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Paintings on historical subjects

(717 words)

Author(s): Hoesch, Nicola (Munich)
[German version] In Egyptian art, the illustration of historical events constitutes a rare exception; stylized motifs, such as the king slaying enemies, must be understood as timeless and are used as unchanging topoi over the centuries in various pictorial media. The insufficient material remains, art-theoretical texts and literature from ancient Greece relating to the painting of historical subjects do not permit a precise definition of ancient historical painting, in analogy to the modern term f…

Painting

(3,601 words)

Author(s): Hoesch, Nicola (Munich)
(ζωγραφία/ zōgraphía, Latin pictura or ars pingendi). [German version] I. Greek painting The earliest evidence of ancient painting can be found on the high-quality monumental wall frescoes (Wall paintings, Fresco) of the Cretan-Mycenaean civilisation in palaces (Palace) and houses in Crete and Thera [1]. The most recent examples are from the Byzantine period [2]. Hoesch, Nicola (Munich) [German version] A. Sources and history of scholarship Original works are scarcely and poorly preserved, if at all. This is particularly detrimental for the evaluation of and …

Aetion

(170 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (Ἀετίων; Aetíōn) Greek painter (also a sculptor?) of the late classical period, exponent of the four-colour painting style ( Colours). There is an elaborate description of A.'s most famous painting, the wedding of Alexander with Roxane, in Lucian. Hdt. 4-6, which prompted many Renaissance and baroque painters to reinterpret the subject. Influences of this or a further wedding painting described by Plin. HN 35,78, which was meant to symbolize Alexander's unification policies, can pe…

Encaustic (painting)

(304 words)

Author(s): Hoesch, Nicola (Munich)
[German version] From the Greek ἐγκαίειν ( enkaíein), to burn in, heat up. A painting technique with  wax as binder for the pigments. The colour emulsion was applied cold or warm or fused with the surface by heating. The process, described incompletely by Pliny (HN 35,122f.; 149) and especially valued by Greek panel painters in the 4th cent. BC, gave the paintings a brilliant quality as well as durability but it was protracted, complicated and expensive. In spite of a great deal of research, even exper…

Landscape painting

(971 words)

Author(s): Hoesch, Nicola (Munich)
[German version] A. Greece The lack of material records for ancient Greek painting also creates difficulties when attempting a definition and evaluation of this genre. However, based on today's knowledge of the monuments, it is fairly safe to assume that it cannot be equated with independent landscape painting (LP), as practised by the Dutch painters or during Romanticism, which forms the basis of the modern concept [4. 176]. Antiquity did not know a specific term for LP as we understand it [1. 190;…

Parrhasius

(506 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (Παρράσιος/ Parrhásios). One of the most important Greek painters, from Ephesus, son of the sculptor (?) Evenor [1], active c. 440-380 BC. This versatile and productive (Plin. HN 35,69-72 alone records 16 paintings) contemporary of the equally famous Zeuxis lived in Athens; his spectacular and expensive works reached many areas of the Greek world and later, as booty, the Roman world. P. belonged to the second generation of artists from the 5th cent. BC, whose technical advances all…

Nealces

(147 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (Νεάλκης; Neálkēs). Hellenistic representative of the Sicyonian school of painting, which has been famous since the Classical period. In the late 3rd cent. BC he was a respected and influential court painter for his friend Aratus [2]. Plin. HN 35, 141f. refers to pictures of an Aphrodite, of a snorting and foaming horse along with its tamer, as well as one of a naval battle between Persians and Egyptians on the Nile. We have no details of N.'s style, but his craftsmanship is emphasized in an anecdote which is also often told about other artists (Plin. HN 35, 103f.). Hoesch, Nic…

Pleistaenetus

(143 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (Πλεισταίνετος; Pleistaínetos). A Greek painter mentioned solely in Plut. De gloria Atheniensium 2,346; his life span can be dated to the middle of the 5th cent. BC only through chronological inference. He is said to have been a brother of the sculptor Phidias and to have created paintings of battle scenes with victorious commanders, as well as images of heroes. Several scholars believe that Pliny (Plin. HN 35, 54) had mistakenly written Panaenus instead of P., however the assumpti…

