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(Κρίτων; Krítōn). [German version] [1] Wealthy friend of Socrates, of the same age Wealthy friend of  Socrates and of the same age, also from the Alopece demos (Pl. Ap. 33d; Pl. Crit. 44b; Xen. Mem. 2,9,2; 2,9,4); discussion partner of Socrates in Plato's ‘Criton’ and ‘Euthydemus’ and in Xen. Mem. 2,9,1-3. In Plato's ‘Criton’ he unsuccessfully advises Socrates to flee his prison. The Epicurean  Idomeneus claimed that not Criton but Aeschines [1] of Sphettus had done this (Diog. Laert. 2,60; 3,36). Diogenes Laërtios (2,121) lists the titles of 17 dialogues composed by C.  Socratics. Dörin…

(Μέλας/ Mélas). [German version] [1] Brother of Oeneus Son of Porthaon (Portheus) and Euryte in Calydon [3], brother of Oeneus, Agrius [1], Alcathous [2], Leucopeus and Sterope (cf. Hom. Il. 14,115ff.; Apollod. 1,63). M.'s eight sons were killed by Tydeus for purs…

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[German version] Sculptor from Atrax in Thessaly, active in the 4th cent. BC. Together with Hippocrates he signed a victory votive of the Pharsalians in Delphi, where it was set up in the mid 4th cent. BC. Because of the measures at the base, it may have been the bronze group of Achilles on horseback and Patroclus, which Pausanias (10,13,5) describes. However, because the…

(Χειρίσοφος; Cheirísophos). [German version] [1] Spartan commander under Cyrus Spartiate; on the instructions of his polis, at Issus in 401 BC he joined the army of the younger  Cyrus with 700 hoplites (Xen. An. 1,4,3; Diod. Sic. 14,19,4f.); after Cyrus' death at Cunaxa C. was sent by  Clearchus to Ariaeus, to offer him the Persian throne (Xen. An. 2,1,4f.). After Clearchus had been imprisoned and put to death, C. received supreme command of the entire remaining army (Diod. Sic. 14,27,1), and led the ret…

[German version] Greek sculptor; ancient sources praise his horses and female figures, refer to him as the sculptor who made the transition to the classical period. He endowed his works with both ‘hardness’ and ‘grace’. He is linked with  Onatas,  Praxiteles and  Scopas. Many researchers have tried to solve the chronological contradictions by assuming that there were numerous sculptors of the same name with various surviving works ascribed to them. Since no work can be sufficiently proven to originate from C., the extent of his work is not known. From the famous C. originated a stat…

(Κλεομένης; Kleoménēs). [German version] …

(Ἑρμόλαος; Hermólaos). [German version] [1] Conspirator against Alexander the Great Son of Sopolis, page ( Basilikoi paides) of  Alexander [4], pre-empted the king in the slaying of a wild boar and was humiliatingly punished by him (327 BC). In revenge he hatched a conspiracy among the pages but it failed and was betrayed to the king. The accused, after being tortured, were sentenced to death and stoned with the consent of the army.  Callisthenes, hated by Alexander as an opponent of  proskynesis, was sus…

(Δαίδαλος; Daídalos). [German version] [1] Mythical craftsman, sculptor and inventor Mythical craftsman, sculptor and inventor, his very name belonging to a semantic field indicating objects created by astuteness and skill. In stories he is associated with Athens, Crete and Sicily. Judging from the development of artistic techniques, it is not impossible that the origins of the tradition lie at least partly in Crete, although whether D.'s name can be attested in the Linear B texts is a matter of dispute […

[German version] (Italian for 'pie, hotchpotch'). The figurative meaning, which arose in the 17th cent., referred to works in which elements of style or motifs of different artists were imitated, as charming features or for purposes of deception. In figurative art, pasticcio first referred to the combination of ancient friezes with plaster-work on Roman palazzi of the 17th and 18th cents. Pasticcio thereafter described esp. modern combinations of various ancient fragments with new works. In archaeology, the term was used mostly pejoratively for eclectic works of sculpture. With the re-evaluation of eclecticism as a stylistic form of ancient art in its own right, the term …

