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[German version] (Δαμόκριτος/ Damókritos; also: Democritus [Δημόκριτος/ Dēmókritos]). Sculptor from Sicyon, active during the first half of the 4th cent. BC. Pausanias saw a victor's statue of his in Olympia. Pliny chose the Attic form of the name, for a Democritus, who made statues of philosophers. In Rome his name was found on the statue of Lysis from Miletus in a lost collection of copies of 4th cent. works. Neudecker, Richard (Rome) Bibliography Overbeck, no. 463, 466-468 (sources) Loewy, no. 484 Lippold, 247-248.

[German version] Greek sculptor. A statue of Aphrodite (Rome, MN) bears his signature, with the additional note that the model is in the Troad. The work, which is a variation on the type of the Capitoline Venus, dates from the 1st cent. BC. Neudecker, Richard (Rome) Bibliography G. Cressedi, s.v. Menephanto, EAA 4, 1961, 1026 Loewy, Nr. 377 B. S. Ridgway, Hellenistic Sculpture, 1, 1990, 356 O. Vasori, Museo nazionale romano. Le sculture, 1, 1, 1979, 109-111, Nr. 81.

(Πύρρος/ Pýrr(h)os). [German version] [1] Son of Achilles and Deidamia See Neoptolemus [1] Neudecker, Richard (Rome) [German version] [2] Bronze sculptor from Athens, c. 430 BC Bronze sculptor from Athens. A base bearing P.' signature of a larger than life-size statue on the Athenian Acropolis is dated to c. 430-420 BC and connected with a record of an Athena Hygieia constructed by order of Pericles [1]. Neudecker, Richard (Rome) Bibliography Overbeck, no. 904-906; 869  A. Raubitschek, Dedications from the Athenian Akropolis, 1949, no. 166  L. Guerrini, s.v. Pyrrhos (3), EAA 6, …

[German version] (Ζηνᾶς/ Zēnâs). Sculptor's name on two Roman portrait busts from the early 2nd cent. AD. The addition to the signature of the father's name Alexander (IG XIV 1241) in the one case and of β in the other (IG XIV 1242) suggests two different sculptors. The name points to a connection with sculptors from Aphrodisias (Aphrodisias [1], sculptors' school). Neudecker, Richard (Rome) Bibliography Loewy, Nr. 383 a-b P. Moreno, s. v. Z., EAA 7, 1247 f.

[German version] (also Boidas). Sculptor, son and pupil of  Lysippus. He worked in Byzantium around 300 BC. Pliny was aware of his fame but mentioned only the statue in Rome of a worshipper. For a long time the statue of the so-called ‘Praying boy’ from Rhodes in Berlin (PM) was erroneously identified with it. Neudecker, Richard (Rome) Bibliography R. Kabus-Preisshofen, Der ‘Betende Knabe’ in Berlin, in: AA 1988, 679-699 Overbeck, no.1516. 1521 (sources) B. S. Ridgway, Hellenistic Sculpture, 1, 1990, 227-228.

(Πυθαγόρας/ Pythagóras). [German version] [1] Fictitious Spartan and adviser to Numa Pompilius Fictitious person, supposedly from Sparta, victor at the Olympic Games in 716 BC, emigrated to Italy where he became an adviser to king Numa Pompilius. It seems this person was constructed to establish a connection between P. [2] and Roman religion (Plut. Numa 1,2-3). Käppel, Lutz (Kiel) Bibliography F. Ollier, Pythagore de Sparta, REG 59/60, 1946/7, 139-149. [German version] [2] Philosopher, c. 600 BC Natural philosopher and charismatic teacher from the 6th and early 5th cent…

[German version] I. Term and general Derived from the Latin statuere ('to set up'), in sculpture, 'statue' denotes a completely three-dimensionally designed figure. This form of stand-alone depiction of people, animals and the more than human is at the centre of Greek artistry. In archaeological usage, statues which are integrated into architecture are also included in the term (pediment, akroterion ), but reliefs are not. Individual statues can be combined in a group in content and execution. The format of the statue ranges from sm…

