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Sakkos

(144 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (σάκκος/ sákkos). Closed bonnet, esp. popular as a headdress of Greek women in the 5th and 4th cents. BC. The evidence from Attic vase paintings and tomb reliefs shows the sákkos worn mainly by female servants, whereas in southern Italian art it appears as the headdress of any woman. Sákkoi frequently had a loop on the calotte for hanging them up and often tassels hanging down. Some sákkoi were unadorned or decorated with simple lines, while others were richly decorated with ornaments of meanders, waves, scrolls and similar. The sákkos was not necessarily the only hea…

Tiara

(266 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τιάρα/ tiára). Head covering of Near Eastern peoples (Armenians, Assyrians, Sagae, especially Persians; Hdt. 3,12; 7,61; 7,64 et passim), similar to a turban; also a tall tiara, decorated with stars and rising to a point, which among the Persians was fit only for the king, his relatives and holders of high office (Xen. An. 2,5,23; Xen. Cyr. 8,3,13). In Greek sources, the tiara is also called a kyrbasía or a kíd(t)aris (e.g. Aristoph. Av. 487). The tiara as a head covering for Middle Eastern aristocrats was also common in the Roman period (Suet. Ner…

Tribon

(99 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τρίβων/ tríbōn, τριβώνιον/ tribṓnion). A coat ( himátion, cf. pallium ) of 'bristly' wollen material, worn by Cretans (Str. 10,4,20) and Spartans (Plut. Lycurgus 30; Plut. Agesilaus 30; Ael. VH 7,13); later also common in Athens (Thuc. 1,6,3). It was part of the clothing of simple people (Aristoph. Eccl. 850; Aristoph. Vesp. 1131), farmers (Aristoph. Ach. 184; 343) and lakōnizóntes ('imitators of Spartan customs', Dem. Or. 54,34). From the time of Socrates (Pl. Symp. 219b; Pl. Prt. 335d; Xen. Mem. 1,6,2) the tribon was also the typ…

Tabula

(196 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] General Latin term for board (Plin. HN 31,128; 33,76; 36,114; Ov. Met. 11,428), then for 'game board' ( tabula lusoria, Games, Board games, Dice (game)), 'painted panel' ( tabula picta, Plin. HN 35,20-28), 'votive tablet' ( tabula votiva, Hor. Carm. 1,5,13; Pers. 6,33). In a special sense, tabula is the term for writing tablets, used for writing and calculating, of wood, whitewashed or with a layer of wax, or metal tablets (Writing materials, Codex ), as were already common among the Greeks. Tabulae were used in the public domain, e.g. as tablets of law ( Tabulae duodecim

Diphros

(118 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Four-legged stool, generally with turned legs. A seat for gods and heroes (west frieze of the Siphnian treasury in Delphi; east frieze of the  Parthenon), as well as for common people in scenes from everyday life (geometric amphora Athens, NM Inv. no. 804: workshop scenes). They were made of simple wood or valuable ebony, the inventory lists of the Parthenon even record silver-footed diphroi. A special form is the folding stool (διφρος ὀκλαδίας; díphros okladías), whose legs end in claw-shaped feet.  Furniture;  Sella curulis Hurschmann, Rolf (Hamburg) Bibliography G…

Darius Painter

(180 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Apulian vase painter working c. 340/320 BC, named after the main figure on the  Darius Crater. On the vessels he painted (including voluted craters, lutrophoroi, amphorae), some of which are monumental, he generally depicted scenes from classical tragedies (Euripides) and themes from Greek myth; some of these are only documented through his work. Other vases show scenes depicting weddings, women and Eros, as well as Dionysian motifs and rare sepulchral representations ( Naiskos vases). His tendency to name people and representations in inscriptions ( Persai, Pat…

Peniculus

(69 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (also penicillum). Duster, a stick with the hairy end of an animal's tail (Paul Fest. 208; 231 M.); used to wipe down tables (Plaut. Men. 77f.), polish shoes (Plaut. ibid. 391) or clean agricultural implements and vessels (Columella 12,18,5). The peniculus was also used as a brush to whitewash walls (Plin. HN 28,235) and as a paintbrush (Plin. HN 35,60f.; 103; 149). Hurschmann, Rolf (Hamburg)

