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Advertizing

(528 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Probably the simplest and most effective way of advertising a product or announcing something was shouting aloud in market-places and streets (cf. propaganda). Moreover, the geographical origin of a product spoke for its quality; there is, for instance, a tradition of formulations such as 'Tarentine' or 'Amorgian cloth', 'Chian wine', 'Falernian wine', etc. as a seal of approval or a mark of quality. Advertising could also occur in a written form on the walls of buildings (Graffiti), in letters, epigrams, etc. In contrast to commercial advertising are the kalo…

Paragaudes

(150 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (παραγαύδης; paragaúdēs). Descriptive term first recorded only in the 3rd cent. AD for a gold or purple border in the form of the Greek letter gamma (Γ), which was woven into garments (SHA Claud. 17,6). Later also transferred to a particular garment ( paragaúdion) made from fine silk material, similar in style to a sleeved chiton, which Roman emperors gave as an award of honour, decorated with at least one and up to five of these borders depending on distinction and service (SHA Aurelian. 15,4,46; SHA Probus 4,5). For that…

Acclamatio

(339 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Rhythmic acclamations, sometimes spoken in unison, expressing congratulations, praise, applause, joy or the contrary. Besides the initially prevalent, spontaneous acclamatio, during the course of time a stereotyped acclamatio, which was always repeated on certain occasions, gained currency. There is an early mention of acclamatio in Hom. Il. 1,22, and acclamatio is also known to have marked decisions in Greek popular assemblies [1] and cult gatherings. In Rome, at wedding processions the acclamatio took the form of Talasse and Hymen, Hymenaee io (Catull. 61-6…

Pedum

(284 words)

Author(s): Hurschmann, Rolf (Hamburg) | Uggeri, Giovanni (Florence)
[German version] [1] An arm-length stick (Latin for καλαῦροψ/ kalaûrops, κορύνη/ korýnē, λαγωβόλον/ lagōbólon, ῥάβδος καμπύλη/ rhábdos kampýlē, ῥόπαλον/ rhópalon, 'rabbit stick'). A knotted stick, the length of an arm, with a curved end, which could also be decorated (Verg. Ecl. 5,888-892). The p edum could be a shepherd's staff (e.g. Anth. Pal. 6,177; Theocr. Epigr. 7,43), but it was also used by hunters as a throwing stick, particularly in hunting hares (Anth. Pal. 6,188; 296). Hence, in literary and artistic representations peda are attributes of such mythical hunters such…

Brattea

(258 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (πέταλον; pétalon). Ancient term uncommon in archaeological terminology; in Greek originally the ‘leaf or foliage of a tree’ (Hom. Il. 2,312; Od. 19,520), in Bacchyl. 5,186 the Olympian wreath of the wild olive, in the 2nd cent. BC at the latest considered to be the artificial metal leaves of a golden  wreath. In Roman sources brattea is used to describe a thin metal foil, mostly silver or gold for gilding objects, also veneers of precious wood (Plin. HN 16,232) or tortoiseshell (Mart. 9,59,9), but mostly gold leaf or gold foil is mea…

Household equipment

(1,622 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Greek τὰ ἔπιπλα/ tà épipla, ἡ σκευή/ hē skeuḗ; Latin supellex, instrumentum). Household equipment (HE) comprises the objects that are needed in daily life and that constitute the majority of moveable belongings; this includes primarily  furniture, cooking utensils and kitchen crockery, lighting devices,  carpets,  blankets, and in a wider sense also  jewellery and  clothing, furthermore, according to current understanding, objects belonging to the sphere of immovables, e.g. the doors and ro…

Repositorium

(144 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Originally a Roman tray, then a stand or centrepiece used to arrange and serve food for a course (Petron. Sat. 33; 40; 49), introduced probably at the beginning of the 1st cent. BC as luxury tableware. The repositorium could have simple, round or rectangular form, but it could also have several levels and be of considerable height; it was also decorated with figures (Petron. Sat. 36), veneered with valuable woods and fitted with silver on the corners and edges (Plin. HN 33,146). Carrying away the repositorium while a guest was still drinking was considered a bad o…

