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A. Ancient contexts and principles From the very establishment (probably 535–531 BC) of Greek T. as a constituent element in the City Dionysia (the festival founded by Peisistratus in honour of the god Dionysus and central to life in democratic 5th-cent. Athens), T. as a literary genre was to the utmost degree determined by processes of reception and intertextual references. The reasons for this are to be found on various levels. As a choral genre [45], it developed out of choral lyrical forms (accor…

[German Version] I. Antiquity – II. Middle Ages to the Present I. Antiquity In the so-called Old Attic Comedy of the 5th century bce, as represented by the 11 extant comedies of Aristophanes (c. 450–385; the comedies produced in Sicily and Megara [so-called Megarian farces] are lost), the role of religion is a twofold one. First, dramas (Drama: I, 2) performed in the context of the festivals dedicated to Dionysus were considered to be spiritual offerings to the god and could therefore only be staged once (until 386 bce). Secondly, religion and cult were recurrent themes of…

[German Version] I. Antiquity 1. The etymology of the word τραγῳδία/ tragōdía indicates the genre’s cultic roots. Contrary to the traditional interpretation (“goat song”), Burkert understands the term to mean a song (ᾠδή/ ōdé; Ode) accompanying the sacrifice of a ram (τράγος/ trágos). Preliterary evidence of the performance of tragedies has been found in conjunction with the introduction of the cultic hymn to Dionysus (dithyramb; Drama: I) by Arion in Corinth (c. 600 bce) and in Sicyon (northern Peloponnese). Herodotus (5.67) speaks of the choruses of tragedies in Si…

[German Version] I. Greco-Roman Antiquity – II. Drama and Religion – III. Drama and the Christian Tradition I. Greco-Roman Antiquity 1. Concept The noun δρᾶμα/ dráma, derived from the verb δρᾶν ( drán, “do, act”), seldom means “action, deed” in the general sense. Especially in the tragedies of Aeschylus, the verb and noun form the antithesis of παϑεῖν ( patheín, “suffer”) and πάϑος ( páthos, “suffering”), for example in Aesch. Ag. 533. Predominant is the special meaning “drama, play” (Theater), in which the aspect of staging and stage action stands out (e.g. Arist., Ranae 920). Deriv…

[German Version] I. History of Religion 1. Cultic originsa. a. Theatrical performances are attested long before the institutionalization of the dramatic genres in Athens (536/533: tragedy [I], 486: comic drama [I]): Dorian forerunners of tragedy in Sicyon and Corinth; 6th-century Attic vases testifying to the existence of animal choruses comparable to those of the 5th-century comedies. The roots of theater lie in the sacrificial rites (Sacrifice: II, 2) associated with the cult of Dionysus. The inhibition…

[German Version] (497/496, Athens – 406 bce), Athenian tragedian, who had his debut in 470. Seven of his plays (out of probably 113) have survived: Ajax and the Trachinian Women, written in the 450s, Antigone (c. 440), Oedipus the King (436–433), Electra (a late work), Philoctetes (409), and Oedipus at Colonus (performed posthumously in 401). His tragedies present individuals in extreme situations, whose behavior can overstep the limits of hubris. The protagonists are contrasted with figures representing the average person (Chrysothemis, Ismene…

[German Version] Derived from the Greek adjective τραγικός/ tragikós, tragic originally suggested nothing more than association with the art of tragedy. According to Aristotle ( Poet. 13, 1453 a 30), Euripides was the “most tragic” playwright, since his plays reflect most closely the purpose of tragedy: to evoke pity and fear and lead to purification (Catharsis) of or from these emotions. In the modern period, several different conceptions of the tragic can be identified. At the center of the moralistic and theological …

[German Version] At the Great Dionysia (Dionysus), the most important festival of Athens, each of the final three days was marked by the performance of three tragedies followed by a satyr play as a burlesque conclusion. In the case of Aeschylus, the satyr play shared subject matter with the trilogy, but this does not seem to have been the case with Sophocles and especially Euripides, who sometimes substituted a tragedy for the satyr play ( Alcestis, 438 bce). Archaeological evidence indicates that the satyr play was introduced into the festival program between 520 and 510 bce; the first a…

[German version] (Θεύδοτος; Theúdotos). Greek tragedian (TrGF I 157), victorious with the satyr play Palamedes presumably in Magnesia [2] in the 1st cent. BC (DID A 13,5). Zimmermann, Bernhard (Freiburg)