Scenography

(565 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (Greek σκηνογραφία/ skēnographía, Latin scaenographia). There is controversial criticism of the development and appearance of this genre, surviving only in ancient literature and in pictorial secondary sources (cf. also Painting), and they remain unclear, despite various synopses of the results of different branches of study of the form and development of Greek theatre and its performing places. Changes in architecture and forms of staging also moulded the character of scenography. In…

Aglaophon

(141 words)

Author(s): Hoesch, Nicola (Munich)
(Ἀγλαοφῶν; Aglaophôn) Two Greek painters of the same name. [German version] [1] the Elder From Thasos, father and teacher of  Polygnotus [1] from Thasos, father and teacher of  Polygnotus [1], probably active since the end of the 6th cent. BC. According to Quint. Inst. 12,10,3, he was appreciated for the ‘archaism’ and the plain colouring of his paintings. There is not enough evidence of their style, but it was probably rather plain according to the opinion of classicistic rhetoricians. Hoesch, Nicola (Munich) [German version] [2] the Younger Possibly grandson of [1] possibly grandson…

Monochromata

(295 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (‘monochrome paintings’, from the Greek μονόχρως/ monóchrōs or μονοχρώματος/ monochrṓmatos, ‘monochrome’). Pliny (HN 35,15; 35,56) characterises with this expression the use of colour during an early stage in the development of Greek painting which was also still practiced in his day [3]. He mentions a number of artists in this regard -- one can be dated to the mid-7th cent., based on the evidence of contemporary vase painting, another, Cimon [4], to the end of the 6th cent. Scholarly opinion of the nature and appearance of monochromata used to assume that one sin…

Pausias

(323 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (Παυσίας; Pausías). Greek painter from Sicyon, belonging to the local school, student of Pamphilus [2], worked between 380 and 330 BC. Representative of light, decorative genre painting that was popular at the time and moved away from the historical-mythical themes of the classical period. With the change in subjects came a preference for predominantly small scenes in splendid Encaustic (painting). Sources (Plin. HN. 35,123ff.) emphasize graceful still lifes of flowers, whose effec…

Nicophanes

(126 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (Νικοφάνης; Nikophánēs). Painter of the second half of the 4th cent. BC, student of Pausias and therefore belonging to the Sicyonian school of painters (Plin. HN 35,111; 137). He was counted among the decorative genre painters, whose importance increased during this period; assessments of the effect of his art varied and apparently it was especially appreciated by connoisseurs. His manner was pleasing and fine despite a harsh effect of his colours due to the use of much ochre. We k…

Still lives

(965 words)

Author(s): Hoesch, Nicola (Munich)
[German version] Representations, as realistic as possible, of selected living and non-living objects in an independent composition and a fairly small-scale pictorial arrangement. The motifs of ancient SL were taken from all areas of ancient flora and fauna but also from everyday domestic life. The depicted objects, arranged in a more or less intentional composition, included useful and decorative plants, such as vegetables, field crops, fruit and flowers, smaller mammals and birds, molluscs, crus…

Book illustration

(776 words)

Author(s): Hoesch, Nicola (Munich)
[German version] These are hand-painted illustrations in manuscripts of cultic, lexical, geographic (and cartographic), or literary content, which explain the text through images, or supplement or ornament it. Painting techniques range from roughly-sketched pen or brush drawings using drawing ink and/or water-colour up to lavishly coloured pictures in tempera. The term ‘miniature’ for book illustrations derives from the cinnabar (Lat. minium) used in the Middle Ages to emphasize margins and initials. Grounds were raffia,  papyrus, and  parchment. From th…

Ctesidemus

(56 words)

Author(s): Hoesch, Nicola (Munich)
[German version] Second-rate Greek painter (according to Plin. HN 35,140), who worked around and after 350 BC and was the teacher of  Antiphilus [4]. Extant works are a battle painting, the sack of Oechalia, and a portrait of Laodamia; nothing is known of their style. Hoesch, Nicola (Munich) Bibliography G. Lippold, s.v. Ktesidennos, RE 11, 2077.

