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[German version] (Δαμόκριτος/ Damókritos; also: Democritus [Δημόκριτος/ Dēmókritos]). Sculptor from Sicyon, active during the first half of the 4th cent. BC. Pausanias saw a victor's statue of his in Olympia. Pliny chose the Attic form of the name, for a Democritus, who made statues of philosophers. In Rome his name was found on the statue of Lysis from Miletus in a lost collection of copies of 4th cent. works. Neudecker, Richard (Rome) Bibliography Overbeck, no. 463, 466-468 (sources) Loewy, no. 484 Lippold, 247-248.

[German version] Greek sculptor. A statue of Aphrodite (Rome, MN) bears his signature, with the additional note that the model is in the Troad. The work, which is a variation on the type of the Capitoline Venus, dates from the 1st cent. BC. Neudecker, Richard (Rome) Bibliography G. Cressedi, s.v. Menephanto, EAA 4, 1961, 1026 Loewy, Nr. 377 B. S. Ridgway, Hellenistic Sculpture, 1, 1990, 356 O. Vasori, Museo nazionale romano. Le sculture, 1, 1, 1979, 109-111, Nr. 81.

(Πύρρος/ Pýrr(h)os). [German version] [1] Son of Achilles and Deidamia See Neoptolemus [1] Neudecker, Richard (Rome) [German version] [2] Bronze sculptor from Athens, c. 430 BC Bronze sculptor from Athens. A base bearing P.' signature of a larger than life-size statue on the Athenian Acropolis is dated to c. 430-420 BC and connected with a record of an Athena Hygieia constructed by order of Pericles [1]. Neudecker, Richard (Rome) Bibliography Overbeck, no. 904-906; 869  A. Raubitschek, Dedications from the Athenian Akropolis, 1949, no. 166  L. Guerrini, s.v. Pyrrhos (3), EAA 6, …

[German version] (Ζηνᾶς/ Zēnâs). Sculptor's name on two Roman portrait busts from the early 2nd cent. AD. The addition to the signature of the father's name Alexander (IG XIV 1241) in the one case and of β in the other (IG XIV 1242) suggests two different sculptors. The name points to a connection with sculptors from Aphrodisias (Aphrodisias [1], sculptors' school). Neudecker, Richard (Rome) Bibliography Loewy, Nr. 383 a-b P. Moreno, s. v. Z., EAA 7, 1247 f.

[German version] (also Boidas). Sculptor, son and pupil of  Lysippus. He worked in Byzantium around 300 BC. Pliny was aware of his fame but mentioned only the statue in Rome of a worshipper. For a long time the statue of the so-called ‘Praying boy’ from Rhodes in Berlin (PM) was erroneously identified with it. Neudecker, Richard (Rome) Bibliography R. Kabus-Preisshofen, Der ‘Betende Knabe’ in Berlin, in: AA 1988, 679-699 Overbeck, no.1516. 1521 (sources) B. S. Ridgway, Hellenistic Sculpture, 1, 1990, 227-228.

(Πυθαγόρας/ Pythagóras). [German version] [1] Fictitious Spartan and adviser to Numa Pompilius Fictitious person, supposedly from Sparta, victor at the Olympic Games in 716 BC, emigrated to Italy where he became an adviser to king Numa Pompilius. It seems this person was constructed to establish a connection between P. [2] and Roman religion (Plut. Numa 1,2-3). Käppel, Lutz (Kiel) Bibliography F. Ollier, Pythagore de Sparta, REG 59/60, 1946/7, 139-149. [German version] [2] Philosopher, c. 600 BC Natural philosopher and charismatic teacher from the 6th and early 5th cent…

[German version] I. Term and general Derived from the Latin statuere ('to set up'), in sculpture, 'statue' denotes a completely three-dimensionally designed figure. This form of stand-alone depiction of people, animals and the more than human is at the centre of Greek artistry. In archaeological usage, statues which are integrated into architecture are also included in the term (pediment, akroterion ), but reliefs are not. Individual statues can be combined in a group in content and execution. The format of the statue ranges from sm…

(Ἡφαιστίων; Hēphaistíōn). [German version] [1] Commander under Alexander the Great, 4th cent. BC H. of Pella, friend and probably lover of  Alexander [4]. Their relationship was soon likened to that of  Patroclus and  Achilles [1] and correspondingly embellished. It is doubtful whether he was a childhood friend of Alexander (Curt. 3,12,16), as he was not banished by  Philippus II in 337 BC. The wreath offered to Patroclus at Troy and the scene described in the vulgate version ( Alexander historians) of the c…

[German version] [1] (also: Demeas) Sculptor from Croton (also: Demeas). Sculptor from Croton. In 532 BC he created the victor's statue of Milon in Olympia that is described by Pausanias; there is a base with fragmentary inscriptions that is seen as going together with it. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 428 Loewy, no. 414 Overbeck, no. 484 (sources). [German version] [2] Bronze sculptor from Cleitor, c. 405 BC Bronze sculptor from Cleitor, student of Polycletus. In Delphi he created, for the victory statue of the Spartans who went to Aigosp…

[German version] [1] Sculptor whose existence is contested Sculptor whose existence is contested. Pliny (HN 36,35) mentions a work in marble in Rome Venerem lavantem †sesededalsa† stantem, from which the Bithynian name D. is gleaned, an emendation which is largely accepted. This D. is then identified with Daedalus, who according to a Byzantine source created a Zeus Stratios for the Bithynian King Nicomedes. The statue type of that Zeus has not been established with any certainty. The statue of the standing Venus that Pli…

[German version] Hermai (ἕρμαι/ hérmai, ‘Hermes heads’), also hermádion (‘small Hermes’), schêma tetrágōnon, tetráglōchis, describes in Graeco-Roman art a special form of anthropoid freestanding sculpture. The herm consists of a pillar with a head, mostly with wooden lateral beam stumps instead of arms ( cheîres, cunei) and a male sexual organ attached at the front that is always ithyphallic in early herms. Double herms bear two heads turned away from each other. Three- and four-fold herms on one pillar are also to be found. In Arcadian he…

(also Callon; Kά(λ)λων, Kál(l)ōn). [German version] [1] Sculptor from Aegina Sculptor from Aegina. C. was considered a contemporary of  Hegesias and a pupil of Tectaeus and  Angelion; his style was seen as archaic compared to that of  Canachus. An extant base from the Acropolis is dated to c. 500 BC. Pausanias describes a bronze tripod made by C. at Amycae -- a Spartan dedication after a victory against Messene -- featuring Kore as its support. It appears that other tripods, by  Gitiades, were also part of the offering, so that this tripod c…

(Ἀφροδισίας; Aphrodisías). [German version] [1] City in  Caria This item can be found on the following maps: Theatre | Byzantium | Asia Minor | Marble | Rome | Education / Culture City in  Caria, 38 km south of the Maeander, in the left side valley of the Morsylos (present-day Dandalaz çayı); the modern Geyre. Traces of neolithic and early Bronze Age settlement on the acropolis; old name of Νινόη (Steph. Byz. s. v. Ninoe) preserved in the local cult ( Zeus Nineudios). A. was for a long time overshadowed by the neighbouring co…