Subligaculum

(95 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Men's item of clothing to cover the abdomen (Varro, Ling. 6,21; Non. 29,17). Originally, it was probably worn under the Roman toga (Non. 29,17; Isid. Orig. 19,22,5) and was later replaced by the tunica . The subligar, on the other hand, is a cloth worn for special occasions, such as by actors (Juv. 6,70) and by women in the bath (Mart. 3,87,3), or generally by labourers (Plin. HN 12,59). Perizoma Hurschmann, Rolf (Hamburg) Bibliography M. Pausch, Neues zur Bekleidung im Mosaik der 'Bikini-Mädchen' von Piazza Armerina in Sizilien, in: Nikephoros 9, 1996, 171-173.

Petasos

(207 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (πέτασος; pétasos). Greek hat made of felt with a wide brim, also referred to as a 'Thessalian hat' because of its origin (Soph. OC 313); it was worn by women and men who spent a lot of time outdoors (fishermen, herdsmen/women, hunters) or who were travelling; amongst the most best-known mythological petasos wearers were Hermes, Peleus, Perseus, Oedipus and Theseus. Additional wearers are - more rarely - chariot riders (Athen. 5,200f.), horsemen (e.g. on the Parthenon freeze) and the Attic ephebes ( ephēbeía ). The petasos was firmly retained by a strap that was p…

Mastruca

(66 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (also mastruga). Sardian word (Quint. Inst. 1,5) for a close-fitting garment made of (sheep)skin, sleeveless and reaching down to the upper thighs. The Romans considered those who wore it to be uncivilised (Cic. Scaur. 45d; Cic. Prov. cons. 15), thus Alaricus in: Prud. in Symm. 1,659f. In Plaut. Poen. 1310-1313 it is also used as a term of abuse. Hurschmann, Rolf (Hamburg)

Brattea

(258 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (πέταλον; pétalon). Ancient term uncommon in archaeological terminology; in Greek originally the ‘leaf or foliage of a tree’ (Hom. Il. 2,312; Od. 19,520), in Bacchyl. 5,186 the Olympian wreath of the wild olive, in the 2nd cent. BC at the latest considered to be the artificial metal leaves of a golden  wreath. In Roman sources brattea is used to describe a thin metal foil, mostly silver or gold for gilding objects, also veneers of precious wood (Plin. HN 16,232) or tortoiseshell (Mart. 9,59,9), but mostly gold leaf or gold foil is mea…

Household equipment

(1,622 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Greek τὰ ἔπιπλα/ tà épipla, ἡ σκευή/ hē skeuḗ; Latin supellex, instrumentum). Household equipment (HE) comprises the objects that are needed in daily life and that constitute the majority of moveable belongings; this includes primarily  furniture, cooking utensils and kitchen crockery, lighting devices,  carpets,  blankets, and in a wider sense also  jewellery and  clothing, furthermore, according to current understanding, objects belonging to the sphere of immovables, e.g. the doors and ro…

Repositorium

(144 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Originally a Roman tray, then a stand or centrepiece used to arrange and serve food for a course (Petron. Sat. 33; 40; 49), introduced probably at the beginning of the 1st cent. BC as luxury tableware. The repositorium could have simple, round or rectangular form, but it could also have several levels and be of considerable height; it was also decorated with figures (Petron. Sat. 36), veneered with valuable woods and fitted with silver on the corners and edges (Plin. HN 33,146). Carrying away the repositorium while a guest was still drinking was considered a bad o…

Hirschfeld Painter

(229 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Attic vase painter of the geometric period (late geometric I b, after 750 BC;  Geometric vase painting), named after Gustav Hirschfeld (1847-1897), who first described the main work excavated in 1870, the so-called Hirschfeld Krater (Athens, NM Inv. no. 990) [1; 2]. The Hirschfeld Painter (HP) and his workshop worked in the tradition of the  Dipylon Painter and had a preference for monumental kraters of which the eponymous krater and a further one in New York (MMA Inv. no. 14.130.…

