, people or ani…

[German version] (παραπέτασμα/ parapétasma, προκάλυμμα/ prokálymma, αὐλαία/ aulaía; Lat. velum, aulaea). In Greek and Roman tents (Ath. 12,538d), houses, palaces, occasionally also in temples (Lk 23,45; cf. Paus. 5,12,4), curtains were attached to doors, windows (Juv. 9,105), as wall decoration (Juv. 6,227) and to the intercolumnia of the atria and peristyles; they served to keep out the rain or sun (Ov. Met. 10,595). Depictions of such curtains are known from Greek and Roman art (e.g. the parapétasma representations on Roman relief sarcophagi) and are extant in origina…

[German version] Leading representative of Paestan red-figured vase painting ( Paestan ware), and along with  Python the only southern Italian vase painter who signed his name; he was working c. 360-330 BC. Most importantly, on the eleven signed vases depicting various myths (Telephus, Heracles, Europa i.a.) and mythic travesty (Ajax and Cassandra,  Phlyakes vases) A. named the persons depicted, and in one case (Hesperids lekythos: Naples, MN 2873) gave the scene a title. On one phlyakes vase (Berlin, SM F 3044) he is evidently referring to a contemporary stage-play. …

[German version] Long-sleeved  tunica reaching down to the knees, named after its country of origin Dalmatia; mentioned in literature for the first time at the turn of the 2nd cent. AD. According to evidence from written sources and statues, the dalmatica was white with a purple   clavus that went vertically from the shoulders to the hem; the materials from which it was made were wool, silk, a half-silk and linen. The dalmatica was worn by men (with a cingulum militiae when on duty) and women. As early as the 3rd cent. AD it was adopted as liturgical church dress and became…

[German version] Leading genre of red-figured,  southern Italian vase painting, c. 430 - c. 300 BC, with its production centre in Taranto. Apulian vases (AV) are subdivided into plain and ornate style. The first hardly employs any additional colours and concentrates on bell-shaped and colonette craters as well as smaller vessel types, and applies simple decor and compositions of one to four figures to them (Sisyphus Painter, Tarporley Painter). Mythological themes are one of the focal points, furthermore the…

[German version] Archaeological research regards the fish-plate (FP) as a plate that is decorated with paintings almost exclusively of fish and other marine animals (mussel, cuttlefish, prawn, shrimp, electric ray, seahorse and many more); other motifs are rare (e.g. grasshopper, head of a woman or purely floral ornament). FP have a wide standing ring and a handle of varying height. Their dish, with an edge bent round to the outside, inclines in a trough shape towards the deepened centre. As a cer…

[German version] (ἀναξυρίδες; anaxyrídes). Iranian trousers worn by Scythians, Persians and neighbouring peoples (Hdt. 7,61 ff.) as well as mythical figures of the Orient (Amazons, Trojans, Orpheus, i.a.) who were characterized by these trousers. Anaxyrides were already known to the Greeks in the 6th cent. BC (various vase paintings; ‘Persian’ rider, Athens AM Inv. 606). In ancient art, anaxyrides are depicted as close-fitting along the legs, often in conjunction with a bodice resembling a leotard which covers the arms. This oriental attire is completed by the kandys (Iranian sl…

[German version] Probably the simplest and most effective way of advertising a product or announcing something was shouting aloud in market-places and streets (cf. propaganda). Moreover, the geographical origin of a product spoke for its quality; there is, for instance, a tradition of formulations such as 'Tarentine' or 'Amorgian cloth', 'Chian wine', 'Falernian wine', etc. as a seal of approval or a mark of quality. Advertising could also occur in a written form on the walls of buildings (Graffiti), in letters, epigrams, etc. In contrast to commercial advertising are the kalo…

[German version] (παραγαύδης; paragaúdēs). Descriptive term first recorded only in the 3rd cent. AD for a gold or purple border in the form of the Greek letter gamma (Γ), which was woven into garments (SHA Claud. 17,6). Later also transferred to a particular garment ( paragaúdion) made from fine silk material, similar in style to a sleeved chiton, which Roman emperors gave as an award of honour, decorated with at least one and up to five of these borders depending on distinction and service (SHA Aurelian. 15,4,46; SHA Probus 4,5). For that…

[German version] Rhythmic acclamations, sometimes spoken in unison, expressing congratulations, praise, applause, joy or the contrary. Besides the initially prevalent, spontaneous acclamatio, during the course of time a stereotyped acclamatio, which was always repeated on certain occasions, gained currency. There is an early mention of acclamatio in Hom. Il. 1,22, and acclamatio is also known to have marked decisions in Greek popular assemblies [1] and cult gatherings. In Rome, at wedding processions the acclamatio took the form of Talasse and Hymen, Hymenaee io (Catull. 61-6…

[German version] The tunica, cut and sewn from two pieces of generally white woollen or linen material, was worn by both men and women of the Roman upper classes as an undergarment (Suet. Aug. 94,10) underneath the toga , and as the sole garment by the lower classes. Women often seem to have worn two tunicae, one above the other, with the inner one then referred to as tunica subucula (Varro Ling. 5,131) and the outer one as supparus. In very cold or inclement weather, men, too, would wear layers of tunics (Suet. Aug. 82,1). Originally, tunics were close-fitting and sleeve…

[German version] (ῥιπίς, rhipís; flabellum). Fans were used in the Orient and in Egypt from ancient times as symbols of status. The fan probably did not reach Greece until the 5th cent. BC; Eur. Or. 1426-1430 (first mention) still calls the fan ‘barbaric’, but it quickly became one of a woman's most important accoutrements (cf. Poll. 10,127); she would either cool herself with it or have a female servant fan her (cf. the flabellifera in Plaut. Trin. 252 and the flabrarius as her male counterpart in Suet. Aug. 82). On Greek vases and terracotta (‘Tanagra figurines’) fans are…

[German version] (Greek trápeza monópous, Poll. 10,69). Round or rectangular tables with only one central support, whose foot could be carved into floral or mythical motifs. In Greece such tables had been used since the Archaic period but only became more common in Hellenistic times; in Rome, monopodia were very popular ever since their first introduction to the public, being carried along in the triumph of 187 BC (Liv. 39,6,7; Plin. HN. 34,14). Most of those that survive come from the towns around Vesuvius. Varro, (Ling. 5,125) mentions the cartibulum which stood in the compluvium …

