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[German version] (Κέρβερος, Kérberos). A guard dog that belongs to the standard repertoire of the Graeco-Roman  Underworld who signals and prevents any unauthorized entry into, or departure from, the realm of the dead. He often appears at the side of  Hades and/or  Persephone. In the Hellenistic age C. in a changed form was also associated with the god  Sarapis (Macrob. Sat. 1,20,13-14). C. is mentioned for the first time -- although without a name or any more detailed description -- in Homer in connection with the adventures of  Hercules in the Underworld…

(Κελαινώ, Kelainṓ, of κελαινός/‘dark’). [German version] [1…

[German version] (Μορφεύς). One of the many sons of Hypnus (of ‘Sleep’, Latin Somnus) who personify the dream life of people. With his brothers Icelus and Phantasus M. is responsible for the realistic form of dream images. M., who appears to Alcyone in the form of her dead husband Ceyx, in particular, became proverbial in the tradition of…

(Λεύκων; Leúkōn). [German version] [1] Boeotian hero Boeotian hero, son of Athamas and Themisto, daughter of the Lapith king Hypseus (Apollod. 1,9,2). His daughter Euippe marries Andreus of Orchomenus (Paus. 9,34,6f.). Eponym of Lake Leuconis (= Copais) (Steph. Byz.).…

[German version] ( Κήϋξ; Kḗyx). Son of Hesperus and Philonis (Apollod. 1,7,4), king of  Trachis. C. grants asylum to Hercules in his flight from Calydon, who went from there to his death on the Oeta, and to his spouse Deianira (Apollod. 2,7,6; Diod…

[German version] I. Ancient Orient Dreams and their interpretation were a popular topic in the written tradition of the Ancient Orient and Egypt since the 22nd cent. BC. Both spontaneously experienced …

[German version] (Μελπομένη/ Melpoménē; Lat. Melpomena; descriptive name: ‘she who sings’; cf. Diod. Sic. 4,7: M. because of the melody that affects the listeners). One of the nine Muses (Hes. Theog. 77). According to Achelous [2], she is the mother of the Sirens (Apollod. Ep. 7,18). For a long time, M. remains the least specific and most rarely mentioned Muse. She is regarded as the patron of tragedy, especially of the lyric choral parts, and is depicted with, among other things, theatrical masks (cf. …

[German version] (Μῶμος/ Mômos). Greek personification of censoriousness, son of Nyx/Night (Hes. Theog. 214). In the Kýpria, M. is an advisor to Zeus (Kypria fr. 1 EpGF). Iulianus (Ep. 50) tells that M. was gripped by excessive rage, because he could find no fault with Aphrodite. After Callimachus, who often refers to him in his literary feuds as the embodiment of the stupid, carping caviller (e.g. Callim. H. 2,113; Callim. Fr. 393), M. is often mentioned in later literature (Lucian. Iuppiter tragoedus 19ff; Lucian. Verae historiae 2,3). In his Oneirokritiká (Artem. 4 pr.), the drea…

(Greek Λαῦνα/ Laûna). Name of two female characters who are linked with the Aeneas myth ( Aeneas). [German version] [1] Daughter of Anius Daughter of Anius - the priest king of Delos at the time of the Trojan War (Dion. Hal. Ant. Rom. 1,59,3) - who marries Aeneas (Ps.-Orig. 9,2,5) and later as a seer accompanies him on his wanderings. L. dies on the site where Lavinium is built (Isid. Orig. 15,1,52). Walde, Christine (Basle) [German version] [2] Daughter of Latinus and Amata Daughter of Latinus and of Amata who after the death of her brother is the sole heir to the throne (Verg. Aen. 7,50ff.). In the battle for her and for rulership, Aeneas is victorious over Turnus, to whom L. had originally been promised (Liv. 1,1f.). Aeneas calls the newly established city Lavinium (Verg. Aen. 12,194). In Ovid (Fast. 3,633-648) the otherwise rather exemplary and colourless L. becomes a jealous wife who ruthlessly persecutes Dido's sister Anna. According to annalistic tradition, L., by Aeneas, is the mother of (Postumus) Silvius (cf. Verg. Aen. 6,763) to whom she gives birth in the forests after the death of Aeneas while fleeing from his son Ascanius/ Iulus (Ca…

[German version] (Ὑπερίων; Hyperíōn; on the etymology [1]). In the tradition of Hesiod one of the  Titans, who with his sister Theia fathers the gods of light Helios ( Sol),  Selene and  Eos (Hes. Theog. 134; 371-374; Apollod. 1,2,8). Opinions are divided on his participation in the  titanomachy (schol. Hom. Il. 14,274 Dindorf contra Serv. Aen. 6,580). In Homer, however, H. is an epithet (Hom. Od. 1,8) as well as an independent term for Helios (Hom. Il. 19,398, but especially in Roman poetry: e.g. …