Diadema

(359 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (διάδημα; diádēma). The term was originally used to describe all bands worn round the head; different from  wreath. The diadema decorates, consecrates and raises its wearer above others; in this way diademata are symbols of dignity, particularly in cult; to this belong the ‘bust crowns’ or the ‘griffin diadema’ of the priests and deities; of a religious nature are also the ribbon-, gable- and rhomboid-shaped ‘ diademata of the dead’ that from the Mycenaean period onwards (shaft tomb IV, Mycenae) in many cases adorn the forehead of the deceased a…

Litter, Sedan chair

(529 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (φορεῖον/ phoreîon; Latin lectica, sella sc. gestatoria, portatoria). The litter as a means of conveyance has been known in the Orient since earliest times; in Greece it is first mentioned in the 4th cent. BC (Din. 1,36); in Hellenism it is a luxury item (Ath. 5,195c; 212c; Diod. Sic. 31,8,12). We cannot determine when the litter was introduced to the Roman empire but it was in general use from the 2nd cent. BC (cf. Liv. 43,7,5; Gell. NA 10,3,51); its excessive utilization in Rome already compelled Caesar to limit its use in the …

Festival dress

(444 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] It is safe to assume that the dress worn at private and public festivals differed in colour or adornment from everyday wear; women in  Sybaris, for example, who were to partake in one of the municipal festivities, received a year's notice in order to prepare their attire accordingly (Ath. 12,521c; Plut. Mor. 147e). A public appearance called for a clean attire (cf. Pl. Symp. 174a). On some festive occasions, a cloak was worn, referred to as ξυστίς ( xystís) (Aristoph. Lys. 1190, Nub. 70; Theoc. 2,74; Plut. Alcibiades 32,2). The ‘Phoenician’ red chitons, wor…

Cushion

(255 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ἡ τύλη, τὸ κνέφαλλον, Lat. cervical, pulvinus). Cushions were used to assure comfort when sitting or lying on chairs, klines (Petron. Sat. 32), in litters (Juv. 6,353) or when lying directly on the ground. Floor cushions were also offered for comfort at the circus (Mart. 14,160). The materials used for cushions included linen, wool or leather, which were often beautifully decorated. Straw, hay, reeds, eelgrass or bulrushes (Ov. Met. 8,655) as well as flocks of wool were used as filling…

Tropa

(136 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τρόπα; trópa). Greek children's games with astragaloi (Astragalos [2]), nuts, etc. (Poll. 9,103; schol.  Pl. Ly. 206e); in consisted in throwing one's own astragalos (or nut, etc.) in such a way that it moved one's opponent's astragalos from its position. In a variant of the game one had to try to drop an astragalos into a small pit in the ground. Tropa was probably also played by young Romans (Mart. 4,14,9). Connected with the game of tropa is Polyclitus' [1] group, known only from literature, known as the 'Boys Playing at Knucklebones' (Plin. HN 34,55)…

Campanian vases

(696 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The Campanian vases (CV) of the 5th-4th cents. BC were made of a light brown clay and the surface often painted with a red-coloured coating. Artists generally preferred smaller vessels, besides these as the main shape, strap-handled amphora, also hydriae and bell craters; only seldom do pelike types appear ( Pottery, shapes and types of, vessel shapes with fig.). Characteristics attributed to  Apulian vase painting such as volute and column craters, loutrophoroi, rhyta or nestorid…

Seat

(409 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Essential item of furniture for sitting on in the sparsely furnished ancient household, mainly made of wood (maple, beech, oak), but sometimes also of bronze and partially or entirely of gold (Hdt. 1,14; Ath. 12,514) or marble. Occasionally individual parts of the chair also consisted of other materials such as ivory or onyx (Plin. HN 36,59), metal or precious metal. There were also woven seats made of willow branches (Plin. HN 16,174). Depictions and stone copies show what they looked like. In Antiquity the principal forms (cf.. Ath. 5,192e-f) were the díphros

