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[German version] (Νεόφρων; Neóphrōn) of Sicyon. Tragedian, 2nd half of 5th cent. BC; according to the Suda (TrGF I 15 T 1) the author of 120 plays, and the first to depict tutors and the torture of slaves on the stage. According to the hypothesis of Euripides' [1] ‘Medea arising from the Peripatetic tradition, the Euripidean drama is said to have derived from N. The 24 surviving verses show clear concordances with Euripides (esp. Medea's monologue in N. fragment 2, cf. Eur. Med. 1021ff., 1236ff.); …

[German version] (τὸ στάσιμον /tò stásimon; derived from the adjective stásimos, 'standing'). In the list of structural forms (μέρη/ mérē) of the tragedy (I.), Aristotle (Poet. 1452b 22-24) distinguishes - among the chorus parts - the párodos from the stasima, which he defines as chorus songs that have no anapest or trochee, thus no recited verses, which are used primarily in the parodos [1]. The term stasimon must not be understood in the sense that the chorus was 'standing' while it sang the song, rather that the chorus performed i…

[German version] (ἡ τριλογία/ hē trilogía). From Hellenistic philology onwards a term for three tragedies, without the concluding satyr play, performed during the Great Dionysia at Athens (cf. Schol. Aristoph. Ran. 1124) [1. 80]. Tetralogy; Tragedy I. Zimmermann, Bernhard (Freiburg) Bibliography 1 Pickard-Cambridge/Gould/Lewis.

[German version] (Πλειάς/ Pleiás). The 'Constellation of Seven' Greek tragic poets during the reign of Ptolemy Philadelphus (Ptolemaeus [I 3] II Philadelphus) (285-246 BC). The list of names varies (as with those of the Seven Sages and the Seven Wonders of the World); certain are: Alexander [21] Aetolus, Lycophron [5] of Chalcis, Homerus [2] of Byzantium,  Philicus of Corcyra and Sositheus of Alexandria; also mentioned are: Sosiphanes [2] of Syracuse, Aeantides, Dionysiades of Tarsus and Euphronius…

(Ζηνόδοτος/ Zēnódotos). [German version] [1] Of Ephesus, Alexandrian philologist Alexandrian philologist from Ephesus ( c. 325-260 BC; Suda s. v. Ζ. Ἐφέσιος). Baumbach, Manuel (Zürich) [German version] I. Life Alexandrian philologist from Ephesus Z. was employed as tutor to the royal princes at the Ptolemaic court before his appointment in 285/4 BC as the first director [1. 147-148] of the library (II B 2.a) in Alexandria [1]. In addition to a classification of Greek poetry (most notably epic and lyric works), Z. developed in …

[German version] (Σωσίθεος/ Sōsítheos) from Alexandria [2] in the Troad, Satyr playwright and tragedian of the Pleias, first half of the 3rd century BC (TrGF I 99). According to the Suda (σ 860) he is also supposed to have written poetry and prose (T 1). In a fictitious burial epigram Dioscurides [3] (Anth. Pal. 7,707 = T 2) praises him as a reviver of the satyr play, taking his direction from Pratinas. 24 verses survive from Daphnis or Lityerses, presumably a satyr play, about the love of Daphnis and the nymph Thalia, their being taken prisoner by Lityerses and presumabl…

(Μελάνθιος/ Melánthios). [German version] [1] Treacherous goatherd of Odysseus (also Μελανθεύς/ Melantheús). Son of Dolius [2], brother of Melantho [2], treacherous goatherd of Odysseus, negative counterpart to the swineherd Eumaeus and the cowherd Philoetius (Hom. Od. 17,212-22,479). Heinze, Theodor (Geneva) Bibliography G. Ramming, Die Dienerschaft in der Odyssee, 1973, 15-17; 74-77; 142-145. [German version] [2] Athenian strategos, 499/8 BC Athenian strategos who led the troops sent in support of the Ionians when they revolted in 499/8 (Hdt. 5,97). Ionian Revolt Stein-Hö…

