Search

, the principal hero of the Iranian epic, especially in the version of Firdawsī [ q.v.]. 1. In Iranian legend. Neither his name nor that of his father Zāl occur in the Avesta. In the Yas̲h̲t s, Kərəsāspa (in Persian, Kars̲h̲āsp or Gars̲h̲āsp) is the most important heroic figure. Marquait conjectured that originally “Rustam” was no more than an epithet of Kərəsāspa, which only by chance was not attested in the extant Avestan texts. The exploits later attributed to Rustam would be the result of a blend of the l…

(a.), lit. “that which is put together from several pieces”, sc. an album. Unlike their European counterparts, who hung or attached their pictures on walls, Muslim connoisseurs and collectors mounted theirs in albums. In the classic muraḳḳaʿ , paintings and drawings alternate with specimens of calligraphy, the whole being generally provided with a handsome binding and sometimes with an illuminated frontespiece. These albums were usually large, the stiff pages having wide and often decorated margins. But consid…

(a.), originally designates “a ladder”, and then “an ascent”, and in particular, the Prophet’s ascension to Heaven. 1. In Islamic exegesis and in the popular and mystical tradition of the Arab world. The Ḳurʾān (LXXXI, 19-25, LIII, 1-21) describes a vision in which a divine messenger appears to Muḥammad, and LIII, 12-18, treats of a second mission of a similar kind. In both cases, the Prophet sees a heavenly figure approach him from the distance, but there is no suggestion that he himself was carried away to Heaven. However, i…