(Ἡφαιστίων; Hēphaistíōn). [German version] [1] Commander under Alexander the Great, 4th cent. BC H. of Pella, friend and probably lover of  Alexander [4]. Their relationship was soon likened to that of  Patroclus and  Achilles [1] and correspondingly embellished. It is doubtful whether he was a childhood friend of Alexander (Curt. 3,12,16), as he was not banished by  Philippus II in 337 BC. The wreath offered to Patroclus at Troy and the scene described in the vulgate version ( Alexander historians) of the c…

[German version] [1] (also: Demeas) Sculptor from Croton (also: Demeas). Sculptor from Croton. In 532 BC he created the victor's statue of Milon in Olympia that is described by Pausanias; there is a base with fragmentary inscriptions that is seen as going together with it. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 428 Loewy, no. 414 Overbeck, no. 484 (sources). [German version] [2] Bronze sculptor from Cleitor, c. 405 BC Bronze sculptor from Cleitor, student of Polycletus. In Delphi he created, for the victory statue of the Spartans who went to Aigosp…

[German version] [1] Sculptor whose existence is contested Sculptor whose existence is contested. Pliny (HN 36,35) mentions a work in marble in Rome Venerem lavantem †sesededalsa† stantem, from which the Bithynian name D. is gleaned, an emendation which is largely accepted. This D. is then identified with Daedalus, who according to a Byzantine source created a Zeus Stratios for the Bithynian King Nicomedes. The statue type of that Zeus has not been established with any certainty. The statue of the standing Venus that Pli…

[German version] Hermai (ἕρμαι/ hérmai, ‘Hermes heads’), also hermádion (‘small Hermes’), schêma tetrágōnon, tetráglōchis, describes in Graeco-Roman art a special form of anthropoid freestanding sculpture. The herm consists of a pillar with a head, mostly with wooden lateral beam stumps instead of arms ( cheîres, cunei) and a male sexual organ attached at the front that is always ithyphallic in early herms. Double herms bear two heads turned away from each other. Three- and four-fold herms on one pillar are also to be found. In Arcadian he…

(also Callon; Kά(λ)λων, Kál(l)ōn). [German version] [1] Sculptor from Aegina Sculptor from Aegina. C. was considered a contemporary of  Hegesias and a pupil of Tectaeus and  Angelion; his style was seen as archaic compared to that of  Canachus. An extant base from the Acropolis is dated to c. 500 BC. Pausanias describes a bronze tripod made by C. at Amycae -- a Spartan dedication after a victory against Messene -- featuring Kore as its support. It appears that other tripods, by  Gitiades, were also part of the offering, so that this tripod c…

(Ἀφροδισίας; Aphrodisías). [German version] [1] City in  Caria This item can be found on the following maps: Theatre | Byzantium | Asia Minor | Marble | Rome | Education / Culture City in  Caria, 38 km south of the Maeander, in the left side valley of the Morsylos (present-day Dandalaz çayı); the modern Geyre. Traces of neolithic and early Bronze Age settlement on the acropolis; old name of Νινόη (Steph. Byz. s. v. Ninoe) preserved in the local cult ( Zeus Nineudios). A. was for a long time overshadowed by the neighbouring co…

(Ἡγίας; Hēgías). [German version] [1] Sculptor, c. 490-480 BC Sculptor who signed the base of a lost bronze statue on the Acropolis in Athens that must be dated around 490-480 BC. He is mentioned by Pausanias (8,42,10), Pliny (HN 34,49) and Dio Chrysostom (55,1) as a late archaic artist, a contemporary of  Critius and Nesiotes,  Onatas,  Ageladas and  Calon, and as a teacher of  Phidias. Quintilian (Inst. 12,10,7) and Lucian (Rhetorum praeceptor 9) describe his style as still archaic and call him by his …