Panaenus

(271 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (Πάναινος/ Pánainos). Painter and sculptor from Athens, brother or more likely nephew (Str. 8,3,30) of the sculptor Phidias, with whom he worked, possibly in the same workshop. His active period was the second third of the 5th cent. BC. Paus. 5,11,4-6 reports that he painted the fence in the temple of Zeus in Olympia with a programmatic cycle of myths. As can be inferred from remains and dowel holes, this fence was made of individual stone slabs, which were set up between the front…

Fresco

(391 words)

Author(s): Hoesch, Nicola (Munich)
[German version] From Italian fresco, affresco intonaco, ‘on the fresh plaster’. Wall and ceiling paintings, in which the  pigments are applied to a damp base either in pure form or with the aid of a special binder such as diluted glue, casein, or marble powder. The composition of the covering varies; usually, it is a whitewash mortar mixed with different additives which are applied one after the other in several layers. Basically, the fresco technique lies in the fact that during the drying process o…

Alexander Mosaic

(1,219 words)

Author(s): Hoesch, Nicola (Munich)
[German version] Monumental floor mosaic (5.82 × 3.13 m) representing a battle between the Macedonians and Persians, who were led by Alexander the Great and Darius respectively. Discovered in October 1831 in the ‘Casa del Fauno’ in Pompeii (Regio VI,12; now Naples, MN). The work in opus vermiculatum ( Mosaic), preserved in part only, consists of more than 1.5 million small stones coloured with mineral dye. Large, missing sections filled with stucco, mainly on the left half, and areas patched-up with coarser stones are repairs carried out in …

Pauson

(193 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (Παύσων; Paúsōn). Greek painter from Athens (?), whose creative period towards the end of the 5th cent. BC can only be indirectly inferred. The atrocious judgment of the content of his paintings in the written sources of the 4th cent. BC - e.g. in Aristotle and Aristophanes - has a conservative ring and evaluates them primarily from a moral point of view. It seems to have been shaped by a similar verdict on his character (or vice versa?). We can only assume that new types of themes…

Asclepiodorus

(156 words)

Author(s): Hoesch, Nicola (Munich)
[German version] Greek painter from Athens, mid 4th cent. BC, celebrated by Plut. as an important representative of the Attic school of painters (Mor. 345f-346a). According to Plin. HN 35,80, his colleagues admired the particular strength and balance of composition in his paintings, achieved by proportionate spatial arrangement of motifs in two dimensions, in order to create the impression of spatial perspective. A. wrote a theoretical text on a compositional method perhaps relying on grids. The h…

Skiagraphia

(527 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (σκιαγραφία/ skiagraphía). Ancient painting technique, first developed in the last quarter of the 5th cent. BC by Greek artists and used with increasing perfection in the course of the following century. A sophisticated selection of hues and tints and their precise placement allowed a three-dimensional modelling of the images and, as a result, their spatial effect on the image area. In the history of styles, this new use of colours (Pigments) was a breakthrough in the development o…

Pigments

(682 words)

Author(s): Hoesch, Nicola (Munich)
[German version] The notion of a 'marble-white Antiquity' which became fashionable during the Renaissance, reached its zenith with J.J. Winckelmann's aesthetics during the period of Classicism, and slowly began to change only in the first half of the 19th cent., e.g. through works such as the architect J. Hittorf's 1830 De l'Architecture polychrome chez les grecs (discovery of architectural polychromy). This notion, along with the poor survival of pigmentary remains on sculptures and architecture and the almost complete absence of original Greek pai…

Triumphal paintings

(513 words)

Author(s): Hoesch, Nicola (Munich)
[German version] A typically Roman genre, common from the middle of the 3rd cent. BC until the Imperial period, today entirely lost and recorded only in written sources. During the triumphal procession (Triumph) of a victorious general, panel paintings or canvas banners were carried past the crowds and were afterwards publicly exhibited (e.g. Plin. HN 35,22-28; Pol. 6,15,8; Jos. BI 7,3-7; other sources in [4]). Rudiments of the content, appearance and intended effect of such pictures can be recons…

Agatharchus

(254 words)

Author(s): Hoesch, Nicola (Munich)
[German version] Greek painter from Samos, worked in Athens in the 2nd half of the 5th cent. BC. Ancient sources link A. with chronologically divergent historical events. Vitr. De arch. 7 praef. 11 describes A. in connection with  stage painting as the ‘inventor’ of  perspective in painting and mentions a theoretical work about this. The negative judgement of his contemporary  Zeuxis regarding his hasty painting methods (Plut. Pericles 13), the information that  Alcibiades [2] locked A. in his hou…