Triga

(337 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Latin from triiuga; Greek τρίπωλος/ trípōlos; 'team of three'). Its significance as a racing, hunting or war vehicle was far less than that of bigae and of the quadriga. In Homer only extra horses for a team of two are mentioned (cf. Hom. Il. 8,80-86; 16,152-154 and 467-476) and on one occasion a gift of three horses (Hom. Od. 4,590); otherwise the literary sources on trigae are rather rare (e.g. Dion. Hal. Ant. Rom. 7,73). The same is true for representations in art; first and foremost are 9th-cent. BC Assyrian reliefs with battle and  huntin…

South Italian vases

(1,233 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] I. Beginnings The first workshops in southern Italy for red-figured pottery appeared around the mid 5th cent. BC, founded by Athenian vase-painters. Native artists were trained there. Thus, the initial dependence on Attic models, which expressed itself e.g. in the choice of motif or Atticizing forms (Lucanian vases), was replaced by a characteristic painting style and repertoire of decorations and motifs. Towards the end of the 5th cent. BC, the so-called 'ornate and plain styles' emerged in Apulian vase-painting (Apulian vases). Through th…

Mourning

(981 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] I. Literary sources In Greece and Rome, deaths and accidents, financial and business losses and military defeats were occasions for mourning (πένθος/ pénthos; Lat. luctus). Aside from the characteristic mourning dress, women displayed their mourning by renouncing gold jewellery (Dion. Hal. Ant. 5,48,4; Liv. 34,7,10), by beating, and sometimes baring, their chests (Prop. 2,13,27; Petron. 111,2), by loosening and tearing their hair (Catull. 64,348-351; Tib. 1,1,67 f.; Liv. 1,26,2), by crying and wailing (P…

Klismos

(111 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (κλισμός; klismós, Latin cathedra). The klismos is a high chair without armrests and with a broad, curved backrest, attested as early as in Homer (e.g. Il. 8,436; Od. 4,136) as a seat for nobility, gods, and heroes. Greek and Roman art confirms this, but the klismos is often seen in representations of domestic rooms, schools, and other everyday scenes as well. At times, the seated persons laid an arm on the backrest for comfort and relaxation, and often the relaxed way of sitting is supported by footrests and cushions. Diphros; Furniture Hurschmann, Rolf (Hamburg) Bibliogr…

Stola

(181 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The stola was the garment worn in public by Roman matrons ( Matrona [1]), i.e. free-born women (Plin. HN 33,40), over a fairly close-fitting tunica or a looser calasis and under a palla, so that their bodies were entirely  enveloped (cf. Hor. Sat. 1,2,99). It reached to the ankles and was capacious, pleated and cinctured at bust or waist level (Mart. 3,93,4). The stola consisted of a tube of material which the wearer slipped into; it was held on the shoulders by means of twisted ribbons or strings. It had trimming ( instita) on the lower selvage, presumably a purple rib…

Culter

(133 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Greek μάχαιρα, máchaira). Originally the  knife, specifically the knife of butchers and therefore the butchering tool in  sacrifices (Hom. Hym. Apoll. 535f. for máchaira). On Greek and Roman representations, the hiereús or the victimarius has the sacrificial knife brought to him on a tray or holds it in his hand. The culter was used to open the carotid artery of the sacrificial animal and to cut out its intestines. The sacrificing victimarius was also called cultrarius after the sacrificial knife. Furthermore, the culter was the attribute of oriental peoples w…

Latrunculorum ludus

(249 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The game in which it was a matter of defeating all the stones of the opponent by clever placement of one's own, takes its name from Latin latro (‘mercenary’, later also ‘bandit’); the winner was given the title Imperator (cf. SHA Proculus 13,2). The course of the game has not been fully clarified, but from the literary sources (Varro, Ling. 10,22; Ov. Ars am. 3,357f., cf. 2,207; Sen. De tranquillitate animi 14,7; Laus Pisonis 190-208) we have an approximate picture: the latrunculorum ludus was played by two partners on a chess-board-like playing board that norm…