[German version] Only a small number of these are known from antiquity ( Riddles). In order to determine who should start, people liked to choose the game capita aut navia. It is named after the ancient Roman coins with the head of  Ianus ( capita) and a ship's prow ( navia, probably a plural paralleling capita). People threw a coin up into the air: one had to guess (as in the modern game ‘heads or tails’) which image came to lay on top. A guessing game for two players was par-impar (ἀρτιάζειν/ artiázein or ποσίνδα/ posínda): the first person holds in his right hand a number of relativel…

[German version] (ὁ κόθορνος; ho kóthornos, cot[h]urnus). The Greek cothurnus was a high-shafted soft leather boot that fitted tightly to the leg and foot (and, by extension, was used as a synonym for an adaptable person in Xen. Hell. 2,3,30-31). It was wrapped with bands or tied at an opening at the front. The cothurnus is mentioned as women's footwear (Aristoph. Eccl. 341-346; Lys. 657), but was worn in particular by elegant youths at a symposium and  komos. It was the preferred footwear of Hermes, …

[German version] (περίζωμα/ perízōma, Latin perizoma). Greek apron for covering the lower body, worn around the abdomen and held with a belt, as a cloth wrapped round the hips and then passed between the legs, or in the form of a garment similar to a pair of shorts. Perizomata were worn by labourers, artisans, sacrifice attendants, priests, slaves, and also soldiers (cf. Pol. 6,25,3; 12,26a 4) and athletes as their only clothing (Nudity C.) or as an undergarment. In iconography it is mostly men that are shown wearing perizomata, less often female figures such as Atalante and Gorgo…

[German version] A volute krater much cited from the late 18th to the early 20th cent. because of its inscription which mentions another lower Italian vase painter (Paris, LV, Inv. K 66 [N 3147], [1]). Research at that time discussed the written form of the letters and the artistic classification of the supposed vase painter Lasimus. Only recent research proved the inscription to be a recent addition. Hurschmann, Rolf (Hamburg) Bibliography 1 Trendall/Cambitoglou, 914, no. 36. S. Reinach, Peintures de vases antiques recueillés par Millin (1813) et Millingen (1813), 1891, 64-67 S. Favi…

[German version] Originally, the tropaion (τρόπαιον/ trópaion; Lat. tropaeum) was a sign erected by the victorious army at the place on the battlefield where the adversary turned to flee (from Greek τρέπειν/ trépein, 'to turn around'). In the language use of later Antiquity, it referred to victory monuments in general, such as the Tropaea Augusti (cf. e.g. Tac. Ann. 15,18). The term tropaion has been common since the 5th cent. BC (Batr. 159; Aesch. Sept. 277). The tropaion consisted of a tree stump or post, sometimes with crosspieces (cf. Diod. Sic. 13,24,5) on which the…

[German version] A Roman coarse linen cloth, used to dry off and rub down the body after bathing (Apul. Met. 1,23, cf. Mart. 12,70) or to wrap around the body, in order to raise a sweat after a steam bath; a sabanum was also used to squeeze out honeycombs and to envelop food during the cooking process (Apicius 6,215; 239). Late Antiquity understood a sabanum to be a linen garment decorated with gold and precious stones (Ven. Fort. Vita S. Radegundis 9) or a coat. Hurschmann, Rolf (Hamburg)

[German version] (κήρωμα; kḗrōma, Lat. ceroma). In the medical sense, a salve or cerate, Hippoc. Acut. 8 (vol. 2, p. 424) or a salve (Mart. 4,4,10). In Imperial Rome, keroma designated a wax tablet, and also the clayey wax-coloured surface of a wrestling ring that soils the body or neck of the athletes (Juv. 3, 68); from this, the term keroma was extended to the ring or arena itself (Plin. HN 30,5). Also, those employed there were called kērōmatistaí. Hurschmann, Rolf (Hamburg)

[German version] Bandages, bindings, straps of different kinds were made of various materials (felt, leather, linen, wool), and could be white or coloured. Fasciae as a category includes the straps of the bed ( lectus,   kline ) on which the mattress was laid,  swaddling cloths (σπάργανα, spárgana) and fasciae crurales, bindings designed to protect the lower legs ( fasciae tibiales) or thighs (  feminalia) against the cold. The use of fasciae was regarded as unmanly, and for men was restricted to invalids, but even Augustus (Suet. Aug. 82,1) and Pompey (Cic. Att. 2…

[German version] A. General In antiquity clean and regularly changed  clothes were part of physical well-being, as were washing or bathing followed by anointing the body with regular or perfumed olive oil and other fragrant oils ( Cosmetics), the latter being also used out of health reasons. Peoples or people who were dirty or unkempt were bound to be disagreeable to the Greek and Roman sense of cleanliness (Hor. Sat. 1,2,27; 1,4,92), as well as those who used unusual or strange methods of washing, …

[German version] Type of indigenous pottery, named after ancient Peucetia, the region of the eastern Apennines between Bari and Egnazia (Peucetii). PP emerges in the 7th cent. BC. Initially its decoration is influenced by geometric patterns (swastikas, lozenges, horizontal and vertical lines), which form a narrow ornamental grid pattern, particularly in the late Geometric phase (before 600 BC). Leading forms of PP are kraters, amphorae, kantharoi and stamnoi; bowls are less common. The second phas…

[German version] (λαβρώνιος, -ον; labrṓnios, -on). Persian luxury vessel of precious metal and unknown form (large, flat, with large handles, Ath. 11,484c-f, 784a, 500e). As it is named by Athenaeus loc cit. in connection with lakaina and lepaste (both types of vessels), the labronios is probably a type of drinking bowl. Hurschmann, Rolf (Hamburg)

[German version] Solid soap in the modern sense was unknown in Antiquity. For cleaning their bodies people used pumice, bran, bicarbonate of soda, oil, soda or clay - Cimolian earth was particularly well known (Aristoph. Ran. 712) - and water. The Greeks called these cleaning materials ῥύμμα/ rhýmma or σμῆγμα/ smêgma (there is no corresponding Latin term). In public bathing facilities washing materials were available on request from attendants (Aristoph. Lys. 377; Ath. 8,351e), or people brought them from home. As with modern soap, ancient wash…