(Ἁρμόδιος; Harmódios). [German version] [1] Harmodius of Athens Tyrantmurderer, 514 BC conspired with  Aristogiton [1] and others in order to murder the tyrants  Hippias [1] and  Hipparchus [1] during the Panathenaea in 514 BC. However, they only managed to kill Hipparchus. H. was also killed during this assassination attempt (Hdt. 5,55-58; Thuc. 1,20; 6,54-59; Aristot. Ath. Pol. 18). For Thucydides, the motivation for the conspiracy was purely personal: H. and his sister had suffered humiliation after H. …

(Λυσίστρατος; Lysístratos). [German version] [1] Tragedian from Chalcis, 1st cent. BC from Chalcis. Tragedian, after 85 BC he was victorious at the Amphiaraia ( Amphiaraus) and Romaia in Oropus. His works are not extant. Zimmermann, Bernhard (Freiburg) [German version] [2] Bronze sculptor from Sicyon Bronze sculptor from Sicyon, brother and collaborator of Lysippus [2]. By making plaster casts of living people, L. is said to have improved the similarity of portraits to their subjects, to have based his work on clay models and to have made…

[German version] (also anagnorismos: ἡ ἀναγνώρισις, ὁ ἀναγνωρισμός; hē anagnṓrisis, ho anagnōrismós). According to Aristot. Poet. 11,1452a-b, anagnorisis is the technical term for the ‘Recognition’ in drama. Aristotle defined anagnorisis as a transition from unknowing into knowing, with the effect that friendship is changed into enmity and vice versa. To him, that anagnorisis is the most dramatic, which occurs simultaneously with   peripeteia . Aristotle differentiated three varieties of anagnorisis with reference to the object: the recognition of persons, of ina…

[German version] (Φιλοξενίδης; Philoxenídēs) from Oropos, writer of satyr plays; after 85 BC he achieved success at the Amphiaraea and Romaea festivals in Oropus (TrGF I 170). Zimmermann, Bernhard (Freiburg)

Common Roman praenomen , abbreviated by the siglum P.; earliest evidence Poplio- (CIL I2 4, 2832a; c. 500 BC; Lapis Satricanus), thereafter Greek Πόπλιος ( Póplios). The name is etymologically linked to populus (‘army’ > ‘people’). A derivation from Etruscan must be rejected since the rare Etruscan word Puplie was inherited from an Italic language. The shift of poplico- to pūblico- (following pūbēs) was also adopted for the praenomen and its derivative Pūblīlius, the nomen gentile. Steinbauer, Dieter (Regensburg) [German version] [1] Tragedian Tragedian of Rome who wrote in Gr…

[German version] ‘Soliloquy’ (the term ‘monologue’ is not of ancient origin; it was only Augustinus who coined the term soliloquium, cf. Aug. retract. 1,4,1), special form of speech ( rhḗsis ) found in various literary genres. In distinguishing monologue in its proper sense from other forms of rhḗseis, such as a messenger's report (messenger scenes), the criterion should not be the length of the monologue, but only the communication situation [4. 180 f.]: the solitude or isolation of the speaker, who is not addressing his speech to a listene…

(Πατροκλῆς; Patroklês). [German version] [1] Athenian office holder, end of the 5th cent. BC Athenian, árchōn basileús in (404/)403 BC; a relative of Isocrates, who defended him (Isoc. Or. 18,5). Kinzl, Konrad (Peterborough) Bibliography Develin, 94 Nr. 1  Traill, PAA 768600. [German version] [2] Accuser of Demosthenes An Athenian from Phlya; his accusation of paranomia (Paranomon graphe) against Demosthenes [2] (Dem. Or. 18,5) was unanimously rejected and cost him a fine of 500 drachmas. Kinzl, Konrad (Peterborough) Bibliography Traill, PAA 768710. [German version] [3] Gree…

[German version] (Ζωτίων; Zōtíōn) from Ephesus. Only the name of this Greek tragic poet from the middle of the 2nd cent. BC is recorded (TrGF I 133). Zimmermann, Bernhard (Freiburg)

