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[German version] Essential item of furniture for sitting on in the sparsely furnished ancient household, mainly made of wood (maple, beech, oak), but sometimes also of bronze and partially or entirely of gold (Hdt. 1,14; Ath. 12,514) or marble. Occasionally individual parts of the chair also consisted of other materials such as ivory or onyx (Plin. HN 36,59), metal or precious metal. There were also woven seats made of willow branches (Plin. HN 16,174). Depictions and stone copies show what they looked like. In Antiquity the principal forms (cf.. Ath. 5,192e-f) were the díphros …

[German version] (Latin from triiuga; Greek τρίπωλος/ trípōlos; 'team of three'). Its significance as a racing, hunting or war vehicle was far less than that of bigae and of the quadriga. In Homer only extra horses for a team of two are mentioned (cf. Hom. Il. 8,80-86; 16,152-154 and 467-476) and on one occasion a gift of three horses (Hom. Od. 4,590); otherwise the literary sources on trigae are rather rare (e.g. Dion. Hal. Ant. Rom. 7,73). The same is true for representations in art; first and foremost are 9th-cent. BC Assyrian reliefs with battle and  huntin…

[German version] I. Beginnings The first workshops in southern Italy for red-figured pottery appeared around the mid 5th cent. BC, founded by Athenian vase-painters. Native artists were trained there. Thus, the initial dependence on Attic models, which expressed itself e.g. in the choice of motif or Atticizing forms (Lucanian vases), was replaced by a characteristic painting style and repertoire of decorations and motifs. Towards the end of the 5th cent. BC, the so-called 'ornate and plain styles' emerged in Apulian vase-painting (Apulian vases). Through th…

[German version] I. Literary sources In Greece and Rome, deaths and accidents, financial and business losses and military defeats were occasions for mourning (πένθος/ pénthos; Lat. luctus). Aside from the characteristic mourning dress, women displayed their mourning by renouncing gold jewellery (Dion. Hal. Ant. 5,48,4; Liv. 34,7,10), by beating, and sometimes baring, their chests (Prop. 2,13,27; Petron. 111,2), by loosening and tearing their hair (Catull. 64,348-351; Tib. 1,1,67 f.; Liv. 1,26,2), by crying and wailing (P…

[German version] (κλισμός; klismós, Latin cathedra). The klismos is a high chair without armrests and with a broad, curved backrest, attested as early as in Homer (e.g. Il. 8,436; Od. 4,136) as a seat for nobility, gods, and heroes. Greek and Roman art confirms this, but the klismos is often seen in representations of domestic rooms, schools, and other everyday scenes as well. At times, the seated persons laid an arm on the backrest for comfort and relaxation, and often the relaxed way of sitting is supported by footrests and cushions. Diphros; Furniture Hurschmann, Rolf (Hamburg) Bibliogr…

[German version] [1] Piece of armour (μίτρα/ mítra; μίτρη/ mítrē). (1) According to Homer (Hom. Il. 4,137; 187; 216; 5,857) a piece of armour worn to protect the lower body, identified by archaeological research with semicircular plates of bronze, dating from the early Archaic period and found particularly on Crete. Similarly, mitra is the name of a piece of armour worn by the Salii (Dion. Hal. Ant. Rom. 2,70; Plut. Numa 13,4). (2) Belt for young women (Theocr. 27,55, cf. μιτροχίτων/ mitrochítōn, Athen. 12,523d) and goddesses (Callim. H. 1,120; 4,222, Epigr. 39) and also for…

[German version] The stola was the garment worn in public by Roman matrons ( Matrona [1]), i.e. free-born women (Plin. HN 33,40), over a fairly close-fitting tunica or a looser calasis and under a palla, so that their bodies were entirely  enveloped (cf. Hor. Sat. 1,2,99). It reached to the ankles and was capacious, pleated and cinctured at bust or waist level (Mart. 3,93,4). The stola consisted of a tube of material which the wearer slipped into; it was held on the shoulders by means of twisted ribbons or strings. It had trimming ( instita) on the lower selvage, presumably a purple rib…