(Ἡγίας; Hēgías). [German version] [1] Sculptor, c. 490-480 BC Sculptor who signed the base of a lost bronze statue on the Acropolis in Athens that must be dated around 490-480 BC. He is mentioned by Pausanias (8,42,10), Pliny (HN 34,49) and Dio Chrysostom (55,1) as a late archaic artist, a contemporary of  Critius and Nesiotes,  Onatas,  Ageladas and  Calon, and as a teacher of  Phidias. Quintilian (Inst. 12,10,7) and Lucian (Rhetorum praeceptor 9) describe his style as still archaic and call him by his …

[German version] (θήκη; thḗkē) is a term for any kind of container. In particular, from the 5th/4th cent. BC onwards it is used in texts and inscriptions for niche-shaped burial places, whether for burials in funerary buildings (Melos, 4th cent. BC) and vaults (Hdt. 1,67,3; 2,148,5), or for storing cinerary urns (Alexandria), but not sarkophagoi (Sarcophagus). Latin theca , in contrast, refers exclusively to holders for objects, primarily writing implements. Loculi Neudecker, Richard (Rome) Bibliography E. Saglio, s. v. loculus, DS 3.2, 1904, 1292-1295  A. Hug, s. v. T., RE …

[German version] (Ἀφροδίσιος; Aphrodísios) Son of Lybius, sculptor from Athens; in Augustan times, he worked in the copyist workshop of Baiae. A copy, bearing his initials, of the type ‘Hera Borghese’ used for portrait statues has been found. A sculptor of the same name, however, whose statues filled the emperor's palace on the Palatine, came from Tralles. Neudecker, Richard (Rome) Bibliography C. Landwehr, Die ant. Gipsabgüsse aus Baiae, 1985, 88-94 Overbeck, no. 2300 (sources) P. Zancani Montuoro, Repliche romane di una statua fidiaca, in: Bullettino della Commissio…

[German version] A. Original and copy In archaeological literature, any reproduction of classical and Hellenistic sculptures that is faithful in form to the original is regarded as a copy, even if the copy does not completely correspond in size, material, or degree of completion. Copies in the broadest sense are a main characteristic of ancient art production which was based on slow change of style, on the familiarity with the iconography of passed epochs and a deep respect towards them: innovations w…

Roman family name (Schulze, 168, 276, A.7; ThlL, Onom. 2, 587), related to copo ‘innkeeper’ in popular etymology (Mart. 3,59), attested since the 1st cent. BC. [German version] [1] C., C. Praetor under Pompey 49 BC Cicero praised him and his brother T.C. as adulescentes in 56 BC (Balb. 53; Cael. 24). In 53 BC, he was praefectus in Syria, in 49 BC, praetor and mint master under Pompey (RRC 444), and in 48, as propraetor, he lost his fleet in a storm at sea. He is probably identical to the C. who was proscribed in 43 and who owed his life to his wife's …

(Ἑρμογένης; Hermogénēs). [German version] [1] Companion of Socrates Athenian, son of Hipponicus, brother of Callias, appears on many occasions in the Socratic writings of Plato and Xenophon as the companion of  Socrates. Together with the eponymous character, H. is the dialogue partner of Socrates in Plato's Cratylus. Döring, Klaus (Bamberg) Bibliography 1 SSR VI B 71-77 2 Davies, 269-270. [German version] [2] From Aspendus, assistant commander of Antiocus I H. from Aspendus. In the struggle of Antiochus [2] I (died in 261 BC) to regain territories in Asia Minor…

(Ζηνόδοτος/ Zēnódotos). [German version] [1] Of Ephesus, Alexandrian philologist Alexandrian philologist from Ephesus ( c. 325-260 BC; Suda s. v. Ζ. Ἐφέσιος). Baumbach, Manuel (Zürich) [German version] I. Life Alexandrian philologist from Ephesus Z. was employed as tutor to the royal princes at the Ptolemaic court before his appointment in 285/4 BC as the first director [1. 147-148] of the library (II B 2.a) in Alexandria [1]. In addition to a classification of Greek poetry (most notably epic and lyric works), Z. developed in …

(Νικήρατος; Nikḗratos). [German version] [1] Athenian trierarch, 410/409 BC Son of Nicias [1]; learned reciter of Homer (Xen. Symp. 3,5; 4,6; Aristot. Rhet. 1413a). Athenian trierarch (Trierarchy) in 410/409 BC (IG I3 375,36). Of the wealth his grandfather had acquired from silver mines and mine slaves, at the time of his murder by the Thirty ( Triákonta ) in 404/3 BC only 14 talents were left (Lys. 19,47; Xen. Hell. 2,3,39; Diod. 14,5,5). After his murder his uncle Diognetus [1] interceded against the Thirty with the Spartan king Pausanias by placing N.'s son on his knee (Lys. 18,6-10). Kin…

(Λυσίστρατος; Lysístratos). [German version] [1] Tragedian from Chalcis, 1st cent. BC from Chalcis. Tragedian, after 85 BC he was victorious at the Amphiaraia ( Amphiaraus) and Romaia in Oropus. His works are not extant. Zimmermann, Bernhard (Freiburg) [German version] [2] Bronze sculptor from Sicyon Bronze sculptor from Sicyon, brother and collaborator of Lysippus [2]. By making plaster casts of living people, L. is said to have improved the similarity of portraits to their subjects, to have based his work on clay models and to have made…

[German version] [1] Sculptor from Aphrodisias, early 2nd cent. AD (Aristeas). Sculptor from  Aphrodisias [1], who worked in the early 2nd cent. AD. Together with Papias, he signed the dark marble statues of an old and of a young centaur, copies of Hellenistic bronze sculptures, from Hadrian's villa near Tivoli. Neudecker, Richard (Rome) Bibliography H. von Steuben, in: Helbig II, no. 1398 J. Raeder, Die statuarische Ausstattung der Villa Hadriana bei Tivoli, 1983, 236-238 M. Squarciapino, La Scuola di Afrodisia, 1943, 32-34. [German version] [2] of Phlius Tragedian Tragic poet…

[German version] Bronze sculptor from Sicyon. He created victors' and portrait statues in Olympia and Thebes in the later 4th cent. BC, as well as one of Aphrodite in Delphi. Neudecker, Richard (Rome) Bibliography Lippold, 299 J. Marcadé, Recueil des signatures de sculpteurs grecs, 1, 1953, no.25 Overbeck, no. 1582 (sources).

[German version] (also called Chryselephantine technique). The naked parts of a statue were primarily worked from  ivory; and the garments and hair from sheet-gold, and materials like glass, precious stones and coloured metals were also used. Chryselephantine works were rare because of the value of their materials and are only extant in fragmentary form. The manufacturing technique is therefore not known in detail and appears to be mainly dependent on the size of the work. If the work was life-siz…

[German version] Bronze sculptor in Athens. Preserved are his initials of the memorial statues for the Thracian kings Raskouporis (around 13 BC) and Kotys. Making statues of philosophers and athletes, an A. mentioned in Pliny is more likely to be a sculptor of the 4th cent. BC when taking a dated base into account. Neudecker, Richard (Rome) Bibliography Loewy, no.314-316 s. v. A., EAA Suppl. 61.

