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1. DefinitionLike the sacral building itself (Church architecture), the church interiors in early modern Europe were all clearly recognizable as Christian. The most important features were the altar (or a table replacing it; see Altar design), font, and pulpit or lectern; from the late Middle Ages on, there was also an organ (initially in the larger churches, in the 19th century even in the smallest village churches; Organ music), as well as movable or permanent seating, e.g. choir stalls in mona…

1. Introduction Theological and pastoral concepts continued to define early modern Church architecture that had shaped Christian sacral architecture since its very earliest days. The church was a meeting-place for the congregation that had to fulfill a function as the real venue and crucible of the divine service (Worship). Spatial forms and fittings had to support liturgical procedures and make their content available to experience. Still, changing cultural parameters and profound religious and c…

1. Introduction 1.1. Concept and historical backgroundReligious iconography in the current sense is the study of the meanings of religious images and, as distinct from profane iconography, refers generally to engagement with the content of works of art on religious themes. It also denotes the method for studying the content of the religious images found in (mostly Christian) early modern Europe (“Christian iconography”; but see also Islamic art and architecture).Christian-themed art underwent profound structural changes in the early modern period. For the Greek …