(θυμιατήριον/ thymiatḗrion). [German version] I. Classical Antiquity Fumigating apparatus for burning aromatic substances (incense etc.) - adopted by ancient Greek culture from the Orient - of bronze, clay, precious metals, less often stone, used in cults of gods, rulers and the dead. The thymiaterion was part of the domestic inventory (Dem. Or. 24,183) and was used on celebratory occasions in the private sphere (wedding, symposion). They were carried in festal processions (Ath. 5,196 f). The thymiaterion consisted of a fumigating capsule with a perforated lid, in whic…

[German version] (Greek μάχαιρα, máchaira). Originally the  knife, specifically the knife of butchers and therefore the butchering tool in  sacrifices (Hom. Hym. Apoll. 535f. for máchaira). On Greek and Roman representations, the hiereús or the victimarius has the sacrificial knife brought to him on a tray or holds it in his hand. The culter was used to open the carotid artery of the sacrificial animal and to cut out its intestines. The sacrificing victimarius was also called cultrarius after the sacrificial knife. Furthermore, the culter was the attribute of oriental peoples w…

[German version] The game in which it was a matter of defeating all the stones of the opponent by clever placement of one's own, takes its name from Latin latro (‘mercenary’, later also ‘bandit’); the winner was given the title Imperator (cf. SHA Proculus 13,2). The course of the game has not been fully clarified, but from the literary sources (Varro, Ling. 10,22; Ov. Ars am. 3,357f., cf. 2,207; Sen. De tranquillitate animi 14,7; Laus Pisonis 190-208) we have an approximate picture: the latrunculorum ludus was played by two partners on a chess-board-like playing board that norm…

[German version] (κρήδεμνον; krḗdemnon, Latin calautica, also κάλυμνα/ kálymna, καλύπτρη/ kalýptrē). In general the top covering, also of a wine or storage vessel (Hom. Od. 3,392) or of a circular wall (Hom. Il. 16,100), but subsequently mostly a woman's headscarf which covered the shoulders and could be used to conceal the face (Hom. Il. 14,184; 16,470; Hom. Od. 1,334). In the 5th cent. BC the word continued to be used only in poetry (e.g. Eur. Phoen. 1490); the usual expressions for veils and especially for bridal veils were kálymna and kalýptrē (cf. Aesch. Ag. 1178). The krḗdemnon was a…

[German version] As containers for flammable oil and wick holders, lamps made of clay are a ubiquitous find from antiquity; less numerous are lamps made of bronze, marble and plaster. The basic shape of the lamp was the stone bowl, which was already used as a lamp early in the Stone Age. Early lamps of clay follow this basic form; they are shaped on a potter's wheel and creased one or several times to accommodate the wick in the spout that is thereby created. These Phoenician lamps (also called ‘P…

[German version] (ᾤα λουτρίς; ṓia loutrís, subligar). Men and women wore loin cloths or bath towels made from sheepskins or cloth during the communal bath in bath houses (Poll. 7,66; 10,181,   perizoma ,   subligaculum ), women also wore a breast band (vase paintings, ‘bikini girl’ of  Piazza Armerina). Men's bathing costumes could also be made from leather ( aluta, Mart. 7,35,1). In Pap. Cair. Zen. 60,8, there is mention of an ἐκλουστρίς ( ekloustrís). It is uncertain if bonnets ( vesica) were worn. Hurschmann, Rolf (Hamburg) Bibliography R. Ginouvès, Balaneutikè, 1962, 223-225 W. Hein…

[German version] [1] see Schiffahrt see Navigation Hurschmann, Rolf (Hamburg) [German version] [2] Drinking vessel A quite large drinking vessel, similar in shape to the kantharos (Ath. 11,474e-475b; Macrob. Sat. 5,21,1-6) for wine (Mart. 8,56,14; Ov. Met. 12,317), which according to Ath. 11,500f. was one of the vessels of a Greek symposium. In Rome, it was also a sacrificial vessel (e.g. Ov. Met. 7,246). Hurschmann, Rolf (Hamburg) Bibliography W. Hilgers, Lat. Gefäßnamen, BJ, 31. Beih., 1969, 48; 140f. S. Rottroff, Hellenistic Pottery, The Athenian Agora 29, 1997, 88f.