[German version] (Σιλανίων; Silaníōn). Bronze sculptor from Athens. According to Plin. HN 34,51 he was the height of his career in 328-325 BC. S. created statues of the mythical figures Achilles, Theseus and Jocasta, and in Olympia the victor statues of the boxers Damaretus, Telestas and Satyrus. A 'sports instructor' ( epistaten exercentem athletas, Plin. HN 34,82) ascribed to him can perhaps be interpreted as Connidas, Theseus' teacher. Of S.'s portraits a statue of Plato in the Athenian Academy is recognised has been reliably identified in Roma…

[German version] (Ζευξιάδης/ Zeuxiádēs). Bronze sculptor, pupil of Silanion (Plin. HN 34,51). A base from Rome, recorded in the 19th cent. and since lost, was evidence that Z. had created a sculpture of the rhetor Hypereides, which can be dated on historical grounds to after 307 BC. The usual identification of this sculpture with a certain type of which only copies have survived must be rejected. Neudecker, Richard (Rome) Bibliography Overbeck, 1350 Loewy, Nr. 483 Lippold, 303 P. Moreno, s. v. Z., EAA 7, 1267 f. Richter, Portraits 2, 210 f.

[German version] I. Ancient Near East Architectural sculpture (AS), i.e. figural sculpture integrated into architecture, was in use in the ancient Near East from at least the 15th cent. BC. In northern Mesopotamia and its neighbouring regions to the west, from the 14th cent. on, orthostatic reliefs and guardian figures were worked into entrance gates and archways, and from the 9th cent., sculpted columns and columnar bases as well as human-figure columns or caryatids appeared, generally worked in stone. In contrast, in the alluvial,…

[German version] Modern technical term for the most opulent of all Greek relief sarcophagi ( Relief;  Sarcophagi). Found in 1887 in the royal necropolis of Sidon, it is attributed to the local regent  Abdalonymus (333-312 BC). It belongs to the group of house sarcophagi with architectural decor and is famous for the relief images on which residues of painting have been preserved. It is usually believed that Alexand…

[German version] I. Near East and Egypt Stelae are standing stone slabs with reliefs or inscriptions on one or more sides; in Egypt wooden stelae also survive. In early Mesopotamia their shape can be natural, elsewhere they usually have rounded tops, less often squared tops. From the end of the 4th millennium BC, funeral stelae were used in Egypt at or in tombs (or cenotaphs) as cult places. In the 1st millennium, funeral stelae (mostly wooden) were also placed in the burial chamber: they bear images (…

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(Γοργίας; Gorgías). [German version] [1] Sculptor, late 6th cent. BC Sculptor who created bronze and marble votive offerings on the Athenian acropolis in the late 6th cent. BC. The bases are the only extant parts and suggest mostly statues of horses or riders. Pliny (HN 34,49) refers to G. with wrong biographical dates, or perhaps refers to a homonymous sculptor. Neudecker, Richard (Rome) Bibliography Overbeck, no. 356a (sources) Loewy, no. 36 A. E. Raubitschek, Dedications from the Athenian Akropolis, 1949, no. 5, 65, 77, 147 B. S. Ridgway, The Archaic Style in Greek Sculpture, 1977, 284-298 Fuchs/Floren, 300. …

[German version] (Μικκιάδης; Mikkiádes). Father of Archermus, of Chios. Pliny (HN 36,11) places him at the head of a Chian family of sculptors, erroneously giving him as the son of one Melas [4]. However, the source which Pliny misread (and which survives), a votive epigram from Delos, dated to approx. 550 BC, does not say that M. was a sculptor. Neudecker, Richard (Rome) Bibliography Overbeck, No. 314 Loewy, No.1 J. Marcadé, Recueil des signatures de sculpteurs grecs, Vol. 2, 1957, 75 B. S. Ridgway, The Nike of Archermos and Her Attire, in: J. Boardman (ed.), Chios, 1986, 259-274.

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[German version] (Ἔνδοιος; Éndoios) Sculptor in Athens in the late 6th cent. BC. He made statues of goddesses in ivory and wood for Ephesus, Erythrae and Tegea, the latter were later brought to the forum of Augustus in Rome. His seated marble figure of Athena, the dedicatory gift of a certain Nicias on the Athenian Acropolis, is identified as the statue Athens, AM Inv. No. 625 ( c. 520 BC). The suppletion of his signature on the votive relief of a potter is plausible, but the association of a signed base with the kore Athens, AM Inv. No. 602 is uncertain. The p…