Search

[German version] (called E. II). A sculptor in Athens, the son of  Eubulides [4], called Eubulides II. Together with his son  Eubulides [5], also called Eubulides III, he signed honorary statues and votives in Attica, Euboea and Megara during the 1st half of the 2nd cent. BC. His Hermes in Phenea, which Pausanias described, is perhaps depicted on coins. Neudecker, Richard (Rome) Bibliography G. Becatti, Attika, in: RIA 7, 1940, 14-17 H. Brunn, Gesch. der griech. Künstler, 1, 1857, 551-552 Loewy, 134, 135, 222-227 P. Moreno, Scultura ellenistica, 1994521, 554

[German version] Archaeological term for statues where the exposed body parts are made of marble and the robes of metal, both attached to a wooden core. The term first occurs in temple inventories in the 2nd cent. BC, later in Vitruvius for colossal statues. The technique can be traced back to the earliest cult idols with clothing and, since the classical period, is often used for cult statues. Numerous descriptions of akrolitha are contrasted by just a small number of preserved fragments, such as…

[German version] (Εὐτυχίδης; Eutychídēs) Sculptor and painter from Sicyon, pupil and son of  Lysippus. His acme was dated to 296-293 BC. His fame is based on the bronze statue ─ known in many replicas and copies ─ of Tyche of Antioch on the Orontes, which he created not long after the city's refoundation in 300 BC. It is one of the keystones for the chronology of Hellenistic sculpture, and was trendsetting in its composition in the round and its iconography of personifications of cities. E.'s work …

[German version] (Φράδμων; Phrádmōn). Bronze sculptor from Argos. Plinius (HN 34,49) gives 420-417 BC as his prime. P. is known primarily for his participation in the competition over the statues of Amazons in Ephesus, among the copies of which the 'Doria Panfili' type (Rome, Galleria Doria Panfili) are attributed without adequate reason to him. Victors' statues by P. were to be seen in Olympia (according to Pausanias 6,8,1), and in Delphi (according to a restored inscription). An inscription in Os…

[German version] Crystalline limestone marble was the preferred stone material in Graeco-Roman sculpture. Marble was partially painted or gilded, otherwise impregnated with a coating of wax and oil ( gánōsis). Coloured marble was used to match the colour of clothing and hair; painted effects were achieved by adding metals to jewellery, weapons, hairpieces and eyes. The term akrolithon is used for elaborate mixed techniques. Stucco was often added to economize with material or time. The proportions of the blocks often called…

[German version] I. General remarks By the modern definition, a portrait is a rendering of an individual person's appearance. Typological and physiognomic characterizations serve this end. However, portraits recognizable as portraits only through their intention or by furnishing a name lack such characteristics. A typological portrait uses canonical features to indicate that its subject belongs to a certain group. A physiognomic portrait guarantees the identification of its subject by reproducing phy…

[German version] Son of Chaeredemus; Attic sculptor from  Rhamnus. On a prosopographical basis, his creative period has been deduced to have been in the early 3rd cent. BC, but by some to c. 320 BC. This is significant for the chronology of early Hellenistic developments in style, as the statue of Themis in the sanctuary of Nemesis at Rhamnus (Athens, AM) is signed by C. Further works are attributed to him by way of style. Neudecker, Richard (Rome) Bibliography J. Marcadé, Recueil des signatures des sculpteurs grecs, 1, 1953, no. 11-12 P. Moreno, Scultura ellenistica, 1994, 168-172 fig. B.…

[German version] As a stone monument with or without inscription, the cippus was used in particular for territorial delineation. Made as a free-standing sculpture, it marked burial sites and was linked as reference to the dead to magical ideas and should not be confused with steles. The basic form was phallic, 30-50 cm high and it was represented in diverse ways especially in Etruria ( Etruscan Archaeology). Mostly onions, spheres or eggs top a pillar or cylinder. Special regional types in the 6th…