[German version] I. Writing media In Antiquity, a large variety of media were used as writing support. Modern scholarship divides them into inorganic and organic materials. Hurschmann, Rolf (Hamburg) [German version] A. Inorganic An inorganic medium for writing is natural rock on which inscriptions were chiselled; they are found in Egypt and in the mountains of to the east Mesopotamia from the 2nd half of the 3rd millennium BC. An early example from Greece are the inscriptions of Thera (IG XII 3,536-601; 1410-1493) from the end…

[German version] (χλαμύς; chlamýs). Shoulder-coat made of wool for travellers, warriors and hunters. The many-coloured and embroidered chlamys appeared in the 6th cent. BC and originally came from Thessaly (Poll. 7,46; 10,124; Philostr. Heroïkos 674) where it was also awarded as a winner's prize after athletic contests (Eust. in Hom. Il. 2,732), or Macedonia (Aristot. fr. 500 Rose). Typically it was worn as follows: the cloth of the ovally or rectangularly tailored coat was folded vertically, laid around the lef…

[German version] ( mantellum, mantelium, χειρόμακτρον; cheirómaktron). A rectangular linen cloth with braiding and fringes; in cult activity it served as a hand towel carried by the servants of the sacrifice,at meals is served for cleaning hands (e.g. Xen. Cyr. 1,3,5) and as a tablecloth (Mart. 12,28). In Sappho (99 Diehl) the cheirómaktron is mentioned as a head adornment. In its main functions as a tablecloth and towel the mantellum corresponds with the mappa that was also a popular gift at Saturnalia (Mart. 5,18,1). There is evidence that from the time of Nero (Suet. Nero 22) a mappa (fl…

A. General [German version] 1. Raw materials Attested in early monuments from the Minoan and Mycenaean period, hides and leather, as well as wool, sheepskins and goatskins, are amongst the oldest materials used for clothing. The use of  linen or flax to make garments developed thanks to the agency of the Phoenicians; Alexander [4] the Great's wars of conquest introduced  silk into Greece. The Romans used the same materials for clothing as the Greeks;  cotton came into use as well in the 2nd cent. BC; s…

[German version] (πήρα/ pḗra, πηρίδιον/ pērídion, Latin pera). A bag or satchel for carrying bread (Theoc. Epigr. 1,49; Ath. 10,422b), seeds (Anth. Pal. 6,95; 104) or herbs and vegetables (Aristoph. Plut. 298), which belonged to the equipment of hunters (Anth. Pal. 6,176), shepherds (Anth. Pal. 6,177) or fishermen and was worn at the hip by means of a strap over the shoulder. The pera was already an item characterizing beggars in Hom. Od. 13,437; 17,197; 410; 466 (cf. Aristoph. Nub. 924), and later became, along with the walking staff ( báktron, Latin baculum, staff), a symbol used by …

[German version] (δέπας; dépas). Wine bowl, mentioned several times in Homer and probably also attested in Hittite, for drinking, libations, mixing and ladling, made from precious metal and decorated (‘Nestor's cup’, Hom. Il. 11,632ff.). As synonyms Homer uses ἄλεισον ( áleison), ἀμφικύπελλον ( amphikýpellon), κύπελλον ( kýpellon); from which the depas has been understood to be a two-handled cup, similar to the cantharus ( Pottery, shape and types of). Archaeological finds and interpretation of Linear-B tablets from Pylos and Knossos (where it appears as di-pa) seem to have br…

[German version] (καρβατίνη/ karbatínē, cf. Lat. pero). Shoe made from rough leather, mostly worn by shepherds and farmers, later also shoe for soldiers (Xen. An. 4,5,14), apparently laced up (cf. Lucian. Alexander 39). In Aristot. Hist. an. 499a 29 also a camel shoe. Hurschmann, Rolf (Hamburg) Bibliography O. Lau, Schuster und Schusterhandwerk in der griech.-röm. Lit. und Kunst, 1967, 119-121.

[German version] In Greek and Roman antiquity there was a huge demand for essences, oils and pomades. As part of their skin care men lotioned themselves to keep their skin soft and tender (Ath. 15,686). Lotioning extended from the head over the entire body and it was a widespread custom to apply lotion several times a day, with a different lotion being used for each part of the body (Ath. 12,553d). Without lotion one was considered dirty. According to tradition, animal fats and butter were the fir…

[German version] (κοσ(σ)ύμβη, κόσ(σ)υμβος; kos(s)ýmbē, kós(s)ymbos, also θύσανος; thýsanos, κρόσσος; króssos). Designation for the warp-threads remaining on the edges of garments, from there also for fringe, fringed dress and fringed hairstyle (Poll. 2,30). The kosymbe was often manufactured separately to ornament the clothing. As early as Homer (Il. 14,181) it is used in connection with Hera's belt, here designated as θύσανος/ thýsanos. In art it is often attached to dresses and cloth. The kosymbe gained symbolic meaning in the mystery cults; particularly, represent…

[German version] (ταραντῖνον; tarantînon). A light diaphanous luxury garment with fringes, first recorded in literature in the 4th century BC (Men. Epitr. 272); the original place of production was Tarentum (Taras), cf. Poll. 7,76. Hetaerae wore it without undergarments (Aristaen. 1,25,  cf.  Ael. VH 7,9). In  Ath. 14,622b male participants in a Dionysian festal procession wear tarantina. Barbaron Hyphasmata; Coae Vestes; Fimbriae; Clothing Hurschmann, Rolf (Hamburg) Bibliography U. Mandel, Zum Fransentuch des Typus Colonna, in: MDAI(Ist) 39, 1989, 547-554.