Hirschfeld Painter

(229 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Attic vase painter of the geometric period (late geometric I b, after 750 BC;  Geometric vase painting), named after Gustav Hirschfeld (1847-1897), who first described the main work excavated in 1870, the so-called Hirschfeld Krater (Athens, NM Inv. no. 990) [1; 2]. The Hirschfeld Painter (HP) and his workshop worked in the tradition of the  Dipylon Painter and had a preference for monumental kraters of which the eponymous krater and a further one in New York (MMA Inv. no. 14.130.…

Diadema

(359 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (διάδημα; diádēma). The term was originally used to describe all bands worn round the head; different from  wreath. The diadema decorates, consecrates and raises its wearer above others; in this way diademata are symbols of dignity, particularly in cult; to this belong the ‘bust crowns’ or the ‘griffin diadema’ of the priests and deities; of a religious nature are also the ribbon-, gable- and rhomboid-shaped ‘ diademata of the dead’ that from the Mycenaean period onwards (shaft tomb IV, Mycenae) in many cases adorn the forehead of the deceased a…

Litter, Sedan chair

(529 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (φορεῖον/ phoreîon; Latin lectica, sella sc. gestatoria, portatoria). The litter as a means of conveyance has been known in the Orient since earliest times; in Greece it is first mentioned in the 4th cent. BC (Din. 1,36); in Hellenism it is a luxury item (Ath. 5,195c; 212c; Diod. Sic. 31,8,12). We cannot determine when the litter was introduced to the Roman empire but it was in general use from the 2nd cent. BC (cf. Liv. 43,7,5; Gell. NA 10,3,51); its excessive utilization in Rome already compelled Caesar to limit its use in the …

Peplos

(543 words)

Author(s): Hurschmann, Rolf (Hamburg) | Baumbach, Manuel (Zürich)
(πέπλος; péplos). [German version] [1] Blanket, cloth, or shroud Blanket, cloth, or shroud (Hom. Il. 24,796; Eur. Tro. 627, cf. Eur. Hec. 432); later, women's outer garment or coat (Hom. Il. 5,734; Hom. Od. 18,292, cf. Xen. Cyr. 5,1,6). In the myth, the Trojan women place a peplos on the knees of the cult image of seated Athena (Hom. Il. 6,303). Peplos is also the term used for esp. magnificent robes, above all for the dress of Hera of Olympia which was newly woven every four years by 16 women (Paus. 5,16) and for that of Athena Polias in Athens, which wa…

Festival dress

(444 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] It is safe to assume that the dress worn at private and public festivals differed in colour or adornment from everyday wear; women in  Sybaris, for example, who were to partake in one of the municipal festivities, received a year's notice in order to prepare their attire accordingly (Ath. 12,521c; Plut. Mor. 147e). A public appearance called for a clean attire (cf. Pl. Symp. 174a). On some festive occasions, a cloak was worn, referred to as ξυστίς ( xystís) (Aristoph. Lys. 1190, Nub. 70; Theoc. 2,74; Plut. Alcibiades 32,2). The ‘Phoenician’ red chitons, wor…

Tainia

(303 words)

Author(s): Hurschmann, Rolf (Hamburg) | Höcker, Christoph (Kissing)
(Greek ταινία/ tainía). Term for bindings of all kinds. [German version] [1] Headband for festivals (Head)band, worn at Greek festivals (Pl. Symp. 212d.e, 213d; Xen. Symp. 5,9). Even gods wore, or bound their heads with, tainiai. (Paus. 1,8,4). Furthermore, cult images (Paus. 8,31,8; 10,35,10), trees (Theocr. 18,44), monuments [3], urns, sacrificial animals and deceased (Lucian, Dial. mort. 13,4) had tainiai wound round them. The Romans adopted tainiai from the Greeks (e.g. Ov. Met. 8,724 f.). As a sign of a victor and of success (Paus. 4,16,6; 6,20,10; 9,22,3…

Cushion

(255 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ἡ τύλη, τὸ κνέφαλλον, Lat. cervical, pulvinus). Cushions were used to assure comfort when sitting or lying on chairs, klines (Petron. Sat. 32), in litters (Juv. 6,353) or when lying directly on the ground. Floor cushions were also offered for comfort at the circus (Mart. 14,160). The materials used for cushions included linen, wool or leather, which were often beautifully decorated. Straw, hay, reeds, eelgrass or bulrushes (Ov. Met. 8,655) as well as flocks of wool were used as filling…

Follis

(686 words)