[German version] (Σθέννις/ Sthénnis). Bronze sculptor from Olynthus, active in Athens from 348 BC. According to surviving inscribed bases, he and Leochares created a family group on the Acropolis in Athens in the late 4th cent. BC, and a statue for Lysimachus [2] in Oropus in the early 3rd cent. There is literary evidence for several statues by S. of gods and one of a philosopher, which were later moved to Rome, one of flentes matronae et adorantes sacrificantesque (‘weeping, adoring and sacrificing women’, Plin. HN 34,19,90) and victor statues in Olympia. Although none…

[German version] Bronze sculptor from Eleutherae, son and pupil of Myron. According to written tradition, he created a votive offering in Olympia with single combats from the Trojan War (Achilles and Memnon, among others) and an Argonaut group. Notes about a boy with a votive water vessel, a puer sufflans and a statue of the pancratiast Autolycus ( Pankration) have been too damaged to allow for identification. From the Athenian Acropolis an autographed plinth for equestrian statues is extant, which is dated historically to around 430-420 BC. Neudecker, Richard (Rome) Bibliography Over…

[German version] (Καικοσθένης; Kaikosthénēs). Son of Apollonides, bronze sculptor from Athens. Eight bases from the early 2nd cent. BC are inscribed with his and his brother Dies' signature. Some originate from portrait statues, which is why C. is usually identified as Chalcosthenes, who, according to Pliny, is supposed to have mostly sculpted statues of actors and athletes. In the Athenian Kerameikos, one could find ‘rough’ statues of gods and goddesses made of terracotta, perhaps the clay models for bronze statues. Neudecker, Richard (Rome) Bibliography Overbeck no. 1380-1381 Lo…

[German version] Sculptor from Crete. Like his brother Scyllis, assumed to be a pupil or son of the legendary  Daedalus and one of the original exponents of the art of marble sculpture. Tales of his flight from Cyrus and his first commissions in Sicyon reflect the fact that the ‘Daedalic’ marble-sculpture of the Greek islands preceded that of the mainland and date its arrival on the mainland to the earlier half of the 6th cent. BC. Even in ancient literature, some archaic works were attributed to …

(Πατροκλῆς; Patroklês). [German version] [1] Athenian office holder, end of the 5th cent. BC Athenian, árchōn basileús in (404/)403 BC; a relative of Isocrates, who defended him (Isoc. Or. 18,5). Kinzl, Konrad (Peterborough) Bibliography Develin, 94 Nr. 1  Traill, PAA 768600. [German version] [2] Accuser of Demosthenes An Athenian from Phlya; his accusation of paranomia (Paranomon graphe) against Demosthenes [2] (Dem. Or. 18,5) was unanimously rejected and cost him a fine of 500 drachmas. Kinzl, Konrad (Peterborough) Bibliography Traill, PAA 768710. [German version] [3] Gree…

(Μενέστρατος; Menéstratos). [German version] [1] A son of Niobe One of the sons of Niobe (Hellanicus FGrH 4 F 21 with commentary by Jacoby). Käppel, Lutz (Kiel) [German version] [2] Sacrifices himself for his lover Cleostratus M. of Thespiae, who sacrifices himself for his lover Cleostratus, by volunteering to take his place and be thrown to the dragon that on Zeus's instructions is fed a young man each year. Barbs on his armour kill the monster (Paus. 2,26,7f.) Käppel, Lutz (Kiel) [German version] [3] Athenian, denounced in 415 BC Athenian, one of 18 denounced by Teucer in connexio…

[German version] Legendary sculptor and architect from  Magnesia on the Maeander, famous for his so called ‘throne’ of Apollo in Amyclae near Sparta, which is described in great detail by Pausanias (3,18,6-3,19,6): as a structure, it combined the grave of Hyacinthus, an  altar, and a colossal  cult image, decorated with 45 mythological scenes, statues, and a depiction of his co-workers dancing in a circle. Since we have no surviving remnants at all, we must regard its numerous reconstructions and its dating to the late 6th cent. as speculative. Neudecker, Richard (Rome) Bibliography A.…

(Σκόπας/ Skópas). [German version] [1] Sculptor from Paros, mid 4th cent. BC Sculptor from Paros, active in the mid 4th cent. BC, working mostly in marble and very occasionally in bronze. In the opinion of the ancient world, S. was one of the most important masters of Greek sculpture. Written records ascribe to him approximately 25-30 individual works and major projects, which should probably be allotted to several sculptors with the same name of different generations. The extant pediment sculptures from th…

[German version] Archaeological term for a metal-working technique ('embossed with a hammer'), not documented in Antiquity. As described in Paus. 3,17,6, sheets hammered out of bronze or precious metals are joined together with nails over a wooden core. The technique is an attempt in the 7th cent. BC - before the invention of hollow casting at the beginning of the 6th cent. BC - to make large-scale free-standing bronzes. Accounts of sphyrelata emphasize the great age of such cult images, e.g. the …

[German version] Compound hoards composed predominantly of ancient silver objects. As treasure these were hidden to protect them from theft or plundering (known as hoarding). As grave goods or thesauroi in sanctuaries or church treasures the treasure was collected and deposited in fact or ideally as an investment. In the private domain at all times and generally it acted simultaneously as both house contents and an investment. SH were predominantly composed of valuable eating and drinking utensils. Their importance to schol…

(Ἀντίγονος; Antígonos). [German version] [1] Monophthalmus Diadoch (‘The One-eyed’), 382-301 BC.  Hetairos of  Philippus and  Alexander [4], married to  Stratonice, was the father of  Demetrius. During Alexander's invasion of Asia, commander of the Greek hoplites, satrap of Greater Phrygia from 333 until Alexander's death [323]. He defeated rebels and remnants of Persian troops, he gained Lycaonia and in 331 he received in addition the administration of Lycia-Pamphylia. In Priene he was honoured for an achievement, the nature of which is unknown. (IPriene 2). After Alexander's…

(Εὔανδρος; Eúandros). [German version] [1] Mythical founder of the first settlement on the Palatine Arcadian-Roman hero, according to Paus. 8,43,1ff. the son of Hermes and an Arcadian nymph (Themis, Nicostrate: Plut. Quaest. Rom. 278B-C), or alternatively the prophesying  Carmentis from Pallantium. In Hes. fr. 168MW, he is a son of Echemus of Tegea and Tyndareos' daughter Timandra, Hellenism makes him the son of the Italian Sibyl. Banished because of his involvement in a popular uprising or the murder of one …