[German version] (Φαράδας; Pharádas) from Athens; was successful with a satyr play after 85 BC at the Museia in Thespiae (Boeotia) (TrGF I 173). Zimmermann, Bernhard (Freiburg)

[German version] [1] Tragedian of the 4th cent. BC (Μάμερκος/ Mámerkos). Tragedian of the 4th cent. BC mentioned in Plut. Timoleon 31,1 (TrGF I 87). Zimmermann, Bernhard (Freiburg) [German version] [2] Praenomen Praenomen exclusively used by the Patrician gens of the Aemilii (also used there as a cognomen, but never for freedmen); shortened to Mam.; Greek Μάμερκος/ Mámerkos. First attested for the father of Aemilius [I 25], traced back to M., son of Numa Pompilius (Plut. Numa 8,18f.). The name also occurs in Oscan (Μαμερεκς/ Mamereks) and in Etruscan ( Mamarce, Mamerce, Mamurke, 7th-5t…

[German version] (Σπίνθαρος; Spíntharos). Tragic poet (TrGF I 40), according to Suda σ 945 author of a Heracles burned and a ‘ Semele struck by lightning. Since Heraclides [16] Ponticus (fr. 13 Wehrli) describes him as an old man, he cannot be identical to the Phrygian S. mentioned in Aristoph. Av. 762, but must have lived in the 4th cent. BC. Zimmermann, Bernhard (Freiburg)

(Μοσχίων/ Moschíōn). [German version] [1] Tragedian, 3rd cent. BC Athenian tragedian, probably 2nd half of 3rd cent. BC, known almost solely through quotations by Stobaeus. Titles attested include ‘Telephos and two historical dramas: ‘Themistokles, at the heart of which was probably the naval battle at Salamis, following on from Aeschylus' ‘Persians, with the distinction that M. made Themistocles the protagonist; and ‘The Pheraeans, probably dealing with the death of Alexander [15] of Pherae. A lengthy f…

(Φαίνιππος; Phaínippos). [German version] [1] Attic landowner, around 320 BC The country estate of P., son of Callippus, is described in an Attic court speech around 320 BC (Ps.-Dem. Or. 42). In the antídosis proceedings the plaintiff demands that P. should be placed on the list of the three hundred richest Athenian citizens, who bore the heaviest burden of the financial cost of liturgies ( ibidem 42,3f.), instead of himself. P.’ property was unusual for two reasons: on the one hand, P. was the only heir of his father and, at the same time, of his grandfather on h…

(Ἰοφῶν; Iophôn) [German version] [1] Son of Peisistratus from his second marriage Son of  Peisistratus from his second marriage to the Argive Timonassa, the daughter of Gorgilus and widow of the  Cypselid Archinus of Ambracia. In contrast to his brother  Hegesistratus [1], only I.'s name has survived ([Aristot.] Ath. pol. 17,3; Plut. Cato maior 24,8; Hdt. 5,94f.). Patzek, Barbara (Wiesbaden) Bibliography L. de Libero, Die Archaische Tyrannis, 1996, 88 Traill, PAA 537360. [German version] [2] Athenian tragedian, 5th cent. BC Athenian tragedian (TrGF I 22), a son of  Sophocl…

(Φάνης; Phánēs). [German version] [1] Primordial god of the Orphic cosmogony In Greek, 'the one who illuminates, enlightens, appears; the one who is (makes something) obvious' (OF frr. 56; 61; 109); the light-like (Nonnus, Dion. 9,141) and golden-winged (OF frr. 54; 78; 87,2) primordial god of the Orphic cosmogony (OF fr. 78; 86; World, creation of the). This cosmogony, recorded by a certain Hieronymus and Hellanicus (OF fr. 54), must be distinguished from that in the Hieroì Lógoi, an Orphic poem in 14 rhapsodies (OF testimonia 174; 196). P. was not the original name of …

(Ξενοκράτης/ Xenokrátēs). [German version] [1] X. of Acragas, mentioned by Pindar, c. 500 BC Brother of the tyrant Theron of Acragas. Pind. Pyth. 6 refers to X.' victory in chariot-racing at the Pythian Games (Pythia [2]) in 490 BC, and Pind. Isthm. 2 to his charioteering victory at the Isthmian Games (Isthmia) in c. 470 BC. The latter ode was written after X.' death. Meister, Klaus (Berlin) Bibliography H. Berve, Die Tyrannis bei den Griechen, 1967, 133; 135. [German version] [2] X. of Chalcedon Academic philosopher, 4th cent. BC Academic philosopher (Academy), 4th cent. BC. Stanzel, Ka…