Author(s): Hurschmann, Rolf (Hamburg) | Klose, Dietrich (Munich)
[German version] [1] Bellows (φῦσα / phŷsa, bellows). The blacksmith's tool already mentioned in Homer (Il. 18, 372; 412; 468-70) is associated in Greek art in particular with  Hephaestus (Siphnian Treasury, Delphi), but rarely appears in depictions of workshops. There were two (Hdt. I 68) or more (Hom. Il. 18,468-470) folles in a workshop. In Roman art the follis is also depicted relatively rarely; on a blacksmith's gravestone in Aquileia (Mus. inv. no. 166) the worker at the follis holds a protective shield in front of himself; a fresco in the house of the Vettii in Po…

Tropa

(136 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τρόπα; trópa). Greek children's games with astragaloi (Astragalos [2]), nuts, etc. (Poll. 9,103; schol.  Pl. Ly. 206e); in consisted in throwing one's own astragalos (or nut, etc.) in such a way that it moved one's opponent's astragalos from its position. In a variant of the game one had to try to drop an astragalos into a small pit in the ground. Tropa was probably also played by young Romans (Mart. 4,14,9). Connected with the game of tropa is Polyclitus' [1] group, known only from literature, known as the 'Boys Playing at Knucklebones' (Plin. HN 34,55)…

Campanian vases

(696 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The Campanian vases (CV) of the 5th-4th cents. BC were made of a light brown clay and the surface often painted with a red-coloured coating. Artists generally preferred smaller vessels, besides these as the main shape, strap-handled amphora, also hydriae and bell craters; only seldom do pelike types appear ( Pottery, shapes and types of, vessel shapes with fig.). Characteristics attributed to  Apulian vase painting such as volute and column craters, loutrophoroi, rhyta or nestorid…

Python

(1,161 words)

Author(s): Junk, Tim (Kiel) | Zimmermann, Bernhard (Freiburg) | Engels, Johannes (Cologne) | Schmitt, Tassilo (Bielefeld) | Hurschmann, Rolf (Hamburg) | Et al.
(Πύθων/ Pýthōn). [German version] [1] Dragon killed by Apollo near Delphi An enormous dragon killed by Apollo near Delphi with his arrows. The oldest version of the story is offered by H. Hom. 3,300-374: Apollo overcomes a female dragon who perpetrates her mischief in the vicinity of Delphi and into whose care Hera had given her son Typhon (Typhoeus, Typhon). The town and the god receive the nickname Pythṓ (cf. also the name of the female seer at Delphi, Pythía [1]) from its decaying (πύθεσθαι/ pýthesthai) corpse. According to Eur. IT 1245-1252, the dragon is male and guards the…

Seat

(409 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Essential item of furniture for sitting on in the sparsely furnished ancient household, mainly made of wood (maple, beech, oak), but sometimes also of bronze and partially or entirely of gold (Hdt. 1,14; Ath. 12,514) or marble. Occasionally individual parts of the chair also consisted of other materials such as ivory or onyx (Plin. HN 36,59), metal or precious metal. There were also woven seats made of willow branches (Plin. HN 16,174). Depictions and stone copies show what they looked like. In Antiquity the principal forms (cf.. Ath. 5,192e-f) were the díphros

Triga

(337 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Latin from triiuga; Greek τρίπωλος/ trípōlos; 'team of three'). Its significance as a racing, hunting or war vehicle was far less than that of bigae and of the quadriga. In Homer only extra horses for a team of two are mentioned (cf. Hom. Il. 8,80-86; 16,152-154 and 467-476) and on one occasion a gift of three horses (Hom. Od. 4,590); otherwise the literary sources on trigae are rather rare (e.g. Dion. Hal. Ant. Rom. 7,73). The same is true for representations in art; first and foremost are 9th-cent. BC Assyrian reliefs with battle and  huntin…

South Italian vases

(1,233 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] I. Beginnings The first workshops in southern Italy for red-figured pottery appeared around the mid 5th cent. BC, founded by Athenian vase-painters. Native artists were trained there. Thus, the initial dependence on Attic models, which expressed itself e.g. in the choice of motif or Atticizing forms (Lucanian vases), was replaced by a characteristic painting style and repertoire of decorations and motifs. Towards the end of the 5th cent. BC, the so-called 'ornate and plain styles' emerged in Apulian vase-painting (Apulian vases). Through th…

