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[German version] (Λαπίθαι/ Lapíthai, Latin Lapithae). Mythical Thessalian tribe (Hom. Il. 2,738ff.; Str. 9,439ff.), particularly known for their battle with the Centaurs. According to a late version, they were descendants of an eponymous ancestor Lapithes or Lapithas, who was himself descended either from Apollo and a daughter of the river god Peneius (Stilbe) or from Ixion and the slave Dia (Diod. Sic. 4,63,2; 5,58,5; Paus. 5,10,8; schol. Apoll. Rhod. 1,40). Descent from Ixion would make the L. en…

(Κένταυρος; Kéntauros). [German version] [1] Father of the centaurs According to Pind. Pyth. 2,21ff. son of  Ixion and  Nephele (the supposed Hera). C. fathers the  centaurs with the mares of Pelion (Diod. Sic. 4,70). Walde, Christine (Basle) [German version] [2] Ship According to Virgil (Aen. 5,122; 10,195), name of a ship with the figure of a centaur. Walde, Christine (Basle) [German version] [3] Constellation The constellation C., usually identified with  Chiron or  Pholus. Walde, Christine (Basle)

[German version] (πάθος/ páthos, i.a. 'passion', Latin. i.a. perturbatio animi, affectus), provoking emotion for the purpose of persuasion, occupies a central position in all major ancient and aesthetic literary works (catharsis). The first reference text is Aristotle's Rhetoric [6], which posits that the audience is convinced in three ways: through ethos (ethical self-presentation of the speaker), pathos (the presentation of the subject matter in a way calculated to produce an emotional response from the listener) and logos (logic…

[German version] A. Memoria as part of the rhetorical system In Graeco-Roman antiquity, a speech was supposed to be delivered from memory, i.e. without written aids (exception: Cicero's speech to the Senate on his return from exile; he merely prefaced it with some improvised words of thanks, Cic. Planc. 74). Recall of phrases, thoughts, and arguments of the rhetorical system were also indispensable for the orator: memoria, the ‘treasure-house of recollection’, is the foundation of every form of rhetoric (Cic. Inv. 1,9; Rhet. Her. 3,28). On that basis, memory is one of the five  partes or…

[German version] (Ἰφικλῆς; Iphiklês, also Ἴφικλος; Íphiklos). Son of  Alcmene and  Amphitryon, twin (half-)brother of  Heracles, for whose godlike powers he is used as a foil. In their cot he flees from the snakes, which Hercules strangles (Pherecydes FGrH 3 F 69). I. participates in the Calydonian Hunt and in Hercules' Trojan campaign (Diod. Sic. 4,49,3). With Automedusa, daughter of Alcathous, he fathers  Iolaus. After the battle against Erginus, Hercules is married to Creon's older daughter Megara,…

[German version] (εὕρεσις, heúresis: invention, finding sc. of ideas). In the system of rhetoric, inventio denotes the first of five production stages in the compositon of a speech (  partes orationis ; apart from inventio,   dispositio ,   elocutio ,   memoria ,   pronuntiatio ). Within the separation of verbal realization ( verba) and ideas ( res), which permeates all rhetoric in antiquity and counteracts this quintuple division, the inventio together with the dispositio, to which it is inseparably linked, belong to the res that are conceded a peculiarly concrete status. The inventio s…

[German version] (ἀντίθετον, ἀντίθεσις; antítheton, antíthesis), contrapositum, contentio, assigned to the list of conceptual and verbal figures, but also part of rhetorical argumentation as such. It is therefore relevant for the theory of expression (rhetoric) as well as for the theory of cognition and contemplation (dialectics, e.g. in Heraclitus: war and peace as opposites). Antithesis creates a semantic broadening through a critically-dividing or a mediating juxtaposition of two (or more) words, wo…

(μεταφορά/ metaphorá, ‘transference’; Latin loan translation: translatio). [German version] A. Definition of the problem and its classification in the rhetorical system The discussion of metaphor and other forms of figurative speech, which today is taking place with great emphasis in various fields (linguistics, neurophysiology, psychology, and philosophy), has its origin in Aristotle, who dealt with metaphor in the ‘Poetics and ‘Rhetoric. In keeping with these origins, metaphor finds its place in the rhetorical sys…

[German version] Roman tragedy by an unknown author, handed down in the corpus of  Seneca's tragedies. This drama, the longest in antiquity (1996 v.), has been subject to highly controversial assessments, mostly depending on whether Seneca's authorship is accepted or rejected (extremes [1] and [2], mediating [3]). The subject, the events leading up to the death of Hercules and his apotheosis, is treated originally, despite artistic and intelligent  intertextuality with Soph. Trach., Ovid (Epist. 9 and Met. 9) and to Seneca's Hercules Furens. The stylization of Hercules as sav…

[German version] (Κέρβερος, Kérberos). A guard dog that belongs to the standard repertoire of the Graeco-Roman  Underworld who signals and prevents any unauthorized entry into, or departure from, the realm of the dead. He often appears at the side of  Hades and/or  Persephone. In the Hellenistic age C. in a changed form was also associated with the god  Sarapis (Macrob. Sat. 1,20,13-14). C. is mentioned for the first time -- although without a name or any more detailed description -- in Homer in connection with the adventures of  Hercules in the Underworld…