[German version] [1] Cretan port This item can be found on the following maps: Dark Ages | Colonization | Aegean Koine (Κόμμος; Kómmos). Port on the southern coast of Crete, situated near Matala and Phaestus. In the Minoan period K., which was founded around 2000 BC, probably served as the harbour for the palace of Phaestus, until its destruction around 1200 BC. After being deserted for c. 200 years, it was resettled around 1000 BC, presumably the result of Phoenician stimuli, and was increasingly Hellenized until the 4th cent. BC. Archaeological excavations (…

(Φιλοκλῆς; Philoklês). [German version] [1] Athenian demagogue Athenian demagogue, elected to the office of stratēgós in 406/5 BC and dispatched with the fleet to Conon [1] at Samos, both of whom thereupon were in command of the fleet in the Hellespont. Re-elected as a stratēgós, and subsequently partially to blame for the defeat in 405 BC at Aigos Potamos, P. was captured and executed by Lysander [1] for having had the crews of two captured Spartan triremes thrown into the sea (Xen. Hell. 1,7,1; 2,1,32f.; Diod. Sic. 13,104,1f.; Paus. 9, 32,9; Plut. Lysander 13,1f.; Plut. Sulla 42,8). Schmi…

[German version] (Κριτίας; Kritías) of Athens, born about 460 BC, descended from an old Attic noble family, on his mother's side he was an uncle of  Plato. Like  Alcibiades [3] he belonged to the circle around  Socrates. Politically he belonged to the antidemocratic forces: in 415 he was accused of participating in the mutilation of the  Herms, in 411 he was a member of the oligarchic council of the 400 ( Tetrakosioi). After the democratic restoration he stayed in Thessaly until 404, after the Athe…

Zimmermann, Bernhard (Freiburg) [German version] A. Antiquity and Middle Ages (CT) In contrast to Greek tragedies, where repeat performances had been officially permitted since 386 BC, there is no epigraphical evidence of any repeat performances of 'ancient' comedies prior to 339 BC. It appears, though, that not the 5th cent.-comedies, but those by contemporary authors or by poets of the immediate past, i.e. those from the periods of the Middle and New Comedy, were performed again.The Old Comedy of the 5th…

Name of a Plebeian family (connection with the Campanian city of Pompeii is unclear). The family acquired political significance with P. [I 1]; he is the origin of the Rufi branch. With P. [I 8] a related branch attained consulship and with his son Cn. P. [I 3] Magnus supplied the most significant member of the gens. Both lineages continue until the early Imperial period (family trees: [1; 2; 3]). I. Republican Period [German version] [I 1] P., Q. Consul 141 BC A homo novus and popular orator (Cic. Brut. 96), he became consul in 141 BC, despite resistance from the nobility a…

[German version] (ἡ πάροδος/ hē párodos, literally 'entrance, entry song of the chorus'). In his list of components common to all tragedies, Aristotle [6] defined parodos in his Poetics (12, 1452 b22f.) as the first chorus part, with an additional sense of 'entry song' or 'entry speech' (cf. Aristot. Eth. Nic. 1123 a23f.). However, structural analysis should not be limited to rigid, schematic definitions, but also consider the construction and development of dramatic action (σύστασις τῶν πραγμάτων, ibid.). In Attic tragedy, the parodos may open the play (Aesch. Pers. and Supp…

[German version] (τὸ μηχάνημα, τὸ τέχνημα; tò mēchánēma, tò téchnēma). Already Hom. Od., bks. 19-24 shows the close link between recognition scenes ( Anagnorisis) and intrigue that is typical of Attic tragedy. Locus classicus is Aesch. Cho. Intrigue is missing from almost none of Euripides' plays, so that Aristoph. Thesm. 94 can rightly call him the ‘master of the intrigue play’. Euripides composes anagnṓrisis-intrigue dramas especially in his later work. After the recognition, rescue is effected by an intrigue (e.g. Eur. IT 1017ff.; Eur. Hel. 1034ff.). In Ion there is a playful …

[German version] (ἔξοδος, generally ‘departure’, ‘end’). According to Aristot. Poet. 1452b 21f., the exodos is the part of a tragedy which is not followed by a chorus ( Stasimon) (concluding act). Moving from this broad definition, it probably makes more sense to define the exodos in a narrower sense as the exit of the chorus at the end of a drama (cf. Aristoph. Vesp. 582). The most frequent form in tragedy is the ‘ ecce conclusion’: the deed and the doer are presented in a pathos-laden concluding scene (initially usually indirectly by means of a messenger's report […