[German version] (κότταβος; kóttabos, verb: κοτταβίζειν; kottabízein). Greek party game, probably of Sicilian origin (schol. Aristoph. Pax 1244; Anac. fr. 41 D), played by women (hetaerae) and men during a symposium ( Banquet). Kottabos is frequently mentioned in ancient literature (since Anac. fr.. 41 D = Ath. 10,427d) and has especially been captured in vase images from the end of the 6th cent. BC on. The goal was to strike a metal disk, resting on a construction similar to a lamp stand, with wine dregs, shot from a drinking …

[German version] (ἧλος/ hḗlos, Lat. clavus, more rarely πάτταλος/ páttalos, γόμφος/ gómphos, Lat. palus). Nails have survived in abundance from the Early Bronze Age onwards; they have shanks that are rounded or angular in section and heads of various forms (round, pointed, flat, globular, spherical, etc.). Surviving nails are made of bronze or iron, though decorative nails may be made of gold or silver, or only have a head made of precious metal, but in antiquity wooden nails were also used. Nails were used …

[German version] (φιμός, phimós). The shaker was used for throwing the dice and the   astragaloi in various  board games and  dice games (Hor. Sat. 2,7,17; Juv. 14,5; Mart. 4,14,7-9; 5,84,1-5 and passim; Sen. Apocol. 12,3,31; 14,4; 15,1; Sid. Apoll. Epist. 2,9,4 etc.). Besides shakers made of perishable material, there were some made of clay [1. fig. 15 from Mainz-Kastell, Wiesbaden] and bronze (Schol. Juv. 14,5 mentions horn). The playing-pieces in the shape of towers (called turricula or pyrgus) made of ivory, wood or copperplate, through which the dice were rolled on t…

[German version] Filters were used for straining and filtering water, wine, oils, perfume, vinegar, honey and liquid medicine. For this purpose various materials were used: linen cloths, bast weave, ash, clay or wood. Greek and Roman antiquity knew different filtering vessels (ἡθμός/ hēthmós, ὑλιστήρ/ hylistḗr, colum, infundibulum, saccus etc.), including the superb Macedonian devices of the Hellenistic period, as well as the metal ladles with the sieve-like bottom and the wine sieves mainly known from the Roman Imperial period (Hildesheim s…

[German version] Slipper-like, light half-shoe (Catull. 61,10), probably adopted by the Romans from Greek areas (perhaps σύκχος/ sýkchos or συκχίς/ sykchís, Anth. Pal. 6,294). Originally a woman's shoe, it was also worn by 'effeminate' men (Suet. Cal. 52). Later Diocletian's Price Edict distinguished between socci for men and women, in various colours. The soccus was also considered to be a comedy actor's shoe (cf. Hor. Epist. 2,1,174; Hor. Ars 79 f.), so that soccus became a synonym for comedy (as cothurnus for tragedy). Illustration of a soccus under shoes. Hurschmann, Rolf (Ham…

[German version] (Cabinet). The second most important piece of furniture for storage besides the arca. The armarium seems to be a typically Roman item, unknown to the Greeks until quite late ( pyrgiskos). The term armarium basically describes a cabinet for equipment, but also a cupboard for food, money and jewellery. It was also used for bookcases and shelves in  libraries. A funeral relief in Rome (TM 184) depicts the armarium in a cobbler's shop [3. 114-115 pl. 117,1-2], and as a household furniture item together with, among other things, the arca (Leiden, Mus. [2. 69, 301]), cf. …

[German version] [1] Cosmetic Cosmetic ( Cosmetics) created from bean flour (Plin. HN 18,117), used by Roman women to cover up and reduce wrinkles (Mart. 3,42; 14,60), with the addition of sun-dried, crushed snails (Plin. HN 30,127), lomentum rendered the skin soft and white. It further served as a remedy for ulcers, burns or tumours (Plin. HN 20,127; 22,141). Hurschmann, Rolf (Hamburg) [German version] [2] Two types of blue pigment Two types of blue pigment gained from ‘sky blue’ ( caeruleum, cf. [1]) (Plin. HN 33,162f.), one representing the more expensive (10 denarii per…

[German version] Bracelets were already common in the old cultures of the Near East and Egypt ( Jewellery). For the Aegean region, we know of examples from Early Cyclade times, and from the Minoan and Mycenaean epochs. Bracelets were worn on the forearm above the wrist or on the upper arm, often on both arms or on forearm and upper arm at the same time. The basic shape was a bangle with room for decorations and inscriptions, either closed or with sculpted ends. Spirally wound bracelets which ended…

[German version] I. Ancient Orient see  Jewellery Hurschmann, Rolf (Hamburg) [German version] II. Classical Antiquity Ear ornaments (ἐνώτια/ enṓtia, ἐνωτάρια/ enōtária, ἐνωτίδιον/ enōtídion, Lat. inaures) are seldom mentioned in Gr. myth (Hom. Il. 14,183; Hom. Od. 18,298; Hymn. Hom. ad Ven. 8), but numerous finds and representations attest that already in early times they formed part of the  jewellery of men (Hom. Od. 18,298) and women. In the classical period and later, the wearing of ear ornaments by men was regarded…

[German version] (τὸ κανοῦν; tò kanoûn). Flat - sometimes quite small - basket woven from willow twigs, round or oval in shape, with three handles; a kanoun could sometimes also be made from bronze (e.g. Hom. Il. 630) or gold (Hom. Od. 10,355; Eur. IA 1565). Mentioned already by Homer (Hom. Il. 9,217; Hom. Od. 1,148) as a household item in which bread, onions (Hom. Il. 11, 630) etc. are placed on the table during meal times (wastebasket in Hom. Od. 20,300 ?). Also mentioned by Homer as a sacrificial implement for cult sa…

[German version] The production of red-figure Lucanian vases (LV) begins around 430 BC with the Pisticci Painter, named after a place where his vases were discovered. He is still wholly within the Attic tradition, which is visible in the stylistic treatment of his figures, the ornaments and forms of the vessels. He prefers bell craters, which he ornaments with scenes of pursuit and of everyday life or with Dionysiac images. His successors, the Amycus and the Cyclops Painters, apparently settled in Metapontium and founded a workshop here, which was in operation until c. 380-370 BC. The …

[German version] (from lavabrum, diminutive labellum, Greek λουτήριον/ loutḗrion and λεκάνη/ lekánē). The labrum, a large shallow basin with a raised, thickened rim and resting on a high pedestal, served various purposes. As materials used for the labrum, marble, porphyry, clay, stone and others are cited. In the Greek realm, the labrum is a washbasin where men and women cleansed themselves with water; on vases in Lower Italy this often takes place in the presence of Eros, with waterfowl (swans or geese) sometimes cavorting in the water of the labrum. It also often appears in love o…