Mourning

(981 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] I. Literary sources In Greece and Rome, deaths and accidents, financial and business losses and military defeats were occasions for mourning (πένθος/ pénthos; Lat. luctus). Aside from the characteristic mourning dress, women displayed their mourning by renouncing gold jewellery (Dion. Hal. Ant. 5,48,4; Liv. 34,7,10), by beating, and sometimes baring, their chests (Prop. 2,13,27; Petron. 111,2), by loosening and tearing their hair (Catull. 64,348-351; Tib. 1,1,67 f.; Liv. 1,26,2), by crying and wailing (P…

Klismos

(111 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (κλισμός; klismós, Latin cathedra). The klismos is a high chair without armrests and with a broad, curved backrest, attested as early as in Homer (e.g. Il. 8,436; Od. 4,136) as a seat for nobility, gods, and heroes. Greek and Roman art confirms this, but the klismos is often seen in representations of domestic rooms, schools, and other everyday scenes as well. At times, the seated persons laid an arm on the backrest for comfort and relaxation, and often the relaxed way of sitting is supported by footrests and cushions. Diphros; Furniture Hurschmann, Rolf (Hamburg) Bibliogr…

Mitra

(396 words)

Author(s): Hurschmann, Rolf (Hamburg) | Renger, Johannes (Berlin)
[German version] [1] Piece of armour (μίτρα/ mítra; μίτρη/ mítrē). (1) According to Homer (Hom. Il. 4,137; 187; 216; 5,857) a piece of armour worn to protect the lower body, identified by archaeological research with semicircular plates of bronze, dating from the early Archaic period and found particularly on Crete. Similarly, mitra is the name of a piece of armour worn by the Salii (Dion. Hal. Ant. Rom. 2,70; Plut. Numa 13,4). (2) Belt for young women (Theocr. 27,55, cf. μιτροχίτων/ mitrochítōn, Athen. 12,523d) and goddesses (Callim. H. 1,120; 4,222, Epigr. 39) and also for…

Stola

(181 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The stola was the garment worn in public by Roman matrons ( Matrona [1]), i.e. free-born women (Plin. HN 33,40), over a fairly close-fitting tunica or a looser calasis and under a palla, so that their bodies were entirely  enveloped (cf. Hor. Sat. 1,2,99). It reached to the ankles and was capacious, pleated and cinctured at bust or waist level (Mart. 3,93,4). The stola consisted of a tube of material which the wearer slipped into; it was held on the shoulders by means of twisted ribbons or strings. It had trimming ( instita) on the lower selvage, presumably a purple rib…

Thymiaterion

(457 words)

Author(s): Hurschmann, Rolf (Hamburg) | A.FR., Hans Georg
(θυμιατήριον/ thymiatḗrion). [German version] I. Classical Antiquity Fumigating apparatus for burning aromatic substances (incense etc.) - adopted by ancient Greek culture from the Orient - of bronze, clay, precious metals, less often stone, used in cults of gods, rulers and the dead. The thymiaterion was part of the domestic inventory (Dem. Or. 24,183) and was used on celebratory occasions in the private sphere (wedding, symposion). They were carried in festal processions (Ath. 5,196 f). The thymiaterion consisted of a fumigating capsule with a perforated lid, in whic…

Culter

(133 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Greek μάχαιρα, máchaira). Originally the  knife, specifically the knife of butchers and therefore the butchering tool in  sacrifices (Hom. Hym. Apoll. 535f. for máchaira). On Greek and Roman representations, the hiereús or the victimarius has the sacrificial knife brought to him on a tray or holds it in his hand. The culter was used to open the carotid artery of the sacrificial animal and to cut out its intestines. The sacrificing victimarius was also called cultrarius after the sacrificial knife. Furthermore, the culter was the attribute of oriental peoples w…

Latrunculorum ludus

(249 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The game in which it was a matter of defeating all the stones of the opponent by clever placement of one's own, takes its name from Latin latro (‘mercenary’, later also ‘bandit’); the winner was given the title Imperator (cf. SHA Proculus 13,2). The course of the game has not been fully clarified, but from the literary sources (Varro, Ling. 10,22; Ov. Ars am. 3,357f., cf. 2,207; Sen. De tranquillitate animi 14,7; Laus Pisonis 190-208) we have an approximate picture: the latrunculorum ludus was played by two partners on a chess-board-like playing board that norm…

