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Theodoridas

(116 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Θεοδωρίδας; Theodōrídas). Greek poet from Syracuse (second half of the 3rd cent. BC; on his origin  cf. Ath. 15,599e), whose varied works are all lost (cf. [1]) with the exception of 19 elegant epigrams (dedications, funerary poetry and two epideictic poems; the attribution by Anth. Pal. 7,282 is uncertain) in Meleager's [8] 'Garland' (4,1,53 f.). In a fictional funerary inscription (Anth. Pal. 13,21) T. criticises Mnasalces; he also seems to attack Euphorion [3] in an epitaph (7,406) which he presumably wrote when Euphorion was still alive. Albiani, Maria Grazia…

Satyrius

(133 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Σατύριος; Satýrios). Epigrammatist of uncertain identity, perhaps identifiable with Satyrus [9]: the only surviving poem, Anth. Pal. 6,11, is attributed by the Anthologia Planudea to one S. (name rarely attested), but by the Anthologia Palatina to a Satrius, not recorded elsewhere (possibly the Italic gens name Satrius? cf. [2]). Content: dedication to Pan by a hunter, a bird catcher and a fisherman (theme of 14 further epigrams from the 3rd cent. BC until the 6th cent. AD, parodied by Lucianus, perhaps Lucillius…

Iomedes

(109 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Ἰομήδης; Iomḗdes). Otherwise unknown author of a grave inscription from the 2nd or 3rd cent. AD found at Nemra (Namarae Batanaeorum) in Syria (five partly damaged distichs). The poet, who calls himself ‘master ( prýtanis) of the Ausonian muse’ (v. 10), celebrates in those lines his own forefathers, who once dedicated a memorial to Tyche in the same place. At the end (v. 9), he signs with his name (τήνδ' Ἰομήδης; tḗnd' Iomḗdēs), which has been taken to be - because of its singularity - an intentional and witty alteration of ‘Diomedes’ [1]. Albiani, Maria Grazia (Bologna) Bibl…

Cyllenius

(103 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Κυλλήνιος; Kyllḗnios). Author of two epideictic epigrams that show thematic and stylistic affinities with the ‘Garland’ of Philippus, but which cannot with certainty be traced back to it. In Anth. Pal. 9,4 a wild pear tree praises in elaborate language and little-known words the one who made it fertile through a graft; in Anth. Pal. 9,33 there is a brilliant distich about a ship that was shipwrecked even before it was completed (a variant is 9,35 that Planudes attributes to the same C. whilst the P manuscript however attributes it to  Antiphilus [3]). Albiani, Maria Graz…

Nossis

(161 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Νοσσίς; Nossís). Female epigrammatist from Locri Epizephyrii; most of her writing took place at the beginning of the 3rd century BC (cf. Anth. Pal. 7,414: epitaphios on Rhinthon; 6,132: praise for the victory of the Locrians over the Bruttians), of noble descent (cf. 6,265). Her poems were found in the ‘garland’ of Meleager [8], who emphasises her inspiration by Eros (4,1,9f.), which N. herself revealed in the programmatic poem 5,170. The 12 poems, each with four lines (6,273 is u…

Laureas

(126 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Λαυρέας; Lauréas). Epigrammatist, probably identifiable with Cicero's freedman M. Tullius L., author of five elegant distichs in Latin about a Cymaean mineral spring (FPL 80). The Anthologia Palatina ascribes three poems to him: the funerary epigrams 7,17 (fictitiously to Sappho) and 7,294 (to a fisherman, in the style of Leonidas) which are preceded by the gentilicium Týllios, and the paederastic epigram 12,24, whose authenticity, however, is doubtful (cf. Anth. Pal. 12,25-27 of Statilius Flaccus [1] whose gentilicium Statýllios may have caused attributi…

Gauradas

(68 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Γαυράδας). Author of an ingenious epigram in iambic trimeters in the form of a dialogue between Echo and her lover (Anth. Pal. 16,152). The popular theme (cf. also Archias, Anth. Pal. 9,27; Evodus, ibid. 16,155; Satyrus, ibid. 16,153; Anon., ibid. 16,156) is developed in an original fashion; dating the poet, whose obviously barbarous name is unique, is impossible. Albiani, Maria Grazia (Bologna) Bibliography FGE 111f.