[German version] (ζειρά/z eirá). A loose colourful cloak, reaching to the feet and belted in the middle, worn by Arabs (Hdt. 7,69) and Thracians (Hdt. 7,75), which gave protection from the cold and, unlike the chlamýs , was long enough to keep the feet warm when on horseback (Xen. An. 7,4,4). In depictions of Thracians in Attic vase painting it can be identified from its length and ornamental decorations. Hurschmann, Rolf (Hamburg) Bibliography W. Raeck, Zum Barbarenbild in der Kunst Athens, 1981, 69-72 I. Mader, Thrakische Reiter auf dem Fries des Parthenon?, in: F. Blakolmer (ed.), …

[German version] Group of red-figured Campanian vases, named after one of its motifs (an owl standing on a column or pillar), dating from the 2nd and 3rd quarters of the 5th cent. BC. The primary pottery form is the Attic ('Nolan') amphora (Pottery, shapes and types of, fig. A 5), while kalpis (Pottery, shapes and types of, fig. B 12), krater and jug are much rarer. In their adoption of the particular shapes of amphora and kalpis, as well as in their style, the painters of the OPG attempted to imi…

[German version] (ξυρόν/ xyrón; Lat. novacula, cultellus, culter tonsorius). Razors were used from the early Greek period on for shaving the  beard and cutting hair from the head when in mourning, for example; numerous examples survive. They could easily exceed 20 cm in length; materials used for blades were iron and bronze; for handles bronze, ivory and wood. Razors are instanced in various forms: they could be shaped like a spatula or a crescent, long and slender with a straight or curved blade, broad…

[German version] A plate or flat Roman bowl of varying size, form (oval, rectangular or multiangular) and function; it was used in kitchen work (e.g. Petron. Sat. 28,8), but more often for the serving of dishes like fish, meat and poultry (Mart. 7,48,3; 11,31,19); drinking-cups were served on it. It also found use in Roman legal relations. It is mentioned further as a torture instrument, and the head of John the Baptist was presented on a lanx. In religious ritual , lanx generally designates the sacrificial vessel (e.g. Verg. G. 2,194; Verg. Aen. 213-214). Materials for the lanx included pr…

[German version] (περισκελίς/ periskelís, περισκέλιον/ periskélion. Latin periscelis, periscelium). Term no longer current in archaeological scholarship for a simple band of material or metal worn as a thigh ornament above the knee by women of the lower classes and prostitutes (Hor. Epist. 1,17,56; Alci. fr. 4; Petron. 67), less commonly by women from higher circles (Petron. 67; Longus 1,5). They should be distinguished from clasps worn above the ankle and known as compedes (Petron. 67; Plin. HN 33,39-40 and 152). Such bangles and clasps are common in Greek and Roma…

[German version] (χλαῖνα; chlaîna, from χλιαίνω; chliaínō, ‘to warm’). Already mentioned in Homer (Il. 16,224; Od. 4,50 and passim) as a warm coat for men made out of sheep's wool to protect against cold and rain. The chlaina could be laid over the shoulders unfolded (ἁπλοΐς; haploís) or double-folded (δίπλαξ; díplax) and be held together with a pin; it could be red or purple in colour and decorated with patterns or figures (Hom.Il. 10,133; 22,441). The chlaina was, according to Poll. 7,46, worn as a cape over the  chiton and was part of the dress of farmers and shepher…

[German version] (Πάταικοι; Pátaikoi). Dwarf figures, mounted on the bow of Phoenician triremes according to Hdt. 3,37. Coins from Aradus [1] and Sidon from the late 4th cent. BC onward show half-figures or protome heads on ships [1. table 2,1, table 18,12-14]. From these Phoenician figures the term was transferred to figures of dwarfs; pátaikos thus became a descriptive proper name for people of short stature (Hdt. 7,154; cf. also the Pataíkeia festival at Delos, named after its founder Pátaikos). The term also became proverbial for thieves, however. Herodotus compares t…

[German version] (τὸ κωνώπιον; tò kōnṓpion, Latin conopium, conopeum). Originally, the konopion was a sleeping net for the protection against mosquitos, flies, etc. (Anth. Pal. 9,764; Prop. 3,11,45). According to Hdt. 2,95, the Egyptians even used their fishing nets for this purpose. The term was later used in various ways for litters and sofas (medieval canapeum developed into canapé). A cradle was called conopeum as well. Hurschmann, Rolf (Hamburg) Bibliography Bibliography: see Kline.

[German version] A coat-like cloak made of thick wool (Greek: (χ)λαῖνα/ (ch)laîna). Cited in Rome as an article of clothing of the Augures and Flamines when offering sacrifice, as well as of the mythical kings, and found on monuments; in the Imperial period it was part of men's and women's costume. The laena was a special form of the toga and was made by doubling the semicircular-shaped cut of the toga praetexta to an almost circular cloth. By laying together the two circular segments, a toga-like garment was formed that was laid around the shoulders and covered both arms. The laena was worn o…

[German version] Ribbon, braid or trimming with a wide variety of meanings. Limbus describes the head band and the belt and even more so the edging and hem on garments (Ov. Met. 6, 127; Verg. Aen. 4,137) that could also be colourful or made of gold (Ov. Met. 5, 51). The band that runs across the celestial globe and contains the zodiac was also called the limbus (Varro, Rust. 2,3,7, Zodiac). Limbi were also the cords on the nets of hunters and fishermen. Hurschmann, Rolf (Hamburg)

[German version] Anonymous Attic bowl painter of the late 6th cent. BC, named after the potter Euergides; however, he also worked for the potter Chelis (bowl Paris, LV Inv. G 15 [1. 91, no. 51]), possibly for other potters as well. His c. 150 extant bowls are mainly painted with genre images (scenes depicting athletics, horses, chariots, as well as symposium and komos scenes), as well as mythological (Hercules, Theseus, Peleus-Thetis, Ajax-Achilles playing board games, etc.) and Dionysian topics; fabulous creatures (griffin, sphinx, Pe…

[German version] (περιρ(ρ)αντήριον; perir(r)hantḗrion). Large basin of clay, marble or limestone on a tall stand with a cylindrical shaft and base of quite considerable proportions, the basin being either firmly attached to the stand or separable. Similar in form and appearance to louteria (Labrum), perirrhanteria were used for ritual purification by sprinkling with water and stood in front of temples, at the entrances to sanctuaries and at cult places in gymnasiums or at herms (whereas louteria were used for everyday bodily cleaning). In Athens there were also perirrhanteria at t…

