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[German version] Term in Roman augural theory for an augural temple (Fest. 157) and for the field of observation marked out by the  augur for collecting auspices (cf. Varro Ling. 7,6-10; Liv. 1,18,6-8); everything outside it is described as tescum. In general the term templum referred primarily to sacred buildings (Temple), but also to other locations “in quibus auspicato et publice res administrarentur et senatus haberi posset” (' in which public affairs were regulated by auspices and a meeting of the Senate could be held', Serv. Aen. 1,466) [1]. Because of the spatial divisio…

[German version] Etruscan book type in the form of a written linen cloth folded according to a fixed pattern. The so-called ‘Mummy-wrapping of Agram’ ( liber linteus Zagrabiensis) is preserved in the original with c. 40 cm height and 340 cm preserved length containing a ritual text in calendric form ( Calendar; no earlier than the 3rd cent. BC). There are also pictorial and sculpted copies of libri lintei in Etruscan graves, on sarcophagi and urns. Divination Prayon, Friedhelm (Tübingen) Bibliography F. Roncalli (ed.), Scrivere etrusco. Exhibition catalogue Perugia, 1985.

[German version] Etruscan king who, according to  Pausanias (5,12,5), made a votive offering at Olympia as the first foreigner: a throne that was placed in the temple of Zeus. Cf. the throne of the Phrygian king Midas as the oldest votive offering in Delphi made by an outsider. Prayon, Friedhelm (Tübingen) Bibliography M. Cristofani (ed.), Dizionario della civiltà etrusca, 1985.

[German version] Etruscan gentilicium of aristocratic families, especially in  Volsinii, known through the figured painted tomb of H. found there.  Etrusci, Etruria Prayon, Friedhelm (Tübingen)

Prayon, Friedhelm (Tübingen) [German version] A. Introduction (CT) Research on the Etruscans as a people and culture did not follow a linear progression, nor was it initially guided by scholarly considerations. Instead it was full of speculation ( Etruscheria) and theories of art. However, since the 19th cent. Etruscology has been a significant element in the development of the methodology and modern questions of Classical Studies. Prayon, Friedhelm (Tübingen) [German version] B. Middle Ages and Renaissance (CT) Apart from occasional references in the Tuscan chronicles o…

[German version] An important Etruscan vase-painter of the black-figure style ( Vase painting, black-figured) with a workshop at Vulci (ca. 530-500 BC); attribution by Beazley, refined by Spivey. He displays a penchant for ornamental motifs and winged creatures such as sirens, sphinxes and pegasi. The figures are often elongated and drawn with expressive gestures: they are initially under strong Ionian, later Attic influence. Battle scenes are dominant among motifs of mythical imagery. The workshop continued, at a lower level of achievement, until the early 5th. cent. (Spivey). Pr…

Prayon, Friedhelm (Tübingen) [German version] A. Introduction (CT) In contrast to the reception of Greek and Roman cultures, the reception of Etruscan culture can be considered peripheral and largely indirect. However, during the Renaissance and in the 18th cent. (as a result of a 'misinterpretation', particularly in the field of architecture) it was of some importance, as well as in the modern era.  Prayon, Friedhelm (Tübingen) [German version] B. From the Renaissance to the 17th Century (CT) Even though individual monuments and literary reports of the Etruscans were k…

[German version] Italian name ('pot') for Etruscan vessels: 1. in the form of clay cauldrons; 2. of round-bellied vessels with handles and base. 'Thina' inscriptions of the 7th/6th cents. BC from Cerveteri (Caere) bear witness not only to the Etruscan name of the vessel type, but also to its linguistic affinity to the dinos of the Hellenic world, whose shape was related. The inscription thina on an amphora of the 5th/4th cent. in Populonia suggests that the name was later also transferred to other restricted vessel shapes. Prayon, Friedhelm (Tübingen) Bibliography G. Colonna, Nomi etru…

[German version] Etruscan name of a gens (small clan with a shared ancestor) from Tarquinia. It is found on an elaborately furnished family grave of the 4th/3rd cents. BC; the sarcophagi of the individual family members are identified by their names and offices. Tarquinii Prayon, Friedhelm (Tübingen) Bibliography H. Rix (Ed.), Etr. Texte, 1991, Ta 1.9, 1.13, 1.15  S. Steingräber, Etrurien. Städte, Heiligtümer, Nekropolen, 1981, 398.

[German version] [1] Etruscan name for the city of Tarquinia Etruscan name for the city of Tarquinia (Tarquinii) from the 5th cent. BC (Early Etruscan: * tarchuna). Prayon, Friedhelm (Tübingen) [German version] [2] Etruscan nomen gentile Etruscan nomen gentile, especially in the 'Tomb of Inscriptions' in Caere/Cerveteri. The names of more than seven generations are inscribed there, of which the two last are in the Latinized form Tarquitius. Prayon, Friedhelm (Tübingen) Bibliography M. Cristofani, La Tomba delle Iscrizioni a Cerveteri, 1965.