[German version] Corinthium aes, according to Plin. HN 34,6-8 an alloy of  copper,  gold and  silver, with an artificial patination that made it gleam like gold. Attempts to identify Corinthian alloy (CA) with so-called ‘black gold’ and ‘niello’ are not convincing, as only a lesser sort of CA was dark in colour. The term CA was always associated with legendary invention, names of old masters, and dubious authenticity. Juridical sources (Dig. 32,100,3), however, distinguish CA from plain bronze, ref…

[German version] Term for attached decorative items representing figures or plants. On bronze vessels of the 7th cent. BC, they are attached as protome (e.g. griffin cauldron). In Hellenistic and imperial times, crustae on tableware are highly valued masterpieces of  toreutics, and also on clothing, luxurious armour such as gladiators' helmets, on horse harness and carriage components. On kline rests ( fulcra), bronze animal protomes can be found, appliqués of ivory on furniture. Wooden sarcophagi in Taranto and south Russia of the 4th cent. BC had relief…

[German version] Cicero called the  Herms of Athena and Hercules, which Atticus had obtained in 67-65 BC for Cicero's Tusculanum (Cic. Att. 1,1; 4; 8; 9; 10), Hermathena and Hermeracles. The bronze heads were set on marble pillars and were considered an appropriate ornamentum for his peristyle, which was compared to the Academia and a gymnasium. These terms are Cicero's creation. Setting up Herms of this type in the gardens of Roman villas became a common practice. Neudecker, Richard (Rome) Bibliography R. Neudecker, Die Skulpturenausstattung röm. Villen in Italien, 1988, 11-18 H. Wr…

[German version] Bronze sculptor from Cyprus in the 5th century BC. He was famous for his statue of a splanchnoptes (Plin. HN 34,19,81), a slave who blows on the fire to roast the entrails at a sacrifice. It was erected on the orders of Pericles [1] as a votive offering after his slave was injured during the building of a temple and miraculously healed. The work does not survive. Neudecker, Richard (Rome) Bibliography Overbeck, Nr. 868-869  P. Moreno, s. v. S., EAA 7, 1966, 535-536.

[German version] (Ἀγοράκριτος; Agorákritos). Sculptor from Paros, master of the high-classical period in Athens. Uncertain attributions to A., his rival  Alcamenes and their teacher  Phidias are reflected in anecdotes of ancient literature, which makes attributing the œuvre difficult. When it came second in a contest with Alcamenes, A. is said to have sold a statue of Aphrodite to a buyer in Rhamnus as one of Nemesis, or that Phidias had one of his own statues signed by A. The signature was discove…

[German version] Archeological technical term for marble plates with illustrations of the Homeric epics (Homerus [1]). The small plates with a height of up to 25 cm are covered on both sides with low reliefs in miniature with accompanying texts. Most of the 22 extant plates refer to the Iliad, one to the Odyssey. The most complete plate, the so-called Tabula Capitolina (Rome, KM), contains parts of the Aethiopís as well. The plates are dated to the early Imperial Period and were all found in Rome. Some are attested to have been produced by T…

[German version] (Φυρόμαχος/ Phyrómachos). Sculptor of Athens, teacher of the painters Heraclides [30] (active 168 BC) and Milon. The written and archaeological traditions, which are controversial, reveal at least the existence of a famed artist who was active under the Attalid kings (Attalus) of Pergamum. The Laterculi Alexandrini (late 2nd cent. BC) place him in a list of artists, and Pliny (HN 34,84) has the same in mind when documenting the sculptors who worked for Attalus and Eumenes. As Pliny only makes a generalized reference to the monumenta Attalidum, it cannot be demonstr…