(Θεσσαλός/ Thessalós). [German version] [1] Eponym of the Greek territory of Thessaly Eponym of the Greek territory of Thessaly (Thessalians, Thessalia; Plin. HN 4,28), son of Haemon [1] (Rhianus FGrH 265 F 30), of the Heraclid Aeatus (Charax FGrH 103 F 6) or of Iason [1] and Medea (Diod. Sic. 4,54 f.). Binder, Carsten (Kiel) [German version] [2] Of Athens, son of Peisistratus [4] Athenian, son of Peisistratus [4]. Not named in Herodotus, T. first appears in Thucydides (1,20,2; 6,55,1) as a childless full brother of Hippias [1] and Hipparchus [1] from t…

[German version] (ἡ κάθαρσις; hē kátharsis). Katharsis, derived from καθαίρειν ( kathaírein, purge), generally means any type of purgation and elimination of visible (dirt) and invisible uncleanliness (religious defilement: míasma, cf. Hdt. 1,35; Aristot. Poet. 17,1455b 15). In the 2nd half of the 5th cent. BC the term was used as medical term for the removal of harmful substances from the human body or soul (LSJ, s.v. κ. II). The cultic-ritual and medical-psychological meanings have merged in Aristotle's concept of katharsis, which of old has been a matter of scholarly con…

[German version] Greek tragedian, who enjoyed success at the Dionysia several times after 468 BC (TrGF I 11). Zimmermann, Bernhard (Freiburg)

[German version] Tragedian from the closing years of the 5th cent. BC; according to the scholia on Aristophanes he was known for his gluttony (TrGF I 30 T 1-3). Zimmermann, Bernhard (Freiburg)

(Καρκίνος; Karkínos). [German version] [1] Cancer, the crab that was turned into a sign of the zodiac for biting Heracles in the foot at the behest of Hera while fighting the Hydra (Eratosth. Katasterismoi 11). The Alexandrian month of Karkinon (Καρκινών) was named after it. Walde, Christine (Basle) [German version] [2] Epic poet C. of Naupactus, epic poet of the archaic period. In Paus. 10,38,11 C. is named, with reference to Charon of Lampsacus, as the author of the Ναυπάκτια ἔπη ( Naupáktia épē), evidently a history of this town, lying at the entrance to the Corinthian Gulf…

[German version] (Πολυχάρης/ Polychárēs). Early 4th cent. BC poet, uncertain whether of tragedy or dithyramb (DID B 6). Zimmermann, Bernhard (Freiburg)

[German version] I Greek (Καλλίστρατος; Kallístratos). [German version] [I 1] Tragedian Tragedian (TrGF I 38), whose ‘Amphilochus and ‘Ixion (DID A 2b, 80) won him second place at the Lenaea of 418 BC; probably not identical with the didáskalos (‘director’) of  Aristophanes [3]. Zimmermann, Bernhard (Freiburg) Bibliography P. Geißler, Chronologie der altatt. Komödie, 1969, 6f. PCG IV, p. 56. [German version] [I 2] Important Athenian politician, elected strategos in 378/7 BC Important Athenian politician and outstanding orator, nephew of  Agyrrhius and kēdestḗs (probably fat…

(Φρύνιχος/ Phrýnichos). [German version] [1] P. from Athens Tragedian, around 500 BC Tragedian. According to Suda φ 762 (TrGF I 3 T 1) he achieved his first victory in 511/508 BC and died on Sicily (T 6). He is said to have been the first person to bring female roles to the stage and to have 'invented' the trochaic tetrameter (T 1), which probably means that he introduced the metre into the tragic genre. He was famous on account of the quality ('sweetness') of his sung parts (Aristoph. Vesp. 219), whose len…

(Λυσίμαχος; Lysímachos). [German version] [1] Athenian, 5th cent. BC Athenian, son of Aristides [1], born around 480 BC, is a dialogue partner in Plato's Láchēs (178ff.), where he is represented as the prototype of the unsuccessful son of a celebrated father. A decree mentioned by Demosthenes (20,115; cf. Plut. Aristides 27), according to which L. is said to have been granted support from the state because he was penniless after the death of his father, is probably a construction from the 4th cent. Stein-Hölkeskamp, Elke (Cologne) Bibliography Davies 1695 III-IV. [German version] [2] G…