[German version] A. Myth Nudity and disrobement are hardly ever themes in Greek myth. The most striking portrayal is the undressing of Aphrodite by Anchises in the Homeric hymn to Aphrodite (H. Hom. Aphr. 155-167), even if the nudity of the goddess is not explicitly mentioned (cf. Hom. Od. 8,265-305). More frequent is the accidental observation of a goddess bathing, followed by punishment (transformation, blinding etc). Instances are Erymanthus, Actaeon and Teiresias. The case of Arethusa [7] is dif…

[German version] I. Ancient Orient Adult men in the ancient Orient are mostly represented wearing beards, but they can also be depicted like gods and demons as beardless without having any different meaning. Beards consisted of a long or short full beard with or without a shaved lip part. The short beard finishes half-rounded or pointed below, the long beard is straight or half-rounded; the wavy strands of hair falling onto the chest mostly end in curls that form decorative rows in the layered types.…

[German version] (στρόβιλος/ stróbilos, also βέμβηξ/ bémbēx, κῶνος/ kônos, στρόμβος/ strómbos, στρόφαλος/ stróphalos, Latin rhombus, turbo). The top was a popular toy in Antiquity (Children's games); made of box wood (hence also called buxum in Latin) with cross grooves, it was set rotating with the fingers and then propelled with a whip (Verg. Aen. 7,373-383 in an epic simile;  Callim. Epigr. 1,9; Tib. 1,5,3; Anth. Pal. 7,89). Original tops of clay, bronze, lead and other materials have been preserved as grave goods and votive gifts in sanctuaries (cf. Anth. Pal. 6,309) [1]. Hurschman…

[German version] The educational value of children's games was already known in antiquity; thus Plato (Pl. Leg. 643b-c; cf. Aristot. Pol. 7,17,1336a) saw in games imitating the activities of adults a preparation for later life. Quintilian (Quint. Inst. 1,1,20; 1,1,26; 1,3,11) fostered guessing games, games with ivory letters and learning in games in order to promote the child's mental capacities; for this purpose, the ostomáchion game ( loculus Archimedius) -- in which 14 variously shaped geometric figures had to be placed into a square or objects, people or ani…

[German version] (παραπέτασμα/ parapétasma, προκάλυμμα/ prokálymma, αὐλαία/ aulaía; Lat. velum, aulaea). In Greek and Roman tents (Ath. 12,538d), houses, palaces, occasionally also in temples (Lk 23,45; cf. Paus. 5,12,4), curtains were attached to doors, windows (Juv. 9,105), as wall decoration (Juv. 6,227) and to the intercolumnia of the atria and peristyles; they served to keep out the rain or sun (Ov. Met. 10,595). Depictions of such curtains are known from Greek and Roman art (e.g. the parapétasma representations on Roman relief sarcophagi) and are extant in origina…

[German version] Leading representative of Paestan red-figured vase painting ( Paestan ware), and along with  Python the only southern Italian vase painter who signed his name; he was working c. 360-330 BC. Most importantly, on the eleven signed vases depicting various myths (Telephus, Heracles, Europa i.a.) and mythic travesty (Ajax and Cassandra,  Phlyakes vases) A. named the persons depicted, and in one case (Hesperids lekythos: Naples, MN 2873) gave the scene a title. On one phlyakes vase (Berlin, SM F 3044) he is evidently referring to a contemporary stage-play. …

[German version] Long-sleeved  tunica reaching down to the knees, named after its country of origin Dalmatia; mentioned in literature for the first time at the turn of the 2nd cent. AD. According to evidence from written sources and statues, the dalmatica was white with a purple   clavus that went vertically from the shoulders to the hem; the materials from which it was made were wool, silk, a half-silk and linen. The dalmatica was worn by men (with a cingulum militiae when on duty) and women. As early as the 3rd cent. AD it was adopted as liturgical church dress and became…