[German version] (ἡ περιπέτεια/ hē peripéteia). Literally 'turn-about, reversal' of a situation, mostly of fate, often unexpected and as a rule from good to bad (e.g. Aristot. Rhet. 1371b 10). The concept is central to Aristotle's Poetics (Poet. 11,1452a 22-29), where P. is defined as the reversal of what was to be achieved into its opposite. This should happen by probability (κατὰ τὸ εἰκός) or by necessity (κατὰ τὸ ἀναγκαῖον). Together with  anagnorisis P. is a characteristic of complex narrative structures ('plots', μῦθοι πεπλεγ…

(Σοφοκλῆς/ Sophoklês). [German version] [1] Attic tragedian, 5th cent. BC The 5th cent. BC Attic tragedian Zimmermann, Bernhard (Freiburg) [German version] A. Life Attischer Tragiker des 5. Jh. v. Chr. The most important records are the vita which has survived in several manuscripts and the Suda (σ 815); the complete testimonies have been collected in TrGF, vol. 4. S. was born in 497/6 BC as the son of Sophilus from the Attic deme of Colonus. In 480 he is said to have intoned the paean at the victory celebrations after the b…

[German version] (ὁ διθύραμβος; dithýrambos). Choral song in honour of  Dionysus. The origin and meaning of this term has caused much speculation since ancient times. The word itself is certainly not a Greek, perhaps a Phrygian composition; most likely from a combination of íambos (ἴαμβος; two-step) and thríambos (θρίαμβος; three-step) [1]. In a contested passage of his Poetics (Aristot. Poet. 4,1449a 10-13) Aristotle makes the dithyramb the harbinger of tragedy ─ or, say others [2], of comedy. Three phases can be distinguished in the history of the genre: the pre-litera…

(Πολέμων/ Polémōn). [German version] [1] Academic philosopher, 4th-3rd cents. BC Academic philosopher, born c. 350, died probably in 276/5 BC. Xenocrates [2] introduced him to philosophy (legendary account of his vocation in Diog. Laert. 4,16 f.). P. succeeded him as head of the Academy. He taught Crates [3] and Crantor, as well as the Stoics Zeno of Citium and Ariston [7] of Chios. Very little remains of his many writings mentioned in ancient sources (Diog. Laert. 4,20; Suda s. v. Π 1887) (fr. collected in …

[German version] (ἡ τετραλογία/ hē tetralogía). Originally a technical term in rhetoric to describe four speeches treating the same case from different perspectives (Antiphon [4] A.), later also used to summarize the Platonic dialogues in groups of four (Diog. Laert. 3,57; Plato [1] C. 1. - 2.). Since the Hellenistic era, philology has used the term primarily for four theatre pieces connected by content: three tragedies (Trilogy) and one satyr play [2. 80 f.]. The 'originator' of the tetralogy was probably Aeschylus [1]; his Oresteia (458 BC) survives (without the satyr play)…

[German version] (μονῳδία; m onōidía). Monody and the verb μονῳδεῖν ( monōideîn) are found already in the 5th century BC as technical terms used to describe solo arias by actors in drama (Aristoph. Pax 1012; Aristoph. Thesm. 1077; Aristoph. Ran. 849; 944; 1330). Occasionally they are equated with Threnos, as a notable component of the arias, the complaint (see Aristoph. Vesp. 317-323), was transferred to the whole structural element, as is also the case with antiphonal songs (Kommos [2], Amoibaion). M. are the musical high points in the tragedies of Euripides [1] in particular. According…

[German version] This item can be found on the following maps: Theatre | Lycii, Lycia | Education / Culture (Ἀντίφελλος; Antíphellos). Lycian harbour town, modern Kas̨; it may have originally been named Habesos (Plin. HN 5,100). In the 5th/4th cents. BC, A. belonged to  Phellus, was listed in Ps.-Scyl. 100 as πόλις καὶ λιμήν ( pólis kai limḗn, town and port), and, in the 2nd cent. BC, minted its own coins as an independent polis within the Lycian Confederacy [1; 2]. Municipal offices and institutions reveal Rhodian influence, originating from the Rhod…

