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Klearchos

(1,139 words)

Author(s): Neudecker, Richard (Rom) | Welwei, Karl-Wilhelm (Bochum) | Schmitz, Winfried (Bielefeld) | Badian, Ernst (Cambridge, MA) | Hidber, Thomas (Bern) | Et al.
(Κλέαρχος). [English version] [1] Bronzebildner aus Rhegion, 2. H. 6. Jh. v. Chr. Bronzebildner aus Rhegion. Aufgrund seiner Statue des Zeus Hypatos in Sparta, nach der Beschreibung ein Sphyrelaton, wurde K. von Pausanias fälschlich als der Erfinder von Bronzestatuen bezeichnet. Nach der Überl. sei er Schüler von Dipoinos und Skyllis oder von Daidalos sowie Lehrer von Pythagoras gewesen und war somit in der 2. H. des 6. Jh.v.Chr. tätig. Neudecker, Richard (Rom) Bibliography Overbeck Nr. 332f., 491  P. Romanelli, in: EAA 4, 365f.  J. Papadopoulos, Xoana e sphyrelata, 1980, 82  Fuchs/…

Marcellinus

(1,752 words)

Author(s): Nutton, Vivian (London) | Damschen, Gregor (Halle/Saale) | Baumbach, Manuel (Zürich) | Wermelinger, Otto (Fribourg) | Bleckmann, Bruno (Strasbourg) | Et al.
[German version] I. Greek (Μαρκελλῖνος; Markellînos). [German version] [I 1] Greek author of a treatise on pulses, 2nd cent. AD?, [1] Greek author of a treatise on pulses. His reference to followers of Archigenes suggests the late 1st or 2nd cent. AD as the earliest date of its composition. A more precise dating would be possible if he were the author of a recipe quoted by Galen (De compositione medicamentorum secundum locos 7,5 = 13,90 K.) from Andromachus [5] the Younger, but the identification is uncertain. M.'s …

Maximus

(3,163 words)

Author(s): Trapp, Michael (London) | Hübner, Wolfgang (Münster) | Brisson, Luc (Paris) | Leppin, Hartmut (Hannover) | Savvidis, Kyriakos (Bochum) | Et al.
[German version] I. Greek (Μάξιμος; Máximos) [German version] [I 1] Maximus of Tyre Author of lectures mainly on ethics and theology, 2nd cent. AD, [1] Maximus of Tyrus AD 2nd cent.; author of 41 short dialéxeis (lectures), according to the most important MS (Cod. Parisinus graecus 1962) delivered in Rome (the Suda dates a visit to the reign of Commodus, AD 180-191). His concepts are simple yet rhetorically sophisticated (frequent use of comparisons, quotations from poetry, mythological and historical examples); his main topic is…
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