Kredemnon

(191 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (κρήδεμνον; krḗdemnon, Latin calautica, also κάλυμνα/ kálymna, καλύπτρη/ kalýptrē). In general the top covering, also of a wine or storage vessel (Hom. Od. 3,392) or of a circular wall (Hom. Il. 16,100), but subsequently mostly a woman's headscarf which covered the shoulders and could be used to conceal the face (Hom. Il. 14,184; 16,470; Hom. Od. 1,334). In the 5th cent. BC the word continued to be used only in poetry (e.g. Eur. Phoen. 1490); the usual expressions for veils and especially for bridal veils were kálymna and kalýptrē (cf. Aesch. Ag. 1178). The krḗdemnon was a…

Lamp

(725 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] As containers for flammable oil and wick holders, lamps made of clay are a ubiquitous find from antiquity; less numerous are lamps made of bronze, marble and plaster. The basic shape of the lamp was the stone bowl, which was already used as a lamp early in the Stone Age. Early lamps of clay follow this basic form; they are shaped on a potter's wheel and creased one or several times to accommodate the wick in the spout that is thereby created. These Phoenician lamps (also called ‘P…

Bathing costume

(98 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ᾤα λουτρίς; ṓia loutrís, subligar). Men and women wore loin cloths or bath towels made from sheepskins or cloth during the communal bath in bath houses (Poll. 7,66; 10,181,   perizoma ,   subligaculum ), women also wore a breast band (vase paintings, ‘bikini girl’ of  Piazza Armerina). Men's bathing costumes could also be made from leather ( aluta, Mart. 7,35,1). In Pap. Cair. Zen. 60,8, there is mention of an ἐκλουστρίς ( ekloustrís). It is uncertain if bonnets ( vesica) were worn. Hurschmann, Rolf (Hamburg) Bibliography R. Ginouvès, Balaneutikè, 1962, 223-225 W. Hein…

Baltimore Painter

(122 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Apulian vase painter from the last quarter of the 4th cent. BC, named after a vessel in Baltimore. The Baltimore Painter (BP) painted mostly on vessels with large surfaces (volute kraters, amphoras, loutrophori, hydrias i.a.  Pottery, shapes and types of) with funerary scenes ( Naiskos vases), mythological scenes ( Bellerophon, assemblies of the gods) and Dionysian subjects; rarer are genre scenes, like images of women, weddings and Erotes. His presence and artistic work in Canosa…

Tokens

(469 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (σύμβολον/ sýmbolon, tessera). From 450 BC onwards in Athens, the State gave poor citizens free tickets for performances in the Theatre of Dionysus to the value of two oboloi (θεωρικòν διόβολον/ theōrikòn dióbolon); these tokens, called σύμβολα ( sýmbola), were given to the lessee of the theatre, who then collected the corresponding money for them from the State treasury. This institution was later extended to all citizens, followed by payments for participation in people's assemblies and in court. Numerous bronze symbola survive from the period between the s…

Chamber pot

(190 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The terms ἀμίς/ amís, λάσανα/ lásana, Lat. matella, matellio, matula described vessels made of various materials used in agriculture (Cato Agr. 10,2; 11,3) as well as vessels for water and washing in the household; but they were particularly used to designate chamber pots (Aristoph. Plut. 816f.) that were set up in the latrine or were portable (Anth. Pal. 11,74,7; Hor. Sat. 1,6,109; Petron. Sat. 27). Ath. 1,519e attributed to the Sybarites ( Sybaris) the first use of chamber pots; from there, the chamber pot was brought to Athens. During the symposium, a special slave ( la…

Teano ware

(196 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Genre of vases from the last quarter of the 4th cent. and the first half of the 3rd cent. BC, named after their main find spot in northern Campania, the ancient Teanum Sidicinum, which was probably also the centre of production. Shallow bowls on small circular stands, known as footed dishes, with tall stems, skyphoi, gutti, oinochoai, kernoi and vessels in the shape of birds (see ill.) are common; other vessel types, such as kalyx kraters, are distinctly rare. The decoration of th…