(Ἀπελᾶς; Apellâs). [German version] [1] Bronze sculptor, 4th cent. BC (Apelleas). Bronze sculptor, son of the sculptor Callicles from Megara. He created the victory monument described by Pausanias for Cynisca, sister of Agesilaus of Sparta, who participated in the Olympic chariot races in 396 and 392 BC. Parts of the base with the epigram handed down in general tradition was discovered; apart from this, the base of a reduced replica of the commemorative statue was also found. Neudecker, Richard (Rome) Bibliography W. Dittenberger, Die Inschr. von Olympia, 1896, no. 160, 634 F. Eckste…

(Ἑρμόλαος; Hermólaos). [German version] [1] Conspirator against Alexander the Great Son of Sopolis, page ( Basilikoi paides) of  Alexander [4], pre-empted the king in the slaying of a wild boar and was humiliatingly punished by him (327 BC). In revenge he hatched a conspiracy among the pages but it failed and was betrayed to the king. The accused, after being tortured, were sentenced to death and stoned with the consent of the army.  Callisthenes, hated by Alexander as an opponent of  proskynesis, was sus…

(Δαίδαλος; Daídalos). [German version] [1] Mythical craftsman, sculptor and inventor Mythical craftsman, sculptor and inventor, his very name belonging to a semantic field indicating objects created by astuteness and skill. In stories he is associated with Athens, Crete and Sicily. Judging from the development of artistic techniques, it is not impossible that the origins of the tradition lie at least partly in Crete, although whether D.'s name can be attested in the Linear B texts is a matter of dispute […

[German version] I. Ancient Near East Architectural sculpture (AS), i.e. figural sculpture integrated into architecture, was in use in the ancient Near East from at least the 15th cent. BC. In northern Mesopotamia and its neighbouring regions to the west, from the 14th cent. on, orthostatic reliefs and guardian figures were worked into entrance gates and archways, and from the 9th cent., sculpted columns and columnar bases as well as human-figure columns or caryatids appeared, generally worked in ston…

(Μνασίτιμος/ Mnasítimos). [German version] [1] Greek painter from Rhodes, later 3rd cent. BC Greek painter from Rhodes (?) of the later 3rd cent. BC (?), mentioned by Plin. HN 35,146 as a rather second-rate painter. Provenance and date can only be inferred by genealogical conclusions from other artists of this name; nothing is known of his work. Hoesch, Nicola (Munich) Bibliography G. Lippold, s.v. Mnasitimos (1), RE 15, 2256f. [German version] [2] Various sculptors from one Rhodes family, 4th to 2nd cents. BC Various sculptors from one Rhodian family. The reconstructed famil…

(Μῦς; Mỹs). [German version] [1] Karian from Euromos, around 480 BC Carian from Euromus, who visited several oracle shrines in Boeotia and Phocis in 480/479 BC on behalf of Mardonius [1]. In the Ptoion mountains the oracle replied to him in the Carian language (Hdt. 8,133-135; Paus. 9,23,6; cf. Plut. Mor. 412b). Beck, Hans (Cologne) [German version] [2] Toreutic sculptor and and fellow artist of Phidias Toreutic sculptor in metal and fellow artist of Phidias. M. executed the shield reliefs on Phidias’s ‘Athena Promachos with a representation of the fight betwe…

I. Egypt and Ancient Near East [German version] A. Egypt Egypt had a long tradition of the two-dimensional portrayal of individual scenes and substantial compositions, initially as paintings on pottery, later as wall paintings and reliefs ( e.g. Narmer Palette, Proto-dynastic Period, c. 3100 BC). At the latest from the time of the Old Kingdom onwards, stone steles could be added to these, erected in association with the cult of the dead (dead, cult of), while the deeds of rulers were depicted in longer scenes on the walls of major build…

[German version] [1] Bronze sculptor of Aegina, 5th cent. BC Bronze sculptor of Aegina. After the victory of Plataeae (479 BC), he created a 4.5 m high statue of Zeus in Olympia. Of a further votive gift, ordered by Praxagoras, only the inscription survived (Anth. Gr. VI 139). Neudecker, Richard (Rome) Bibliography F. Adler, Topographie und Gesch. von Olympia, 1897, 86 F. Eckstein, Ἀναθήματα, 1969, 23-26 Overbeck, no. 433-436 (sources). [German version] [2] Natural philosopher, 5th cent. BC Born in 500 BC in Clazomenae, A. lived in Athens from about 461 BC, where he, in…