Tymnes

(138 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Τύμνης; Týmnēs). Epigrammatist with a Carian name from the 'Garland' of Meleager [8] (Anth. Pal. 4,1,19), perhaps 3rd or 2nd cent. BC. Seven poems survive, each consisting of two couplets, with the exception of an epideictic six-line poem Anth. Pal. 7,433 on the 'Spartan mother' (imitated by Erycius, Anth. Pal. 7,230 and Antipater [9], Anth. Pal. 7,531). Two of the four epitaphs are considered to be on animals, cf. Anyte (Anth. Pal. 7,199,211). The Priapic poem Anth. Pal. 16,237 i…

Hedylus

(179 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Ἥδυλος; Hḗdylos). Epigrammatist of the Garland of Meleager (Anth. Pal. 4,1,45), son of the female elegiac poet  Hedyle, lived on Samos and under Ptolemy II in Alexandria (283/282-243 BC). Of his poems (dedicatory, funerary, epideictic, sympotic and derisive epigrams) eight are passed down in Athenaeus and five in the Anthologia Palatina (Anth. Pal. 11,123 and 414 are probably not authentic; 5,161 is perhaps from  Asclepiades [1]; cf. Ath. 7,297a; Str. 14,683; EM 72,16 for other possible works in verse and prose). These few epigr…

Pinytus

(72 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Πίνυτος/ Pínytos). Author of a conventional, one-distich funerary epigram on Sappho (Anth. Pal. 7,16; inclusion in the Garland of Philippus [32] highly doubtful). The rarity of the name suggests identification with the grammarian P. of Bithynium, freedman of Epaphroditus and secretary to Nero (Steph. Byz. s.v. Βιθύνιον). Albiani, Maria Grazia (Bologna) Bibliography GA II 1, 438f.; II 2, 464f.  M. Lausberg, Das Einzeldistichon. Studien zum antiken Epigramm, 1982, 261, 265.

Irenaeus Referendarius

(93 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] 6th-cent. AD poet of epigrams, author of three erotic epigrams that originate in the Cycle of Agathias: Anth. Pal. 5,249 (love with the haughty Rhodope is represented as the merging of soul and body); 5,251 (about an unnamed woman whose pride is not even broken by the evanescence of her beauty) and 253 (appeal to the coy Chrysilla to submit to Cypris' wishes). This last poem was imitated by Niketas Eugenianos. Albiani, Maria Grazia (Bologna) Bibliography Al. and Av. Cameron, The ‘Cycle of Agathias, in: JHS 86, 1966, 8.

Phaennus

(109 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Φάεννος; Pháennos). Epigrammatic poet of the 'Garland' of Meleager [8] (Anth. Pal. 4,1,29f.), probably 3rd cent. BC. Preserved are one funerary epigram for the Spartan Leonidas [1] who fell at Thermopylae (Anth. Pal. 7,437; belongs to the Laconophile school of Hellenistic epigrammatic poetry, cf. Epigram I E ), and another for a cricket buried by its owner (7,197); although the subject is a topos (cf. 7,189; 190; 192; 198; 364), this poem seems to depend on Mnasalces (Anth. Pal. 7,194). Albiani, Maria Grazia (Bologna) Bibliography GA I 1, 159; 2, 457f.  G. Herrlinger, T…

Capiton

(87 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Καπίτων; Kapítōn). Otherwise unknown epigrammatist, of whom a witty distichon has survived: beauty without grace is compared with a ‘bait without rod’ (Anth. Pal. 5,67,2). C. (Capito) is quite a widespread Roman cognomen: the assumption that he might be identical with the epic poet from Alexandria, mentioned in Ath. 10,425, is thus without foundation; equally, it hardly is likely that he is identical with Pompeius C., who demonstrates his mastery in every metre and rhythm (TrGF 186). Albiani, Maria Grazia (Bologna) Bibliography FGE 34.

Calleas

(80 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Καλλέας; Kalléas) of Argos. Otherwise unknown composer of a sympotic epigram (Anth. Pal. 11,232) based on the saying: ‘wine reveals one's character’, a version of the old saying in vino veritas (cf. Alcaeus fr. 333 Voigt; Thgn. 500; Aesch. fr. 393 Radt etc.). The very rare compound λυσσομανής (‘raging’, v. 2) was probably adopted from  Antipater [8] of Sidon (Anth. Pal. 6,219,2). Albiani, Maria Grazia (Bologna) Bibliography V. Longo, L'epigramma scoptico greco, 1967, 106 H. Beckby, Anthologia Graeca, III-IV, 21967.