[German version] (στέφανος/ stéphanos, στεφάνη/ stephánē, Lat. corolla, corona). Wreaths and garlands were formed out of flowers, leaves and branches, or were reproduced (out of bronze, silver and gold; cf. e.g. [1]) in their image. They were a constituent part of culture and everyday life in Greece and Rome: a symbol of consecration, honouring and decoration for people and gods. Wearing a wreath was a mark of distinction ( cf. Apul. Met. 11,24.4) and it was reprehensible to attack a person wearing one ( cf. Aristoph. Plut. 21). Wreaths have been worn from time immemorial (Tert…

[German version] Pots (primarily volute kraters) of Apulian Red Figure vase painting with representations of the Underworld; the divine couple Hades and Persephone are found, sometimes enthroned within palace architecture, often with Hermes. The following can also be present: Hecate, Dike [1], the Judges of the Dead (Triptolemus, Aeacus, Rhadamanthys), Orpheus and Eurydice [1], Heracles [1] subduing Cerberus, Megara [1] with her children. In addition mythical evildoers and penitents appear, e.g. t…

[German version] (κυβεία/ kybeía; Lat. alea). Allegedly invented by the Lydians (Hdt. 1,94,3),  Palamedes [1] before Troy (Paus. 2,20,3; 10,31,1) or the Egyptian god Thot (Pl. Phdr. 274c-d). Dice are occasionally mentioned in mythology (Hdt. 2,122,1), e.g., Eros plays with Ganymede (Apoll. Rhod. 3,114-126), Hercules with a temple guard (Plut. Romulus 5,1 f.) and Patroclus with Clysonymus (Hom. Il. 23,87 f.). Either four-sided knuckle bones ( astragalos [2], Lat. also talus) that had inscribed on them the values one and six as well as three and four, or six-sided dice (κύβοι/ kýboi;…

[German version] Roman cape of different lengths, produced from a semi-circular cut. It was sewn together at the front, had an opening for the head to slip in and a sewn-on hood. If required, the seam at the front could be unpicked from the bottom end in order to give the arms more room to move. The paenula was made of leather, linen or (sheep's) wool and was worn by men and women of all classes, slaves and soldiers, in particular as a travelling and bad-weather coat for protection against the cold and rain; it was white or gray, or dyed in various sh…

[German version] ('Greeting'). The morning reception allowed clients ( cliens, clientes ) to pay their respects to their patronus , and to receive advice (Hor. Epist. 2,1,102) and support, e.g. money ( sportula ). It took place during the first two hours of the morning (Mart. 4,8); the client ( salutator) had to attend in toga (Juv. 3,126 f.); hence Martial (3,46,1) calls the clients' duties the togata opera. The visitors gathered in the vestibulum or atrium of the house of their patronus and awaited admission (Hor. Epist. 1,5,31). Friends and prominent individuals were grant…

[German version] (ἀργυροθήκη/ argyrothḗkē; Latin arcula, crumena). It seems that MB were unknown in archaic and classical Greece; money was kept in trunks and chests together with jewellery and other objects of value (e.g. Theophr. Char. 10). Probably the oldest surviving MB is from Priene (2nd/1st cent. BC) and has the form of a little temple with a slit in the pediment for inserting money, which can be taken out again through a lockable opening at the rear [1. 190 f. no. 25]. The Romans used small pots for keeping money ( olla or aula, Cic. Fam. 9,18,4, cf. also Plautus's comedy Aulularia).…

[German version] plays only a minor role in myth and history. One case in point is Hades' helmet of invisibility which Athena uses (κυνέη Ἄϊδος/ kynéē Áïdos, Hom. Il. 5,844 f.) and then hands to  Perseus [1].  Midas hides his donkey ears under a turban ( Tiara), Ov. Met. 11,180 f. A hat (  pilleus ) was taken from  Lucumo ( Tarquinius [11] Priscus) by an eagle and then brought back, which was seen as a positive omen for the future, Liv. 1,34; a wind blows  Alexander [4] the Great's   kausia off his head (Arr. Anab. 7,22,2 f.). Greek and Roman men went bareheaded in everyday life, unless …

[German version] Male garment of a rectangular cloth (felt or loden) with a triangular or circular section cut out, sometimes also with hood. Worn as a shawl or cape and fixed at the right shoulder with a buckle or fibula (Pins), thus leaving the right side of the body uncovered. The sagum originally came from Gaul (Diod. Sic. 5,30,1: σάγος/ ságos; Varro, Ling. 5,167; Caes. B Gall. 5,42,3: sagulum) but was also worn by Germans and Iberians and in Italy and North Africa. It belonged to the garb of slaves and workers and to the battle dress of Roman navy and infan…

[German version] Equipment needed for training and for practising a sport in antiquity. 1) Hoplitodromia (verb ὁπλιτοδρομεῖν/ hoplitodromeȋn) was the last running competition to be included in the programme of the Olympic Games (Olympia IV.) in 520 BC (65th Olympiad). In the beginning it was run in full kit (helmet, greaves, round shield), but the armour was successively reduced until only the shield (ἀσπίς/ aspís) remained ( cf. Paus. 6,10,4). this discipline, which only adult males entered, is represented particularly in vase paintings. 2) The torch race (λαμπαδηδρομία/ lampadēd…

[German version] The toga, adopted from the Etruscans, was the official garment of Roman citizens which was worn in public and which non-Romans were not allowed to wear (Suet. Claud. 15,3; gens togata: Verg. Aen. 1,282). Originally, the woolen toga was worn over the bare upper body and over the subligaculum that covered the lower body, later over the tunica . The common toga of the simple Roman citizen was white ( toga pura, toga virilis). Furthermore, there was the toga praetexta with a crimson stripe along the edges ( clavi; status symbols) which was worn by curule officials, by the Flamines …

[German version] (κηρός; kērós). According to Plin. HN 11,11, (bees)wax was one of the most widely used materials. Among the properties of cera are conservation of shape, the capacity to seal and adhere (Hom. Od. 12,47-49 and passim), inflammability ( Lighting), lustre; cera also aids the healing process (Dioscorides 2,83,3; Plin. HN 22,116). When warmed, cera is easy to work, but also becomes soft or fluid ( Icarus). Cera was used in  sculpture;  painting; in bronze casting; in magic (for amulets and articulated dolls etc.); in funerary art (  imagines maiorum );…