[German version] (Lat. fibula, from figibula; figere, ‘tack’, ‘pin’), a multi-part clasp used in clothing. Because of the wide range of types and decor, fibulae provide one of the most important guides for the differentiation and chronology of prehistoric and primitive cultures. For the various types and cultures, see  Needle. Prayon, Friedhelm (Tübingen)

[German version] Young Etruscan goddess or demon mostly represented as winged; on Hellenistic mirrors she appears together with goddesses, heroes or nymphs. Her name appears frequently with epithets that indicate different functions that are still not clarified in detail. It is also not clear how she is distinguished from Etruscan Vanth. Prayon, Friedhelm (Tübingen) Bibliography I. Krauskopf, s.v. L., Dizionario della civiltà etrusca, 1985, 148 R. Lambrechts, s.v. L., LIMC 6, 217-225.

[German version] Etruscan god of war, most often depicted as a youth and identified by name. From the 5th cent. BC represented on Etruscan mirrors, frequently in the context with other deities, especially with Turan/Aphrodite; to a large extent equivalent to Greek Ares and Roman Mars, not identical with Etruscan Maris. L. also occurs on vessels and as free-standing sculpture (monumental: ‘Mars of Todi’), but not on the bronze liver of Piacenza ( Divination VII). Prayon, Friedhelm (Tübingen) Bibliography I. Krauskopf, s.v. L., Dizionario della civiltà etrusca, 1985, 147f. E. Simon, s.…

[German version] Important Etruscan gens, known from the Tomba François in Volci/Vulci, 4th/3rd cent. BC. Several family members are named in inscriptions there, the founder of the tomb, Vel S., is depicted richly robed. An Avele Sataiies, dedicator of an Attic vase of unknown provenance in Heidelberg (end of the 6th cent. BC), and a Fasti S., mentioned by name on an Hellenistic urn from Clusium (modern Chiusi), were probably members of the same gens. Prayon, Friedhelm (Tübingen) Bibliography F. Buranelli (ed.), La Tomba François di Vulci, 1987, 147-161.

[German version] According to Roman tradition, the head ( caput) of the Etruscan hero Aulus Vibenna ( olus), discovered when the foundation stone was laid for the Roman temple of Jupiter in the 6th cent. BC, prophesying the future greatness of Rome (Liv. 1,55,5; 5,54,7; Arnob. 6,7; Serv. Aen. 8,345). The historicity of an Aulus Vibenna from Vulci is evident in Etruscan and Latin inscriptions and grave paintings. Prayon, Friedhelm (Tübingen) Bibliography A. Alföldi, Das frühe Rom und die Latiner, 1977, 200-204 with fn. 162 M. Pallottino, in: F. Buranelli (ed.), La Tomba François d…

[German version] Etruscan nomen gentile, recorded in inscriptions on sarkophagoi belonging to the Hellenistic tomb of the P. family in Tarquinia, including a lid figure of one Laris P. with an inscribed scroll (Book B.). It contains the curriculum vitae of the dead person, named Laris Pule Creice ('the Greek'),. and names four generations of ancestors. Based on the formula ancn zich nethsrac Laris P. is mostly regarded as the author of a book on Etruscan haruspicy (Haruspices II. C.). Divination Prayon, Friedhelm (Tübingen) Bibliography R. Herbig, Die jüngeretruskischen Steinsark…

[German version] This item can be found on the following maps: Urarṭu Archaic settlement of dwellings 18 km south-west of Samsun near the Pontic coast in north Anatolia. Excavations by Th. Macridy [3] in 1906 yielded the remains of a citadel and, most of all, high quality terracotta roof ornaments in the Greek-Ionian style [1]. The ceramics, too, point to close contacts with Ionia or the Ionian colonies of the Pontic coast [2]. The ancient name of the settlement, which only flourished in the 6th cent. BC, i…

[German version] Hill covered with settlements, located in northern Cappadocia to the south-east of  Boghazki. Excavations in 1930-32 under H. H. von der Osten. These revealed, for the first time in Chalcolithic central Anatolia, continuous settlement histories from into Byzantine times [2]. Chronologically of importance is the post-Hittite-‘Phrygian’ layer of Alişar IV with ceramics in the style of silhouette-like animals [1. 1-10; 3]. Prayon, Friedhelm (Tübingen) Bibliography 1 E. Akurgal, Phryg. Kunst, 1955 2 H. H. v. d. Osten, The Alishar Hüyük, OIP 29-30, 1937 3 G. …

[German version] Supreme Etruscan female deity, etymologically linked with Latin Iuno and perhaps originating in Latium. She was assimilated to Greek Hera at an early stage, e.g. she is the wife of Tinia/Zeus. But U. also had Italic elements (Iono Sospita) with special relationships to Hercle/Heracles [1] and Turan [1]/Aphrodite. U. was a patron goddess of some cities, e.g. Veii, from where the cult and statue were removed to Rome in 396 BC by evocatio (Iuno Regina), and of some sanctuaries (Pyrgi [1], Graviscae, Caere), often in cultic association with other deities,…

[German version] Etruscan nomen gentile from Volsinii/Orvieto, passed down epigraphically and pictorially over several generations in the Tomba Golini I (4th cent. BC) there. Prayon, Friedhelm (Tübingen) Bibliography J. Heurgon, Un legatus à Volsinii, in: MEFRA 86, 1974, 707-721 S. Steingräber (ed.), Etr. Wandmalerei, 1985, 286.