(Μένανδρος; Ménandros). [German version] [1] Joint strategos with Nicias, 414 BC The Athenians M. and Euthydemus [1], who were already in Sicily, were chosen as joint strategoi of Nicias towards the end of 414 BC, during the Sicilian Expedition, to support him until the relief expedition of Demosthenes [1] arrived (413) (Thucyd. 7,16,1; Plut. Nicias 20,2); re-elected 413/12 (Plut. Nicias 20,6-8; Thucyd. 7,69,4; Diod. 13, 13,2). Possibly identical with the M. who fought in Abydus in 409 (Xen. Hell. 1,2,16). He was stratēgós with Tydeus (405/4) in the defeat at Aigos potamoi (X…

[German version] [1] Visionary from  Telmessus (4th cent. BC) Visionary from  Telmessus, in the service first of  Philippus, then of  Alexander [4] the Great; hero of many anecdotes which only report on successful predictions; no further references after the death of  Cleitus. Prophecies of the future success of some of the  Diadochi have turned out to be fabrications. Badian, Ernst (Cambridge, MA) Bibliography Berve 2, no. 117. [German version] [2] Bronze sculptor from Paros, c. 405 BC Bronze sculptor from Paros. To the tripod which the Spartans dedicated in Amyclae fol…

(Εὐφράνωρ; Euphránōr). [German version] [1] Sculptor, painter and art critic in Athens, c. 364-361 BC Important sculptor, painter and art critic ( Art, theory of) in Athens with his acme in 364-361 BC. As paintings the ‘Battle of Mantinea’ (362 BC), the ‘Apotheosis of Theseus’ and ‘Twelve Gods in the Stoa Eleutherios’ are described and ‘Democracy and Demos’ and ‘Odysseus’ are mentioned. E. described his ‘Theseus’ as ‘meat-nourished’ in contrast to the ‘rose-nourished’ one by  Parrhasius. Ancient art critics emphasized the versatility and dignitas of his representation of the …

[German version] (Ἀγελάδας; Ageládas). (Hageladas), bronze sculptor from Argus, was considered to be the teacher of  Phidias,  Myron,  Polycleitus. Victors' statues by A. are recorded since 520 BC. His votive offering by the Tarantines in Delphi has been dated to before 474 BC. His Heracles Alexikakos was erected in Athens after a pestilence (not necessarily 430 BC). From this, Pliny deducted the date for his zenith to be 432 BC. However, since this makes the postulated active period too long, ther…

(Ἀντιφάνης; Antiphánēs). [German version] [1] Attic comic poet, 4th cent. BC Attic writer of comedies; concerning his family and lineage the information is quite contradictory [1. test. 1, 2]. His father as well as his son were called Stephanus, (his son as a writer of comedies, staged works of his father [1. test 1]). A. was born in the 93rd Olympiad (between 408 and 404 BC) [1. test. 1] and is said to have already begun his stage activity at 20 years, (‘after the 98th Olympiad’ [1. test. 2]). He is said …

[German version] [1] Athenian sculptor, c. 490-470 BC (Eύήνωρ; Euḗnōr). Athenian sculptor. Three bases on the Acropolis bear his signature, dating from around 490-470 BC. One of these is linked, not without controversy, to the so-called Angelitus' Athena (Athens, AM Inv. no. 140). Neudecker, Richard (Rome) Bibliography A. E. Raubitschek, Dedications from the Athenian Akropolis, 1949, no. 14, 22, 23. B. S. Ridgway, The Severe Style in Greek Sculpture, 1970, 29-30, fig. 39. [German version] [2] Greek physician Greek physician from Argos in Acarnania; he lived in Athens, a…

(Κηφισόδωρος; Kēphisódōros). [German version] [1] Writer of Old Comedy Poet of the Attic Old Comedy, for whom Lysias records a not further specified victory in 402 BC (Lys. or. 21,4) and whose name also appears on the list of winners at the Dionysia (after Nicophon and Theopompus) [1. test. 2; 3]. The titles of four pieces are transmitted (Ἀμαζόνες/‘The Amazons, Ἀντιλαΐς/‘Antilaïs, Τροφώνιος/‘Trophonius, Ὕς/‘Hys) as well as a total of 13 verses; the longest fragment of these contains five verses of a dia…

(Πραξιτέλης/ Praxitélēs). [German version] I. Biography Sculptor from Athens, active c. 370-320 BC. Since Timarchus and Cephisodotus [5] were P.’ sons, Cephisodotus [4] is assumed to be his father. By using later namesakes, a family of sculptors can be pieced together extending into the 1st cent. BC. However, this is just as controversial as the suppositions about the wealth and political influence of the family in the 4th cent. P.’ anecdotal biography and fame sound a note of caution with regard to c. 55 named works. Even so, the abundance of sources has led to many, often i…

(Ἀρκεσίλαος; Arkesílaos). [German version] [1] Arcesilaus I. King of Cyrene (beginning of 6th cent. BC) Son and successor of  Battus I as king of  Cyrene. Ruled early in the 6th cent. BC for 16 years (Hdt. 4,159). Patzek, Barbara (Wiesbaden) [German version] [2] A. II. King of Cyrene middle of 6th cent. BC) the ‘Cruel’, son and successor of Battus II, grandson of Arcesilaus I, successfully fought against an opposition led by his brothers at his accession 565/60 BC. They left the town, founded Barca in the western Cyrenaica and made an alliance wit…

(τορευτικὴ τέχνη/ toreutikḕ téchnē; Lat. caelatura; literally 'chiseling', from τορεύς/ toreús, Lat. caelum, 'chisel') denotes the chasing and repoussé work of thin plates of metal, or else works in which chasing is combined with repoussé work to design relief work; repoussé work may be replaced by casts. [German version] I. The Ancient Orient and Egypt Toreutics designates primarily the productive technique by which metals (gold/electrum, silver, copper/bronze, lead, iron) were shaped in a cold state. The objects (plaques), usually thin, were forme…

(Ἡρακλείδης; Hērakleídēs). Famous persons: the politician and writer H. [19] Lembus, the philosopher H. [16] Ponticus the Younger, the doctor H. [27] of Tarentum. I. Political figures [German version] [1] Spokesman on behalf of Athens at the Persian court, end of 5th cent. BC H. of Clazomenae (cf. Pl. Ion 541d) was in the service of the Persians and probably called basileús for that reason. Thus, he was able to perform valuable services for Athens at the Persian court in 423 BC for which he received Attic citizenship soon after moving there (after 400, Syll.3 118). To move the Athenians …

[German version] According to Pliny (HN 35,114), the name for caricature depictions in painting since Antiphilus [4] of Alexandria represented a certain Gryllus in that way. Originally these were dancers with grotesque physical proportions and contortions. As gryllographeîn and grylloeídēs later generally referred to ridiculously proportioned bodies, small-format free-standing sculpture representations can also be described as grylloi. Today the genre is no longer attributed to Alexandrian art only. To cover all animal caricatures and monstrous figur…

(Περίλαος/ Perílaos, Περίλεως/ Períleōs). [German version] [1] Son of Icarius and Periboea Son of Icarius [2] and Periboea [1], brother of Penelope (Apollod. 3,126). According to Peloponnesian legend, P. appeared before the Areopagus as the prosecutor of Orestes [1], rather than Tyndareos, who was already dead (Paus. 8,34,2). Käppel, Lutz (Kiel) [German version] [2] Argive Argive; a statue depicting him in combat with the Spartan Othryades was displayed in the theatre at Argos (Hdt. 1,82; Paus. 2,20,7). Käppel, Lutz (Kiel) [German version] [3] Greek worker in bronze, 6th cent. BC (al…