[German version] Leading genre of red-figured,  southern Italian vase painting, c. 430 - c. 300 BC, with its production centre in Taranto. Apulian vases (AV) are subdivided into plain and ornate style. The first hardly employs any additional colours and concentrates on bell-shaped and colonette craters as well as smaller vessel types, and applies simple decor and compositions of one to four figures to them (Sisyphus Painter, Tarporley Painter). Mythological themes are one of the focal points, furthermore the…

[German version] Archaeological research regards the fish-plate (FP) as a plate that is decorated with paintings almost exclusively of fish and other marine animals (mussel, cuttlefish, prawn, shrimp, electric ray, seahorse and many more); other motifs are rare (e.g. grasshopper, head of a woman or purely floral ornament). FP have a wide standing ring and a handle of varying height. Their dish, with an edge bent round to the outside, inclines in a trough shape towards the deepened centre. As a cer…

(κοσμητής; kosmētḗs, ‘steward’). [German version] [1] Athenian official responsible for the training of the ephebes In Athens, the official responsible for the training of the ephebes after the reorganization of the ephēbeía around 335/334 BC. The kosmētes was chosen by the people, presumably from those citizens over 40 years of age ([Aristot.] Ath. Pol. 42,2). During the two-year training period, a kosmētes was probably responsible for a contingent of ephebes for both years. He is named in many lists of ephebes from the 4th cent. BC to the 3rd cent. AD; …

[German version] (ἀναξυρίδες; anaxyrídes). Iranian trousers worn by Scythians, Persians and neighbouring peoples (Hdt. 7,61 ff.) as well as mythical figures of the Orient (Amazons, Trojans, Orpheus, i.a.) who were characterized by these trousers. Anaxyrides were already known to the Greeks in the 6th cent. BC (various vase paintings; ‘Persian’ rider, Athens AM Inv. 606). In ancient art, anaxyrides are depicted as close-fitting along the legs, often in conjunction with a bodice resembling a leotard which covers the arms. This oriental attire is completed by the kandys (Iranian sl…

[German version] ( simpulum, simpuium). Short-handled ladle of Roman priests and Vestal Virgins, usually of clay (Plin. HN 35,158); it was used to pour the wine needed for a  sacrifice (with ill.) on the sacrificial bowl. There are several representions of simpuvia on coins and in reliefs. In everyday life the simpuvium was replaced by the long-handled Greek kýathos (Varro Ling. 5,124). Hurschmann, Rolf (Hamburg) Bibliography E. Zwierlein-Diehl, Simpuvium Numae, in: H. A. Cahn (ed.), Tainia. Festschrift R. Hampe 1980, 405-422 (with notes 58 and 69 on the form simpuium).

[German version] Even before the end of the 5th cent. BC, Greek vase painters had begun to depict grotesque comic scenes of the phlyakes' burlesques. The c. 250 extant vases and vase fragments show a rich repertoire of burlesques of the gods and heroes (e.g. Zeus and Hermes on an amorous adventure, Heracles at sacrifice), travesty of myth (Oedipus and the Sphinx) and daily life (punishment of a thief, love scenes, wedding). In Greece itself, PV are quite rare, although they are common in Apulian and Paestan vase painting…

[German version] (ἀκακία [ akakía], Dioscorides 1,133; ἄκανθα [ ákantha], Theophr. Hist. pl. 6,1,3). The Egyptian shittah or rubber tree, already mentioned in Hdt. 2,96, belongs to the genus of mimosa plants widespread in the Mediterranean. The sap ( kommì, gum) secreted by the tree was used by the Egyptians for embalming corpses (Hdt. 2,86), but then also in human medical applications (ophthalmology) and was traded at high prices in Roman times (Plin. HN 13,63). The acacia sap was processed into mouth pastilles (Plin. HN 24,109) for…

[German version] I. Ancient Orient In the Ancient Orient differences existed between male and female hairstyles as well as human and divine hairstyles. Ancient Oriental hairstyles were usually based on long hair. With the exception of goddesses who were portrayed en face with long curls, braided hairstyles were usually worn up to the 1st millennium. Men preferred knots and women braided crown styles. The form and size of knots and braided crowns were used to differentiate between gods and humans. Shaved heads as a special style were fr…

