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[German version] were used in antiquity from the Geometric Period on for the serial production of art. It exists when a model created specifically for the purpose is used to manufacture a not always specified number of repetitions. The intention may be economic, aesthetic (if identical products are desired) or, in the particular case of coins, dictated by the very purpose of the objects. It is crucial to distinguish this from the subsequent repetition of an original which is itself of value, as se…

(Ὀνάτας; Onátas). [German version] [1] Bronze sculptor from Aegina, 5th cent. BC Bronze sculptor from Aegina, son of Micon. O. was a contemporary of Hegias [1] and Ageladas and o…

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[German version] Etruscan terracotta sculptor from Veii. According to Plin. HN 35,157, V. made the clay cult image of Iuppiter Capitolinus in Rome commissioned by Tarquinius [11] Priscus (first half of the 6th cent. BC) for a temple which was not, however, dedicated until 509 BC. Ascribing to V. the rest of the building sculpture of this temple and that of the temple of Veii is hypothetical. A Hercules fictilis by V. in Rome (Plin. HN loc.cit.) is not more closely defined and is not identical with a statuette mentioned in Mart. 14,178.…

[German version] (Σμῖλις/ Smîlis). Son of Euclides, a sculptor from Aegina, probably 6th cent. BC. Pausanias (5,17,1) saw S.' enthroned Horae in the temple of Hera at Olympia and gives an account of his cult image of Hera in Samos (7,4,4). A late source (Athenagoras, Legatio pro Christianis 17,4 Schoedel) ascribes to S. a cult image of Hera in Argos. Ancient tradition places him among the mythical artists of the period of Daedalus [1]; Plin. HN 36,90 ascribes architectural marvels to him. His name can be derived from  σμίλη ( smílē, ‘chisel’). Speculation on S.' technical inventions …

(Πολύευκτος/ Polýeuktos). [German version] [1] Son of the Athenian Themistocles Third son of Themistocles and his first wife Archippe, daughter of Lysander of Alopece (who adopted the second son, Diocles); nothing is known of his life. Kinzl, Konrad (Peterborough) Bibliography Davies, 6669  R. Frost, Plutarch's Themistocles. A Historical Commentary, 1980, ad 32,1  Traill, PAA, 778325. [German version] [2] Athenian rhetor, 2nd half of 4th cent. BC …

[German version] (Εὐμάρης; Eumárēs). Painter in Athens. He was considered to be the inventor of the distinction between male and female figures, probably by means of the skin colour, and of a new flexibility of the bodies. If he can be correctly associated with this stage of development achieved around 600 BC, he cannot be equated with the bearer of this common artist's name who appears as the father in a signature of  Antenor and his brother and who himself placed his signature on a work on a base of the Acropolis around 520 BC.…

(Μύρων; Mýrōn).

(Γλύκων; Glýkōn). [German version] [1] Poet Named by Heph. 10,2 Consbruch as the inventor of Glyconic verse ( Metre). His existence is disputed and the three verses ascribed to him (= 1029 PMG) are generally viewed as alexandrine in terms of metre: G. could hardly have lived before Sappho (late 7th cent. BC), who used this meter. Choeroboscus names G. (in his Comm. on St. In Heph. Consbruch) as a comedic poet, but probably mistook him for Leucon (PCG V 612). Anth. Pal. 10,124, a two-liner on the futil…

[German version] (Θεοκλῆς; Theoklês). Son of Hegylus, sculptor from Sparta. T. was a pupil of Dipoenus and Scyllis and thus was active in the mid-6th cent. BC. A representation in cedar wood of 'Heracles with the Hesperids' in the treasury of Epidamnus in Olympia were by him and his son; at the time of Pausanias the Hesperids were in the Temple of Hera (Paus. 6,19,8). Neudecker, Richard (Rome) Bibliography Overbeck, No. 328 f.  P. Moreno, s. v. T., EAA 7, 1966, 816  H. Marwitz, Hegylos?, in: AA 1969, 106 f.  Fuchs/Floren, 215.

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(Διογένης; Diogénēs). Known personalities: the Cynic D. [14…

[German version] II. Archaeology The definition and application of this term, which has been transferred by modern scholars from Hellenistic literary criticism (ἀρχαισμός/ archaismós, ἀρχαίζειν/ archaízein = 'to archaize') to the fine arts, are disputed. Archaism exists where works of art from the Classical period and later (from c. 480 BC) intentionally adopt aspects of the Late Archaic period (2nd half of the 6th cent. BC). Such aspects are especially hair and beard styles, garments (zigzag folds) and motifs of gesture (splayed fingers, motif of the standing figure). These motifs often exaggerate archaic forms or reinvent them. Archaism occurs in reliefs, more rarely on statues and in glyptics (Gem cutting). It is rare on coins and …

[German version] I. Ancient Near East Stone figures and reliefs, in part large-sized, are authenticated in Palestine, Anatolia and Upper Mesopotamia as early as the Aceramic Neolithic Age (7th millennium BC), although in Mesopotamia not until the 6th millennium in the form of small idols. As the context of the finds suggests, they were part of cult buildings, and in the Levant also of a grave cult. The early Sumerian anthropomorphic stone sculpture from Uruk (late 4th millennium) and the early Elamian…

[German version] I. Introduction Terra cotta (an Italian term meaning 'burnt clay') was the commonest material used for many kinds of ancient utensils, vessels and art objects. In archaeological terminology, it refers to artistically formed objects. As well as free moulding by hand, mass production was also usual, in the Near East (from the 3rd millennium BC) and the Mediterranean (from the 6th cent. BC). A matrix was derived from the patrix (original) to serve as a mould. If the object was made hol…

(Ἀριστίων; Aristíōn). [German version] [1] Epicurean philosopher, ' Tyrant' of Athens (88-86 BC) Epicurean philosopher, who, in 88 BC, became very influential in Athens with the help of  Mithridates VI (‘Tyrant’). In order to win the Greeks over to Mithridates, A. supported  Archelaus, e.g. in the battle against the proquaestor Q. Braetius Sura at  Chaeronea. In the spring of 87 BC, he retreated from  Sulla back to Athens. The city fell on 1 March 86 BC; A. managed to hold out on the Acropolis for a short w…

[German version] (Μυρμηκίδης; Myrmēkídēs). Sculptor in marble and toreutics . His creative period is not known, it probably lay in the 6th cent. BC. Mostly named in conjunction with Callicrates [2], he had a legendary reputation for producing microscopically small works in marble, iron and ivory. There are descriptions of a quadriga small enough to fit under the wings of a fly, a ship the size of a bee and a sesame seed enscripted with Homeric verses. Neudecker, Richard (Rome) Bibliography Overbeck, No. 293, 2168, 2192-2201  P. Mingazzini, s.v. M., EAA 5, 1963, 313-314.

(Κωλώτης; Kōlṓtēs). [German version] [1] Sculptor from Heraclea in Elis Sculptor from Heraclea in Elis. C. was a pupil of  Phidias, and worked together with him, e.g. on the Zeus at Olympia. He worked principally in gold and ivory. In gold-ivory C. created an Asclepius in Kyllene and, according to Pliny (Plin. HN 35,54), an Athena in Elis, which according to Pausanias (Paus. 6,26,3), however, was attributed to Phidias; as this Athena's shield is said to have been painted by  Panaenus, a collective effort was proba…