(Μηνᾶς; Menâs). [German version] [1] Spartiate, 421 BC One of the Spartiates who in 421 BC swore the Peace of Nicias and the symmachy with Athens (Thucyd. 5,19,2; 5,24,1). In the interval between these treaties he was one of the emissaries who, by the terms of the peace, were to guarantee the transfer of Amphipolis to Athens, but owing to the resistance of Clearidas, the commandant there, failed (Thucyd. 5,21). Welwei, Karl-Wilhelm (Bochum) [German version] [2] see Menodorus [1] see Menodorus [1] Neudecker, Richard (Rome) [German version] [3] Sculptor from Pergamum, 2nd cent. BC Son of A…

(Ζώσιμος; Zṓsimos). [German version] [1] Of Thasos, epigrammatist, probably between 150 BC and AD 50 Z. of Thasos. Greek epigrammatist, whose works are probably to be dated between 150 BC and AD 50: three (Anth. Pal 6,183-185; 6,15 is also ascribed to him, alternatively to Antipater [8] of Sidon) are variations on the theme of 'dedication to Pan' from the view of a hunter, a bird catcher and a fisherman (cf. Satyrius). Another deals with the unusual theme of a shield saving its owner who uses it as a raft (Anth. Pal. 9,40, cf. Diocles [10]). Albiani, Maria Grazia (Bologna) Bibliography FGE 104-…

(Κρίτων; Krítōn). [German version] [1] Wealthy friend of Socrates, of the same age Wealthy friend of  Socrates and of the same age, also from the Alopece demos (Pl. Ap. 33d; Pl. Crit. 44b; Xen. Mem. 2,9,2; 2,9,4); discussion partner of Socrates in Plato's ‘Criton’ and ‘Euthydemus’ and in Xen. Mem. 2,9,1-3. In Plato's ‘Criton’ he unsuccessfully advises Socrates to flee his prison. The Epicurean  Idomeneus claimed that not Criton but Aeschines [1] of Sphettus had done this (Diog. Laert. 2,60; 3,36). Diogenes Laërtios (2,121) lists the titles of 17 dialogues composed by C.  Socratics. Dörin…

(Μέλας/ Mélas). [German version] [1] Brother of Oeneus Son of Porthaon (Portheus) and Euryte in Calydon [3], brother of Oeneus, Agrius [1], Alcathous [2], Leucopeus and Sterope (cf. Hom. Il. 14,115ff.; Apollod. 1,63). M.'s eight sons were killed by Tydeus for pursuing their uncle Oeneus (Apollod. 1,76 = Alcmaeonis fr. 4 EpGF). Dräger, Paul (Trier) [German version] [2] Son of Phrixus and Chalciope Son of Phrixus and Chalciope [2], the daughter of Aeetes, brother of Argus [I 2], Phrontis and Cytis(s)orus (Apollod. 1,83). In the older myth M., like Argus, prob…

(Σίμων/ Símōn). [German version] [1] Sculptor in bronze from Aegina, c. 480-460 BC Sculptor in bronze from Aegina. S. participated with a horse and a charioteer in the votive offerings dedicated by Phormis at Olympia; accordingly, his period of artistic activity is around 480-460 BC. The base which belonged to it has been identified. A dog and an archer by S. (Plin. HN 34,90) probably formed a further group. Neudecker, Richard (Rome) Bibliography Overbeck, nos. 402, 437  M. Zuppa, s.v. S. 2, EAA 7, 1966, 315  F. Eckstein, Anathemata, 1969, 43-49  E. Walter-Karydi, Die äginetische Bi…

[German version] Sculptor from Atrax in Thessaly, active in the 4th cent. BC. Together with Hippocrates he signed a victory votive of the Pharsalians in Delphi, where it was set up in the mid 4th cent. BC. Because of the measures at the base, it may have been the bronze group of Achilles on horseback and Patroclus, which Pausanias (10,13,5) describes. However, because the base bears a rededication to Claudius there can be no certainty. Pausanias may not have seen the original work. Neudecker, Richard (Rome) Bibliography G. Daux, Pausanias à Delphes, 1936, 141-143 J. Marcadé, Recueil de…

(Χειρίσοφος; Cheirísophos). [German version] [1] Spartan commander under Cyrus Spartiate; on the instructions of his polis, at Issus in 401 BC he joined the army of the younger  Cyrus with 700 hoplites (Xen. An. 1,4,3; Diod. Sic. 14,19,4f.); after Cyrus' death at Cunaxa C. was sent by  Clearchus to Ariaeus, to offer him the Persian throne (Xen. An. 2,1,4f.). After Clearchus had been imprisoned and put to death, C. received supreme command of the entire remaining army (Diod. Sic. 14,27,1), and led the ret…

[German version] Greek sculptor; ancient sources praise his horses and female figures, refer to him as the sculptor who made the transition to the classical period. He endowed his works with both ‘hardness’ and ‘grace’. He is linked with  Onatas,  Praxiteles and  Scopas. Many researchers have tried to solve the chronological contradictions by assuming that there were numerous sculptors of the same name with various surviving works ascribed to them. Since no work can be sufficiently proven to originate from C., the extent of his work is not known. From the famous C. originated a stat…

(Κλεομένης; Kleoménēs). [German version] [1] Athenian, rejected the Spartan terms of peace in 404 BC Athenian who rejected the Spartan terms of peace in the popular assembly in 404 BC (Plut. Lysandros 14). Welwei, Karl-Wilhelm (Bochum) [German version] [2] Member of a Spartan court of arbitration concerning Salamis at the end of the 7th cent. BC Spartan, member of a Spartan court of arbitration that allegedly awarded the island of  Salamis to the Athenians at the end of the 7th cent. BC (Plut. Solon 10). Welwei, Karl-Wilhelm (Bochum) [German version] [3] C. I. Spartan king, probably …

[German version] were used in antiquity from the Geometric Period on for the serial production of art. It exists when a model created specifically for the purpose is used to manufacture a not always specified number of repetitions. The intention may be economic, aesthetic (if identical products are desired) or, in the particular case of coins, dictated by the very purpose of the objects. It is crucial to distinguish this from the subsequent repetition of an original which is itself of value, as se…

(Ὀνάτας; Onátas). [German version] [1] Bronze sculptor from Aegina, 5th cent. BC Bronze sculptor from Aegina, son of Micon. O. was a contemporary of Hegias [1] and Ageladas and one of the most important masters of the Severe Style. None of his numerous works is extant or secured in the form of copies. His signature is found on a pedestal of a bronze horse on the Athenian Acropolis and a pedestal in Olympia, both from the early 5th cent. BC. In Olympia, O. sculpted a votive offering ( anáthēma ) for the Achaeans in around 470-460 BC with Nestor and nine Trojan h…