[German version] (Greek στρῶμα, strṓma; Lat. stragulum). Blankets were usually made of linen or wool, but also from the moleskin (Plin. HN 8, 226) and from furs ( Textile art). They were part of the  household equipment; owning many of them was a sign of wealth (Hom. Il. 16,224; Hom. Od. 3,348). Blankets were placed over the mattresses of the dining sofas and were used as cover during sleep (Hom. Il. 9,661; Hom. Od. 6,38; 11,189; 13,73). Blankets, like pillows and furs, were also placed on chairs. Sim…

[German version] I. Science Σπόγγος/ spóngos, σπογγία/ spongía (Attic σπογγιά/ spongiá), Latin spongia (with the special names peniculus in comedies of such as Plautus and Terence, penicillus in Colum. 12,18,5 and Pliny) is the Bath Sponge ( Euspongia officinalis Bronn.), which grows in the Mediterranean. Four geographical subspecies, three black and one white (ἀπλυσία/ aplysía of the genus Sarcotragus Schmidt), are distinguished by Aristotle in his accurate description (Hist. an. 5,16,548a 30-549a 13; cf. Plin. HN 9,148-150) and a further one by Diosco…

[German version] (κυβεία/ kybeía; Lat. alea). Allegedly invented by the Lydians (Hdt. 1,94,3),  Palamedes [1] before Troy (Paus. 2,20,3; 10,31,1) or the Egyptian god Thot (Pl. Phdr. 274c-d). Dice are occasionally mentioned in mythology (Hdt. 2,122,1), e.g., Eros plays with Ganymede (Apoll. Rhod. 3,114-126), Hercules with a temple guard (Plut. Romulus 5,1 f.) and Patroclus with Clysonymus (Hom. Il. 23,87 f.). Either four-sided knuckle bones ( astragalos [2], Lat. also talus) that had inscribed on them the values one and six as well as three and four, or six-sided dice (κύβοι/ kýboi;…

[German version] Roman cape of different lengths, produced from a semi-circular cut. It was sewn together at the front, had an opening for the head to slip in and a sewn-on hood. If required, the seam at the front could be unpicked from the bottom end in order to give the arms more room to move. The paenula was made of leather, linen or (sheep's) wool and was worn by men and women of all classes, slaves and soldiers, in particular as a travelling and bad-weather coat for protection against the cold and rain; it was white or gray, or dyed in various sh…

(Τέττιξ, lit. “cicada”). [German version] [1] Founder of a city at the entrance to Hades A Cretan said to have founded a city on the Taenarum near the supposed entrance to Hades: there the man who killed Archilochus in battle, Callondas, nicknamed Corax, was sent by Delphi to placate Archilochus' ghost (Plut. De sera 17.615E, whence Suda α 4112, probably via Ael. (fr. 80)). The hypothesis of [1] that Archilochus called himself T. remains unproven, in spite of Lucian, Pseudol. 1 and Archil. fr. 223  West. Bowie, Ewen (Oxford) Bibliography 1 Göber, s. v. T. (1), RE 5 A, 1111. [German version] [2…

[German version] ('Greeting'). The morning reception allowed clients ( cliens, clientes ) to pay their respects to their patronus , and to receive advice (Hor. Epist. 2,1,102) and support, e.g. money ( sportula ). It took place during the first two hours of the morning (Mart. 4,8); the client ( salutator) had to attend in toga (Juv. 3,126 f.); hence Martial (3,46,1) calls the clients' duties the togata opera. The visitors gathered in the vestibulum or atrium of the house of their patronus and awaited admission (Hor. Epist. 1,5,31). Friends and prominent individuals were grant…

[German version] (ἀργυροθήκη/ argyrothḗkē; Latin arcula, crumena). It seems that MB were unknown in archaic and classical Greece; money was kept in trunks and chests together with jewellery and other objects of value (e.g. Theophr. Char. 10). Probably the oldest surviving MB is from Priene (2nd/1st cent. BC) and has the form of a little temple with a slit in the pediment for inserting money, which can be taken out again through a lockable opening at the rear [1. 190 f. no. 25]. The Romans used small pots for keeping money ( olla or aula, Cic. Fam. 9,18,4, cf. also Plautus's comedy Aulularia).…

