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Thiasos
(261 words)
[German version] (θίασος;
thíasos). Affiliation of people for the purpose of worshipping a god, as a rule a religious association (Associations). From the Hellenistic and Roman Imperial Periods there are numerous epigraphic sources, distributed throughout the ancient world, in which
thíasoi are mentioned beside
collegium ,
koinón ,
orgeônes ,
éranos and other terms for both religious and non-religious associations, from which they cannot always be clearly distinguished [1; 2.8-56]. A law ascribed to Solon [1], in which
hieroì orgeônes and
thiasôtai are mentioned (Dig. 47,22,…
Source:
Brill’s New Pauly
Theoi pantes
(297 words)
[German version] (θεοὶ πάντες/
theoì pántes, 'all the gods'). The gods in their entirety. They are called upon in vow formulas, oaths and prayers, and named in curses, short invocations or requests. Benedictions are offered to TP and altars are dedicated to them. The pantheon [2] is the sacred place for the worship of their cult. The Greek composite personal names
Pánthe(i)os,
Pánthe(i)a,
Panthýs are derived from TP. Benedictions for 'the all-divine',
to pántheion, are connected with their cult ([1; 3. 697-703] with examples). Besides TP
, the gods in their entirety are described as
pánte…
Source:
Brill’s New Pauly
Sancus
(371 words)
[German version] Semo S. Dius Fidius (Dion. Hal. Ant. Rom. 4,58,4; CIL VI 30994), also called Dius Fidius, S. or Semo S. A god of mysterious origin and nature, assumed to be of Sabine extraction (Ov. Fast. 6,213-18; Varro, Ling. 5,66). The name S. (also transmitted as
Sanctus) is derived from Latin
sancire, 'to make steadfast, fix' (but it is also explained as the Sabine word for 'heaven': Lydus, Mens. 4,90; [4. 116]). Semo is of unknown derivation, but is associated with
semen ('seed') and understood to indicate a god of sowing ([3]
contra [2. 204]). The god, along with Salus Semonia …
Source:
Brill’s New Pauly
Parable
(1,403 words)
[English version] The parable (Greek
parabolḗ, Latin
parabola: 'comparison', from
parabállein: 'to juxtapose') is a genuinely Enlightenment genre, typical of the literature of both the late 18th cent. and the first half of the 20th cent.: for the former it was a “Hebel der Erkenntnis” ["lever of knowledge"] (Gotthold Ephraim Lessing) and for the latter its criticism (Brecht, Kafka). Parables are characterized as a textual corpus in five ways: 1. by their self-contained nature: from the 17th cent. on, ther…
Source:
Brill’s New Pauly