[German version] (θήκη; thḗkē) is a term for any kind of container. In particular, from the 5th/4th cent. BC onwards it is used in texts and inscriptions for niche-shaped burial places, whether for burials in funerary buildings (Melos, 4th cent. BC) and vaults (Hdt. 1,67,3; 2,148,5), or for storing cinerary urns (Alexandria), but not sarkophagoi (Sarcophagus). Latin theca , in contrast, refers exclusively to holders for objects, primarily writing implements. Loculi Neudecker, Richard (Rome) Bibliography E. Saglio, s. v. loculus, DS 3.2, 1904, 1292-1295  A. Hug, s. v. T., RE …

[German version] (Ἀφροδίσιος; Aphrodísios) Son of Lybius, sculptor from Athens; in Augustan times, he worked in the copyist workshop of Baiae. A copy, bearing his initials, of the type ‘Hera Borghese’ used for portrait statues has been found. A sculptor of the same name, however, whose statues filled the emperor's palace on the Palatine, came from Tralles. Neudecker, Richard (Rome) Bibliography C. Landwehr, Die ant. Gipsabgüsse aus Baiae, 1985, 88-94 Overbeck, no. 2300 (sources) P. Zancani Montuoro, Repliche romane di una statua fidiaca, in: Bullettino della Commissio…

[German version] A. Original and copy In archaeological literature, any reproduction of classical and Hellenistic sculptures that is faithful in form to the original is regarded as a copy, even if the copy does not completely correspond in size, material, or degree of completion. Copies in the broadest sense are a main characteristic of ancient art production which was based on slow change of style, on the familiarity with the iconography of passed epochs and a deep respect towards them: innovations w…

Roman family name (Schulze, 168, 276, A.7; ThlL, Onom. 2, 587), related to copo ‘innkeeper’ in popular etymology (Mart. 3,59), attested since the 1st cent. BC. [German version] [1] C., C. Praetor under Pompey 49 BC Cicero praised him and his brother T.C. as adulescentes in 56 BC (Balb. 53; Cael. 24). In 53 BC, he was praefectus in Syria, in 49 BC, praetor and mint master under Pompey (RRC 444), and in 48, as propraetor, he lost his fleet in a storm at sea. He is probably identical to the C. who was proscribed in 43 and who owed his life to his wife's …

(Ἑρμογένης; Hermogénēs). [German version] [1] Companion of Socrates Athenian, son of Hipponicus, brother of Callias, appears on many occasions in the Socratic writings of Plato and Xenophon as the companion of  Socrates. Together with the eponymous character, H. is the dialogue partner of Socrates in Plato's Cratylus. Döring, Klaus (Bamberg) Bibliography 1 SSR VI B 71-77 2 Davies, 269-270. [German version] [2] From Aspendus, assistant commander of Antiocus I H. from Aspendus. In the struggle of Antiochus [2] I (died in 261 BC) to regain territories in Asia Minor…

(Ζηνόδοτος/ Zēnódotos). [German version] [1] Of Ephesus, Alexandrian philologist Alexandrian philologist from Ephesus ( c. 325-260 BC; Suda s. v. Ζ. Ἐφέσιος). Baumbach, Manuel (Zürich) [German version] I. Life Alexandrian philologist from Ephesus Z. was employed as tutor to the royal princes at the Ptolemaic court before his appointment in 285/4 BC as the first director [1. 147-148] of the library (II B 2.a) in Alexandria [1]. In addition to a classification of Greek poetry (most notably epic and lyric works), Z. developed in …

(Νικήρατος; Nikḗratos). [German version] [1] Athenian trierarch, 410/409 BC Son of Nicias [1]; learned reciter of Homer (Xen. Symp. 3,5; 4,6; Aristot. Rhet. 1413a). Athenian trierarch (Trierarchy) in 410/409 BC (IG I3 375,36). Of the wealth his grandfather had acquired from silver mines and mine slaves, at the time of his murder by the Thirty ( Triákonta ) in 404/3 BC only 14 talents were left (Lys. 19,47; Xen. Hell. 2,3,39; Diod. 14,5,5). After his murder his uncle Diognetus [1] interceded against the Thirty with the Spartan king Pausanias by placing N.'s son on his knee (Lys. 18,6-10). Kin…