(Φιλίσκος; Philískos). [German version] [1] Poet of Middle Comedy Poet of Middle Comedy, to whom the Suda attributes 7 play titles: Ἄδωνις (Á dōnis), Διὸς γοναί ( Diòs gonaí/ 'The Birth of Zeus'; Adespoton 1062 K.-A. is sometimes assigned to this play [4]), Θεμιστοκλῆς ( Themistoklês/ ' Themistocles'; title probably incorrectly included in the list [3. n. 37]), Ὄλυμπος ( Ólympos; ' Olympus'), Πανὸς γοναί ( Panòs gonaí; 'The Birth of Pan'), Ἑρμοῦ καὶ Ἀφροδίτης γοναί ( Hermoû kaì Aphrodítēs gonaí/ ' The Births of Hermes and Aphrodite'; possibly two plays [3. n. 24]), Ἀρτέμιδος καὶ Ἀ…

(Πολίτης/ Polítēs). [German version] [1] Son of Priamus Son of the Trojan king Priamus and Hecabe. During the Trojan War, he saves his wounded brother Deiphobus (Hom. Il. 13,533 ff.). The goddess Iris appears once in his guise (ibid. 2,786 ff.). He is killed at the altar in the palace of Neoptolemus [1] (Verg. Aen. 2,526 ff.). According to Cato (Orig. fr. 54 HRR), he reaches Latium with Aeneas (Aeneas [1]) and founds the city of Politorium. Zimmermann, Bernhard (Freiburg) [German version] [2] Companion of Odysseus According to Paus. 6,6,7 ff., one of the companions of Odysseus; r…

(Μενέλαος/Menélaos, Attic Μενέλεως/Menéleos; Latin Menelaus). [German version] [1] Ruler of Sparta, married to Helena A significant character in the cycle of myths about the Trojan War ( Troy: Cycle of myths). A younger brother of Agamemnon, who ruled the most significant power centre in Greek myth, Mycene, by marriage to Zeus's daughter Helen ( Helene [1]; their only child was a daughter, Hermione) M. became king of a region in the Eurotas valley with its capital Sparta and Amyclae [1], which was significant…

[German version] (Σκληρίας/ Sklērías) or Sclerius (Σκλήριος/ Sklḗrios), tragic poet cited by Stobaeus (TrGF I 213), dates unknown. It is unlikely that the Skolion (PMG 890) which only Stobaeus ascribes to S. (TrGF I 213 F 5) is in fact by him (testimonies in PMG 651). Zimmermann, Bernhard (Freiburg)

I. Cartography [German version] A. Definition In the following, ‘maps’ are defined as graphic representations with the purpose of easing the understanding of spatial-geographical concepts. The extent to which Greeks and Roman produced and used maps has been the subject of controversy in recent times, not least, because it touches on the wider question of how far we can safely assume that our own cultural attitudes and expectations were shared by classical antiquity. Talbert, Richard (Chapel Hill, NC) [German version] B. The concept of maps It is obvious that antiquity had no con…

[German version] [1] Tragedian (Τιμησίθεος; Timēsítheos). Greek tragedian, mentioned in the Suda (τ 613), not datable. According to Suda τ 613, author of 11 tragedies (TrGF I 214). Zimmermann, Bernhard (Freiburg) [German version] [2] see Furius [II 5] see Furius [II 5]

(Ἐπιγένης; Epigénēs). [German version] [0] Of Sicyon, Greek tragedian, 6th cent. BC E. of  Sicyon. According to the Suda s. v.  Thespis (θ 282 = TrGF I 1 T 1), the first tragedian (6th cent. BC). The audience supposedly reacted to the lack of Dionysiac content in his plays with the proverbial exclamation οὐδὲν πρὸς τὸν Διόνυσον ( oudèn pròs tòn Diónyson, ‘But this has nothing to do with  Dionysus!’; TrGF I 1 T 18,3). Perhaps E.'s activity may be related to the τραγικοὶ χοροί ( tragikoì choroí, ‘tragic choruses’) attested for Sicyon in Hdt. 5,67 [2. 21-23].  Tragedy I Zimmermann, Bernhard (Fr…

(Τιμόθεος; Timótheos). [German version] [1] T. of Metapontum Greek physician, c. 400 BC Greek physician, fl. c. 400 BC. According to the Anonymus Londiniensis (8,8), T. believed that disease was the result of the blockage of passages through which residues would have been excreted. Residues that have risen up from the entire body are forced to remain in the head until they are transformed into a saline, acrid fluid. They then break out and cause a wide variety of disease, whose character is determined by the place or places to which they flow.. Humoral theory Nutton, Vivian (London) …