Compendiariae

(234 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (from Lat. pictura compendiaria, an advantageously short way of painting; ‘abbreviated’ painting). Ancient technical term, often translated as ‘quick painting’. The manner, the application and the influence of this Greek painting technique of the late 4th cent. BC is still debated due to the lack of detailed explanations in the sources (esp. in Plin. HN 35, 110; Petron. Sat. 2). The debate includes a number of methods: impressionist ‘paint spot painting’; the use of a kind of sketchi…

Marble, paintings on

(499 words)

Author(s): Hoesch, Nicola (Munich)
[German version] In Greek and Roman painting, stone, and especially marble, was a popular surface for paintings, as it lent itself to representations with varied functions. Images for the funerary cult, which are mostly badly preserved, existed on marble tombstones in many regions of the Mediterranean area from archaic times into the Hellenistic period. Like the relief stelae which were also painted with colours ( Polychromy), they were erected in necropoleis. Reliefs and painting were also combin…

Iphion

(80 words)

Author(s): Hoesch, Nicola (Munich)
[German version] Greek painter from Corinth, whose name is known from two epigrams of praise from Anth. Pal. 9,757 and 13,17. His creative period, which can only be reconstructed from source criticism, is disputed, but presumably lay in the first half of the 5th cent. BC. Nothing is known of his work. Nevertheless, the Corinthian painters' school of this period enjoyed great esteem. Hoesch, Nicola (Munich) Bibliography L. Guerrini, s.v. I., EAA 4, 178 G. Lippold, s.v. I., RE 9, 2023.

Timanthes

(367 words)

Author(s): Hoesch, Nicola (Munich)
(Τιμάνθης/ Timánthēs). [German version] [1] Greek painter from Cythnus, 5th/4th cents. BC Greek painter from the island of Cythnos in the Cyclades, active in the late 5th and early 4th cents. BC, contemporary of Parrhasius and Zeuxis [1], against whom he competed, sometimes victoriously (Plin. HN 35,72). T. is assigned to both the Sicyonian and the Attic schools of painting. In his works, all lost, written sources [1] praise primarily his creative inventiveness ( ingenium), less his painting techniques. The original manner of presentation was also considered exemplary…

Mummy portraits

(659 words)

Author(s): Hoesch, Nicola (Munich)
[German version] Wooden tablets with painted heads or busts of women, men and children. As the topmost, visible layer they were integrated into the casing of a mummy (Mummies ) at the level of the face, where a gap was left for them. Many of the c. 900 known pieces, dating from the birth of Christ to the 3rd cent. AD, come from necropoleis of Fayum, an oasis south-west of Cairo, but they were also found elsewhere along the Nile. MP were discovered by chance at the end of the 19th cent. and soon became desirable objects in the international…

Protogenes

(423 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (Πρωτογένης; Prōtogénēs). Hellenistic painter and sculptor of bronze statues of athletes and warriors (Plin. HN 34,91; 35,101-106) from Caunus, famous together with other leading masters of the Alexander period as consummate painters (Cic. Brut. 18,70). His creative period, about 330‒290 BC, can only be inferred by combining historical dates and persons from written sources that are often coloured by anecdote ( e.g. Plut. Demetrius 22). Reportedly he only turned to panel painting in advanced age and hence produced only a small oeuvre, havin…

Micon

(368 words)

Author(s): Hoesch, Nicola (Munich)
[German version] (Μίκων/ Míkōn). Greek painter and sculptor (Plin. HN 34,88) from Athens, active between 475 and 440 BC. He and Polygnotus belonged to the first important generation of the Attic painting school in the early classical period, which broke ground for the development of the great Greek painting. None of the wall paintings in Athens known from numerous written sources of various periods survives, but frequent mention does allow us to infer his great significance. His main patron was Cim…

Mnasitimus

(230 words)

Author(s): Hoesch, Nicola (Munich) | Neudecker, Richard (Rome)
(Μνασίτιμος/ Mnasítimos). [German version] [1] Greek painter from Rhodes, later 3rd cent. BC Greek painter from Rhodes (?) of the later 3rd cent. BC (?), mentioned by Plin. HN 35,146 as a rather second-rate painter. Provenance and date can only be inferred by genealogical conclusions from other artists of this name; nothing is known of his work. Hoesch, Nicola (Munich) Bibliography G. Lippold, s.v. Mnasitimos (1), RE 15, 2256f. [German version] [2] Various sculptors from one Rhodes family, 4th to 2nd cents. BC Various sculptors from one Rhodian family. The reconstructed famil…