(Ἀμφίων; Amphíōn). [German version] [1] Son of Zeus and of Antiope Son of Zeus and of Antiope, daughter of Asopus, twin brother of Zethus (Hom. Od. 11,260-265). He built a wall around Thebes, by enchanting the stones with his lyre-playing (Hes. fr. 182 M-W). A. married Niobe, daughter of Tantalus (Hes. fr. 183). After the death of their children A. attacked the temple of Apollo and was killed by Apollo's arrows (Hyg. Fab. 9). Ovid (Met. 6,271 f.) has him commit suicide, according to Lucian (Salt. 41) he go…

(Πολυκλῆς/ Polyklês). [German version] [1] Athenian councillor 367/6 BC Son of Polycrates from the deme of Anagyrous; Athenian councillor in 367/6 BC (Agora XV,14) and several times trierarch and syntrierarch (IG II2 1609,105 f.; 1611,371; 1622b,238 and 1630,6: again 327/6-325/4 BC). P. did not take over his trierarchy until a long time after the appointed date, for which he was taken to court by Apollodorus [1] in 359 BC (Dem. Or. 50). Engels, Johannes (Cologne) Bibliography Davies, 465 f.  Develin, Nr. 2567  PA 11988. [German version] [2] Sculptor in bronze from Argos, 4th cent. BC Scul…

(Κηφισόδωτος; Kēphisódōtos). [German version] [1] Athenian stratēgós, killed in 405/4 BC in the battle of Aigos Potami Athenian stratēgós, killed in 405/4 BC in the battle of  Aigos Potami or executed afterwards with other Athenian prisoners of war (Xen. Hell. 2,1,16-32; Diod. Sic. 13,105f.; Plut. Alcibiades 36,4; Plut. Lysander 13,1) [1]. Engels, Johannes (Cologne) [German version] [2] Athenian stratēgós, friend of  Charidemus, whom he unexpectedly faced as enemy in 360/59 BC Athenian stratēgós from the Acharnae deme; friend of  Charidemus [2], on whose request he …

(Ἀλκαμένης; Alkaménēs). [German version] [1] of Abydus Greek physician Greek physician of the 5th and 4th cents. BC. According to Aristotle or his student Meno, A. blamed illnesses on the residue of undigested food: presumably, it rises to the head where it accumulates only to be distributed throughout the body as a harmful substance (Anon. Londiniensis 7,42). A. assumed a position contrary to the opinions of Euryphon of Cnidus, who ascertained that the head is less involved in the origin of illnesses. It is not certain whether A. was his student.  Anonymus Londiniensis Nutton, Vivian (…

(Τιμαρχίδης/ Timarchídēs). [German version] [1] Name in an Attic family of sculptors, 2nd cent. BC Frequently occurring name in a 2nd-cent. BC Attic family of sculptors. A T. created an Apollo Kitharoidus in Rome in c. 179 BC, of which copies exist. After 156 BC in Elatea [1], a younger T. and Timocles, sons of Polycles [3], worked on cult images of Asclepius and Athena, of which fragments survive, and a victor statue at Olympia. After 130 BC the same T. and Dionysius [48] created a surviving portrait statue of Ofellius Ferus in …

(Ἠετίων; Ēetíon, linguistically probably not of Greek origin [1]). Name, especially of foreign heroes. [German version] [1] King of the Cilicians in Mysian Thebe King of the Cilicians in Mysian Thebe (Hom. Il. 1,366). His daughter  Andromache told her husband Hector how Achilles killed her father E. and her seven brothers during the conquest of Thebe: Achilles set up a monument for the father. The wife of E. was ransomed but later killed by Artemis (Hom. Il. 6,394-428). Among the booty from the conquest of Thebe was th…

