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[German Version] a figurative genre that developed from first examples in early 15th century France (abbey church of La Chaise-Dieu, ¶ Auvergne; Franciscan monastery of Aux Saints Innocents, Paris) and gradually spread throughout Europe (Fr. Danse macabre, Ger. Totentanz). Its existential theme (deceased people inviting the living to a last dance) continues to arouse artistic and medial interest to this day (Stöckli). The tradition associated with …

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[German Version] I. Church History According to Ambrose, Sebastian came from Milan and was martyred in Rome ( Expositio psalmi CXVIII 20.44; CSEL 62, 466). His legendary Passio (PL 17, 1021–1058) says he came from Narbonne and was an officer in the Praetorian Guard; he was denounced underDiocletian for encouraging Christian martyrs and shot by archers at the emperor’s command, so that the arrows transfixed him “like a hedgehog.” Sebastian survived his wounds but was finally clubbed to dea…

[German Version] is the name given to a collection, originally in Greek, of various longer texts in which existing, exotic, in part also mythical animals, stones, and plants (e.g. lion, unicorn, diamond) are interpreted in terms of ascetic conduct and salvific Christian truths by one who knows nature, the Physiologus. The literature spoke of this scholar’s symbolic, allegorical, or typological view of things, and of a method of symbolism that uses nature only to point to a hidden moral or spiritua…

[German Version] ¶ I. Terminology To an unusual degree, the theology of the Trinity is characterized by a strained combination of narrative biblical language and speculative philosophical language. The word trinitas was first used by Tertullian ( …

[German Version] I. Religious Studies, Systematics – II. Academic Research Disciplines – III. History – IV. Christian Theology I. Religious Studies, Systematics 1. Methodology. In defining the relationship between art and religion from the perspective of religious studies, one cannot speak of a universal concept of art and religion on the phenomenal level. To do comparative work, however, sufficient abstract characteristics must be established as a tertium comparationis to enable a systematic examination of the relationship between art and religion. This is possible through a moderately functional perspective that determines the pertinent function of art and religion as well as their contributions to each another apart from their historically and culturally varying manife…

[German Version] I. Religious Studies In the 1960s, religious studies began to discuss the continuing decline of religious commitment in Europe intensively. In particular the writings of Bryan Wilson ( Religion in a Secular Society, 1966) and Peter L. Berger ( The Sacred Canopy, 1967), drawing on the ideas of M. Weber, É. Durkheim, and others led to formulation of a so-called theory of secularization, where secularization denotes a natural aspect of the process of moder…

[German Version] I. Concept The French term “Renaissance,” which was also borrowed by German and English, belongs to the large group of organic metaphors applied to historical occurrences. Used from the 19th century in…