Grave paintings

(733 words)

Author(s): Niemeyer, Hans Georg (Hamburg) | Hoesch, Nicola (Munich)
[German version] Interior or exterior painting of funerary architecture built from stone or carved into rock existed in antiquity and throughout the entire Mediterranean region, also images on wood and stone steles; sarcophagi rarely bore paintings. Each region and period had its own particular programmes of pictures, which are interpreted as realistic or symbolic, and referring to this or the next world depending on the state of research. Due to the perishable nature of the genre, much has been lost. However, significant new finds have also been made in recent years. Grave paintings …

Timagoras

(184 words)

Author(s): Hoesch, Nicola (Munich) | Schmitz, Winfried (Bielefeld)
(Τιμαγόρας/ Timagóras). [German version] [1] Greek painter and poet from Chalcis, c. 450 BC Greek Classical period painter and poet (?) from Chalcis; known only from Plin. HN 35,58, who gives an account of a painting competition during the Pythian Games in Delphi ( c. 450-440 BC), which T. won against Panaenus. The scale and appearance of his works are unknown. Hoesch, Nicola (Munich) Bibliography N. J. Koch, Techné und Erfindung in der klassischen Malerei, 2000, 229 G. Lippold, s. v. T. (7), RE 6 A, 1074 P. Moreno, s. v. T., EAA 7, 1966, 855. [German version] [2] From Athens, envoy t…

Cimon

(972 words)

Author(s): Stein-Hölkeskamp, Elke (Cologne) | Hoesch, Nicola (Munich)
(Κίμων; Kímōn). [German version] [1] Known as Koálemos, born c. 585 BC, achieved three Olympic victories C., known as Koálemos (‘the Stupid’), son of Stesagoras of Athens, born about 585 BC, had to leave Athens during the tyranny of  Peisistratus. During his exile he achieved two Olympic victories with the four-horse chariot (536 and 532 BC). Since C. had the 2nd victory proclaimed for Peisistratus, he was permitted to return. C.'s high prestige after his third Olympic victory (528) resulted in a conflict between …

Ecphantus

(364 words)

Author(s): Hoesch, Nicola (Munich) | Frede, Michael (Oxford)
(Ἔκφαντος; Ékphantos). [German version] [1] Greek painter from Corinth, active probably in the mid 7th cent. BC Greek painter from Corinth, active probably in the mid 7th cent. BC. According to Pliny (HN 35,16), he was the founder of the secunda pictura, a style of painting which completely covered all surfaces with paint; an example of this style are the wooden plates handed down from Pitsa. The monochromata mentioned by Pliny in this context may refer to the unbroken and precious mineral pigments that were used. Hoesch, Nicola (Munich) Bibliography N. J. Koch, De picturae initiis, P…

Polygnotus

(1,352 words)

Author(s): Hoesch, Nicola (Munich) | Oakley, John H. (Williamsburg, VA)
(Πολύγνωτος; Polýgnōtos). [German version] [1] Greek painter and bronze sculptor Greek painter from Thasos, also bronze sculptor (Plin. HN 34,58), of the early classical period. Hoesch, Nicola (Munich) [German version] I. General His exact dates are unknown; P. worked after the Persian Wars from about 480 until c. 440 BC in Athens and other places in Greece. Because of his ability to translate historical, political and cultural achievements of the Polis into an identifiable pictorial language by means of juxtaposition of mythical and curren…

Tauriscus

(252 words)

Author(s): Baumbach, Manuel (Zürich) | Neudecker, Richard (Rome) | Hoesch, Nicola (Munich)
(Ταυρίσκος/ Taurískos). [German version] [1] Grammarian, 2nd cent. BC Grammarian of the 2nd cent. BC and pupil of Crates [5] from Mallus, to whom his definition of philological scholarship (κριτικὴ τέχνη, kritikḕ téchnē) can be traced [1. 56]. According to Sext. Emp. adv. math. 248-249, T. distinguished three sub-disciplines: grammar (λογικόν, logikón), dialectology and stylistic criticism (τριβικόν, tribikón) and commentary (ἱστορικόν, historikón) on content needing explanation. For T.' position within the classification of the grammatical discourse o…

Cleanthes

(515 words)