Kredemnon

(191 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (κρήδεμνον; krḗdemnon, Latin calautica, also κάλυμνα/ kálymna, καλύπτρη/ kalýptrē). In general the top covering, also of a wine or storage vessel (Hom. Od. 3,392) or of a circular wall (Hom. Il. 16,100), but subsequently mostly a woman's headscarf which covered the shoulders and could be used to conceal the face (Hom. Il. 14,184; 16,470; Hom. Od. 1,334). In the 5th cent. BC the word continued to be used only in poetry (e.g. Eur. Phoen. 1490); the usual expressions for veils and especially for bridal veils were kálymna and kalýptrē (cf. Aesch. Ag. 1178). The krḗdemnon was a…

Lamp

(725 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] As containers for flammable oil and wick holders, lamps made of clay are a ubiquitous find from antiquity; less numerous are lamps made of bronze, marble and plaster. The basic shape of the lamp was the stone bowl, which was already used as a lamp early in the Stone Age. Early lamps of clay follow this basic form; they are shaped on a potter's wheel and creased one or several times to accommodate the wick in the spout that is thereby created. These Phoenician lamps (also called ‘P…

Bathing costume

(98 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ᾤα λουτρίς; ṓia loutrís, subligar). Men and women wore loin cloths or bath towels made from sheepskins or cloth during the communal bath in bath houses (Poll. 7,66; 10,181,   perizoma ,   subligaculum ), women also wore a breast band (vase paintings, ‘bikini girl’ of  Piazza Armerina). Men's bathing costumes could also be made from leather ( aluta, Mart. 7,35,1). In Pap. Cair. Zen. 60,8, there is mention of an ἐκλουστρίς ( ekloustrís). It is uncertain if bonnets ( vesica) were worn. Hurschmann, Rolf (Hamburg) Bibliography R. Ginouvès, Balaneutikè, 1962, 223-225 W. Hein…

Karchesion

(89 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] [1] see Schiffahrt see Navigation Hurschmann, Rolf (Hamburg) [German version] [2] Drinking vessel A quite large drinking vessel, similar in shape to the kantharos (Ath. 11,474e-475b; Macrob. Sat. 5,21,1-6) for wine (Mart. 8,56,14; Ov. Met. 12,317), which according to Ath. 11,500f. was one of the vessels of a Greek symposium. In Rome, it was also a sacrificial vessel (e.g. Ov. Met. 7,246). Hurschmann, Rolf (Hamburg) Bibliography W. Hilgers, Lat. Gefäßnamen, BJ, 31. Beih., 1969, 48; 140f. S. Rottroff, Hellenistic Pottery, The Athenian Agora 29, 1997, 88f.

Nudity

(1,906 words)

Author(s): Hurschmann, Rolf (Hamburg) | Weiler, Ingomar (Graz) | Willers, Dietrich (Berne)
[German version] A. Myth Nudity and disrobement are hardly ever themes in Greek myth. The most striking portrayal is the undressing of Aphrodite by Anchises in the Homeric hymn to Aphrodite (H. Hom. Aphr. 155-167), even if the nudity of the goddess is not explicitly mentioned (cf. Hom. Od. 8,265-305). More frequent is the accidental observation of a goddess bathing, followed by punishment (transformation, blinding etc). Instances are Erymanthus, Actaeon and Teiresias. The case of Arethusa [7] is dif…

Beard

(709 words)

Author(s): Colbow, Gudrun (Liege) | Hurschmann, Rolf (Hamburg)
[German version] I. Ancient Orient Adult men in the ancient Orient are mostly represented wearing beards, but they can also be depicted like gods and demons as beardless without having any different meaning. Beards consisted of a long or short full beard with or without a shaved lip part. The short beard finishes half-rounded or pointed below, the long beard is straight or half-rounded; the wavy strands of hair falling onto the chest mostly end in curls that form decorative rows in the layered types.…

Top

(119 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (στρόβιλος/ stróbilos, also βέμβηξ/ bémbēx, κῶνος/ kônos, στρόμβος/ strómbos, στρόφαλος/ stróphalos, Latin rhombus, turbo). The top was a popular toy in Antiquity (Children's games); made of box wood (hence also called buxum in Latin) with cross grooves, it was set rotating with the fingers and then propelled with a whip (Verg. Aen. 7,373-383 in an epic simile;  Callim. Epigr. 1,9; Tib. 1,5,3; Anth. Pal. 7,89). Original tops of clay, bronze, lead and other materials have been preserved as grave goods and votive gifts in sanctuaries (cf. Anth. Pal. 6,309) [1]. Hurschman…

