Search

, Ṭāʾūs (a.) substantif masculin (pi. ṭawāwīs, aṭwās) tiré du grec ταώΣ désignant le paon ( Pavo) de la famille des phasianidés, originaire d’Asie et comptant quatre espèces: a) le paon bleu ( Pavo cristatus), b) le paon spicifère ( Pavo mutkus), c) le paon du Congo ( Afropavo congensis), d) le paon noir ( Pavo nigripennis). 1. Dans le folklore. Ce bel et majestueux oiseau de grande taille, attribut, dans l’antiquité greco-latine, de la déesse Héra/Junon, n’avait, aux yeux des Arabes, d’intérêt que la magnificence de son plumage, car il était regardé comm…

(a.), en art islamique, «ornement, décor». Le mot est lié au nom zuk̲h̲ruf «or» «ouvrage d’ornement» utilisé dans Ḳurʾān, XVII, 95/93, bayt min zuk̲h̲ruf, et il existe un adjectif muzak̲h̲raf «orné»; l’origine de zuk̲h̲ruf semble provenir d’une variation, ¶ par le syriaque, du grec zōgrapheō «peindre», voir Jeffery, The foreign vocabulary of the Qurʾān, Baroda 1938, 150. Le décor islamique possède certains caractères qui, même s’ils ne lui sont pas exclusivement spécifiques, sont suffisamment originaux pour être reconnaissables. L’un de ceux-ci est qu…

(a.), «mine, minerai, métal, minéral»; en arabe moderne, c’est plutôt mand̲j̲iam qui est employé dans le sens de «mine», tandis que d̲j̲amād désigne un minéral et que maʿdin correspond aux deux autres acceptions; muʿaddin désigne un mineur. Dans le vaste empire islamique, les minéraux jouaient un rôle important: on avait besoin d’or, d’argent et de cuivre pour la frappe des monnaies et d’autres usages. Le minerai de fer était indispensable pour produire le fer et l’acier destinés à la fabrication des armes et des instruments divers…

, nom donné aujourd’hui aux ruines d’un château umayyade inachevé, que le peuple appelle Ḳaṣr His̲h̲ām et qui sont situées dans le Wādī l-Nuwayʿima, au Nord de Jéricho. Les ruines compreiment trois édifices distincts: un palais, une mosquée et un bain contigu à une grande salle. A l’Est de ce complexe, il y avait une avant-cour ‘ à colonnades avec un bassin ornemental. Quelques vestiges architecturaux supplémentaires subsistent au Nord de ces bâtiments, mais ils n’ont pas encore été fouillés. Le…

, in mediaeval times known as Minya or ʿAyn Minyat His̲h̲ām, is the name for the ruins of an apparently unfinished Umayyad mansion about 230 m. west of the northern end of Lake Tiberias. The ruins were excavated in 1932 by A. E. Mader and between 1936-9 by A. M. Schneider and O. Puttrich-Reignard. During July-August 1959 the western section of the palace was excavated by O. Grabar in collaboration with the Israel Department of Antiquities. The building consists of an irregular rectangular enclosure (66.40 m. × 73 m. × 72.30 m.) facing the four cardinal points. Like othe…

(a.), "mine, ore, mineral, metal". In modern Arabic, the word mand̲j̲am denotes "mine", while muʿaddin means "miner" and d̲j̲amād is a mineral. In the vast Islamic empire, minerals played an important part. There was a great need for gold, silver and copper for the minting of coins and other uses. Iron ore was indispensable for the manufacture ¶ of iron and steel for arms and implements. Other minerals such as mercury, salt and alum, as well as pearls and precious stones, were necessary for everyday life. The empire was richly endowed with the various…

(a.), in Islamic art, “ornament, ornamentation”. The word is connected with the noun zuk̲h̲ruf “gold” > “ornamental work” used in Ḳurʾān, XVII, 95/93, bayt min zuk̲h̲ruf, and there is an adjective muzak̲h̲raf “ornamented”; the origin of zuk̲h̲ruf seems to be in a deformation, via Syriac, of Grk. zōgrapheō “to paint”, see Jeffery, The foreign vocabulary of the Qurʾān , Baroda 1938, 150. ¶ Islamic ornament possesses certain qualities that, even if not exclusive to this art, are sufficiently distinct to be recognisable. One is that it is independent from the u…

, popularly known as Ḳaṣr His̲h̲ām, is the modem name for the ruins of an unfinished Umayyad mansion in the Wādī ’l-Nuwayʿima, north of Jericho. The ruins comprise three separate buildings: a palace proper, a mosque and a bath attached to a hall. On the east side of this complex stood a colonnaded forecourt with an ornamental pool at its centre. Additional architectural remains lie north of these buildings, but have not yet been excavated. Foundations of a wall, found north of the site, suggest …

(in Islamic art), a term used for any kind of ewer, irrespective of function or material, but generally a vessel for pouring water or wine. Together with a basin, it is also used for washing hands and feet. Other terms for specific kinds of ewers are kubra or bulbula (see Abū Nuwās, Diwān , ed. Wagner, i, Beirut 1958, 54, 3). The chronology and geographical origin of early metal ewers up to the 4th/10th century have not yet been definitely established. They can be classified typologically into five groups, representing a slow departure from mainly Sāsānid…

, Ṭāʾūs (a.), masculine substantive (pls. ṭawāwīs , aṭwās ) drawn from the Greek ταώς and denoting the peacock ( Pavo ) of the family of the Phasianidae, originally from Asia and comprising four species: (a) the blue peacock ( Pavo cristatus); (b) the spiciferous peacock ( Pavo muticus); (c) the Congo peacock ( Afropavo congensis ); and (d) the black peacock ( Pavo nigripennis). 1. In Muslim lore. This attractive and majestic large-tailed bird, an attribute in Greek and Latin Antiquity of the goddess Hera/Juno, was of no interest to the Arabs other than in the ma…

Metalworker of late 13th century, whose one attested signed work is a silver and gold-inlaid brass bowl (Galleria Estense, Modena, no. 8082).A version of this article is available in printVolume I, Fascicle 2, pp. 134 ʿABD-AL -QĀDER B. ʿABD-AL-ḴĀLEQ ŠĪRĀZĪ, metalworker of the late 7th/13th century and early 8th/14th century. His one attested signed work is a silver and gold-inlaid brass bowl (Galleria Estense, Modena, no. 8082). It is dated Moḥarram 705/July-August, 1305 and is the first dated specimen of a series of similarly shaped…

Metalworker of the second half of the 6th/12th century. A version of this article is available in printVolume I, Fascicle 2, pp. 158 ʿABD-AL -RAZZĀQ B. MASʿŪD NAYSABŪRĪ, metalworker of the second half of the 6th/12th century. Two bronze objects are known which bear his signature, and these indicate (in agreement with his nesba) a Khorasanian workshop. These are a perfume sprinkler (Berlin, no. I 3565) and an inkwell (MMA, no. 48.108). Both objects are cast. The fluted body of the sprinkler and the cylindrical shape of the inkwell and its cover wit…

a metalworker who lived between the late 15th and the early 16th century.A version of this article is available in printVolume I, Fascicle 7, pp. 778 ʿALĀʾ-AL- DĪN ŠAMS-AL-DĪN MOḤAMMAD BĪRJANDĪ, a metalworker who lived between the late 15th and the early 16th century A.D. His nesba suggests that either he or his family hailed from Bīrǰand, in the 8th/14th and 9th/15th centuries an important provincial town in Qūhestān. Two bronze objects with his signature are recorded: a jug, dated 1 Ramażān 908/28 February 1503 (sold at Christie’s, Octobe…