(Λυσίστρατος; Lysístratos). [German version] [1] Tragedian from Chalcis, 1st cent. BC from Chalcis. Tragedian, after 85 BC he was victorious at the Amphiaraia ( Amphiaraus) and Romaia in Oropus. His works are not extant. Zimmermann, Bernhard (Freiburg) [German version] [2] Bronze sculptor from Sicyon Bronze sculptor from Sicyon, brother and collaborator of Lysippus [2]. By making plaster casts of living people, L. is said to have improved the similarity of portraits to their subjects, to have based his work on clay models and to have made…

[German version] [1] Sculptor from Aphrodisias, early 2nd cent. AD (Aristeas). Sculptor from  Aphrodisias [1], who worked in the early 2nd cent. AD. Together with Papias, he signed the dark marble statues of an old and of a young centaur, copies of Hellenistic bronze sculptures, from Hadrian's villa near Tivoli. Neudecker, Richard (Rome) Bibliography H. von Steuben, in: Helbig II, no. 1398 J. Raeder, Die statuarische Ausstattung der Villa Hadriana bei Tivoli, 1983, 236-238 M. Squarciapino, La Scuola di Afrodisia, 1943, 32-34. [German version] [2] of Phlius Tragedian Tragic poet…

[German version] Bronze sculptor from Sicyon. He created victors' and portrait statues in Olympia and Thebes in the later 4th cent. BC, as well as one of Aphrodite in Delphi. Neudecker, Richard (Rome) Bibliography Lippold, 299 J. Marcadé, Recueil des signatures de sculpteurs grecs, 1, 1953, no.25 Overbeck, no. 1582 (sources).

[German version] (also called Chryselephantine technique). The naked parts of a statue were primarily worked from  ivory; and the garments and hair from sheet-gold, and materials like glass, precious stones and coloured metals were also used. Chryselephantine works were rare because of the value of their materials and are only extant in fragmentary form. The manufacturing technique is therefore not known in detail and appears to be mainly dependent on the size of the work. If the work was life-siz…

[German version] Bronze sculptor in Athens. Preserved are his initials of the memorial statues for the Thracian kings Raskouporis (around 13 BC) and Kotys. Making statues of philosophers and athletes, an A. mentioned in Pliny is more likely to be a sculptor of the 4th cent. BC when taking a dated base into account. Neudecker, Richard (Rome) Bibliography Loewy, no.314-316 s. v. A., EAA Suppl. 61.

[German version] (Σθέννις/ Sthénnis). Bronze sculptor from Olynthus, active in Athens from 348 BC. According to surviving inscribed bases, he and Leochares created a family group on the Acropolis in Athens in the late 4th cent. BC, and a statue for Lysimachus [2] in Oropus in the early 3rd cent. There is literary evidence for several statues by S. of gods and one of a philosopher, which were later moved to Rome, one of flentes matronae et adorantes sacrificantesque (‘weeping, adoring and sacrificing women’, Plin. HN 34,19,90) and victor statues in Olympia. Although none…

[German version] Bronze sculptor from Eleutherae, son and pupil of Myron. According to written tradition, he created a votive offering in Olympia with single combats from the Trojan War (Achilles and Memnon, among others) and an Argonaut group. Notes about a boy with a votive water vessel, a puer sufflans and a statue of the pancratiast Autolycus ( Pankration) have been too damaged to allow for identification. From the Athenian Acropolis an autographed plinth for equestrian statues is extant, which is dated historically to around 430-420 BC. Neudecker, Richard (Rome) Bibliography Over…

[German version] (Καικοσθένης; Kaikosthénēs). Son of Apollonides, bronze sculptor from Athens. Eight bases from the early 2nd cent. BC are inscribed with his and his brother Dies' signature. Some originate from portrait statues, which is why C. is usually identified as Chalcosthenes, who, according to Pliny, is supposed to have mostly sculpted statues of actors and athletes. In the Athenian Kerameikos, one could find ‘rough’ statues of gods and goddesses made of terracotta, perhaps the clay models for bronze statues. Neudecker, Richard (Rome) Bibliography Overbeck no. 1380-1381 Lo…