[German version] Generally antiphonal singing (Theoc. 8,31), also dialogue in tragedy (Pl. Resp. 394b), today terminologically established as antiphonal singing in the drama. In the listing of the components of the tragedy in ‘Poetics’ (12,1452b 22) Aristotle differentiates songs for the stage (τὰ ἀπὸ τῆς σκηνῆς) and kommoi as special cases. Whereas in the first instance only the actors are involved (monodies, duets), with the kommoi the collaboration of actors and chorus is decisive. As, however, not all antiphonal singing between choir and actor(s) can be d…

[German version] [1] Legal action An action, especially a legal action (Dig. 49,1,12) i. a. defining characteristic of   alienatio : omnis a., per quem dominium transfertur, Cod. Iust. 5,23,1. Formal legal actions in accordance with the old   ius civile , e.g. the   mancipatio , are described as acti legitimi. Any added condition renders them ineffective. Additionally, actus can mean a utility (  servitus ), for example the right to drive draught animals and beasts of burden over a plot of land, including the right of way ( iter, Dig. 8,3,1pr.). This actus is a res mancipi, and is obtained i…

[German version] The return of the chorus after it had left the orchestra during the performance of a play (μετάστασις χοροῦ; metástasis choroû, cf. Poll. 4,108), as in: Aesch. Eum. 231, 244; Soph. Aj. 814, 866 ; Eur. Alc. 746, 861, Hel. 385, 515, Rhes. 564, 674 ; Aristoph. Eccl. 310, 478.  Parodos Zimmermann, Bernhard (Freiburg) Bibliography O. Taplin, The Stagecraft of Aeschylus, 1977, 377-381.

[German version] (τὸ ἐπεισόδιον; tó epeisódion, from the adjective ἐπεισόδιος; epeisódios, ‘inserted’). According to Aristot. Poet. 12,1452b 20f. part of a tragedy between two entire chorus parts (that is between the  parodos and the first   stasimon or between two stasima). The term epeisodion is found as a technical term only in the Poetica, other authors speak of a méros or mórion. Aristotle also uses the terminus epeisodion in the Poetica in a more general sense for ‘section’, ‘episode’ (e.g. 17,1455b 13 Aristot. Poet. 17,1455b 2.15.18.27.). In the Old Comedy,…

[German version] (Πρατίνας/ Pratínas) of Phlius (in the Peloponnese), according to the Suda π 2230 (TrGF I 4 T 1) the inventor of the satyr play; son of a Pyrrhonides or Encomius (descriptive names: son of a 'red-head' or of 'a member of a - Dionysian - komos'; on the red hair and beards of satyrs cf. Dioscorides, Anth. Pal. 7,707,3 and  Soph. Ichn. 358). Two dates are attested for his life: between 499 and 496 he entered a tragedic agon against Aeschylus [1] and Choerilus [2] (T 1); and 467 is a  terminus ante quem for his death: that year his son Aristias [2] entered with plays by P. ('…

(Ξενοκλῆς; Xenoklês). [German version] [1] See Little-Master cups See Little-Master cups. Zimmermann, Bernhard (Freiburg) [German version] [2] Attic tragic poet, end of 5th cent. BC Attic tragic poet, end of the 5th cent. BC, son of Carcinus [3] (family tree: TrGF I 21, p. 129), frequently mocked in comedy (TrGF I 33 T 1-7); successful at the Dionysia in 415 (DID C 14) with Oedipus, Lycaon, Bacchae and the satyr play Athamas. There is evidence of the further titles Licymnius (one surviving verse, F 2) and possibly Myes (Μύες, Mice) (but cf. TrGF I 21 T 3 d-e). Zimmermann, Bernhard (Freiburg) …