(Κελαινώ, Kelainṓ, of κελαινός/‘dark’). [German version] [1] Lover of Poseidon One of the  Pleiades (Hes. fr. 275,2 Rzach; Ov. Fast. 4,173), by Poseidon mother of Lycus (Apollod. 3,111; Eratosth. Katasterismoi 23) and of Nycteus (Hyg. Poet. Astr. 2,21). Walde, Christine (Basle) [German version] [2] One of the Harpies One of the  Harpies living with the Strophades, who predicts to the Aeneads that they would devour their tables before the founding of the city (Verg. Aen. 3,209-258; cf. Val. Fl. 4,453ff.). Walde, Christine (Basle)

[German version] (Μορφεύς). One of the many sons of Hypnus (of ‘Sleep’, Latin Somnus) who personify the dream life of people. With his brothers Icelus and Phantasus M. is responsible for the realistic form of dream images. M., who appears to Alcyone in the form of her dead husband Ceyx, in particular, became proverbial in the tradition of Ovid (‘lie in M.'s arms’). The ‘dream artists’, mentioned only by Ovid (Met. 11,633-676) in his description of the caves of sleep localised in Cimmeria, are amon…

[German version] ( Κήϋξ; Kḗyx). Son of Hesperus and Philonis (Apollod. 1,7,4), king of  Trachis. C. grants asylum to Hercules in his flight from Calydon, who went from there to his death on the Oeta, and to his spouse Deianira (Apollod. 2,7,6; Diod. Sic. 4,57,1). C. later also receives the Heraclides, whom he must however send on their way (Hecataeus FGrH 1 F 30). C.'s life is marked by blows of fate: his son Hippasus participates in Hercules' campaign against Oechalia and loses his life (Apollod. 2…

[German version] (Μελπομένη/ Melpoménē; Lat. Melpomena; descriptive name: ‘she who sings’; cf. Diod. Sic. 4,7: M. because of the melody that affects the listeners). One of the nine Muses (Hes. Theog. 77). According to Achelous [2], she is the mother of the Sirens (Apollod. Ep. 7,18). For a long time, M. remains the least specific and most rarely mentioned Muse. She is regarded as the patron of tragedy, especially of the lyric choral parts, and is depicted with, among other things, theatrical masks (c…

[German version] (Μῶμος/ Mômos). Greek personification of censoriousness, son of Nyx/Night (Hes. Theog. 214). In the Kýpria, M. is an advisor to Zeus (Kypria fr. 1 EpGF). Iulianus (Ep. 50) tells that M. was gripped by excessive rage, because he could find no fault with Aphrodite. After Callimachus, who often refers to him in his literary feuds as the embodiment of the stupid, carping caviller (e.g. Callim. H. 2,113; Callim. Fr. 393), M. is often mentioned in later literature (Lucian. Iuppiter tragoedus 19ff; Lucian. Verae historiae 2,3). In his Oneirokritiká (Artem. 4 pr.), the drea…

(Greek Λαῦνα/ Laûna). Name of two female characters who are linked with the Aeneas myth ( Aeneas). [German version] [1] Daughter of Anius Daughter of Anius - the priest king of Delos at the time of the Trojan War (Dion. Hal. Ant. Rom. 1,59,3) - who marries Aeneas (Ps.-Orig. 9,2,5) and later as a seer accompanies him on his wanderings. L. dies on the site where Lavinium is built (Isid. Orig. 15,1,52). Walde, Christine (Basle) [German version] [2] Daughter of Latinus and Amata Daughter of Latinus and of Amata who after the death of her brother is the sole heir to the throne (Ve…

[German version] (Ὑπερίων; Hyperíōn; on the etymology [1]). In the tradition of Hesiod one of the  Titans, who with his sister Theia fathers the gods of light Helios ( Sol),  Selene and  Eos (Hes. Theog. 134; 371-374; Apollod. 1,2,8). Opinions are divided on his participation in the  titanomachy (schol. Hom. Il. 14,274 Dindorf contra Serv. Aen. 6,580). In Homer, however, H. is an epithet (Hom. Od. 1,8) as well as an independent term for Helios (Hom. Il. 19,398, but especially in Roman poetry: e.g. …

(Πιερίδες/ Pierídes; Lat. Pierides or Pieriae). [German version] [1] Epithet of the Muses Name for the Muses after the place of their residence (Hes. Theog. 53). Walde, Christine (Basle) [German version] [2] The nine daughters of Pierus The nine daughters of Pierus (Paus. 9,29,4) and Antiope, they challenged the Muses to an artistic competition, were defeated and turned into magpies (Ov. Met. 5,671ff.)  (Ov. Met. 5,294ff.; Antoninus Liberalis 9,1ff.). According to Antoninus Liberalis l.c. their names were Acalanthis, Colymbas, Iynx…

[German version] Latin rhetor and advocate in the early Imperial Period. His intelligence and gift for oratory allowed him to work his way up from modest circumstances to being a welcome guest at the court of Tiberius [II 1] (Quint. Inst. 6,3,100; Tac. Ann. 1,74). In the quaestor Caepio [1] Crispinus' treason case against the praetor Granius [II 3] Marcellus he appeared as a joint plaintiff. Seneca [1] the Elder's numerous mentions of him express admiration for his extraordinary command of the lan…

[German version] In ancient rhetoric, the terms εικών/ eikṓn (literally ‘image’, ‘illustration’: often for short comparisons), παραβολή/ parabolḗ (especially for similes) as well as Latin simile, similitudo cover diverse phenomena dominating a word, sentence or even a text that create a relationship between two facts or spheres of the imagination. The primary function of emphasis placed the comparison close to the  topos (Quint. Inst. 4,1,70), and the exemplum (5,11,22; but cf. Cic. Inv. 1,49), the figurae sententiarum (Cic. De or. 3,201 = Quint. Inst. 9,1,31;  figures). A theory…