Footstool

(241 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (θρῆνυς/ thrḗnys, ὑποπόδιον/ hypopódion, σφέλας/ sphélas, rarely χελώνη/ chelṓnē; Latin scabellum, scamnum). The footstool was used as a foot bench for a person sitting on the  klismos,  throne or a similar high seating (cf. Hom. Od. 17,409 f.), or as a step for climbing up on the  Kline or down from it. There were three footstool variants: rectangular footstools with simple vertical legs, rectangular footstools with curved legs that ended in animal feet (lion feet), sphinxes etc., as well a…

Mastic

(264 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (μαστίχη; mastíchē, Lat. mastiche, mastix). Aromatic resin of the mastic tree ( schínos; pistacia lentiscus L.) and the oil from its berries. The name is presumably derived from masásthai, ‘to chew’, since the resin was popular for chewing, because of its pleasant taste and hardness, for dental care and against bad breath, just as small pieces of mastic wood were used as toothpicks. The small, evergreen mastic tree (and bush) was planted and cultivated all over the Mediterranean, although its resin was not o…

Messapian pottery

(239 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Messapian pottery originated on the Italian peninsula of Salento (in Antiquity Messapia or Iapygia) around the mid-7th cent. BC as an independent genre. For the most part, geometric patterns (circles, squares, diamonds, horizontal lines, swastikas, etc.) were sparsely distributed over vessels; later, under Greek influence maeanders were added. Preferred vessel forms were the olla , pitcher and trozzella ( nestoris). Early in the 5th cent. BC, figurative representations, which also included new ornaments (ivy and other leaf motifs), appe…

Mantica

(79 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] A Roman sack made of leather for transporting goods of all kinds including food (Apul. Met. 1,18). The mantica was carried on the shoulder so that it lay over the back and chest (Pers. 4,24; Hor. Sat. 1,6,106), or when travelling on horseback over its hindquarters. A manticula, a small leather sack, was carried by poorer people. manticulari also means ‘steal’ or ‘cheat’, and the thief (‘cutpurse’) was called a manticulator ( -arius). Hurschmann, Rolf (Hamburg)

Plate

(96 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (πίναξ/ pínax, λεκάνη/ lekánē; Lat. catillus). Plates were used, like flatter platters and deeper bowls, for preparing and serving food at table (e.g. Hom. Od. 1,141; 16,49 f.); they could be round or square, with or without a stand, with curved or steep walls. In archaeological finds plates are attested from the 8th cent. BC until the end of Antiquity in various materials (bronze, wood, silver, clay, tin etc.). Catinus [1]; Crockery; Fish-plate; Lanx; Table culture Hurschmann, Rolf (Hamburg) Bibliography S. Künzl, Das Tafelgeschirr, in: E. Künzl (ed.), Die Ala…

Knives

(421 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The essential part of the knife is the blade, the form and development of which is determined by its particular function and use such as cutting off or cutting up. Furthermore, in the shape of a dagger it is used for piercing. The knife is one of the oldest and most essential aids in the history of humanity; it has been used for housework ( Household equipment), for hunting, as a tool in many areas (e.g. for working with wood or leather: σμίλη/ smílē, σμίλιον/ smílion, τομεύς/ tomeús, Latin scalprum, culter, crepidarius), in agriculture (tree knives, picks, sickles for …

Scissors

(168 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ψαλίς/ psalís; Latin forfex, forpex, forficula). Scissors, made of iron or bronze, were used in sheep and goat shearing, for cutting cloth and metal, hair and beards, in cobbling and in agriculture, for chopping plants and fruits and separating grapes from the vine. Scissors seem to have come into use from the early 5th cent. BC in Greece, and in Italy (according to written sources) from around 300 BC (Varro, Rust. 2,11,9), though the plucking of fleeces was still common in sheep-shea…

Sandals

(579 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (πέδιλον/ pédilon, σανδάλον, -ιον/ sandálon, -ion; Lat. sandalion, solea, all usually plur). Sandals (soles attached with straps to the feet and reaching up to the ankles or just above) were certainly the most common ancient footwear and were made in various variations. Greek sandals were tied with thin laces up to the ankles [2. 270, fig. 5]; only in the Roman Imperial Period did there emerge ribbon-like leather straps, crossing or running diagonally over the foot. The straps were often …