(Ἡρακλείδης; Hērakleídēs). Famous persons: the politician and writer H. [19] Lembus, the philosopher H. [16] Ponticus the Younger, the doctor H. [27] of Tarentum. I. Political figures [German version] [1] Spokesman on behalf of Athens at the Persian court, end of 5th cent. BC H. of Clazomenae (cf. Pl. Ion 541d) was in the service of the Persians and probably called basileús for that reason. Thus, he was able to perform valuable services for Athens at the Persian court in 423 BC for which he received Attic citizenship soon after moving there (after 400, Syll.3 118). To move the Athenians …

(Πύρρα/ Pýrrha). [German version] [1] Daughter of Epimetheus In Greek mythology daughter of Epimetheus (brother of Prometheus) and Pandora and wife of  Deucalion. She and her husband were the only people to survive the flood sent over the earth by Zeus to punish the people of the Bronze Age; on the advice of Prometheus they built a boat on which they sailed around for nine days and nine nights. Deucalion and P. created a new race of people (Pind. Ol. 9,43-56; Ov. Met. 1,318-415), by - on the instruction…

(Νικόμαχος/ Nikómachos). [German version] [1] Healing hero See Gorgasus and Nicomachus Schmitz, Winfried (Bielefeld) [German version] [2] Athenian official, 410-404 BC Allegedly the son of a slave and only later accepted as an Athenian citizen. In 410-404 BC, N. led the commission for recording the laws ( anagrapheîs tôn nómōn). Exiled under the Thirty ( triákonta ), he returned in 403 and again became anagrapheús. In 399/8 BC, N. was accused of manipulating the laws, thus e.g. contributing to the sentencing of the demagogue Cleophon [1] in 404, evading his …

(Μέλητος; Mélētos). [German version] [1] Athenian, c. 415 B.C. Athenian. In the year 415 BC he was denounced for having participated in the profanation of the mysteries and the mutilation of the Herms ( Herms, mutilation of the). He fled from Attica and was condemned to death in absentia (And. 1,12f.; 35; 63). Possibly the same as M., the great-grandson of the Alcmaeonid Megacles [4] (IG II2 1579,19). Schmitz, Winfried (Bielefeld) Bibliography PA 9825 Traill, PAA 639290. [German version] [2] Prosecutor of Andocides, 400 B.C. Athenian; along with Socrates and others he was ordere…

[German version] (Νόθιππος; Nóthippos). Athenian tragedian (TrGF I 26), mentioned by the comic poet Hermippus in his Moîrai (prob. performed 430 BC) (Fr. 46 PCG). Zimmermann, Bernhard (Freiburg)

[German version] (Περεύς; Pereús). Son of the Arcadian king Elatus [3] and Laodice; father of Neaera [3] who was the wife of Aleus [1], the founder of Tegea (Paus. 8,4,4; Apollod. 3,102). Zimmermann, Bernhard (Freiburg)

(Θρασυκλῆς/ Thrasyklês). [German version] [1] Representative of Athens in the Peace of Nicias, 2nd half of the 5th cent. BC Athenian, who in 421/0 BC requested the proxenía for a resident of the Peloponnese (IG I3 80,7) and belonged to those who swore an oath on the truce and the alliance between Sparta and Athens in the so-called Peace of Nicias [1] in 421 (Thuc. 5,19,2; 24,1). In 412/1, T. was strategos along with Strombichides in the campaign to Asia Minor (Thuc. 8,15,1; 17,3; 19,2). Peloponnesian War Kinzl, Konrad (Peterborough) Bibliography Traill, PAA 517180 Develin 157; 141. …

(Πύθων/ Pýthōn). [German version] [1] Dragon killed by Apollo near Delphi An enormous dragon killed by Apollo near Delphi with his arrows. The oldest version of the story is offered by H. Hom. 3,300-374: Apollo overcomes a female dragon who perpetrates her mischief in the vicinity of Delphi and into whose care Hera had given her son Typhon (Typhoeus, Typhon). The town and the god receive the nickname Pythṓ (cf. also the name of the female seer at Delphi, Pythía [1]) from its decaying (πύθεσθαι/ pýthesthai) corpse. According to Eur. IT 1245-1252, the dragon is male and guards the…