[German version] (Τεισικράτης; Teisikrátēs). Bronze sculptor from Sicyon in the early 3rd cent. BC. There is literary evidence of portrait statues of Demetrius [2] Poliorcetes, Peucestas [2] and an otherwise unknown Senex Thebanus ('elderly Theban man') and inscriptional evidence of others in Thebes, Eretria [1] and Oropus as well as a mythological group. T. and Piston created a chariot and pair (Plin. HN 34,89). None of his works survives; attempts to identify his Demetrius in copies are questionable. T.'s teacher was Euthycr…

[German version] Etruscan terracotta sculptor from Veii. According to Plin. HN 35,157, V. made the clay cult image of Iuppiter Capitolinus in Rome commissioned by Tarquinius [11] Priscus (first half of the 6th cent. BC) for a temple which was not, however, dedicated until 509 BC. Ascribing to V. the rest of the building sculpture of this temple and that of the temple of Veii is hypothetical. A Hercules fictilis by V. in Rome (Plin. HN loc.cit.) is not more closely defined and is not identical with a statuette mentioned in Mart. 14,178. Neudecker, Richard (Rome) Bibliography M. Pallottino …

[German version] (Σμῖλις/ Smîlis). Son of Euclides, a sculptor from Aegina, probably 6th cent. BC. Pausanias (5,17,1) saw S.' enthroned Horae in the temple of Hera at Olympia and gives an account of his cult image of Hera in Samos (7,4,4). A late source (Athenagoras, Legatio pro Christianis 17,4 Schoedel) ascribes to S. a cult image of Hera in Argos. Ancient tradition places him among the mythical artists of the period of Daedalus [1]; Plin. HN 36,90 ascribes architectural marvels to him. His name can be derived from  σμίλη ( smílē, ‘chisel’). Speculation on S.' technical inventions …

(Πολύευκτος/ Polýeuktos). [German version] [1] Son of the Athenian Themistocles Third son of Themistocles and his first wife Archippe, daughter of Lysander of Alopece (who adopted the second son, Diocles); nothing is known of his life. Kinzl, Konrad (Peterborough) Bibliography Davies, 6669  R. Frost, Plutarch's Themistocles. A Historical Commentary, 1980, ad 32,1  Traill, PAA, 778325. [German version] [2] Athenian rhetor, 2nd half of 4th cent. BC Son of Sostratus of the Sphettus deme, Athenian rhetor of the 2nd half of the 4th cent. BC, in the circle of Demost…

[German version] (Εὐμάρης; Eumárēs). Painter in Athens. He was considered to be the inventor of the distinction between male and female figures, probably by means of the skin colour, and of a new flexibility of the bodies. If he can be correctly associated with this stage of development achieved around 600 BC, he cannot be equated with the bearer of this common artist's name who appears as the father in a signature of  Antenor and his brother and who himself placed his signature on a work on a base of the Acropolis around 520 BC. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 295 Overbeck…

(Μύρων; Mýrōn). [German version] [1] Name of several persons from Sicyon Several persons from Sicyon named M. are mentioned in literature: a) Hdt. 6,126,1: Sicyonian nobleman (7th century BC), son of Andreas, father of Aristonymus, grandfather of the ‘tyrant’ Cleisthenes [1]. b) Paus. 6,19,1f.: the ‘tyrant’ M., victor in the chariot race at Olympia (648 BC), founder of the Sicyonian treasure house (thesauros) at Olympia. c) Nicolas of Damascus, FGrH 90 F 61: one of the three tyrant brothers descended from Orthagoras (evil M., good Isodemus, cunning Cleisthenes) from the ‘ Orthagorides…

(Γλύκων; Glýkōn). [German version] [1] Poet Named by Heph. 10,2 Consbruch as the inventor of Glyconic verse ( Metre). His existence is disputed and the three verses ascribed to him (= 1029 PMG) are generally viewed as alexandrine in terms of metre: G. could hardly have lived before Sappho (late 7th cent. BC), who used this meter. Choeroboscus names G. (in his Comm. on St. In Heph. Consbruch) as a comedic poet, but probably mistook him for Leucon (PCG V 612). Anth. Pal. 10,124, a two-liner on the futil…

[German version] (Θεοκλῆς; Theoklês). Son of Hegylus, sculptor from Sparta. T. was a pupil of Dipoenus and Scyllis and thus was active in the mid-6th cent. BC. A representation in cedar wood of 'Heracles with the Hesperids' in the treasury of Epidamnus in Olympia were by him and his son; at the time of Pausanias the Hesperids were in the Temple of Hera (Paus. 6,19,8). Neudecker, Richard (Rome) Bibliography Overbeck, No. 328 f.  P. Moreno, s. v. T., EAA 7, 1966, 816  H. Marwitz, Hegylos?, in: AA 1969, 106 f.  Fuchs/Floren, 215.

[German version] Sculptor from Chios like his sons  Boupalus and Athenis. His active period falls into the middle of the 6th cent. BC. Pliny (HN 36,11-14) refers to works in Lesbos and Delos where a base with his initials was found. A winged Nike in the archaic kneeling-running ( Knielauf) pose, found nearby, was dated to 560-550 BC and justifiably connected to a note attributed to  Antigonus of Carystus (Sch. Aristoph. Av. 574), stating that A. had been the first to produce a Nike figure with wings. A later signature of A. was found on the Ac…

[German version] (Πασιτέλης; Pasitélēs). Sculptor, from Magna Graecia, Roman citizen probably from 89 BC and according to the sources active there at the time of Cn. Pompeius Magnus in the middle of the 1st cent. BC. Of P.'s work nothing has survived apart from one signature on the base of a statue, but his significance in the artistic expression of late Republican Rome seems to have been great, not in the least because of his treatise on opera nobilia (mirabilia) totius orbis ('noble (wonderful) works of the whole world'), which is not preserved. Since P. is mentioned as t…

Name of a Roman lineage (Sabine Clausus, with the vernacular variant of   Clodius , esp. in the 1st cent. BC). The Claudii supposedly immigrated to Rome from the Sabine city of Regillum at the beginning of the republic in 504 BC under their ancestor Att(i)us Clausus ( Appius) and were immediately accepted into the circle of patrician families (Liv. 2,16,4-6), which explains why the early members received the invented epithets of Inregillensis C. [I 5-6] and Sabinus C. [I 31-32], [1. 155f.]. The praenomen Appius came to signify the family. Named after them was the Tribus Claudi…

(Διογένης; Diogénēs). Known personalities: the Cynic D. [14] of Sinope, the philosophical historian D. [17] Laertius. I. Politically active personalities [German version] [1] Macedonian troop commander in Attica since 233 BC Athenian (?) [1. 341,1], Macedonian troop commander in Attica since 233 BC, who is supposed to have demanded Corinth from the Achaeans (Plut. Arat. 34,1-4) [2. 168,63] at the rumour of the death of  Aratus [2]; after the death of  Demetrius [3] II in 229, he facilitated the liberation of Athens from Maced…