Children's Games

(662 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The educational value of children's games was already known in antiquity; thus Plato (Pl. Leg. 643b-c; cf. Aristot. Pol. 7,17,1336a) saw in games imitating the activities of adults a preparation for later life. Quintilian (Quint. Inst. 1,1,20; 1,1,26; 1,3,11) fostered guessing games, games with ivory letters and learning in games in order to promote the child's mental capacities; for this purpose, the ostomáchion game ( loculus Archimedius) -- in which 14 variously shaped geometric figures had to be placed into a square or objects, people or ani…

Curtain

(135 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (παραπέτασμα/ parapétasma, προκάλυμμα/ prokálymma, αὐλαία/ aulaía; Lat. velum, aulaea). In Greek and Roman tents (Ath. 12,538d), houses, palaces, occasionally also in temples (Lk 23,45; cf. Paus. 5,12,4), curtains were attached to doors, windows (Juv. 9,105), as wall decoration (Juv. 6,227) and to the intercolumnia of the atria and peristyles; they served to keep out the rain or sun (Ov. Met. 10,595). Depictions of such curtains are known from Greek and Roman art (e.g. the parapétasma representations on Roman relief sarcophagi) and are extant in origina…

Asteas

(212 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Leading representative of Paestan red-figured vase painting ( Paestan ware), and along with  Python the only southern Italian vase painter who signed his name; he was working c. 360-330 BC. Most importantly, on the eleven signed vases depicting various myths (Telephus, Heracles, Europa i.a.) and mythic travesty (Ajax and Cassandra,  Phlyakes vases) A. named the persons depicted, and in one case (Hesperids lekythos: Naples, MN 2873) gave the scene a title. On one phlyakes vase (Berlin, SM F 3044) he is evidently referring to a contemporary stage-play. …

Dalmatica

(143 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Long-sleeved  tunica reaching down to the knees, named after its country of origin Dalmatia; mentioned in literature for the first time at the turn of the 2nd cent. AD. According to evidence from written sources and statues, the dalmatica was white with a purple   clavus that went vertically from the shoulders to the hem; the materials from which it was made were wool, silk, a half-silk and linen. The dalmatica was worn by men (with a cingulum militiae when on duty) and women. As early as the 3rd cent. AD it was adopted as liturgical church dress and became…

Apulian vases

(511 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Leading genre of red-figured,  southern Italian vase painting, c. 430 - c. 300 BC, with its production centre in Taranto. Apulian vases (AV) are subdivided into plain and ornate style. The first hardly employs any additional colours and concentrates on bell-shaped and colonette craters as well as smaller vessel types, and applies simple decor and compositions of one to four figures to them (Sisyphus Painter, Tarporley Painter). Mythological themes are one of the focal points, furthermore the…

Fish-plate

(313 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Archaeological research regards the fish-plate (FP) as a plate that is decorated with paintings almost exclusively of fish and other marine animals (mussel, cuttlefish, prawn, shrimp, electric ray, seahorse and many more); other motifs are rare (e.g. grasshopper, head of a woman or purely floral ornament). FP have a wide standing ring and a handle of varying height. Their dish, with an edge bent round to the outside, inclines in a trough shape towards the deepened centre. As a cer…

Kosmetes

(335 words)

Author(s): Hurschmann, Rolf (Hamburg) | Rhodes, Peter J. (Durham)
(κοσμητής; kosmētḗs, ‘steward’). [German version] [1] Athenian official responsible for the training of the ephebes In Athens, the official responsible for the training of the ephebes after the reorganization of the ephēbeía around 335/334 BC. The kosmētes was chosen by the people, presumably from those citizens over 40 years of age ([Aristot.] Ath. Pol. 42,2). During the two-year training period, a kosmētes was probably responsible for a contingent of ephebes for both years. He is named in many lists of ephebes from the 4th cent. BC to the 3rd cent. AD; …