[German version] Board game in which a player attempted to remove his own 15 counters by reaching the end of the other side of the board. Moves were determined by throwing two or three dice; if two or three of the opponent's counters occupied a line, the first player's own counter could not be placed on that line; if only one counter was there, it could be removed. According to Isid. Orig. 18,60, duodecim scripta was played with a dice shaker or ‘tower’, dice and counters. The board consisted of 36 squares decorated with geometrical figures such as circles or squares,…

[German version] Brightly painted ceramics of the 3rd/2nd cents. BC, named after the place of their discovery in Sicily. Vessel forms ( Pottery, shapes and types of ) are pyxis, lekanis and lebes, and infrequently other types such as lekythos. The painting, in tempera colours (white, pink, black, yellow, red, gold, with isolated instances of green and blue) on a ground of orange-coloured clay (friezes of acanthus, tendrils and architectonic forms, heads, busts) is executed only on one side of the vessel. The vessels are of considera…

[German version] (σφαιρίσεις; sphairíseis, pilae lusus). Homeric society already enjoyed ball games (BG) (Hom. Od. 6,110-118; 8,372-380), which have also been practised by people of all social levels (Ath. 1,14e, 15c; 12,548b; Plut. Alexander 39,5; Cic. Tusc. 5,60) and age groups since then. The Romans took many BG over from the Greek. Some were team games, like   harpaston or ἐπίσκυρος, epískyros (Poll. 9,103f.; schol. Pl. Tht. 146 i.a.), during which the opposite party was gradually pushed off the field by long-range shots, perhaps depicted on the relie…

[German version] In the first place mourning dress belonged in the personal area of family and friends, but it could also accompany public mourning. In Homer only mourning goddesses wore dark veils (Hom. Il. 24,93 f.; Hom. H. 2,42). The society described by Homer contented itself with dirtying their clothes with dust and ashes or tearing them (Hom. Il. 18,22 f.; 23,40 f.; 24,640; 28,25). Such behaviour was retained in the historical period by the Greeks and the Romans (e.g. Plut. Solon 21; Eur. El…

[German version] Pottery type found among the Italic peoples who inhabited the area of modern provinces around Bari and Foggia, with local production sites particularly in Ordona and Canosa. From their early phase (around 700 BC), the vessels display a geometric ornamentation independent of the Greek range of subjects, which is applied in red and brown to black earthen colours onto the manually formed vessels. Among these are diamond and triangular patterns as well as band ornaments, wavy lines, circle, cross, square, arc, …

[German version] [1] Thin stick Thin stick or spoon for stirring foods, medications, etc. (Greek κύκηθρον/ kýkēthron, Aristoph. Pax 654), called rudicula in its small form (Plin. HN 34,176), usually made of wood, more rarely of iron (Plin. HN 34,170). Hurschmann, Rolf (Hamburg) [German version] [2] Wooden epee Wooden stick or rapier for the fencing exercises of soldiers and gladiators. The rudis also served the lanista as a badge for separating fighting gladiators or for bestowing order on the fight. Retired gladiators received the rudis upon becoming supervisors in the fencing…

[German version] From Latin acetum (vinegar); this goblet-shaped vessel with an indented wall profile served as a container for vinegar and honey, as a table and cooking vessel as well as a wax melting utensil; also used as a beaker amongst conjurers. Usually, the acetabulum was made of clay or glass, sometimes of precious metal. Its volume was very small (0,068 l [1]); in Apicius (6,8,3) and Apici excerpta a Vindario VI, the acetabulum is also equivalent to a cooking vessel.  Catinus Hurschmann, Rolf (Hamburg) Bibliography 1 F. Hultsch, s. v. A., RE I, 155 f. G. Hilgers, Lat. Gefäßnamen, …

[German version] (ἐποστρακισμός; epostrakismós). Boys' game, in which a shard or flat stone is skimmed on the water to make it hit the surface and skip. The winner was the one whose stone or shard made the most skips and went the furthest (Poll. 9, 119; Hes. s.v. E.; Min. Fel. 3; Eust. in Hom. Il. 18,543). Hurschmann, Rolf (Hamburg)

[German version] In Greek as in Latin, there were many terms denoting purse, e.g., βαλ(λ)άντιον ( bal(l)ántion), μαρσίππιον ( marsíppion), θύλακος ( thýlakos), φασκώλιον ( phaskṓlion), crumina, marsuppium, pasceolus, saccus, sacculus, sacciperium, versica; but the exact distinctions between them cannot be established today. The words may have referred only to differences in colour, shape and size, as may be inferred from Plaut. Rud. 1313-1318 (and 548). Purses were small bags kept on a cord around the neck or on the belt or ar…

[German version] (πόλος/ pólos). Cylindrical head-dress without brim, worn by female deities, e.g. Aphrodite (Paus. 2,10,4), Tyche (Paus. 4,30,6), Athena (Paus. 7,5,9), Hera, Demeter, Persephone, Cybele, and by mortals on festive occasions. As a goddess' crown, the pólos came from the Near East (e.g. ivory statuettes from Nimrud, see Kalḫu) to Greece, and was depicted on monuments as early as the Minoan-Mycenaean Period. The height of the pólos could be just a few centimetres, or it could assume considerable proportions, as in the head-dress of Hera of Samos [1. 19 fig. 6]. Such a tall p…

[German version] Just before the end of the 5th cent. BC, production of red-figured vases began in Himera and Syracuse in Sicily. In style, ornamentation, vase shape and themes they reveal considerable influence from Attic vase painting (Meidias Painter). In the second quarter of the 4th century BC a number of Sicilian vase painters emigrated, in order to lay the foundation on the Italian mainland of Campanian and Paestan vase painting  (Campanian vases; Paestan ware). To a limited extent vase pro…

(χειρίς; cheirís). [German version] A. Sleeve Clothing from as early as the Minoan-Mycenaean period had sleeves down to the wrist, shorter ones to the elbow or just to the upper arm. In the archaic and classical periods the chiton with sleeves was the usual dress for ‘barbarians (Persians, Scythians et al.), but it was also worn by Greeks. In Roman dress manicae were initially a sign of effeminacy ( Tunic) - Commodus could still be censured because he wore a tunic with sleeves (Cass. Dio 72,17, cf. SHA Heliogab. 26,3). From the 3rd cent. AD, the adoption …