[German version] [1] Roman cloak Roman cloak of unknown form; known from literary sources but not identifiable with certainty from monuments. In contradistinction to the  toga, the abolla is the costume of the farmer and the soldier (Non. 538,16), and to satirists it is the cloak favoured by philosophers of the Cynic and Stoic schools (Mart. 4,53; Juv. 3,115). The abolla was evidently similar to the   chlamys , both in form and in the way it was worn (Serv. Verg. Aen. 5,421). Abolla is possibly a general term for the shoulder-cloak (cf. Juv. 4,76, mentioned as the cloak of the praefectus urbi). …

[German version] plays only a minor role in myth and history. One case in point is Hades' helmet of invisibility which Athena uses (κυνέη Ἄϊδος/ kynéē Áïdos, Hom. Il. 5,844 f.) and then hands to  Perseus [1].  Midas hides his donkey ears under a turban ( Tiara), Ov. Met. 11,180 f. A hat (  pilleus ) was taken from  Lucumo ( Tarquinius [11] Priscus) by an eagle and then brought back, which was seen as a positive omen for the future, Liv. 1,34; a wind blows  Alexander [4] the Great's   kausia off his head (Arr. Anab. 7,22,2 f.). Greek and Roman men went bareheaded in everyday life, unless …

[German version] Male garment of a rectangular cloth (felt or loden) with a triangular or circular section cut out, sometimes also with hood. Worn as a shawl or cape and fixed at the right shoulder with a buckle or fibula (Pins), thus leaving the right side of the body uncovered. The sagum originally came from Gaul (Diod. Sic. 5,30,1: σάγος/ ságos; Varro, Ling. 5,167; Caes. B Gall. 5,42,3: sagulum) but was also worn by Germans and Iberians and in Italy and North Africa. It belonged to the garb of slaves and workers and to the battle dress of Roman navy and infan…

[German version] Equipment needed for training and for practising a sport in antiquity. 1) Hoplitodromia (verb ὁπλιτοδρομεῖν/ hoplitodromeȋn) was the last running competition to be included in the programme of the Olympic Games (Olympia IV.) in 520 BC (65th Olympiad). In the beginning it was run in full kit (helmet, greaves, round shield), but the armour was successively reduced until only the shield (ἀσπίς/ aspís) remained ( cf. Paus. 6,10,4). this discipline, which only adult males entered, is represented particularly in vase paintings. 2) The torch race (λαμπαδηδρομία/ lampadēd…

[German version] The toga, adopted from the Etruscans, was the official garment of Roman citizens which was worn in public and which non-Romans were not allowed to wear (Suet. Claud. 15,3; gens togata: Verg. Aen. 1,282). Originally, the woolen toga was worn over the bare upper body and over the subligaculum that covered the lower body, later over the tunica . The common toga of the simple Roman citizen was white ( toga pura, toga virilis). Furthermore, there was the toga praetexta with a crimson stripe along the edges ( clavi; status symbols) which was worn by curule officials, by the Flamines …

[German version] (κηρός; kērós). According to Plin. HN 11,11, (bees)wax was one of the most widely used materials. Among the properties of cera are conservation of shape, the capacity to seal and adhere (Hom. Od. 12,47-49 and passim), inflammability ( Lighting), lustre; cera also aids the healing process (Dioscorides 2,83,3; Plin. HN 22,116). When warmed, cera is easy to work, but also becomes soft or fluid ( Icarus). Cera was used in  sculpture;  painting; in bronze casting; in magic (for amulets and articulated dolls etc.); in funerary art (  imagines maiorum );…

[German version] Board game in which a player attempted to remove his own 15 counters by reaching the end of the other side of the board. Moves were determined by throwing two or three dice; if two or three of the opponent's counters occupied a line, the first player's own counter could not be placed on that line; if only one counter was there, it could be removed. According to Isid. Orig. 18,60, duodecim scripta was played with a dice shaker or ‘tower’, dice and counters. The board consisted of 36 squares decorated with geometrical figures such as circles or squares,…