[German version] II. Archaeology The definition and application of this term, which has been transferred by modern scholars from Hellenistic literary criticism (ἀρχαισμός/ archaismós, ἀρχαίζειν/ archaízein = 'to archaize') to the fine arts, are disputed. Archaism exists where works of art from the Classical period and later (from c. 480 BC) intentionally adopt aspects of the Late Archaic period (2nd half of the 6th cent. BC). Such aspects are especially hair and beard styles, garments (zigzag folds) and motifs of gesture (splayed fingers, mo…

[German version] I. Ancient Near East Stone figures and reliefs, in part large-sized, are authenticated in Palestine, Anatolia and Upper Mesopotamia as early as the Aceramic Neolithic Age (7th millennium BC), although in Mesopotamia not until the 6th millennium in the form of small idols. As the context of the finds suggests, they were part of cult buildings, and in the Levant also of a grave cult. The early Sumerian anthropomorphic stone sculpture from Uruk (late 4th millennium) and the early Elamian…

[German version] I. Introduction Terra cotta (an Italian term meaning 'burnt clay') was the commonest material used for many kinds of ancient utensils, vessels and art objects. In archaeological terminology, it refers to artistically formed objects. As well as free moulding by hand, mass production was also usual, in the Near East (from the 3rd millennium BC) and the Mediterranean (from the 6th cent. BC). A matrix was derived from the patrix (original) to serve as a mould. If the object was made hol…

(Ἀριστίων; Aristíōn). [German version] [1] Epicurean philosopher, ' Tyrant' of Athens (88-86 BC) Epicurean philosopher, who, in 88 BC, became very influential in Athens with the help of  Mithridates VI (‘Tyrant’). In order to win the Greeks over to Mithridates, A. supported  Archelaus, e.g. in the battle against the proquaestor Q. Braetius Sura at  Chaeronea. In the spring of 87 BC, he retreated from  Sulla back to Athens. The city fell on 1 March 86 BC; A. managed to hold out on the Acropolis for a short w…

[German version] (Μυρμηκίδης; Myrmēkídēs). Sculptor in marble and toreutics . His creative period is not known, it probably lay in the 6th cent. BC. Mostly named in conjunction with Callicrates [2], he had a legendary reputation for producing microscopically small works in marble, iron and ivory. There are descriptions of a quadriga small enough to fit under the wings of a fly, a ship the size of a bee and a sesame seed enscripted with Homeric verses. Neudecker, Richard (Rome) Bibliography Overbeck, No. 293, 2168, 2192-2201  P. Mingazzini, s.v. M., EAA 5, 1963, 313-314.

(Κωλώτης; Kōlṓtēs). [German version] [1] Sculptor from Heraclea in Elis Sculptor from Heraclea in Elis. C. was a pupil of  Phidias, and worked together with him, e.g. on the Zeus at Olympia. He worked principally in gold and ivory. In gold-ivory C. created an Asclepius in Kyllene and, according to Pliny (Plin. HN 35,54), an Athena in Elis, which according to Pausanias (Paus. 6,26,3), however, was attributed to Phidias; as this Athena's shield is said to have been painted by  Panaenus, a collective effort …

[German version] (Δαμοφῶν; Damophôn) Sculptor from Messene. Based on prosopographic and historic evidence, it would seem that he was active from the end of the 3rd cent. BC until 168 BC; most of his divine statues known from written records must have been produced in Arcadia prior to the earthquake in 183 BC. He worked on colossal acroliths and was entrusted with the repair of Phidias' Zeus in  Olympia. Of a group of gods in the Asclepius shrine in Messene, the head and foot of the statues of Apollo…

[German version] (Λεωχάρης; Leōchárēs). Greek sculptor; his surviving works date from the mid 4th cent. BC to 320 BC; the period of main activity given by Pliny, 372-369 BC, is therefore too early. L.'s reputation rested on idols and portraiture, and led to a corruption of the evidence. Among the literary inventions are a statue of Apollo attributed to the still young L., which Plato is said to have sent to Dionysius II (around 365 BC). In 354 BC at the latest (death of work's commissioner Timotheu…

[German version] From the Renaissance, the word bust (from Italian busto) refers to a three-dimensional free-standing human image, which is restricted to head and chest ( Portrait). There is no ancient technical term, because busts were predominantly classified as portraits ( imagines). The term  bustum, on the other hand, meant gravesite, which in Italic cultures was marked by a  cippus or a stele, contouring a human head; in some instances as early as the 6th cent., but more commonly by the 4th and 3rd cents. BC, these developed int…

(Ἑρμοκλῆς; Hermoklês). [German version] [1] From Cyzicus, poet of paeans (amongst other things), c. 300 BC From Cyzicus. Around 300 BC author of  paeans on  Antigonus I and  Demetrius [2] Poliorcetes [4] (lost) and an ithyphallos on the latter [1; 2] (fully extant). Addressing traditional religious poetry no longer only to gods but also to rulers was in keeping with the general common practice of the Hellenistic ruler cult [3]. Käppel, Lutz (Kiel) Bibliography Editions: 1 CollAlex 173-175 2 D. Ebener, Griech. Lyrik, 21980, 426 (Ger. trans.). Bibliography: 3 C. Habicht, Gottmensc…

[German version] (Στρογγυλίων/ Strongylíōn). Bronze sculptor (last third of the 5th cent. to the first third of the 4th cent. BC). None of his works attested in literature survives. Parts of the base of a detailed depiction of the Trojan horse, named δούριος ( doúrios, ‘The wooden one’, Paus. 1,23,8), have been identified on the Acropolis in Athens; it can be dated to before 414 BC. As well as some devotional images, S. and Cephisodotus [4] created some statues of the Muses on Mt Helicon. Small bronzes by S. were famous among Roman collectors, such as the so-called Puer Bruti and an Amazon, o…

(Μέντωρ; Méntōr). [German version] [1] Father of Imbrios of Pedaion Father of Imbrius of Pedaeum (Hom. Il. 13,171). Frey, Alexandra (Basle) [German version] [2] Son of Alkimos, companion of Odysseus M. of Ithaca, son of Alcimus (Hom. Od. 22,235), companion of Odysseus, who on his departure to Troy hands over to M. the supervision of his household (ibid. 2,225ff.). In the People's Assembly M. firmly opposes the behaviour of the suitors (ibid. 2,224ff.). The goddess Athena often takes on his form in order to help Telemachus wi…

[German version] The term introduced by J. Lange in 1892 as in the ‘law of frontality’ originally referred to a pre-Greek mode of portrayal, which, developed from the plane, displays all the essential individual forms paratactically in front view. Frontality was a label for an allegedly primitive form, which in evolutionary statements on style also seemed applicable to the early, pre-classical portrayal of people in Greek sculpture. In archaic statues frontality was supposedly expressed by mirror-…

(Εὐθυκράτης; Euthykrátēs). [German version] [1] Olynthian, betrayed his home polis at the instigation of Philippus II E., an Olynthian, allegedly accepted bribes from  Philipus II in 348 BC to betray his home polis, thus bearing part of the guilt for its destruction. Because of this, E. was ostracized by Athens (Diod. Sic. 16,53,2; Dem. Or. 8,40; 9,56; 18,295; 19,265-267; Hyp. fr. 76 Jensen). In c. 345-343, he acted as syndikos for the Delians in their dispute with the Athenians regarding the prostasía of the Delphi sanctuary.  Demades' application to lift E.'s ostracism and…