Anaxyrides

(128 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ἀναξυρίδες; anaxyrídes). Iranian trousers worn by Scythians, Persians and neighbouring peoples (Hdt. 7,61 ff.) as well as mythical figures of the Orient (Amazons, Trojans, Orpheus, i.a.) who were characterized by these trousers. Anaxyrides were already known to the Greeks in the 6th cent. BC (various vase paintings; ‘Persian’ rider, Athens AM Inv. 606). In ancient art, anaxyrides are depicted as close-fitting along the legs, often in conjunction with a bodice resembling a leotard which covers the arms. This oriental attire is completed by the kandys (Iranian sl…

Tunica

(300 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The tunica, cut and sewn from two pieces of generally white woollen or linen material, was worn by both men and women of the Roman upper classes as an undergarment (Suet. Aug. 94,10) underneath the toga , and as the sole garment by the lower classes. Women often seem to have worn two tunicae, one above the other, with the inner one then referred to as tunica subucula (Varro Ling. 5,131) and the outer one as supparus. In very cold or inclement weather, men, too, would wear layers of tunics (Suet. Aug. 82,1). Originally, tunics were close-fitting and sleeve…

Fan

(391 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ῥιπίς, rhipís; flabellum). Fans were used in the Orient and in Egypt from ancient times as symbols of status. The fan probably did not reach Greece until the 5th cent. BC; Eur. Or. 1426-1430 (first mention) still calls the fan ‘barbaric’, but it quickly became one of a woman's most important accoutrements (cf. Poll. 10,127); she would either cool herself with it or have a female servant fan her (cf. the flabellifera in Plaut. Trin. 252 and the flabrarius as her male counterpart in Suet. Aug. 82). On Greek vases and terracotta (‘Tanagra figurines’) fans are…

Monopodium

(145 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Greek trápeza monópous, Poll. 10,69). Round or rectangular tables with only one central support, whose foot could be carved into floral or mythical motifs. In Greece such tables had been used since the Archaic period but only became more common in Hellenistic times; in Rome, monopodia were very popular ever since their first introduction to the public, being carried along in the triumph of 187 BC (Liv. 39,6,7; Plin. HN. 34,14). Most of those that survive come from the towns around Vesuvius. Varro, (Ling. 5,125) mentions the cartibulum which stood in the compluvium

Guessing games

(331 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Only a small number of these are known from antiquity ( Riddles). In order to determine who should start, people liked to choose the game capita aut navia. It is named after the ancient Roman coins with the head of  Ianus ( capita) and a ship's prow ( navia, probably a plural paralleling capita). People threw a coin up into the air: one had to guess (as in the modern game ‘heads or tails’) which image came to lay on top. A guessing game for two players was par-impar (ἀρτιάζειν/ artiázein or ποσίνδα/ posínda): the first person holds in his right hand a number of relativel…

Cothurnus

(248 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ὁ κόθορνος; ho kóthornos, cot[h]urnus). The Greek cothurnus was a high-shafted soft leather boot that fitted tightly to the leg and foot (and, by extension, was used as a synonym for an adaptable person in Xen. Hell. 2,3,30-31). It was wrapped with bands or tied at an opening at the front. The cothurnus is mentioned as women's footwear (Aristoph. Eccl. 341-346; Lys. 657), but was worn in particular by elegant youths at a symposium and  komos. It was the preferred footwear of Hermes, …

Perizoma

(206 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (περίζωμα/ perízōma, Latin perizoma). Greek apron for covering the lower body, worn around the abdomen and held with a belt, as a cloth wrapped round the hips and then passed between the legs, or in the form of a garment similar to a pair of shorts. Perizomata were worn by labourers, artisans, sacrifice attendants, priests, slaves, and also soldiers (cf. Pol. 6,25,3; 12,26a 4) and athletes as their only clothing (Nudity C.) or as an undergarment. In iconography it is mostly men that are shown wearing perizomata, less often female figures such as Atalante and Gorgo…

Lasimus Krater

(112 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] A volute krater much cited from the late 18th to the early 20th cent. because of its inscription which mentions another lower Italian vase painter (Paris, LV, Inv. K 66 [N 3147], [1]). Research at that time discussed the written form of the letters and the artistic classification of the supposed vase painter Lasimus. Only recent research proved the inscription to be a recent addition. Hurschmann, Rolf (Hamburg) Bibliography 1 Trendall/Cambitoglou, 914, no. 36. S. Reinach, Peintures de vases antiques recueillés par Millin (1813) et Millingen (1813), 1891, 64-67 S. Favi…
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