[German version] Sculptor from Crete. Like his brother Scyllis, assumed to be a pupil or son of the legendary  Daedalus and one of the original exponents of the art of marble sculpture. Tales of his flight from Cyrus and his first commissions in Sicyon reflect the fact that the ‘Daedalic’ marble-sculpture of the Greek islands preceded that of the mainland and date its arrival on the mainland to the earlier half of the 6th cent. BC. Even in ancient literature, some archaic works were attributed to …

(Πατροκλῆς; Patroklês). [German version] [1] Athenian office holder, end of the 5th cent. BC Athenian, árchōn basileús in (404/)403 BC; a relative of Isocrates, who defended him (Isoc. Or. 18,5). Kinzl, Konrad (Peterborough) Bibliography Develin, 94 Nr. 1  Traill, PAA 768600. [German version] [2] Accuser of Demosthenes An Athenian from Phlya; his accusation of paranomia (Paranomon graphe) against Demosthenes [2] (Dem. Or. 18,5) was unanimously rejected and cost him a fine of 500 drachmas. Kinzl, Konrad (Peterborough) Bibliography Traill, PAA 768710. [German version] [3] Gree…

(Μενέστρατος; Menéstratos). [German version] [1] A son of Niobe One of the sons of Niobe (Hellanicus FGrH 4 F 21 with commentary by Jacoby). Käppel, Lutz (Kiel) [German version] [2] Sacrifices himself for his lover Cleostratus M. of Thespiae, who sacrifices himself for his lover Cleostratus, by volunteering to take his place and be thrown to the dragon that on Zeus's instructions is fed a young man each year. Barbs on his armour kill the monster (Paus. 2,26,7f.) Käppel, Lutz (Kiel) [German version] [3] Athenian, denounced in 415 BC Athenian, one of 18 denounced by Teucer in connexio…

[German version] Legendary sculptor and architect from  Magnesia on the Maeander, famous for his so called ‘throne’ of Apollo in Amyclae near Sparta, which is described in great detail by Pausanias (3,18,6-3,19,6): as a structure, it combined the grave of Hyacinthus, an  altar, and a colossal  cult image, decorated with 45 mythological scenes, statues, and a depiction of his co-workers dancing in a circle. Since we have no surviving remnants at all, we must regard its numerous reconstructions and its dating to the late 6th cent. as speculative. Neudecker, Richard (Rome) Bibliography A.…

(Σκόπας/ Skópas). [German version] [1] Sculptor from Paros, mid 4th cent. BC Sculptor from Paros, active in the mid 4th cent. BC, working mostly in marble and very occasionally in bronze. In the opinion of the ancient world, S. was one of the most important masters of Greek sculpture. Written records ascribe to him approximately 25-30 individual works and major projects, which should probably be allotted to several sculptors with the same name of different generations. The extant pediment sculptures from th…

[German version] Archaeological term for a metal-working technique ('embossed with a hammer'), not documented in Antiquity. As described in Paus. 3,17,6, sheets hammered out of bronze or precious metals are joined together with nails over a wooden core. The technique is an attempt in the 7th cent. BC - before the invention of hollow casting at the beginning of the 6th cent. BC - to make large-scale free-standing bronzes. Accounts of sphyrelata emphasize the great age of such cult images, e.g. the …

[German version] Compound hoards composed predominantly of ancient silver objects. As treasure these were hidden to protect them from theft or plundering (known as hoarding). As grave goods or thesauroi in sanctuaries or church treasures the treasure was collected and deposited in fact or ideally as an investment. In the private domain at all times and generally it acted simultaneously as both house contents and an investment. SH were predominantly composed of valuable eating and drinking utensils. Their importance to schol…