Author(s): Hoesch, Nicola (Munich) | Inwood, Brad (Toronto) | Nutton, Vivian (London)
(Κλεάνθης; Kleánthēs). [German version] [1] Painter from Corinth One of the earliest painters from Corinth, mentioned in Plin. HN 35,15f.; his name stands for the origin of the genera ( prima pictura). C. was considered the inventor of line art, creating his work from outlines and filling them in. Stylistic comparisons with vase painting of the early 7th cent. date his work to the same period. Also only known from the literature (Str. 8,343; Athen. 8,346 BC) are his tableaus in a sanctuary near Olympia: the fall of Troy, the birth of Athena, also Poseidon handing Zeus a tuna. Hoesch, Nicola (…

Zeuxis

(1,222 words)

Author(s): Hoesch, Nicola (Munich) | Mehl, Andreas (Halle/Saale) | Touwaide, Alain (Madrid)
(Ζεῦξις/ Zeûxis). [German version] [1] Greek painter and sculptor, c. 435/25-390 BC Greek painter and sculptor, active between c. 435/25 and 390 BC. He was one of the pioneers of the great era of Greek painting which would retain its high standards for over a century. 'Heraclea', which Plin. HN 35,61 gives as his place of origin, seems more likely to be the Sicilian Heraclea [9] Minoa ([1. 382]; but [2]: Heraclea [7] Pontica?) than Heraclea [10] in Lucania [3. 60], since Z. was the pupil of an otherwise unknown ma…

Ctesicles

(245 words)

Author(s): Meister, Klaus (Berlin) | Neudecker, Richard (Rome) | Hoesch, Nicola (Munich)
(Κτησικλῆς; Ktēsiklês). [German version] [1] Author of Chroniká in at least 3 vols. in the Hellenistic period Author of Chroniká in at least 3 vols. in the Hellenistic period, quoted only by Athenaeus (6, 272c: census in Athens under Demetrius [4] of Phalerum 317/6 BC; 10, 445c-d: death of Eumenes [2] I. in 241). wilamowitz [1] and jacoby (comm. on FGrH 245) argue for his identification with Stesicleides of Athens, author of an Anagraphḕ tōn archóntōn kai Olympioníkōn (‘Listing of officials and Olympic winners’) quoted in Diogenes Laertius (2,56). Meister, Klaus (Berlin) Bibliography…

Aristophon

(303 words)

Author(s): Meier, Mischa (Bielefeld) | Hoesch, Nicola (Munich) | Bäbler, Balbina (Göttingen)
(Ἀριστοφῶν; Aristophôn). [German version] [1] Athenian politician (end of the 5th cent. BC) Member of the Athenian regime of 400 oligarchs in 411 BC. Sent by them as an emissary to Sparta, he was abducted to Samos by Athenian democrats and Argives (Thuc. 8,86,9; PA, 2102; Traill PAA, 175995. Meier, Mischa (Bielefeld) [German version] [2] Athenian politician (end of the 5th-middle of the 4th cent. BC) Athens. Politician, who was honoured in 403 BC for his resistance against the 30 Tyrants ( Triakonta) by   ateleia (ἀτέλεια) (Dem. Or. 20,148). Until his deat…

Lucillus

(404 words)

Author(s): Hoesch, Nicola (Munich) | Schmidt, Peter L. (Constance) | Baumbach, Manuel (Zürich)
[German version] [2] Roman wall painter, late 4th cent. AD Roman wall painter of late antiquity from the end of the 4th cent. AD. He decorated the house of the aristocratic orator and philosopher Q. Aurelius Symmachus, which the latter mentioned with praise in various letters (Symmachus, Ep. 2,2; 8,21; 9,50b). The nature and appearance of this painting may have resembled that of contemporary catacombs or mosaics from late Imperial villas. Hoesch, Nicola (Munich) Bibliography L. Guerrini, s.v. L., EAA 4, 721 S. Roda, Commento Storico al Libro 9 dell'Epistolario di Q. Aurelio Si…

Cydias

(426 words)

Author(s): Robbins, Emmet (Toronto) | Weißenberger, Michael (Greifswald) | Hoesch, Nicola (Munich) | Nutton, Vivian (London)
(Κυδίας; Kydías). [German version] [1] Erotic poet Erotic poet, quotes from Pl. Chrm. 155d, mentioned by Plut. Mor. 931e. He was obviously popular in Athens as he is depicted as a komast on a red-figured dish (Munich 2614) and on a psykter (London, BM E767) from c. 500 BC [1. 12-13]. He may perhaps be identical with Cydidas of Hermione referred to by Schol. Aristoph. Nub. 967 [2. 215]. Possibly (rather improbable) he is the dithyramb poet Cedeides/Ceceides mentioned by Aristoph. Nub. 985 (with schol.) [3]. Robbins, Emmet (Toronto) Bibliography 1 K. Friis Johansen, Eine Dithyrambos-A…