[German version] I. Near East The oldest examples of a developed sculptural technique in stone from the Ancient Near East are from the later 4th millennium BC (Uruk). The most important genres of monuments are free-standing sculpture and relief (stele, rock reliefs, orthostats, obelisks). The material was worked with metal tools and probably hard stone tools. Traces of tools are rarely preserved due to smoothing and polishing of the surface with abrasives. Surfaces could be shaped through the incisio…

[German version] A. General points In Antiquity, as in pre-industrial societies in general, wood was a universally worked material, used even as a substitute for metal and for expendable parts, and beside animal and human muscle power was also the most important source of energy. The tree species and their economic and technical uses are summarized by Theophrastos (H. plant. 5), Vitruvius (2,8,20; 2,9f.) and Pliny (HN. 16). Herz, Peter (Regensburg) [German version] B. Agriculture, crafts, house building Agriculture and industry were to a great extent oriented towards wood…

(Θρασυμήδης/ Thrasymḗdēs). [German version] [1] Son of Nestor and Anaxibia Son of Nestor [1] and Anaxibia (daughter of Cratieus), brother e.g. of Echephron [1] and Peisistratus [1] (Hom. Od. 3,412-415; Apollod. 1,94; Dictys 1,13), father of Sillus and hence grandfather of Alcmaeon [2] (Paus. 2,18,8). T. and his brother Antilochus, who is later killed by Memnon [1] (cf. Q. Smyrn. 2,267-344), set off with 15 ships (Hyg. Fab. 97,5) for Troy (Hom. Il. 9,81; 10,255-259; 14,9-11 et passim; Philostr. Heroicus 26…

(Ἀντήνωρ; Antḗnōr). [German version] [1] Son of Hicetaon or Aisyetes Son of Hicetaon or Aesyetes, Trojan noble. His sons, together with  Aeneas, are leaders of the Trojans (Hom. Il. 2,822). A. is married to the Athena priestess Theano (Hom. Il. 6,299). Because of his justice and wisdom in council he is compared with Nestor; he advises that Helena should be returned (Hom. Il. 7,347 ff.) and observes the law of hospitality with respect to the Greek envoys, Odysseus and Menelaus (Hom. Il. 3,207). From Lycoph…

(Πύρρος/ Pýrr(h)os). [German version] [1] Son of Achilles and Deidamia See Neoptolemus [1] Neudecker, Richard (Rome) [German version] [2] Bronze sculptor from Athens, c. 430 BC Bronze sculptor from Athens. A base bearing P.' signature of a larger than life-size statue on the Athenian Acropolis is dated to c. 430-420 BC and connected with a record of an Athena Hygieia constructed by order of Pericles [1]. Neudecker, Richard (Rome) Bibliography Overbeck, no. 904-906; 869  A. Raubitschek, Dedications from the Athenian Akropolis, 1949, no. 166  L. Guerrini, s.v. Pyrrhos (3), EAA 6, …

[German version] [1] Sculptor whose existence is contested Sculptor whose existence is contested. Pliny (HN 36,35) mentions a work in marble in Rome Venerem lavantem †sesededalsa† stantem, from which the Bithynian name D. is gleaned, an emendation which is largely accepted. This D. is then identified with Daedalus, who according to a Byzantine source created a Zeus Stratios for the Bithynian King Nicomedes. The statue type of that Zeus has not been established with any certainty. The statue of the standing Venus that Pli…

(Λυσίστρατος; Lysístratos). [German version] [1] Tragedian from Chalcis, 1st cent. BC from Chalcis. Tragedian, after 85 BC he was victorious at the Amphiaraia ( Amphiaraus) and Romaia in Oropus. His works are not extant. Zimmermann, Bernhard (Freiburg) [German version] [2] Bronze sculptor from Sicyon Bronze sculptor from Sicyon, brother and collaborator of Lysippus [2]. By making plaster casts of living people, L. is said to have improved the similarity of portraits to their subjects, to have based his work on clay models and to have made…