(Ἀντίγονος; Antígonos). [German version] [1] Monophthalmus Diadoch (‘The One-eyed’), 382-301 BC.  Hetairos of  Philippus and  Alexander [4], married to  Stratonice, was the father of  Demetrius. During Alexander's invasion of Asia, commander of the Greek hoplites, satrap of Greater Phrygia from 333 until Alexander's death [323]. He defeated rebels and remnants of Persian troops, he gained Lycaonia and in 331 he received in addition the administration of Lycia-Pamphylia. In Priene he was honoured for an achievement, the nature of which is unknown. (IPriene 2). After Alexander's…

(Εὔανδρος; Eúandros). [German version] [1] Mythical founder of the first settlement on the Palatine Arcadian-Roman hero, according to Paus. 8,43,1ff. the son of Hermes and an Arcadian nymph (Themis, Nicostrate: Plut. Quaest. Rom. 278B-C), or alternatively the prophesying  Carmentis from Pallantium. In Hes. fr. 168MW, he is a son of Echemus of Tegea and Tyndareos' daughter Timandra, Hellenism makes him the son of the Italian Sibyl. Banished because of his involvement in a popular uprising or the murder of one …

(Μένανδρος; Ménandros). [German version] [1] Joint strategos with Nicias, 414 BC The Athenians M. and Euthydemus [1], who were already in Sicily, were chosen as joint strategoi of Nicias towards the end of 414 BC, during the Sicilian Expedition, to support him until the relief expedition of Demosthenes [1] arrived (413) (Thucyd. 7,16,1; Plut. Nicias 20,2); re-elected 413/12 (Plut. Nicias 20,6-8; Thucyd. 7,69,4; Diod. 13, 13,2). Possibly identical with the M. who fought in Abydus in 409 (Xen. Hell. 1,2,16). He was stratēgós with Tydeus (405/4) in the defeat at Aigos potamoi (X…

[German version] [1] Visionary from  Telmessus (4th cent. BC) Visionary from  Telmessus, in the service first of  Philippus, then of  Alexander [4] the Great; hero of many anecdotes which only report on successful predictions; no further references after the death of  Cleitus. Prophecies of the future success of some of the  Diadochi have turned out to be fabrications. Badian, Ernst (Cambridge, MA) Bibliography Berve 2, no. 117. [German version] [2] Bronze sculptor from Paros, c. 405 BC Bronze sculptor from Paros. To the tripod which the Spartans dedicated in Amyclae fol…

(Εὐφράνωρ; Euphránōr). [German version] [1] Sculptor, painter and art critic in Athens, c. 364-361 BC Important sculptor, painter and art critic ( Art, theory of) in Athens with his acme in 364-361 BC. As paintings the ‘Battle of Mantinea’ (362 BC), the ‘Apotheosis of Theseus’ and ‘Twelve Gods in the Stoa Eleutherios’ are described and ‘Democracy and Demos’ and ‘Odysseus’ are mentioned. E. described his ‘Theseus’ as ‘meat-nourished’ in contrast to the ‘rose-nourished’ one by  Parrhasius. Ancient art critics emphasized the versatility and dignitas of his representation of the …

[German version] (Ἀγελάδας; Ageládas). (Hageladas), bronze sculptor from Argus, was considered to be the teacher of  Phidias,  Myron,  Polycleitus. Victors' statues by A. are recorded since 520 BC. His votive offering by the Tarantines in Delphi has been dated to before 474 BC. His Heracles Alexikakos was erected in Athens after a pestilence (not necessarily 430 BC). From this, Pliny deducted the date for his zenith to be 432 BC. However, since this makes the postulated active period too long, ther…

(Ἀντιφάνης; Antiphánēs). [German version] [1] Attic comic poet, 4th cent. BC Attic writer of comedies; concerning his family and lineage the information is quite contradictory [1. test. 1, 2]. His father as well as his son were called Stephanus, (his son as a writer of comedies, staged works of his father [1. test 1]). A. was born in the 93rd Olympiad (between 408 and 404 BC) [1. test. 1] and is said to have already begun his stage activity at 20 years, (‘after the 98th Olympiad’ [1. test. 2]). He is said …