(σατυρικὸν δρᾶμα, satyrikòn drâma). [German version] A. Origins As in the case of Greek tragedy, the debate on the origins of the SP also starts with an observation in Aristotle's Poetics. According to Aristot. Poet. 1449a 19 ff., tragedy had initially dealt with minor topics in a humorous language and only later acquired its appropriate solemnity, because it had developed from the satyresque (ἐκ σατυρικοῦ, ek satyrikoû) and its original nature had been more that of a dance (ὀρχηστικωτέρα, orchēstikōtéra). Aristotle thus did not claim in any way that tragedy had developed…

(Πολεμαῖος/ Polemaîos). [German version] [1] Macedonian commander, c. 300 BC (also called Ptolemaeus and Polemon in MSS, but correctly P ., IG II2 469 and IK 28,2). Son of one P., Macedonian, nephew of Antigonus [1]. P. was probably already an officer in the Macedonian army under Alexander [4] the Great, possibly sōmatophýlax (Court titles B) of Philippus Arridaeus [4] (Arr. Succ. 1,38). In 319, he went to Eumenes [1] as a hostage of Antigonus (Plut. Eumenes 10); in 314 he was sent as general to Cappadocia and to secure the Hellespont (Diod. Sic.…

(Τιμόστρατος/ Timóstratos). [German version] [1] Tragic poet, 4th cent. BC Greek tragedian, successful at the Lenaea in c. 350 BC (TrGF I 83). Zimmermann, Bernhard (Freiburg) [German version] [2] Athenian comedy writer, beginning of the 2nd cent. BC Athenian comedian, who came sixth at the Dionysia in 188 BC with his Λυτρούμενος ( Lytroúmenos, 'The ransomed [prisoner]') [1. test. 1] and fourth in 183 with his Φιλοικεῖος ( Philoikeîos, 'He who loves his relatives') [1. test. 2]; a third place in c. 177 with an Ἀντευεργετῶν ( Anteuergetṓn, 'He who repays good deeds') is uncertain [1…

(ὁ πρόλογος/ ho prólogos, Lat. prologus, prologium). [German version] A. Concept In his list of the individual elements (μέρη/ mérē) of tragedy in the 'Poetics', Aristotle defines the prologue as a complete section of a tragedy preceding the chorus' párodos (Aristot. Poet. 13,1452b 22 f.) [9. 471 f.]. However, the term prólogos was already in use in the technical sense before Aristotle: in 'The Frogs', Aristophanes subtitles the prologue the 'first part of a tragedy' (Aristoph. Ran. 1120: τὸ πρῶτον τῆς τραγῳδίας μέρος/ tò prôton tês tragōidías méros), which, however, can have ref…

I. Greek [German version] A. Definition, origin, early forms The explanations for the term τραγῳδία ( tragōidía) are controversial; equally controversial is the reconstruction of the genesis of tragedy from cult rituals over pre-literary choral performances to the literary genre of the 5th cent. BC. The greatest problem is to reconcile Aristotle's [6] brief history of the genre in the Poetics (Aristot. Poet. 4,1449a 9-31) with anthropological and ethnological considerations. Aristotle thought the literary form evolved gradually from short myths (plots) a…

[German version] Derived from the verb δρᾶν ( drân), predominantly attested in Attic, the noun δρᾶμα ( drâma; ‘action’, ‘deed’ in a general sense) is the antonym of ‘what is experienced’ (πάθος/ páthos) (Aesch. Ag. 533); it can also mean ‘duty’, ‘task’ (Pl. Tht. 150a, Resp. 451c ). For the most part, though, drama is a technical term meaning ‘theatrical play’ (tragedy, comedy, satyr play) in the context of its performance (Aristoph. Ran. 920); it appears in the plural form in the title of Aristophanes' play Δράματα ἢ Νίοβος ( Drā́mata ē Níobos; fr. 289-298 PCG III2; fr. 299-304 PCG III2), in T…