[German version] [1] Sculptor from Aphrodisias, early 2nd cent. AD (Aristeas). Sculptor from  Aphrodisias [1], who worked in the early 2nd cent. AD. Together with Papias, he signed the dark marble statues of an old and of a young centaur, copies of Hellenistic bronze sculptures, from Hadrian's villa near Tivoli. Neudecker, Richard (Rome) Bibliography H. von Steuben, in: Helbig II, no. 1398 J. Raeder, Die statuarische Ausstattung der Villa Hadriana bei Tivoli, 1983, 236-238 M. Squarciapino, La Scuola di Afrodisia, 1943, 32-34. [German version] [2] of Phlius Tragedian Tragic poet…

[German version] [1] Visionary from  Telmessus (4th cent. BC) Visionary from  Telmessus, in the service first of  Philippus, then of  Alexander [4] the Great; hero of many anecdotes which only report on successful predictions; no further references after the death of  Cleitus. Prophecies of the future success of some of the  Diadochi have turned out to be fabrications. Badian, Ernst (Cambridge, MA) Bibliography Berve 2, no. 117. [German version] [2] Bronze sculptor from Paros, c. 405 BC Bronze sculptor from Paros. To the tripod which the Spartans dedicated in Amyclae fol…

(Εὐφράνωρ; Euphránōr). [German version] [1] Sculptor, painter and art critic in Athens, c. 364-361 BC Important sculptor, painter and art critic ( Art, theory of) in Athens with his acme in 364-361 BC. As paintings the ‘Battle of Mantinea’ (362 BC), the ‘Apotheosis of Theseus’ and ‘Twelve Gods in the Stoa Eleutherios’ are described and ‘Democracy and Demos’ and ‘Odysseus’ are mentioned. E. described his ‘Theseus’ as ‘meat-nourished’ in contrast to the ‘rose-nourished’ one by  Parrhasius. Ancient art critics emphasized the versatility and dignitas of his representation of the …

[German version] [1] Athenian sculptor, c. 490-470 BC (Eύήνωρ; Euḗnōr). Athenian sculptor. Three bases on the Acropolis bear his signature, dating from around 490-470 BC. One of these is linked, not without controversy, to the so-called Angelitus' Athena (Athens, AM Inv. no. 140). Neudecker, Richard (Rome) Bibliography A. E. Raubitschek, Dedications from the Athenian Akropolis, 1949, no. 14, 22, 23. B. S. Ridgway, The Severe Style in Greek Sculpture, 1970, 29-30, fig. 39. [German version] [2] Greek physician Greek physician from Argos in Acarnania; he lived in Athens, a…

(Περίλαος/ Perílaos, Περίλεως/ Períleōs). [German version] [1] Son of Icarius and Periboea Son of Icarius [2] and Periboea [1], brother of Penelope (Apollod. 3,126). According to Peloponnesian legend, P. appeared before the Areopagus as the prosecutor of Orestes [1], rather than Tyndareos, who was already dead (Paus. 8,34,2). Käppel, Lutz (Kiel) [German version] [2] Argive Argive; a statue depicting him in combat with the Spartan Othryades was displayed in the theatre at Argos (Hdt. 1,82; Paus. 2,20,7). Käppel, Lutz (Kiel) [German version] [3] Greek worker in bronze, 6th cent. BC (al…

(Χειρίσοφος; Cheirísophos). [German version] [1] Spartan commander under Cyrus Spartiate; on the instructions of his polis, at Issus in 401 BC he joined the army of the younger  Cyrus with 700 hoplites (Xen. An. 1,4,3; Diod. Sic. 14,19,4f.); after Cyrus' death at Cunaxa C. was sent by  Clearchus to Ariaeus, to offer him the Persian throne (Xen. An. 2,1,4f.). After Clearchus had been imprisoned and put to death, C. received supreme command of the entire remaining army (Diod. Sic. 14,27,1), and led the ret…