Ismenias

(791 words)

Author(s): Beck, Hans (Cologne) | Dreyer, Boris (Göttingen) | Zaminer, Frieder (Berlin) | Hoesch, Nicola (Munich)
(Ἰσμηνίας; Ismēnías or Ἱσμηνίας; Ismēnías). [German version] [1] Prominent Theban politician, 5th/4th cent. BC Prominent Theban politician, famous for his wealth (Pl. Men. 90a). After the end of the Peloponnese War (431-404 BC), I., with  Androclidas, came to the fore as leaders of a Hetaeria which opposed the pro-Spartan politics of  Leontiades. The goals were to push back the Leontiades faction and to bring about a new orientation in international politics towards Athens (Hell. Oxy. 12,1f.; 13,1; Xen. Hell.…

Callicles

(471 words)

Author(s): Narcy, Michel (Paris) | Neudecker, Richard (Rome) | Hoesch, Nicola (Munich) | Meister, Klaus (Berlin) | Ameling, Walter (Jena)
(Καλλικλῆς; Kalliklês). [German version] [1] Collocutor in Plato's Gorgias Collocutor in Plato's ‘ Gorgias; taking it as his premise that nature ranks above the law, he advocates the right of the stronger (Pl. Grg. 483 c-d). This is the lesson of the  Gorgias (Gorg. Encomium Helenae 6), understood by Aristotle (Aristot. Soph. el. 12,173a 8-16) as the conflict between truth and the opinion of the majority. C. is, however, no Sophist: on the contrary, he distances himself from them (Pl. Grg. 520a). From his So…

Wall paintings

(3,970 words)

Author(s): A.NU. | Hiesel, Gerhard (Freiburg) | Prayon, Friedhelm (Tübingen) | Hoesch, Nicola (Munich)
[German version] I. Ancient Orient Numerous Ancient Oriental temples, palaces and private residences were painted inside, but due to the a secco-technique, only traces of the paintings still remain. Each colour has its own symbolism. Red, the colour of life and strength, was used as early as the 10th millennium BC for painting the walls and floors of houses (e.g. Ain Mallaha, Israel). Clay or lime plaster served as the base [1; 2]. The oldest and best-preserved figural wall paintings (WP) are found in the houses of…

Apelles

(821 words)

Author(s): Günther, Linda-Marie (Munich) | Graf, Fritz (Columbus, OH) | Hoesch, Nicola (Munich)
(Ἀπελλῆς; Apellês). [German version] [1] Macedonian Politician, died 218 BC Macedonian, influential confidant of  Antigonus [3] Doson, from 222 BC guardian of  Philippus V. In 219/8, as ‘ traditionalist’, he criticized the Adriatic policy of the king and his pro-Achaean leanings under the influence of  Aratus, against whom he intrigued together with  Leontius and  Megaleas (Pol. 4,76; 82-87). In 218 their plot against Philip V was discovered and A. was executed in Corinth (Pol. 5,2,8; 16; 26-28; Plut. Arat. 48) [1. 167-170]. Günther, Linda-Marie (Munich) [German version] [2] Mace…

Timomachus

(495 words)

Author(s): Meier, Mischa (Bielefeld) | Beck, Hans (Cologne) | Meister, Klaus (Berlin) | Hoesch, Nicola (Munich)
(Τιμόμαχος/ Timómachos). [German version] [1] From Thebes, commander in the Peloponnesian War commander of the Theban Aegidae, claimed to have supported the Spartans with his army in the conflict against Amyclae [1] and to have instructed them in the art of warfare. His bronze armour was displayed at the Hyacinthia (Hyacinthus) and T. himself was always highly honoured in Sparta (Aristot. fr. 532 Rose). Meier, Mischa (Bielefeld) Bibliography M. Nafissi, La nascita del kosmos, 1991, 324-326. [German version] [2] Athenian strategist from Acharnae, 4th cent. BC Athenian strategist …
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