[German version] [1] Athenian sculptor, c. 490-470 BC (Eύήνωρ; Euḗnōr). Athenian sculptor. Three bases on the Acropolis bear his signature, dating from around 490-470 BC. One of these is linked, not without controversy, to the so-called Angelitus' Athena (Athens, AM Inv. no. 140). Neudecker, Richard (Rome) Bibliography A. E. Raubitschek, Dedications from the Athenian Akropolis, 1949, no. 14, 22, 23. B. S. Ridgway, The Severe Style in Greek Sculpture, 1970, 29-30, fig. 39. [German version] [2] Greek physician Greek physician from Argos in Acarnania; he lived in Athens, a…

(Κηφισόδωρος; Kēphisódōros). [German version] [1] Writer of Old Comedy Poet of the Attic Old Comedy, for whom Lysias records a not further specified victory in 402 BC (Lys. or. 21,4) and whose name also appears on the list of winners at the Dionysia (after Nicophon and Theopompus) [1. test. 2; 3]. The titles of four pieces are transmitted (Ἀμαζόνες/‘The Amazons, Ἀντιλαΐς/‘Antilaïs, Τροφώνιος/‘Trophonius, Ὕς/‘Hys) as well as a total of 13 verses; the longest fragment of these contains five verses of a dia…

(Πραξιτέλης/ Praxitélēs). [German version] I. Biography Sculptor from Athens, active c. 370-320 BC. Since Timarchus and Cephisodotus [5] were P.’ sons, Cephisodotus [4] is assumed to be his father. By using later namesakes, a family of sculptors can be pieced together extending into the 1st cent. BC. However, this is just as controversial as the suppositions about the wealth and political influence of the family in the 4th cent. P.’ anecdotal biography and fame sound a note of caution with regard to c. 55 named works. Even so, the abundance of sources has led to many, often i…

(Ἀρκεσίλαος; Arkesílaos). [German version] [1] Arcesilaus I. King of Cyrene (beginning of 6th cent. BC) Son and successor of  Battus I as king of  Cyrene. Ruled early in the 6th cent. BC for 16 years (Hdt. 4,159). Patzek, Barbara (Wiesbaden) [German version] [2] A. II. King of Cyrene middle of 6th cent. BC) the ‘Cruel’, son and successor of Battus II, grandson of Arcesilaus I, successfully fought against an opposition led by his brothers at his accession 565/60 BC. They left the town, founded Barca in the western Cyrenaica and made an alliance wit…

(τορευτικὴ τέχνη/ toreutikḕ téchnē; Lat. caelatura; literally 'chiseling', from τορεύς/ toreús, Lat. caelum, 'chisel') denotes the chasing and repoussé work of thin plates of metal, or else works in which chasing is combined with repoussé work to design relief work; repoussé work may be replaced by casts. [German version] I. The Ancient Orient and Egypt Toreutics designates primarily the productive technique by which metals (gold/electrum, silver, copper/bronze, lead, iron) were shaped in a cold state. The objects (plaques), usually thin, were forme…

(Ἡρακλείδης; Hērakleídēs). Famous persons: the politician and writer H. [19] Lembus, the philosopher H. [16] Ponticus the Younger, the doctor H. [27] of Tarentum. I. Political figures [German version] [1] Spokesman on behalf of Athens at the Persian court, end of 5th cent. BC H. of Clazomenae (cf. Pl. Ion 541d) was in the service of the Persians and probably called basileús for that reason. Thus, he was able to perform valuable services for Athens at the Persian court in 423 BC for which he received Attic citizenship soon after moving there (after 400, Syll.3 118). To move the Athenians …

[German version] According to Pliny (HN 35,114), the name for caricature depictions in painting since Antiphilus [4] of Alexandria represented a certain Gryllus in that way. Originally these were dancers with grotesque physical proportions and contortions. As gryllographeîn and grylloeídēs later generally referred to ridiculously proportioned bodies, small-format free-standing sculpture representations can also be described as grylloi. Today the genre is no longer attributed to Alexandrian art only. To cover all animal caricatures and monstrous figur…