[German version] Brightly painted ceramics of the 3rd/2nd cents. BC, named after the place of their discovery in Sicily. Vessel forms ( Pottery, shapes and types of ) are pyxis, lekanis and lebes, and infrequently other types such as lekythos. The painting, in tempera colours (white, pink, black, yellow, red, gold, with isolated instances of green and blue) on a ground of orange-coloured clay (friezes of acanthus, tendrils and architectonic forms, heads, busts) is executed only on one side of the vessel. The vessels are of considera…

[German version] (σφαιρίσεις; sphairíseis, pilae lusus). Homeric society already enjoyed ball games (BG) (Hom. Od. 6,110-118; 8,372-380), which have also been practised by people of all social levels (Ath. 1,14e, 15c; 12,548b; Plut. Alexander 39,5; Cic. Tusc. 5,60) and age groups since then. The Romans took many BG over from the Greek. Some were team games, like   harpaston or ἐπίσκυρος, epískyros (Poll. 9,103f.; schol. Pl. Tht. 146 i.a.), during which the opposite party was gradually pushed off the field by long-range shots, perhaps depicted on the relie…

(τάπης, τάπις, ταπήτιον/ tápēs, tápis, tapḗtion; Lati. tapes, tapete). [German version] I. Ancient Near East and Egypt The only surviving rug (from kurgan V at Pazyrik, southern Siberia, 5th-4th cent. BC) is knotted in wool [1]. Otherwise, the existence of rugs in the ancient Near East can only be deduced from various pictorial representations. Owing to their similarity to modern rugs [2], the geometric motifs on wall paintings (7th cent.) at Çatal Hüyük (Turkey) are called 'kelim motifs'. However, definite evid…

[German version] In the first place mourning dress belonged in the personal area of family and friends, but it could also accompany public mourning. In Homer only mourning goddesses wore dark veils (Hom. Il. 24,93 f.; Hom. H. 2,42). The society described by Homer contented itself with dirtying their clothes with dust and ashes or tearing them (Hom. Il. 18,22 f.; 23,40 f.; 24,640; 28,25). Such behaviour was retained in the historical period by the Greeks and the Romans (e.g. Plut. Solon 21; Eur. El…

[German version] Pottery type found among the Italic peoples who inhabited the area of modern provinces around Bari and Foggia, with local production sites particularly in Ordona and Canosa. From their early phase (around 700 BC), the vessels display a geometric ornamentation independent of the Greek range of subjects, which is applied in red and brown to black earthen colours onto the manually formed vessels. Among these are diamond and triangular patterns as well as band ornaments, wavy lines, circle, cross, square, arc, …

[German version] [1] Thin stick Thin stick or spoon for stirring foods, medications, etc. (Greek κύκηθρον/ kýkēthron, Aristoph. Pax 654), called rudicula in its small form (Plin. HN 34,176), usually made of wood, more rarely of iron (Plin. HN 34,170). Hurschmann, Rolf (Hamburg) [German version] [2] Wooden epee Wooden stick or rapier for the fencing exercises of soldiers and gladiators. The rudis also served the lanista as a badge for separating fighting gladiators or for bestowing order on the fight. Retired gladiators received the rudis upon becoming supervisors in the fencing…

[German version] From Latin acetum (vinegar); this goblet-shaped vessel with an indented wall profile served as a container for vinegar and honey, as a table and cooking vessel as well as a wax melting utensil; also used as a beaker amongst conjurers. Usually, the acetabulum was made of clay or glass, sometimes of precious metal. Its volume was very small (0,068 l [1]); in Apicius (6,8,3) and Apici excerpta a Vindario VI, the acetabulum is also equivalent to a cooking vessel.  Catinus Hurschmann, Rolf (Hamburg) Bibliography 1 F. Hultsch, s. v. A., RE I, 155 f. G. Hilgers, Lat. Gefäßnamen, …