(Ὀνάτας; Onátas). [German version] [1] Bronze sculptor from Aegina, 5th cent. BC Bronze sculptor from Aegina, son of Micon. O. was a contemporary of Hegias [1] and Ageladas and one of the most important masters of the Severe Style. None of his numerous works is extant or secured in the form of copies. His signature is found on a pedestal of a bronze horse on the Athenian Acropolis and a pedestal in Olympia, both from the early 5th cent. BC. In Olympia, O. sculpted a votive offering ( anáthēma ) for the Achaeans in around 470-460 BC with Nestor and nine Trojan h…

[German version] I. Introduction Terra cotta (an Italian term meaning 'burnt clay') was the commonest material used for many kinds of ancient utensils, vessels and art objects. In archaeological terminology, it refers to artistically formed objects. As well as free moulding by hand, mass production was also usual, in the Near East (from the 3rd millennium BC) and the Mediterranean (from the 6th cent. BC). A matrix was derived from the patrix (original) to serve as a mould. If the object was made hol…

(Ἀριστίων; Aristíōn). [German version] [1] Epicurean philosopher, ' Tyrant' of Athens (88-86 BC) Epicurean philosopher, who, in 88 BC, became very influential in Athens with the help of  Mithridates VI (‘Tyrant’). In order to win the Greeks over to Mithridates, A. supported  Archelaus, e.g. in the battle against the proquaestor Q. Braetius Sura at  Chaeronea. In the spring of 87 BC, he retreated from  Sulla back to Athens. The city fell on 1 March 86 BC; A. managed to hold out on the Acropolis for a short w…

(Κωλώτης; Kōlṓtēs). [German version] [1] Sculptor from Heraclea in Elis Sculptor from Heraclea in Elis. C. was a pupil of  Phidias, and worked together with him, e.g. on the Zeus at Olympia. He worked principally in gold and ivory. In gold-ivory C. created an Asclepius in Kyllene and, according to Pliny (Plin. HN 35,54), an Athena in Elis, which according to Pausanias (Paus. 6,26,3), however, was attributed to Phidias; as this Athena's shield is said to have been painted by  P…

(Ἑρμοκλῆς; Hermoklês). [German version] [1] From Cyzicus, poet of paeans (amongst other things), c. 300 BC From Cyzicus. Around 300 BC author of  paeans on  Antigonus I and  Demetrius [2] Poliorcetes [4] (lost) and an ithyphallos on the latter [1; 2] (fully extant). Addressing traditional religious poetry no longer only to gods but also to rulers was in keeping with the general common practice of the Hellenistic ruler cult [3]. Käppel, Lutz (Kiel) Bibliography Editions: 1 CollAlex 173-175 2 D. Ebener, Griech. Lyrik, 21980, 426 (Ger. trans.). Bibliography: 3 C. Habicht,…

(Βούτης; Boútēs). [German version] [1] Attic hero …

(Ἀγασίας; Agasías) [German version] [1] Lochagos in the mercenary army of the younger Cyrus From Stymphalus. Lochagos in the mercenary army of the younger Cyrus, friend of Xenophon, who praises A. for his courageous demeanour, bravery in battle and resolute advocacy for his own soldiers (cf. especially Xen. An. 6,6,7 ff.). Meier, Mischa (Bielefeld) [German version] [2] Sculptor from Ephesus, 1st cent. BC Son of Menophilus, sculptor from Ephesus. In the early 1st cent. BC, created portrait statues for Romans in Delos and in Tenos, according to base inscriptions, two bronze groups with the battle of Eros and Anteros in the presence of Nike, whic…

Roman family name, attested since the 2nd cent. BC [1. 189-203]. Several artists belonged to this gens. [German version] [1] Architect mentioned by Vitruvius The  architect C., whom Vitruvius (7, praef. 15ff.) called a civis romanus…