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Name of a plebeian gens (cf. Tac. Ann. 6,15,1), the representatives of whom have been known historically since the middle of the 3rd cent. BC. The most important family, especially in the 1st cent. BC, are the Cassii Longini. A patrician C. (around 500 BC, C. I 19) is rare. I. Republican age [German version] [I 1] C., C. Governor of Asia 89-88 BC…

(Πιερίδες/ Pierídes; Lat. Pierides or Pieriae). [German version] [1] Epithet of the Muses Name for the Muses after the place of their residence (Hes. Theog. 53). Walde, Christine (Basle)…

[German version] Latin rhetor and advocate in the early Imperial Period. His intelligence and gift for oratory allowed him to work his way up from modest circumstances to being a welcome guest at the court of Tiberius [II 1] (Quint. Inst. 6,3,100; Tac. Ann. 1,74). In the quaestor Caepio [1] Crispinus' treason case against the praetor Granius [II 3] Marcellus he appeared as a joint plaintiff. Seneca [1] the Elder's numerous mentions of him express admiration for his extraordinary command of the lan…

[German version] In ancient rhetoric, the terms εικών/ eikṓn (literally ‘image’, ‘illustration’: often for short comparisons), παραβολή/ parabolḗ (especially for similes) as well as Latin simile, similitudo cover diverse phenomena dominating a word, sentence or even a text that create a relationship between two facts or spheres of the imagination. The primary function of emphasis placed the comparison close to the  topos (Quint. Inst. 4,1,70), and the exemplum (5,11,22; but cf. Cic. Inv. 1,49), the figurae sententiarum (Cic. De or. 3,201 = Quint. Inst. 9,1,31;  figures). A theory of comparison was first presented by Aristotle in his ‘Rhetoric’ (3,4,1406b), where he distinguishes short (suitable for prose) and elaborate (reserved for poetry) comparison and defines the latter both by delimitation against and partial equation with  metaphor. The comparison supposedly differed from it because of the insertion of a comparative particle (‘such as’). The   Rhetorica ad Herennium (4,45,59-48,61) places the comparison with imago (‘image’) and exemplum (‘example’) among the intellectual figures (however, the metaphor is linked with verbal ornamentation; but cf. Cic. De or. 3,39,157) and names four functions of the comparison: ornamentation, proof, frank statement and realization (…

(Κύκνος; Kýknos, Latin Cygnus; ‘swan’). Name of several heroes whose common element is their relationship with swans. Among these the most important are: [German version] [1] Son of Ares and Pelopea Son of  Ares and of Pelopea (Apollod. 2,5,11: the Pyrene), king of Amphanae, husband of Themistonoe. In the grove of Apollo in Thessalonian Pagasae, C. robs pilgrims travelling to Delphi and invites them to participate in chariot races which he always wins (detailed narration [Hes.] scut. 57ff.). He kills the losers and decorates …

Roman family name, frequently attested in inscriptions, also in the form Cavius [1. 76f.]; in the Republican period its bearers are still politically insignificant; also a Faliscan praenomen [2. 103]. I. Republican period …

(Ἰδαία; Idaía). [German version] [1] Epithet of Cybele One of many epithets of the mother of gods ( Cybele), named after her cult on the Phrygian  Ida [2] (e.g. Eur. Or. 1453; Str. 10,469). Walde, Christine (Basle) [German version] [2] Nymph of the Ida mountains Nymph of Ida [2] in Phrygia, wife of the river god Scamander, mother of  Teucer, the first king in the Troad, after whom the people of the Teucri are named (Apollod. 3,139; Diod. Sic. 4,75). Zingg, Reto (Basle) [German version] [3] Daughter of Dardanus Daughter of Dardanus, great-granddaughter of [2], second wife of  Phineu…

(Νύξ/ Nýx; Lat. Nox, night). In antiquity, the night as a sphere of the eerie and the hidden was regarded not simply as a natural, daily phenomenon that shaped people's lives but as a goddess and personification. It is difficult to draw clear boundaries between these realms. …

[German version] (Μνημοσύνη/ Mnēmosýnē, Latin Moneta; Liv. Andronicus, Odusia fr. 21 Morel-Büchner-Blänsdorf). Goddess of memory (cf. Mneme). As a daughter of Uranus and Gaia M. belongs to the oldest generation of Titans (Hes. Theog. 135), who represent cosmic and social concepts. After spending nine nights with Zeus, she became the mother of the nine Muses who bring human beings joy and temporary light-heartedness (Hes. Theog. 54 ff.; Pind. Nem. 7,15; Pind. Isthm. 6,75). Parallels to Zeus’s other lo…