(Λυκόφρων; Lykóphrōn). [German version] [1] Younger son of Periander of Corinth The younger son of Periander of Corinth and Melissa, daughter of Procles of Epidaurus. In the war between Periander and his father-in-law, L. is sent to Cercyra and murdered there by the Cercyraeans, who presumably considered him a tyrant and successor of Periander. Legend-building in an early phase can be seen in Herodotus (3,50-53; cf. Diog. Laert. 1,94f.; Nicolaus of Damascus FGrH 90 F 60). Patzek, Barbara (Wiesbaden) [German version] [2] Founder of the tyrannis in Pherai, c. 404/390 BC Founder of the t…

[German version] of Olynthus (TrGF 1, 118; FGrH 74), end of the 4th, beginning of the 3rd cent. BC; according to Diog. Laert. 2,110 teacher of  Antigonus [2] Gonatas, to whom he dedicated a work ‘On the Rule of Kings’ (Περὶ βασιλείας; Perì basileías). Writer of a history of the Diadochi period and of several successful tragedies. Zimmermann, Bernhard (Freiburg)

Zimmermann, Bernhard (Freiburg) [German version] A. Antiquity and Middle Ages (CT) The following article is only concerned with the performance of plays by the three main Greek tragedians and the various tendencies of their productions in modern times. It is not possible in this context to deal with adaptations, new arrangements or reworkings, nor with the reception of Greek tragedy as a whole in the history of European cultural and intellectual history. The seminal year marking a decisive change in the practice of performing dramatic plays in Athens was 386 BC, bec…

(Σθένελος/ Sthénelos). [German version] [1] Son of Actor Son of Actor, takes part in Heracles' [1] campaign against the Amazons, during which he is killed on the Paphlagonian coast. There S. appears in full armour to the passing Argonauts, who, prompted by Mopsus, sacrifice to him (Apoll. Rhod. 2,911-927 with schol.; Promathidas FGrH 430 F 4-5; Val. Fl. 5,87-100). Eiben, Susanne (Kiel) [German version] [2] Son of Androgeos Son of Androgeos, grandson of Minos. S. and his brother Alcaeus are taken hostage together by Heracles [1] on Paros because they were respons…

(Εὐριπίδης / Euripídēs) [German version] [1] Tragedian The Attic Tragedian. Zimmermann, Bernhard (Freiburg) [German version] A. Biography The most important evidence comes from the vita passed down to us in several MSS, the  Marmor Parium, the  Suda, Gell. NA 15,20 and the vita by  Satyrus. Only a few details of E.'s life can be considered certain: born between 485 and 480 BC on Salamis, son of a Mnesarchus or Mnesarchides. He took part in the Great Dionysia for the first time in 455, achieving his first victory in 441. During his lifet…

[German version] Derived from tó epírrhēma (τό ἐπίρρημα, ‘that which is said afterwards’), i.e. the speech following a lyric part. The succession of lyrical and spoken (or rather recited) parts is referred to as an epirrhematic composition. Aeschylus frequently used this form in semi-lyrical  amoibaia. In the Old Comedy, epirrhematic composition can be found in the  parabasis and in the epirrhematic agon. Zimmermann, Bernhard (Freiburg) Bibliography Th. Gelzer, Der epirrhematische Agon bei Aristophanes, 1960 B. Zimmermann, Unt. zur Form und dramatischen Technik der Ar…

[German version] (Πυθάγγελος; Pythángelos). Tragedian of the 5th cent. BC, mentioned only in Aristoph. Ran. 87. Zimmermann, Bernhard (Freiburg)

(Ἴων; Íōn). [German version] [1] Hero of the Ionians Eponymous hero of the Ionians ( Iones). Several traditions of his ancestry emphasizing Athens' political primacy are extant. The earliest and most influential versions present I. as the son of  Xuthus and Creusa, thus as the grandson of  Hellen, progenitor of the Hellenes, and of the Athenian king  Erechtheus (Str. 8,383; Paus. 7,1,2). I.'s brother is Achaeus [1], progenitor of the Achaeans, his paternal uncles are  Aeolus [1] and  Dorus. With his wife…