[German version] (ἀσκωλιασμός; askōliasmós). ‘Hopping on one leg’ (Pl. Symp. 190d with Schol.; Aristoph. Plut. 1129 etc.), also ‘hopping on a wineskin’. Mentioned by Eratosthenes (fr.22) and Didymus (Schol. in Aristoph. ibid.) at Attic grape harvest festivals as dances on a wineskin made of the skin of a pig or pelt of a goat that was filled with air or wine and -- as Poll. 9,121 writes -- oil was rubbed into it to make it harder to stand. The festival Askolia mentioned from time to time was invented by the grammarians. Eubolus (fr.8) mentions the askōliasmós also as an Attic folk entertai…

[German version] (καμπύλη; kampýlē). Staff with a cambered handle, mostly used by farmers and shepherds, beggars, old men and travellers, in contrast to the straight walking stick baktēría (βακτηρία) used by full citizens. According to the Vit. Soph. 6 (according to Satyrus) Sophocles is supposed to have introduced the kampyle into the theatre. According to Poll. 4,119 the old men in comedies carry kampyles. On representations of theatre, actors are often depicted with a kampyle. Lituus; Staff Hurschmann, Rolf (Hamburg) Bibliography Bibliography: Staff.

[German version] Named after his geometric krater, formerly in the Cesnola collection (h. 114.9 cm with lid, from Kourion/Cyprus, now in New York, MMA, Inv. 74. 51. 965;  Geometric pottery). The work of the anonymous vase painter combines motifs from the Middle East with those from mainland Greece and the Greek islands. In the past, both the unusual form of the eponymous krater and the combination of decorative motifs led to discussion as to its date and origin, but these are now confirmed by ana…

[German version] (κάλαμος/ kálamos, lat. calamus). Besides the stylus , the pen was the second indispensable writing implement in antiquity. It was used to write with red or black ink on papyrus and parchment, as well as on whitened or uncoated wooden tablets. Pens made from reed stalks (κάλαμος/ kálamos, lat. calamus) were sharpened with a penknife (σμίλη, scalprum librarium) and given a slit in the middle, so that they resembled the modern steel pen in appearance and functioned correspondingly (Pers. 3,10-14). After longer use, kalamoi which had become blunt could be resharpen…

[German version] were primarily performed by children. With some of these games  astragaloi (knucklebones), nuts, pebbles, coins, small balls or potsherds were used as toys ( Children's games), with others, sticks, discs, wheels, etc. A favourite was the so-called πεντάλιθα ( pentálitha) (Poll. 9,126), in which five stones (nuts, balls, etc.) were thrown up in the air and caught in the palm of the hand or on the back of the hand. In another, the orca-game, nuts, stones etc. were thrown into a narrow-necked container (Ps.-Ov. Nux 85f.; Pers. 3,50). Similar to this game was the ἐς βόθυνον ( es…

[German version] (ὄστρακον; óstrakon). Sherd of pottery, sometimes of (lime)stone, which was used as writing material for short  messages, smaller documents, receipts, etc.; they were rarely used for literary texts (Sappho fr. 2 Lobel-Page). Ostraca are attested from pre-Ptolemaic Egypt and then up to the end of Graeco-Roman antiquity. The respective texts were written in ink or scratched into the ostrakon; examples have survived in the Hieratic, Demotic, Greek, Coptic and Arabic scripts. In contrast to expensive papyrus, óstraka were waste products of a household, and th…

[German version] (βαρβάρων ὑφάσματα; barbárōn hyphásmata). The Greeks called the valuable Median-Persian robes, materials, blankets i.a., with colourful  ornaments, detailed figurative decorations, hybrid and fable creatures barbaron hyphasmata (BH ). The BH arrived in Greece through commerce (Aristoph. Vesp. 1132ff.), as loot (Hdt. 9,80) or gifts (Ath. 2,48d). BH were donated as  votive offerings to sanctuaries (Paus. 5,12,4) or they were worn as luxury robes as a demonstration of wealth and power. The BH led to changes in…

[German version] Running and catching games tended to be played in open areas and streets (e.g., Callim. Epigr. 1,9; Verg. Aen. 7,379) where children could chase one another (Hor. Ars P 455f.; cf. Hor. Ars P 412-415 perhaps races) or engage in the popular pastime of hoop rolling (τροχός/ trochós, trochus), often depicted on Greek vases in particular (also in Ganymedes [1]) (Poll. 10,64). From indications in Roman sources this game was frequently played in the street (Mart. 14,168; 14,169; cf. ibidem 12,168; 14,157) and even on frozen rivers (Ma…

[German version] (ὁ κτείς; ho kteís, Lat. pecten). Combs for wool and for the hair were known already in prehistorical Europe, Egypt and the Near East. They were made from a range of different materials (olive wood, boxwood, ivory, bone, later also from bronze and iron) and could also vary in shape (trapezoid or oblong). In the post-Mycenaean period they had two rows of teeth, with those on one side being more narrowly set teeth. Semi-circular combs appeared in the archaic period. The Classical period …

[German version] The term already defined in the  Tabulae duodecim (Cic. Leg. 2, 64) as ‘tomb’ was, according to Paul. Fest. 6, 78; 25,3; 27,11 and Serv. Aen. 11,201, the place where the corpse was cremated and the remains buried, whilst the place where dead bodies were actually burnt was generally known as   ustrinum . There is a lot of archaeological evidence of this type of funeral.  Burial Hurschmann, Rolf (Hamburg) Bibliography T. Bechert, Röm. Germanien zwischen Rhein und Maas, 1982, 244-246 M. Struck (ed.), Römerzeitliche Gräber als Quellen zu Rel., Bevölkerungsstruktu…

[German version] (δακτύλιος/ daktýlios, ἀκαρές/ akarés; Latin anulus). In the following, ring refers exclusively to finger rings (for earrings, see Ear ornaments). The rings in the Aegina and Thyreatis treasures from the beginning of the 2nd millennium BC already display outstanding technical command and high artistic quality. From the early Mycenaean period, gold wire and silver rings deserve note, along with the so-called shield rings, which developed into a leading form of Mycenaean jewellery. They …