(Ἀγάθων; Agáthōn). [German version] [1] Attic tragedian Attic tragedian, c. 455- c. 401 BC, son of Tisamenus (Schol. Lucian. Rhetorum Praeceptor 11). According to Ath. 5,217b he achieved his first Lenaean victory in 416. The post-victory celebration of this win forms the historical background to Plato's Symposium. In 411 he is made fun of in the Thesmophoriazusae of Aristophanes, and in the same year he is defended in court by Antiphon [4]. Like Euripides, he left Athens before 405 (cf. Aristoph. Ran. 83-5, Ael. VH 13,4) and made his way to the court…

(Ἡλιόδωρος; Heliódōros). [German version] [1] Chancellor under Seleucus IV, 2nd cent. BC Son of Aeschylus of Antioch on the Orontes, was educated with Seleucus IV and was a courtier (τῶν περὶ τὴν αὐλήν) and well-respected chancellor (ὁ ἐπὶ τῶν πραγμάτων τεταγμένος) under him in 187-175 BC (IG XI 4,1112-1114, or OGIS 247; App. Syr. 45). When financial difficulties after the defeat of Seleucus' father Antiochus III against the Romans (190/188), in conjunction with internal Jewish intrigues, had led to special…

[German version] (Κλεαίνετος; Kleaínetos). Tragedian (TrGF I 84), won the 3rd place at the Lenaeans in 363 BC; mocked by  Alexis as not exacting (Fr. 268 PCG), by  Philodemus (84 T 3 TrGF I) as a worse poet than Euripides. ‘Hypsipyle’ is attested as a title. Zimmermann, Bernhard (Freiburg)

(Μενεκράτης; Menekrátes). [German version] [1] Attic comic poet, 5th cent. BC Attic comic poet of the 5th cent. BC. Two titles of his plays have survived, Ἑρμιονεύς/ Hermioneús (or Ἑρμιόνη/ Hermiónē?) and Μανέκτωρ/ Manéktōr (probably ‘Manes as Hector) [1. test. 1], as well as an anapaestic tetrameter (fr. 1) from the latter. It is uncertain whether Menecrates was once victorious at the Dionysia [1. test. *2]. Nesselrath, Heinz-Günther (Göttingen) Bibliography 1 PCG VII, 1989, 1-2. [German version] [2] Tragic poet, 5th cent. BC Greek tragic poet, victor at the Great Dionysia in…

(Ζώπυρος; Zṓpyros). [German version] [1] Persian, took part in the capture of Babylon Prominent Persian, son of Megabyzus [1], who according to Hdt. 3,153ff. had the gates of rebelling Babylon opened to Darius [1] I by using a ruse (self-mutilation and pretending to be a victim of the Great King). For this deceptive manoeuvre (Polyaenus, Strat. 7,13; referring to King Cyrus: Frontin. Str. 3,3,4) Z. allegedly received from Darius the satrapy of Babylonia for life and tribute-free, but he was killed when the B…

[German version] (Θεοδωρίδης; TheodōrÍdēs). Greek tragedian (TrGF I 78 A), took second place at the Athenian Lenaea in 363 BC with a Medea and a Phaethon (DID A 2b, 94). Zimmermann, Bernhard (Freiburg)

(Πάμφιλος; Pámphilos). [German version] [1] Athenian soldier, 4th cent. BC Athenian hípparchos and stratēgós. In 389 BC, he erected a permanent emplacement on Aegina and besieged the island, but had to be relieved after five months, himself besieged by the Spartan Gorgopas. Convicted of embezzlement and fined heavily at Athens, P. still owed the city five talents at his death after having sold his estates (Lys. 15,5; Xen. Hell. 5,1,2; Aristoph. Plut. 174; 385; Plat. fr. 14 PCG; Dem. Or. 39,2; 40,20 and 22). Schmitz, Winfried (Bielefeld) Volkmann, Hans (Cologne) Bibliography Davies, 36…

(Σεραπίων; Serapíōn). [German version] [1] S. of Antioch Mathematical geographer, 1st cent. BC Mathematical geographer to whom Plin. HN 1,2 referred to as gnomonicus ('measurer of shadows'). In 59 BC, Cicero (who was his contemporary) received S.'s geographical treatise from Atticus as the newest source for his planned Geographica but was hardly able to understand the content (Cic. Att. 2,4,1). In the treatise, Cicero encountered S.'s fierce criticism of Eratosthenes [2] (ibid. 2,6,1). S. estimated the circumference of the sun to be 18 times t…