[German version] I. Definition Originally a round water container, the Latin urna denotes the sepulchral vessel in a cremation (ashes and bones). Morphologically speaking, urns are not always distinguishable from vessels of everyday life or cult. They sometimes imitated furniture and building designs. The gathered bones and ashen remains were gathered ( ossilegium) for storing in cloth or vessels inside urns of terracotta, metal or stone. Because of the prevalence of cremation in the ancient Mediterranean, the urn was the usual vessel for contain…

[German version] I. Definition Silver (ἀργύριον/ argýrion, ἄργυρος/ árgyros; Latin argentum) is a precious metal, which in Antiquity was extracted primarily by smelting silver-bearing ores of lead. Four different kinds occur naturally: 1. as pure silver; 2. as silver ore; 3. as a component of galena, the only economically interesting ore of lead; 4. in alloy with gold, i.e. as electrum (Elektron), in which the gold content can amount to less than 30 %. Pure silver is rare and its surface corrodes, so that…

[German version] (ξόανον; xóanon). Greek term, attested from the 6th cent. BC, for gods' images (derived from ξεῖν/ xeín, 'to polish') made of wood, ivory and stone, regardless of size or artistic period. The modern archaeological usage, however, often limits the term xoanon to an ancient cult figure made of wood, which goes back to the restricted use of the term by Pausanias, who has handed down most of the information on xoana. The most famous wooden xoana were created in the 8th-7th cents. BC. In ancient literature, their sculptors (Theocles, Angelion) were considered…

(Βούτης; Boútēs). [German version] [1] Attic hero Attic hero about whom several traditions exist. There was an altar of B. in the  Erechtheion, in the vicinity of the altars of Poseidon, Erechtheus and Hephaestus (Paus. 1,26,5), and this establishes a clear link to the traditions of the  Eteoboutadai who were the priests for Athena Polias and Poseidon Erechtheus. B. could indeed have been the title of Poseidon Erechtheus' priest [1]. In this context, the genealogies which claim the hero to be Poseidon'…

(Κάναχος; Kánachos). [German version] [1] Sculptor from Sicyon Sculptor from Sicyon, lived and worked in the late archaic period. Sources describe his style as hard and strict. His most famous work, the bronze statue of Apollo Philesios in Didyma holding a movable deer in one hand, was looted in 494 BC by the Persians. C. created a copy out of cedar wood for the temple of Apollo Ismenios in Thebes. Reliefs and coins depict the statue which was also recognized in Roman reproductions. In Sicyon, C. create…

(Μηνόδοτος; Mēnódōtos). [German version] [1] M. of Perinthus Historian, c. 200 BC In about 200 BC, he wrote a ‘Greek History ( Hellenikaì Pragmateîai) in 15 books, probably a continuation of the work of Psaon of Plataeae (FGrH 78) and dealing with events after 218/17 (Diod. Sic. 26,4). He may be identical (see [1]) with M. of Samos (which was considered a colony of Perinthus). The latter was the author of a periegesis ( periēgētḗs ) on ‘Notabilia of Samos ( Tôn katà tḕn Sámon endóxōn anagraphḗ), from which Athenaeus (15, 671-699) relates an extensive passage on the pre-Hellenic h…

[German version] (Ναυκύδης; Naukýdes). Bronze sculptor from Argos, son of Patrocles, teacher of Polyclitus and Alypus. The position of  N. in Polyclitus's family tree is a matter of dispute; two sculptors of the same name are also postulated. Daedalus [2] and Periclytus are recorded as the brothers of N., the latter also as ‘Polyclitus’. Pliny gives N.'s prime as  400-397 BC. N. created several  victor statues (after  448 BC). The most famous was a discobolus (discus thrower), which is commonly identified with the ‘discobolus at rest’ (Rom, VM), dating from c. 400 BC, which survives …

(Ζωίλος/ Zōílos). [German version] [1] Greek Sophist from Amphipolis, 4th cent. BC Greek Sophist from Amphipolis, 4th cent. BC; active in the area of historiography [1], rhetoric [3] and philology; pupil of Polycrates [3], teacher of Anaximenes [2] from Lampsacus and Demosthenes [2]. However, Z. owes his fame to his criticism of Homerus [1] in his work Κατὰ τῆς Ὁμήρου ποιήσεως/ Katà tês Homērou poiḗseōs ('Against Homer's verse'; 9 books; fragments in [2]) which earned him the epithet Ὁμηρομάστιξ ( Homēromástix, 'Scourge of Homer'). Motivated by the Cynic approach, Z. endeav…

(Ἀγασίας; Agasías) [German version] [1] Lochagos in the mercenary army of the younger Cyrus From Stymphalus. Lochagos in the mercenary army of the younger Cyrus, friend of Xenophon, who praises A. for his courageous demeanour, bravery in battle and resolute advocacy for his own soldiers (cf. especially Xen. An. 6,6,7 ff.). Meier, Mischa (Bielefeld) [German version] [2] Sculptor from Ephesus, 1st cent. BC Son of Menophilus, sculptor from Ephesus. In the early 1st cent. BC, created portrait statues for Romans in Delos and in Tenos, according to base inscript…

[German version] Sculptor in archaic times who, together with  Tectaeus, is regarded as a pupil of  Dipoenus and Scyllis. Plutarch describes the wooden cult statue of Apollo on Delos with a discus in his hand on which the three Charites stood; it was produced together with Tectaeus. Later, gold wreaths were added to the Charites by queen Stratonice. The statue is shown on later Athenian coins. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 179-180 Overbeck, no. 334-337 (sources).

(Χαιρέας; Chairéas). [German version] [1] Strategos at Cyzicus, 410 BC Son of Archestratus (Lycomide?) of Athens. In 411/10 BC co- strategos in Samos, sent to Athens on the  Paralus, but was able to return (Thuc. 8,74,1-3; 86,3). In 410 strategos at Cyzicus (Diod. Sic. 13,49,6; 50,7; 51,3). PA 15093. Kinzl, Konrad (Peterborough) Bibliography Davies, 9238 Fraser/Matthews, GPN 2, 1994, 469, no. 3 A. W. Gomme et al., Historical Commentary on Thucydides, 5, 1981, 266-268. [German version] [2] Nauarch of Ptolemy IX, 1st cent. BC Nauarch of Ptolemy IX; perhaps strategos of Cyprus; 88 BC…

[German version] Sculptor and architect from Chios, son of  Archermus. The anecdote about a pejorative portrait by the poet  Hipponax dates him around 550-525 BC. With his brother Athenis he created statues of  Artemis in Iasos, Delos and Athens and an Artemis mask with ‘changing facial expression’ in Chios. From the Charites, which were erected later in Pergamum under King Attalus, the base signature has possibly been preserved. The Tyche in Smyrna was apparently first represented by B. with a cr…