Purpurissum

(81 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Costly paint and make-up (Plin. HN 35,44) manufactured from the mixture of heated purple sap and silver clay (or silver chalk, creta argentaria); purpurissum became brighter the more silver clay was added. As a painter's pigment, purpurissum was highly esteemed for its vivid colour (Plin. HN 35,30; 35,44 f.; 35,49). Women used purpurissum together with white lead ( cerussa) to colour their cheeks and lips (cf. Plaut. Mostell. 258, 261; Plaut. Truc. 290). Cosmetics; Pigments Hurschmann, Rolf (Hamburg)

Cista

(206 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (κίστη, kístē). A round basket woven out of willow branches or tree bark, with a lid that often has the same height as the lower part and can be placed over it; also with a flapping lid or a disc-shaped lid. The cista is illustrated on numerous monuments, e.g., Attic and Lower Italian vases, funerary reliefs and Locrian clay tablets. Figurines have also been found. In marriage scenes they function as a gift to the woman. They apparently represent the female sphere since numerous household objects are visible when opened. …

Stylus

(296 words)

Author(s): Hurschmann, Rolf (Hamburg)
(γραφίς/ graphís, γραφεῖον/ grapheîon; Latin stilus, graphium). [German version] [1] Tool for drawing Tool for drawing, also called a drawing- (or ruling)-pen, see Construction technique, Building trade. Hurschmann, Rolf (Hamburg) [German version] [2] Writing implement Implement for writing on a wooden tablet covered with wax (Cera). The pointed (lower) end of a stylus was used to engrave the text to be written on the tablet and, by inverting it, the flat (upper) end could be used to correct mistakes by re-smoothing the wax ( stilum vertere, e.g. Hor. Sat. 1,10,72). Representati…

Iliupersis Painter

(213 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Apulian vase painter of the second quarter of the 4th cent. BC, named after a volute crater in London (BM Inv. F 160 [1. 193 no. 8]) with the image of the  Iliupersis. The Iliupersis Painter (IP) belongs to those creatively engaged vase painters who produced pioneering innovations for the development of later  Apulian vase painting; among these are the introduction of burial scenes ( Naiscus vases), additionally the fluting of vessels on their lower sections and the decoration of …

Quadriga

(519 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τετραορία/ tetraoría, τέθριππον/ téthrippon; Lat. usually plur. quadrigae). Carriage-and-four, a two-wheeled carriage drawn by four horses side by side, steered from a standing position; invented, by ancient tradition, by Trochilus or Erichthonius [1] (Verg. G. 3,113, cf. Plin. HN 7,202). The carriage-and-four is very seldom mentioned in the Homeric epics (e.g. Hom. Il. 8,185; 11,699). Occuring more often later in the literary tradition, e.g., in mythical contests (Oenomaus and Pelops, …

Kemai

(153 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Campanian type of vase in the late 4th and early 3rd cents. BC, named after the inscription on a vase in London (BM, Inv. F 507, [1. 674 no. 4]). The prevailing shape of the vessel resembles a stamnus ( Vessels, fig. C 6) but it has vertical handles, sharply drawn-in shoulders and a lip that juts out widely; in many cases the lid has also been preserved, so that archaeological research also refers to the vessel as a pyxis. The painting is ornamental and consists of small palmette…

Probolion

(118 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (προβόλιον/ probólion). Short spear (Hdt. 7,76), or rather hunting spear (Hesych. s. v. προβόλιον), especially for hunting boar (Xen. Cyn. 10; Philostr. Imag. 1,28,5) or lions; hardly ever used as a term in modern archaeological research, even if there have been attempts to identify probólia in Minoan-Mycenaean and Geometric hunting scenes (on the attribute of the komos described in Philostr. Imag. 1,2,2 as a probólion see [1]). Furthermore, probólion was also the term for a fortified place, a fortress (Xen. Mem. 3,5,7; Dion. Hal. Ant. Rom. 10,16,4). Hunting Hurschm…
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