Search
Your search for 'dc_creator:( "Koch, Nadia Justine (Tübingen)" ) OR dc_contributor:( "Koch, Nadia Justine (Tübingen)" )' returned 6 results. Modify search
Sort Results by Relevance | Newest titles first | Oldest titles first
Women painters
(746 words)
[German version] Painting (γραφική/
graphikḗ) appears to have been one of the few 'arts' (τέχναι/
téchnai) that could also be practised successfully by women (cf. Women authors; Female musicians). The vocational description ὁ/ἡ ζωγράφος/
zōgráphos ('male / female painter of living things') is attested on one occasion for a female painter (Phot. p. 149b 29-38), whilst no feminine counterpart for the more common γραφεύς/
grapheús ('painter') has been passed down to us. We would therefore have to regard the women trained in this
téchnē as a negligible marginal phenomenon if it we…
Source:
Brill’s New Pauly
Polychromy
(1,344 words)
[German version] I. Introduction Polychromy is a term of modern art theory for the phenomenon of colour composition in sculpture, relief, architecture and pots and tablets of clay, stone, etc. It is the opposite of monochromy (Monochromata, Ornaments, Painting, Pigments). The Greek adjectives
polýchroos (πολύχροος) and
polychrṓmatos (πολυχρώματος), which denote material (Emp. fr. B23 DK) or surface (Aristot. Gen. an. 785b 19) polymorphy, are not terms of ancient art terminology [5. 38, 129 ff.]. Rather the procedures of coloration are named…
Source:
Brill’s New Pauly
Perspective
(924 words)
[German version] I. Terminology The modern term perspective has its origin in the concept of
ars perspectiva expounded by L.B. Alberti in 1435 in his treatise
De Pictura (1,18-21) [1]. According to this, the painter gazes through a window at an object which is traced and then located in three dimensions in an empty 'spatial box'. The outline visible on the plane of the window is the perspectival projection [8. 121; 10. 79-82]. Ancient theory of art has no equivalent for the term perspective, since it has no concept of an …
Source:
Brill’s New Pauly
Paradeigma
(1,097 words)
[German version] I. Conceptual and linguistic aspects The Greek term παράδειγμα (
parádeigma; Latin
exemplum,
exemplar, 'authoritative model') is recorded from the middle of the 6th cent. BC: on a 5 m long section of wall in the tunnel of Eupalinus on Samos, there is an inscription ΠΑΡΑΔΕΓΜΑ. Whether this was to indicate a model or prototype, and if so which, is not yet conclusively clear [6; 4]. The meaning of the noun derived from παραδείκνυμι/
paradeíknymi ('exhibit side by side', cf. Isoc. Or. 12,39; Philostr. VA 7,1) always implies a comparison. Koch, Nadia Justine (Tübingen) …
Source:
Brill’s New Pauly
Perspektive
(825 words)
[English version] I. Terminologie Der mod. Terminus P. hat seinen Ursprung im Konzept der
ars perspectiva, das L.B. Alberti 1435 in seinem Traktat
De pictura (1,18-21) darlegte [1]. Demnach blickt der Maler durch ein Fenster auf den Gegenstand, der durch die Umrißzeichnung in einem leeren “Raumkasten” dreidimensional verortet wird. Der sich auf der Fensterfläche abbildende Umriß ist die perspektivische Projektion [8. 121; 10. 79-82]. Die ant. Kunsttheorie hat kein Äquivalent für den Begriff P., da sie den leeren “Raum …
Source:
Der Neue Pauly
Polychromie
(1,274 words)
[English version] I. Einleitung P. ist ein Begriff der neuzeitlichen Kunstwiss., der das Phänomen der farbigen Fassung von Rundplastik, Relief, Architektur sowie von Gefäßen oder Tafeln aus Ton, Stein usw. benennt. Er steht in Opposition zur Monochromie (Farben, Malerei, Monochromata, Ornament). Die griech. Adj.
polýchroos (πολύχροος) und
polychrṓmatos (πολυχρώματος), die die Vielgestaltigkeit von Stoffen (Emp. fr. B23 DK) oder Oberflächen (Aristot. gen. an. 785b 19) bezeichnen, sind keine Begriffe der ant. Kunstterminologie [5. 38, 129 ff.]…
Source:
Der Neue Pauly