Mundus Munatius

(86 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] Greek epigrammatist whose inclusion in the 'Garland' of Philippus of Thessalonica has not been proved conclusively (for one thing, the combination of the nomen Munatius, [widespread in the Late Republican period], with the cognomen Mundus, [rare in Philip’s time, i.e. first half of 1st cent. AD]), is not verified). Only one formal poem about the ruins of Mycenae is preserved (Anth. Pal. 9,103; cf. e.g. Alpheus[3] of Mytilene, ibid. 9,101 and 104). Albiani, Maria Grazia (Bologna) Bibliography GA II.1, 436-439; 2, 463f.

Callicter

(111 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Καλλικτήρ; Kalliktḗr) of Manesium. Writer of epigrams, possibly from the 1st or 2nd cent. AD, to whom are ascribed the satirical two-line epigrams from the Anth. Pal. 11,2; 5; 6 and, according to Planudes, 333. The epigrams against doctors, 11,118-122, are probably his also; Planudes however assigns them to Nicarchus. The erotic poems Anth. Pal. 5,29 and 45 are attributed to the name Cillactor; the rarity of both names, not attested elsewhere and still of uncertain form, argues in favour of identification with C. Albiani, Maria Grazia (Bologna) Bibliography FGE 114f. V…

Myrinus

(91 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Μυρῖνος; Myrȋnos). Elegant epigrammatic poet in the ‘Garland’ of Philippus. Four poems are extant, showing him as a skillful imitator of Leonidas [3] of Tarentum; however, he also displayed an independent creativity, in a satirical setting (Anth. Pal. 6,254: a dedication to Priapus by a hermaphrodite frail with age; 11,67: against an old woman behaving like a child) as well as in an idyllic-pastoral one (ibd. 6,108 and 7,703; the latter poem is erroneously placed amongst the epitaphs). Albiani, Maria Grazia (Bologna) Bibliography GA II.1, 286-289; 2, 319-322.

Thyillus

(91 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Θύιλλος; Thýillos). Epigrammatist in Cicero's circle (Cic. Att. 1,9,2; 1,16,15: 67 and 61 BC, cf. [1; 3]). Three poems survive: a description of a spring (Anth. Pal. 6,170), an epitaph (perhaps for an inscription) for a Cybele priestess (Anth. Pal. 7,223 = GVI 707,  cf. Philod. ibid. 7,222), a variation on the return of spring (ibid. 10,5, cf. Leonidas [3], ibid. 10,1 etc.). Albiani, Maria Grazia (Bologna) Bibliography 1 J. Geffcken, s. v. T., RE 6 A, 692 2 FGE, 95-99 3 O. Masson, À propos du dernier livre de D. L. Page, FGE, in: RPh 58, 1984, 98 f.

Iunior

(101 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] Author of a dedicatory inscription (six distichs under the heading Ἰουνίωρος; Iouníōros), in which a statue of Aphrodite proclaims that it was erected in Sinuessa (Campania) next to a temple with a view of the sea: Eon (ᾘῶν; Ēiôn, v. 3), the one performing the dedication, introduces herself as a freedwoman of Drusus (the Elder or the Younger?) and his wife (v. 4). It cannot be proved that this poet is identical with Seneca's friend Lucilius Iunior or with the epigrammatist  Pompeius Macer Iunior. Albiani, Maria Grazia (Bologna) Bibliography EpGr 810 = Anth. Pal. appe…

Carphyllides

(99 words)

Author(s): Albiani, Maria Grazia (Bologna)
[German version] (Καρφ-/Καρπυλλίδης; Karph-/Karpyllídēs). Epigrammatist, probably of the ‘Garland’ of Meleager. Under the lemma Καρφυλλ- an epigrammatic epitaph is extant (Anth. Pal. 7,260), in which the deceased looks back with content onto his long life, crowned by the love of his children and grandchildren. Of lesser stylistic value is an epideictic poem, transmitted under the lemma Καρπυλλ- (9,52): The rareness of his name, which in neither of its two forms is evident anywhere else, is an argument against the assumption of two separate authors (Knaack). Albiani, Maria Grazia…
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